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footswitch? [message #60440] Sat, 19 November 2005 10:52 Go to next message
Edna Sloan is currently offline  Edna Sloan   UNITED STATES
Messages: 304
Registered: October 2005
Senior Member
to heavy filtering as
a
> result ) you might hit me up at the email address I provided to you in our
> previous emails. Bel
Re: footswitch? [message #60453 is a reply to message #60440] Sun, 20 November 2005 02:09 Go to previous messageGo to next message
Aaron Allen is currently offline  Aaron Allen   UNITED STATES
Messages: 1988
Registered: May 2008
Senior Member
r /> >> Nope, but I plan to soon. My studio is getting busy. We've got three
>> projects coming up that will require live drums and I'm going to try to
>get
>> Steve Dejka in here for all three sessions. He's a local guy, but a great
>> session player with an exceptional GMS kit. It's a pain in the butt to
set
>> up and track drums so after the first of the year I'm gonna have to either
>> start charging more for my studio time so I can cut back on my day job
or
>> ...........I don'
Re: footswitch? [message #60457 is a reply to message #60453] Sun, 20 November 2005 07:34 Go to previous messageGo to next message
Edna Sloan is currently offline  Edna Sloan   UNITED STATES
Messages: 304
Registered: October 2005
Senior Member
gt;Oh........and BTW, I'm expecting great things from these SE3 mics on
OH's.
> >The large capsules in these really make a difference in getting more
> >frequency range out of the source while still achieving plenty of off
axis
> >rejection so that focus is still preserved.
> >
> >I've got a bunch of these mics here now on demo.
> >They are stacking up to be the equal, if not superior to my German mics.
> I'm
> >really liking the Titan better than my U87 (a Stephen Paul 87). I didn't
> >expect this to happen. What's driving me absolutely nuts is that I can't
> >afford to buy them all and still keep my current mic locker intact and
the
> >way I do things around here is to experiment exensively with different
> >mic/preamp/source combinations so I've got a pretty good idea of how
what
> >I've got will wo
Re: footswitch? [message #60460 is a reply to message #60457] Sun, 20 November 2005 09:16 Go to previous messageGo to next message
Deej [1] is currently offline  Deej [1]   UNITED STATES
Messages: 2149
Registered: January 2006
Senior Member
release and a 4dB boost
at 20kHz if the output of the 737 is routed to aqn SPL de-esser set to
cancel some of the spit that this unit seems to create due to the tubeyness
of the circuitry. Lots of air now without sounding processed.

JoeMeek VC-1 is a killer rythym guitar processor. Using subtractive EQ to
cut the mud a bit and then compressing the track while dialing in some
sparkle on the top end with the exciter circuit can give the guitar an
almost 12 string fullness while cutting through a mix..

Distressors are monstrous on acoustic lead.......handle with care.

SPL Transient Dsigner on electric bass, kick and snare. Punchy, punchy
punchy...just make sure you've got your levels in check because a lot goes a
long way, you can get used to it and then not notice the holes you are
punching in the back walls of the control room until it's too late ;o)

Demeter HC-1 opto comp on second bass track with HP filter so that the LF
isn't being squashed really creates *smooth meat* in upper fundamentals to
complement punchy, punchy, punchy provided by SPL TD.

Paris EQ on panned hats with Focusrite RED compressor......always wonderful

Paris nonlinear reverb on compressed snare.....also wonderful

Sony V77 on aux of drum submix with the *Drum Room*
Re: footswitch? [message #60475 is a reply to message #60460] Sun, 20 November 2005 15:38 Go to previous messageGo to next message
Edna Sloan is currently offline  Edna Sloan   UNITED STATES
Messages: 304
Registered: October 2005
Senior Member
/> >
> I'm wondering if, maybe, the power in my new neighbourhood is a little in
> consitant, and there's some protection circuit in the UPS kicking in and
> out. It doesn't appear to affect operation. The UPS, for example, doesn't
> start beeping as it does when the power actually shuts off (which it used
> to do at random sometimes at the last place). Also, it seems there are
times
> when it will do it a lot, and times when it does it very little, or not at
> all. This morning it was doing it almost constantly... like every 15
seconds
> or so, but yesterday at one point I listened for a few minutes and it
didn't
> do it at all.
>
> Just wondering if anybody has any idea what it might be. All functions,
including
> the phone line filter, seem to be working fine.
>
> Any clues anyone?
>
> Cheers,
> Kim.can't wait for your 75th

On Sun, 20 Nov 2005 13:54:08 -0700, "DJ"
<animix_spam-this-ahole_@animas.net> wrote:

>I figured I'd give my analog gear a workout today since the Cubase SX ADC is
>doing such a good job.
>
>It's been a while since I've used a lot of analog gear in a mix because I've
>been using UAD-1 plugins.
>
>.......what I'm finding/remembering............
>
>Avalon 737 EQ/comp works great on lead VOX for transparent *bigness* with
>comp set 2:1 with a low threshold, fast attack/med release and a 4dB boost
>at 20kHz if the output of the 737 is routed to aqn SPL de-esser set to
>cancel some of the spit that this unit seems to create due to
Re: footswitch? [message #60479 is a reply to message #60475] Sun, 20 November 2005 21:16 Go to previous messageGo to next message
Deej [1] is currently offline  Deej [1]   UNITED STATES
Messages: 2149
Registered: January 2006
Senior Member
e tubeyness
>of the circuitry. Lots of air now without sounding processed.
>
>JoeMeek VC-1 is a killer rythym guitar processor. Using subtractive EQ to
>cut the mud a bit and then compressing the track while dialing in some
>sparkle on the top end with the exciter circuit can give the guitar an
>almost 12 string fullness while cutting through a mix..
>
>Distressors are monstrous on acoustic lead.......handle with care.
>
>SPL Transient Dsigner on electric bass, kick and snare. Punchy, punchy
>punchy...just make sure you've got your levels in check because a lot goes a
>long way, you can get used to it and then not notice the holes you are
>punching in the back walls of the control room until it's too late ;o)
>
>Demeter HC-1 opto comp on second bass track with HP filter so that the LF
>isn't being squashed really creates *smooth meat* in upper fundamentals to
>complement punchy, punchy, punchy provided by SPL TD.
>
>Paris EQ on panned hats with Focusrite RED compressor......always wonderful
>
>Paris nonlinear reverb on compressed snare.....also wonderful
>
>Sony V77 on aux of drum submix with the *Drum Room* preset tweaked to taste
>is very similar to having a monster buss compressor on all the tracks riding
>just under the track mix......a really nice solution for those of you who
>have been looking for a way to compress a whole drum submix and then feed it
>back into the main mix. I doubt I'll ever do the duplication/bussing to
>Fairchild thing in SX again. This sounds better to my ears.
>
>Quantec Yardstick on vocals and acoustic instruments in varying settings.
>Really nice/open room vibe.
>
>A little bit of the Lexicon PC90 Vocal Magic setting on lead and harmony vox
>tracks.
>
>A touch of RNC in really nice mode outputting to Jensen JT11 1:1 balancing
>trannys on fiddle to give it some body and smoothing out any screechiness in
>the top without using subtractive EQ.
>
>Even with all of this stuff patched in and the AD/DA's going on, the RME and
>Mytek converters tha
Re: footswitch? [message #60657 is a reply to message #60479] Sat, 26 November 2005 10:25 Go to previous messageGo to next message
Edna Sloan is currently offline  Edna Sloan   UNITED STATES
Messages: 304
Registered: October 2005
Senior Member
"_blank">spamlessjohn@johnmacy.com> wrote in message
> >news:4388a711$1@linux...
> >>
> >> For whatever it's worth, I cut about 90% of my sessions
> >> in 16 bit--it sounds fantastic, especially for the punchy
> >> stuff. If it's real quiet acoustic stuff I go to the 24
> >> bit. My mastering guy in Nashville (Randy LeRoy at Final Stage)
> >> agrees, and says it sounds as good or better than most 24 bit stuff.
> >>
> >>
> >>
> >> "Edna" <edna@texomaonline.com> wrote:
> >> >Am looking at picking up a used Pro system very reasonable and
nearby.
> >> Was
> >> >wondering if the Pro MEC has 24 bit converters? Owner sez yes, but I
> >have
> >> >heard the old and new MECs are the same.
> >> >Thanks,
> >> >Edna
> >> >
> >> >
> >>
> >
> >
>So then there wouldn't be much advantage to processing 24bit files over
16bit, i.e., relative to the amount of processing you intend to do?

"EK Sound" <spamnot.info@eksoundNO.com> wrote in message
news:4388ade6$1@linux...
> While the tracks themselves are 16 bit, all porocessing is done at
> full internal resolution. Then, when you bounce to disc, set the
> project bit depth to 24 and you will get a full 24 bits for your mix.
> This file can then be mastered, dithered and put to CD.
>
> If you are doing more open, airy type music, you may want to track at
> 24 bit. Even using the on-board A/D, you will get 24 bit files with
> 20 bits of resolution... still better than 16.
>
> Personally, I track everything at 16 also with very good results. Why
> waste the drive space if it's not needed.
>
> Alternately, as you suggested, an outboard A/D can be SPDIF'd into
> Paris for full 24 bit rez recording.
>
> David.
>
> Edna wrote:
>
> > Hmmm, interesting. Do you do a lot of fx processing at 16 bit also?
> >
> > "John Macy" <spamlessjohn@johnmacy.com> wrote in message
> > news:4388a711$1@linux...
> >
> >>For whatever it's worth, I cut about 90% of my sessions
> >>in 16 bit--it sounds fantastic, especially for the punc
Re: footswitch? [message #60666 is a reply to message #60657] Sat, 26 November 2005 17:50 Go to previous messageGo to next message
Aaron Allen is currently offline  Aaron Allen   UNITED STATES
Messages: 1988
Registered: May 2008
Senior Member
get="_blank">http://www.sequoiadigital.com
>
>Im having problems getting the second card jumper cables in the right spot,I
keep getting error messages that they're wired wrong, I went straight on
and crossed the 2 big ones.Is one end supposed to be upside down???
Thanks
ScottEach ribbon cable has a red stripe on one edge. These cables need to be
crossed over with the red edge on the same side of each cable....ie if you
are looking down at one the cable and the red edge is on your right, then
the red edge needs to be to the right on the other cable. Also, it's real
easy to plug the cable adapters into just the top or bottom half of the dual
rows of pins. Make sure you have the cable adapters plugged in to both rows
of pins.

Deej

"Scott L" <slang97@starband.net> wrote in message news:438939ce$1@linux...
>
> Im having problems getting the second card jumper cables in the right
spot,I
> keep getting error messages that they're wired wrong, I went straight on
> and crossed the 2 big ones.Is one end supposed to be upside down???
> Thanks
> ScottThat's what I love about this group. People who are in search for the best,
forget the BS, and willing to help other people get there. Thanks Sakis.
Rod
"Sakis" <sakis@digisoundmastering.com> wrote:
>IMO is the best DAW currently in the market with outstanding editing
>features, excellent X-fade editing & 4 point cut abilities. The
>comparisonics search engine rocks when you have a demanding editing project.

>Plenty of native processing tools, excellent routing. I love the way that

>you can customize the program to suit your needs, from shortcuts to
>templates, and also the batch procesing engine with mixer setups and various

>output options. E-mail me if you need to ask more questions about it.
>
>Cheers,
>Sakis
>
>"DC" <dc@spamunclelouie.com> wrote in message news:4382b100$1@linux...
>>
>> I saw this system up close for the first time at the AES seminar on
>> Saturday. I may have found my next DAW if Paris ever becomes
>> unusable for me.
>>
>> Very impressive.
>>
>> Seen it? Opinions?
>>
>> http://www.sequoiadigital.com
>
>You need three cables total. One 10 pin cable that goes
straight across on either header, and two wider cables that
cross over each other (can't remember if it's 15 or 16 pin).
Keep all the stripes to the same side... doesn't matter
which, as long as they are the same. The next trick is to
figure out which is the master card. Attach an interface to
one card and fire it up. If it starts, you found the A card.

David.

Scott L wrote:
> Im having problems getting the second card jumper cables in the right spot,I
> keep getting error messages that they're wired wrong, I went straight on
Re: footswitch? [message #60667 is a reply to message #60666] Sat, 26 November 2005 18:36 Go to previous message
Edna Sloan is currently offline  Edna Sloan   UNITED STATES
Messages: 304
Registered: October 2005
Senior Member
r /> > and crossed the 2 big ones.Is one end supposed to be upside down???
> Thanks
> ScottThis is a multi-part message in MIME format.
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Simple...

;-)

David.

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