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Re: When good IF-2's go bad [message #58228 is a reply to message #58227] |
Thu, 15 September 2005 13:55 |
Deej [1]
Messages: 2149 Registered: January 2006
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Senior Member |
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NeilThat's piano 101?
Here I was expecting "Where's middle C"? ;o)Well, i dont know what the white-coated dudes did, but I always
liked a c-414 over the low wires and another over the highs.
As for vox mic... whatever works with the singers' voice... how
much more simple could it be? Brushed-only snare? Stick a nice
condensor into a clean mic pre a foot or so away & see what you
get... adjust distance as necessary.
Neil
Chas. Duncan <duncan5199@SPAMLESSsbcglobal.net> wrote:
>Okay group, your thoughts please: Grand piano, with vocal... Best
>ideas for the killer sound... Nobody else in the room 'cept maybe a
>little stand up bass, occasional snare with a brush on it over in the
>corner.(nice sounding room)... How did the white coat lads approach
>this in ye olden days? Preferred mics, placement, signal path, all
>that good stuff. Music is sparse jazzy piano vocal -- need that thing
>to be capital G gorgeous...
>
>Any and all suggestions gratefully accepted -- Chas.
>
>Take the lid off. KM84's spaced stereo pair, about 18-24 inches
apart, right over the hammers. Good, short cables. preamp right
there on the floor. Use
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