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Heritage instrument/studio insurance-Anyone have any experience with them? [message #58918]

Mon, 10 October 2005 09:32

Pete Ruthenburg

Messages: 127
Registered: June 2005

Senior Member

mework...
> >Regards,
> >Dimitrios
> >
> >
> >
> >
> >
>I just bought a used (modem-less) Mac G4 to dedicate to Paris. It's been years
since I first installed Paris 3.0 o

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Re: Heritage instrument/studio insurance-Anyone have any experience with them? [message #58923 is a reply to message #58918]

Mon, 10 October 2005 10:39

Cujjo

Messages: 325
Registered: June 2007

Senior Member

>Dimitrios
>
>
>
>
>

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<META http-equiv=3DContent-Type content=3D"text/html; =
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Dimitrios,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>You a powerhouse of information!  =
Your work=

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Re: Heritage instrument/studio insurance-Anyone have any experience with them? [message #58925 is a reply to message #58923]

Mon, 10 October 2005 10:47

Pete Ruthenburg

Messages: 127
Registered: June 2005

Senior Member

ung FREE plugins =
for Paris,
>link: http://www.kvraudio.com/get/1433.html
>Senderella newest version has a redirect option so you can send the =
signal
>and not hear (or hear) the dry signal if you want.
>It has 64 bussses ! nad now saves its condition and prest (the =
version
>before could not) after saving your song.
>
>2. Senderella works across submixes ! but the latency in beetween =
submixes
>has to be taken into consideration.
>
>3. So possible uses are
>a} Use your favorite DX/VST/UAD1/POWERCORE /EXTERNAL DEVICE reverb =
as abuss
>with senderella.
>You occupy two Paris audio tracks for your reverb return using =
16bit (24bit
>works too) silence paf file.
>Here you can create a long 5 minute file or bigger and have it in =
handy
>anytime you want it.
>b) Use your favourite compressor VST/DX/UAD!/POWERCORE/EXTERNAL for =
buss
>compression.
>
>4. On both uses the method is around the same.
>
>5. Senderella although showing up as it is in Paris as vst does not =
let
the
>audio pass the plugin, It stops in senderella so only WET signal =
can be
>send.
>this is useful only for bussing say dsrumtracks to a cmpressor and =
not need
>to have also the dry tracks playing.
>In that situation no wr

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Re: Heritage instrument/studio insurance-Anyone have any experience with them? [message #58935 is a reply to message #58925]

Mon, 10 October 2005 11:53

Cujjo

Messages: 325
Registered: June 2007

Senior Member

>http://vincent.burel.free.fr/download/ffx4_FullDemo3.zip
> > >NOTE: FFX-4 wraps/chains ONLY DX plugins whereas Chainer wrapps/chains
> only
> > >VST
> > >HINT: From inside Chainer you can use FFX-4 so have chainer to wrap DX
> and
> > >VST....
> > >
> > >13. FFX-4 also has a low 4096 samples latency for UAD plugz. If you
think
> > >that is big note that FXpansion wrapper that you guys were using gives
> 16384
> > >samples of latency !!
> > >
> > >14. So you wrap senderella with Spinaudiolite.
> > >
> > >15. You put senderella on the audio tracks you wanna send to a reverb,
> put
> > >the send volume accordingly and redirect (full to the right) because
> > >Spinaudio mixes two times the sound of the track)
> > >
> > >16. On audio tracks 15 and 16 you put two 16bit empty long files (5
> minutes
> > >or more,whatever)
> > >17. On track 15 you open as STEREO the senderella again (spinaudiolite
> > >wrapped) and put senderella as receiver .
> > >Then on next native slot you open FFX-4 on track 15 as STEREO again.
> > >
> > >18. You open from inside FFX-4 a UAD1 reverb or any other DX reverb
(like
> > >DSPFX)
> > >If you put UAD1 rvereb you get 4096 latency.
> > >If you put a DX reverb you probably will get 0 latency !!, so no
> > >compensation needed at all.
> > >It ius like having AUX with DX effect for Paris !
> > >
> > >19. Now if you insist of using a UAD1 plugin reverb, the to compensate
> you
> > >do the following:
> > >
> > >You nudge ALL YOUR TRA

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Re: Heritage instrument/studio insurance-Anyone have any experience with them? [message #58938 is a reply to message #58935]

Mon, 10 October 2005 12:20

Pete Ruthenburg

Messages: 127
Registered: June 2005

Senior Member

;paris keepers" file. =20
MR

"Dimitrios" <musurgio@otenet.gr> wrote:
>Ok,
>Due to the many posts that maybe misleading if you don't follow =
all of them
>in the right order I decided to summarize what I know regarding =
senderella
>and its use with Paris .
>
>1. Use inside Paris.cfg at the top the string =
EDSTransfer=3D8,16 =20
You
>could use 8,8 but this has problems with audio streaming. The =
8,16 seems
>like the magical number, remember I tried them all....
>This is needed because then Senderella works realtime NO LATENCY =
as a buss
>inside Paris.
>Senderella seems like the greatest discovery amoung FREE plugins =
for Paris,
>link: http://www.kvraudio.com/get/1433.html
>Senderella newest version has a redirect option so you can send =
the signal
>and not hear (or hear) the dry signal if you want.
>It has 64 bussses ! nad now saves its condition and prest (the =
version
>before could not) after saving your song.
>
>2. Senderella works across submixes ! but the latency in beetween =
submixes
>has to be taken into consideration.
>
>3. So possible uses are
>a} Use your favorite DX/VST/UAD1/POWERCORE /EXTERNAL DEVICE =
reverb as abuss
>with senderella.
>You occupy two Paris audio tracks for your reverb return using =
16bit (24bit
>works too) silence paf file.
>Here you can create a long 5 minute file or bigger and have it in =
handy
>anytime you want it.
>b) Use your favourite compressor VST/DX/UAD!/POWERCORE/EXTERNAL =
for buss
>compression.
>
>4. On both uses the method is around the same.
>
>5. Senderella although showing up as it is in Paris as vst does =
not let
the
>audio pass the plugin, It stops in senderella so only WET signal =
can be
>send.
>this is useful only fo

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