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Win XP to Mac transfer question! [message #58789] Thu, 06 October 2005 05:30 Go to next message
Gantt Kushner is currently offline  Gantt Kushner   UNITED STATES
Messages: 545
Registered: June 2006
Location: Silver Spring, Maryland, ...
Senior Member

nother reason fkor the problem.
> I have a hard time believing that this mobo just doesn't like "black" rack
> drives.
> RodI'm sure that Mike will do this for you if you pay me $1000.000.

;O) arf arf!!!.....kiddin'!!!!.......just kiddin.

Last I heard


Gantt Kushner
Gizmo Recording Company
Silver Spring, MD
www.gizmorecording.com
Re: Win XP to Mac transfer question! [message #58806 is a reply to message #58789] Thu, 06 October 2005 12:36 Go to previous messageGo to next message
excelav is currently offline  excelav   
Messages: 2130
Registered: July 2005
Location: Metro Detroit
Senior Member
y around.

David.

James McCloskey wrote:

> I believe, you can't open 2.2 Paris files in 3.0. I think you would have
> to export individual track/files and bring them back in to Paris 3.0.
>
> James
>
>
> Gantt Kushner <gizmo@his.com> wrote:
>
>>I have a project coming in that was recorded in Paris 2.2 on a
>>Win XP machine. I run Paris 3.0 on a G4 Mac. If he brings
>>me a firewire drive w/ his project on it will my machine "see" it?
Re: Win XP to Mac transfer question! [message #58811 is a reply to message #58806] Thu, 06 October 2005 13:04 Go to previous messageGo to next message
EK Sound is currently offline  EK Sound   CANADA
Messages: 939
Registered: June 2005
Senior Member
ashers I never has any problems
>like this before I got my PC.Got an old 9600 thats still kicking
>it after all these years.Sorry had to rant a little;I know these
>probs can happen to anyone on any machine at anytime.
> Was it Rick who had the looong Apple saga?
>
>Tune in tommorrow......
>
>Petegolly beave...

On Thu, 6 Oct 2005 10:08:41 -0600, "DJ"
<animix_spam-this-ahole_@animas.net> wrote:

>I'm sure that Mike will do this for you if you pay me $1000.000.
>
>;O) arf arf!!!.....kiddin'!!!!.......just kiddin.
>
>Last I heard, Mike had retired from modding other mikes because he said he
>needs more time to work on himself.
>
Re: Win XP to Mac transfer question! [message #58813 is a reply to message #58811] Thu, 06 October 2005 13:14 Go to previous messageGo to next message
Gantt Kushner is currently offline  Gantt Kushner   UNITED STATES
Messages: 545
Registered: June 2006
Location: Silver Spring, Maryland, ...
Senior Member

.net> wrote:
>> >Well......hmmmmm. I don't own and have little experience with the U47.
>I've
>> >used one a couple of times. I though it was very flattering to to
>> >male,/female vocals and bass cab/upright which were the only things I
>have
>> >ever used it on.
>> >
>> >About 4 years ago, Mike Claytor read the TapeOp article by David Royer
>and
>> >put one of these mics together. I ended up with it on a loan and used it
>> on
>> >a female vocalist in a demo session. On her voice, it had that same rich
>> >velvety vibe that I remembered about the U47. I have used it on male
>> >vocalists as well. I liked it so much that I bought another one that Mike
>> >made. These mics are point-to-point wired through perfboard with Peluso
>> >capsules so this may set them apart from the Mojave mics which are most
>> >likely designed around prefab PCB's like the later Royer kits. I also
>don't
>> >know anything about the c


Gantt Kushner
Gizmo Recording Company
Silver Spring, MD
www.gizmorecording.com
Re: Win XP to Mac transfer question! [message #58815 is a reply to message #58813] Thu, 06 October 2005 14:10 Go to previous message
EK Sound is currently offline  EK Sound   CANADA
Messages: 939
Registered: June 2005
Senior Member
gt;> >he used a Sony C800G on her voice and how this picked up every nuance.
>The
>> >Gemini has this kind of low level detail. The C800G is a $5k microphone.
>> At
>> >first I was a bit put off by the Gemini because it's so heavy. You need
>> a
>> >moose of a mic stand to support it. I use a big Atlas boom. If you decide
>> on
>> >one of these make sure you've got the infrasturcture to use it.
>> >
>> >I love them both. They have both done justice to vocals and instruments
>> (the
>> >Gemini can be an awesome guitar mic when placed about 2' from the guitar
>> due
>> >to it's high output and detail-the Mojave usually gets the nod on upright
>> >bass) If I want to get the *breathy thing* going with a femme vocalist,
>> I
>> >reach for the Gemini. Since the Gemini covers about 95% of what the
>Movaje
>> >does tonally, it might be a more versatile piece, especially since the
>tubes
>> >can be swapped out to taste.
>> >
>> >Both of these smoke my Stephen Paul U87 for vocal tracking. It's hard to
>> >admit it, but I just keep the Stephen Paul mic around here these days to
>> >impress people. It's a beautiful and very *true* sounding mic and it
>still
>> >gets used a lot on instrumental dubs but it seldom gets the nod on a
>vocal
>> >session after a singer has heard their voice on the Gemini or Mojave.
>> >
>> >Also, I'd say that though the Gemini is manufactured in Shanghai, don't
>> let
>> >that worry you at all. This thin
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