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Current value audio gear [message #56956] Wed, 17 August 2005 15:52 Go to next message
Brandon is currently offline  Brandon   UNITED STATES
Messages: 49
Registered: June 2005
Member
fartin' at you if inaudible LF energy within their
>frequency range capabilities is too high. Sounds like what you need is
Re: Current value audio gear [message #56957 is a reply to message #56956] Tue, 16 August 2005 15:52 Go to previous messageGo to next message
Deej [1] is currently offline  Deej [1]   UNITED STATES
Messages: 2149
Registered: January 2006
Senior Member
r /> a
>graphic EQ. If you're trying to mix to suit the masses of teeny speaker
>users, the Waves MaXXBass is a cool tool to get this stuff under control
>(though personally, I think it's cooler to watch tiny bits of smoking
>speaker cone go flying out of the grilles of laptops. ;o)
>
>"Cujo" <chris@nospamapplemanstudio.com> wrote in message
Re: Current value audio gear [message #56959 is a reply to message #56956] Tue, 16 August 2005 15:54 Go to previous messageGo to next message
justcron is currently offline  justcron   UNITED STATES
Messages: 330
Registered: May 2006
Senior Member
else notice that the graphical interface if the EQ is somewhat
>misleading.
>>
>> For instance the highpass seems to leave a bunch of low stuff int
>here..but
>> the graphic looks like it is cutting everything.
>>
>> Are there any more "accurate" eq's out there..Say I want to cut evrything
>> under 90hz..it it could make a hard cut there with out a slope?
>>
>>
>
Re: Current value audio gear [message #56960 is a reply to message #56959] Wed, 17 August 2005 16:12 Go to previous message
Brandon is currently offline  Brandon   UNITED STATES
Messages: 49
Registered: June 2005
Member
r /> >I've never found prepal to be very current. eBay has sorta become the defacto
price guide these days. Some pawnshops are even using average eBay sales
prices instead of the old "bluebook" system.

MC



"Brandon" <brandon_goodwin@REMOVETHISsbcglobal.net> wrote:
>prepal.com
>
>
>
>"justcron" <justcron@hydrorecords.compound> wrote in message
>news:43026eb7@linux...
>> homie can you fix your clock pleeeeze :)
>>
>> "Brandon" <
Re: Current value audio gear [message #56966 is a reply to message #56960] Tue, 16 August 2005 16:46 Go to previous message
Mike ClMike Claytor is currently offline  Mike ClMike Claytor
Messages: 52
Registered: July 2005
Member
r /> >>>
>>>>TIA for the enlightenment.
>>>>
>>>>;o)
>>>>
>>>>Deej
>>>>
>>>>Deej
>>>>
>>>>
>>>i am looking into musicpro insurance http://www.musicproinsurance.com




"cujo" <chris@applemanstudio.com> wrote in message news:430275a0$1@linux...
>
> brandon, I had this problem as well.
> There is aguy who sends me a flyer all the time. he advertises in Mix Mag.
> His rates are not too bad, but there is some sort of 1000.00 dollar
> deductable.
> So if one say in channele Great river neve got ripped and that is all,
> you;d
> still be screwed. One good thing is that there is liablitly coverage, so
> if someone got hurt in your studio, you'd be covered in case of a law
> suit.
> I miss trust insurance companies so much though., it always seems that
> when
> you need to be covered, they find away around it. I'll get you his name if
> I can fi
Re: Current value audio gear [message #56971 is a reply to message #56960] Tue, 16 August 2005 18:24 Go to previous message
justcron is currently offline  justcron   UNITED STATES
Messages: 330
Registered: May 2006
Senior Member

> > Cheers,
> >
> > TC
> >
> >
> > Martin Harrington wrote:
> >> Pentium processors, probably give more hassal free service than the
> >> equivalent AMD version with Paris.
> >> AMD work but there seems to be more tweeking involved to get a stable
> >> system.
>
>I have way too many things to tweak already. Thank God for convolution
reverbs. I have the GigaStudio on an adjacent computer and use the
GigaPulse reverb as an external unit to put live tracks in a space (mostly
brass, strings, chorale & percussion) and it really does put them into a
soundstage that can't be acheived by sending a signal down an effect bus and
mixing it back in. The tracks need to be bounced back to Paris (stereo) and
time compensated, but with my set up it's fairly routine.

RZ
"gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
news:43017d6c$1@linux...
>
> "DJ" <

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Re: Current value audio gear [message #56972 is a reply to message #56966] Tue, 16 August 2005 18:27 Go to previous message
justcron is currently offline  justcron   UNITED STATES
Messages: 330
Registered: May 2006
Senior Member
#64;animas.net" target="_blank">animix_spam-this-ahole_@animas.net> wrote:
> >I'm needing to get pretty anal retentive with this stuff these days...
> >Deej
> >
>
> Well.
> I have worked with many producers and mix engineers over the years that do
> sweat the details, including sound stage.
> M/S.
> Binaural.
> X/Y.
> These exist because people consider the stereo imaging and sound stage
important.
> Obviously this is not the most critical issue in typical, modern, radio
driven
> productions, but that does not equate to being meaningless.
> I love recording in true stereo (primarily M/S) whenever it seems
appropriate.
>
> Trying to control the sound stage "after the fact" is a completely
different
> animal but again, the details do add up.
> I have been playing around a little with GigaPulse, the convolution reverb
> that comes with Giga3, and now available separately. With multiple
instances,
> you can create a very controlled and convincing 3D soundstages that you
actually
> can adjust during mixdown. This reminds me a little of using the Calrec
Soundfield
> (the ultimate mic for post recording control of sound stage.)
>
> The new generation of hardware and software phase correction systems also
> opens up new possibilities. As an example: If you record a small acoustic
> ensemble with M/S, you should be able to add spot mics and "correct" the
> phase relationship after the fact. I have not had a chance to try this
yet,
> but I hope to soon.
> (PhaseTone from Tritone is out now and free.)
>

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Re: Current value audio gear [message #56973 is a reply to message #56971] Tue, 16 August 2005 18:29 Go to previous message
Rob Arsenault is currently offline  Rob Arsenault   CANADA
Messages: 152
Registered: September 2005
Senior Member
ww.tritonedigital.com/products.htm" target="_blank">http://www.tritonedigital.com/products.htm
> Gene
>Looks like a great machine. Let me know how it works, maybe I'll buy one.

RZ

"Spappy" <Spappy122@yahoo.com> wrote in message news:43016fd0$1@linux...
> Anyone see anything here that would be a problem for Paris 3.0?
>
> Either:
> Athlon 64 3500+ 2.2 GHz 512KB cache
> or
> Athlon 64 4000+ 2.4 GHz 1MB cache
>
> Asus A8N-SLI mobo w/ 800+ MHz FSB
> 1 GB RAM 400 MHz
> GeForce 256MB dual head vid card
> (2) 200 GB Maxtor 7200 RPM ATA-133 hd
> Plextor SATA DVD-RW
> MS Win XP Pro
> 450watt power supply
> dual 17" Flat panels
>
> Spappy
>
>"RZ" <pearlmusic@sbcglobal.net> wrote:
>I have way too many things to tweak already. Thank God for convolution
>reverbs. I have the GigaStudio on an adjacent computer and use the
>GigaPulse reverb as an external unit to put live tracks in a space (mostly
>brass, strings, chorale & percussion) and it really does put them into a
>soundstage that can't be acheived by sending a signal down an effect bus
and
>mixing it back in. The tracks need to be bounced back to Paris (stereo)
and
>time compensated, but with my set up it's fairly routine.
>
>RZ

I’m looking forwa
Re: Current value audio gear [message #56984 is a reply to message #56956] Wed, 17 August 2005 02:27 Go to previous message
rick is currently offline  rick   UNITED STATES
Messages: 1976
Registered: February 2006
Senior Member
>>>>
>>>>in
>>>>
>>>>
>>>>>general, as follows:
>>>>>
>>>>>1. If I'm using a stereo reverb, since the performer is stage left at
>>>
>>>pan
>>>
>>>
>>>>>position 60, I would pan the reverb return to stage right 60 and set
>
&
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