Home » The PARIS Forums » PARIS: Main » Heads up on the APEX210 ribbon mic
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| Re: Heads up on the APEX210 ribbon mic [message #60264 is a reply to message #60261] |
Tue, 15 November 2005 08:13   |
Neil
Messages: 1645
Registered: April 2006
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Senior Member |
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ailto:1@linux..." target="_blank">1@linux...
>
> I just had to chime in on the ribbon mic issue.
> Thanks to someone's recommendation here (I can't remember who),
> I thought I would give a 46L a try, considering the glowing
> reviews and the great prices at Shiny Box.
>
> I used the 46L on my soprano sax. Now, one of the reasons I
> started getting involved in recording in the first place was the
> frustraton I experienced whenever I played soprano in the
> studio. It always sounded thin- and then I learned about mic
> technique, and could get the occasional engineer to mic from the
> side as well as on the bell. That was better, but until I
> shelled out 700 bucks for an SD System set-up, it wasn't great.
> Until now, I would use the SD double-side-mic system, plus put
> a Rode Classic mic on the bell. That's 3 mics, $2000.
>
> I used the 46L about a foot off the bell, with the SD system as
> well. I was absolutely blown away, and then I realized my
> brilliant oversight: I FORGOT TO TURN ON THE SD MIC!!! The
> gorgeous, full, detailed, soaring sound I heard was one $300 mic
> on the bell!
>
> The Shiny Box 46L has done what I have never heard done before.
> I ca
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| Re: Heads up on the APEX210 ribbon mic [message #60273 is a reply to message #60264] |
Tue, 15 November 2005 09:57 |
Tony Benson
Messages: 453
Registered: June 2006
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Senior Member |
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time I am on the forum I forget to
ask
>> and every time i need to use this function I'm too busy to get on the
>> forum...
>>
>> WHY CAN'T I SOLO MORE THAN THREE TRACKS AT A TIME?
>>
>> seems really silly...is this a really simple .cfg answer here?
>
>I've been using a Beyer M160 on my cello live for years. Have to
EQ the dickens out of the low end, but it can work. The Royer is
better for studio work, but it has soooooo much proximity effect
it hasn't worked for me live.
"Chris Lang" <yo@yo.yo> wrote:
>
>I just had to chime in on the ribbon mic issue.
>Thanks to someone's recommendation here (I can't remember who),
>I thought I would give a 46L a try, considering the glowing
>reviews and the great prices at Shiny Box.
>
>I used the 46L on my soprano sax. Now, one of the reasons I
>started getting involved in recording in the first place was the
>frustraton I experienced whenever I played soprano in the
>studio. It always sounded thin- and then I learned about mic
>technique, and could get the occasional engineer to mic from the
>side as well as on the bell. That was better, but until I
>shelled out 700 bucks for an SD System set-up, it wasn't great.
>Until now, I would use the SD double-side-mic system, plus put
>a Rode Classic mic on the bell. That's 3 mics, $2000.
>
>I used the 46L about a foot off the bell, with the SD system as
>well. I was absolutely blown away, and then I realized my
>brilliant oversight: I FORGOT TO TURN ON THE SD MIC!!! The
>gorgeous, full, detailed, soaring sound I heard was one $300 mic
>on the bell!
>
>The Shiny Box 46L has done what I have never heard done before.
>I can't wait to try it on other stuff.
>
>Thanks to the thoughts all of you share in this group, I'm
>starting to do some good work- in this case, simply hitting
>the red button.
>
>Do any of you dare to use ribbons live, considering their
>fragility? Just wondering...
>
>Peace,
>
>chrisThis is a multi-part message in MIME format.
------=_NextPart_000_009C_01C5E9EE.2249D740
Content-Type: text/plain;
charset="iso-
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| Re: Heads up on the APEX210 ribbon mic [message #60341 is a reply to message #60273] |
Wed, 16 November 2005 23:08 |
Nei
Messages: 108
Registered: November 2006
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Senior Member |
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gt;sturdy other than the knobs on the front which are cheap and plastic, but
>hey so long as they work. Hopefully they wont break.
>
>Tonight I'm going to have to go out and go shopping and get something to
>cook on it. Give her a good oilin' and get the smoke happenning. ;o)
>
>There's something about looking at a brand new BBQ that just makes you go
>"Right there is a future filled with enjoyable moments". :o)
>
>Just thought I'd share the joy. :o)
>
>Cheers,
>Kim.did you activate all the I/O's in the option window? i'm assuming
it's the same for cubase as nuendo when setting up your I'O's.
On 17 Nov 2005 02:33:10 +1000, "Mike Kay" <krafty@magma.ca> wrote:
>
>Greetings. I have a Motu 828 MKII, and up till now it has been working fine.
>Yesterday I purchased a Digimax LT, hooked up to the Motu through the adat
>lightpipe. To get more inputs channels.
>
>I do get an output using the Digimax and the Motu, the problem is that the
>input appears on 6 channels. I'm using nuendo software, and something strange
>is happening with routing.
>
>I decided to bypass the computer totally, and input just on the Motu input
>(guitar in 2), and even on this setup, I'm getting input on that channel,
>plus input 1 and 2. Well according to the input lights I am.
>
>No idea here what's going on. Why would I get multiple inputs with only
>one input active. ROUTING!
>
>If you have any ideas, it would be most appreciated.
>
>Also, what's the connection between Cumix Console and the routing in DAW
>software. Does one supercede the other?
>
>Thanks in advance.Hmmm, closing the editor or any other windows or even the project doesn't
help. Closing Paris is the only thing that works for me with XP and 2.2. I
can move the now line with the move option but still won't play.
Thanks,
Edna
"Kim W." <no@way.com> wrote in message news:437bf64c$1@linux...
>
> If it is what I think it is, this is a known bug.
> No need to restart paris, just close the editor window(s),
> and reopen. I find this lockup happens when you click in the blank
> area below the blue smpte time ruler at the bottom of the editor
> window.
> Resize so that this blank area is not visible, and you won't have this
problem.
> Kim
>
> "Edna" <edna@texomaonline.com> wrote:
> >
> >
> >As I'm messing around the now line will stop responding to both the c16
> =
> >and the transport. Nothing seems to be able to start it again w/o =
> >shutting down paris. ??
> >
> >
> ><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> ><HTML><HEAD>
> ><META http-equiv=3DContent-Type content=3D"text/html; =
> >charset=3Diso-8859-1">
> ><META content=3D"MSHTML 6.00.2600.0" name=3DGENERATOR>
> ><STYLE></STYLE>
> ></HEAD>
> ><BODY bgColor=3D#ffffff>
> ><DIV><FONT size=3D2>As I'm messing around the now line will stop =
> >responding to=20
> >both the c16 and the transport. Nothing seems to be able to start =
> >it again=20
> >w/o shutting down paris. ??</FONT></DIV></BODY></HTML>
> >
> >
>Damn!!!!..........now that's what you call an extreme interpretation of the
assumption of an immediate performance clause in a verbal contract.
............so what's your user name and password???? I'm not at all sure I
want to join. I might become contractually obligated
;op
"rick" <parnell68@hotmail.com> wrote in message
news:9amon19n09qt8ck39li46g9n1rvu8endga@4ax.com...
> and you cook too. now get your ass to www.domenow.com
>
> On 17 Nov 2005 09:27:33 +1000, "Kim" <hiddensounds@hotmail.com> wrote:
>
> >
> >How wonderful it is to have a brand spanking new BBQ!! :o)
>
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