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| Re: Well........I'm thinking that *awesome* is possible to achievenatively [message #74342 is a reply to message #74337] |
Tue, 17 October 2006 20:55  |
audioguy_editout_
Messages: 249
Registered: December 2005
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Senior Member |
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OK, now place a Waves ren-comp on each group set to 2-4:1,
smooth opto, about 2db of GR happening and see what you get...
David.
DJ wrote:
> I've got a buddy in Austin who uses a Soundscape system and sends his
> outputs through a hotrodded TAC Matchless console with a Manley Vari Mu, a
> Nightpro EQ (with the airband boosted a bit) followed by a Finalizer to
> catch the overs into a Masterlink.
>
> I'm playing around with the song that I had posted about that Amy had hated
> last weekend. I'm using 7 x different busses for the various groups of
> instruments over 36 tracks. These busses are all attenuated 20dB and on
> themix bus I've got the Fairchild, followed, by the UAD-1 Precision EQ,
> followed by the UAD-1 precision Equalizer. I'm mixing *hot* on the
> individual tracks with *whatever* inserted on the tracks and busses as I
> would do in Paris using DSP and submix faders. The UAD Precision EQ really
> gives it the air and sparkle after the Fairchild nicely levels it, then the
> Precision Limiter kisses the mix to prevent overs.
> I'm gonna try the Neve compressor later tonight.
>
> It's sounding very*big*. Not *exactly* like Paris, but I wouldn't expect
> that. Still, it's got that same kinda' *vibe*.
>
> Alrighty then,
>
> ;o)
>
>
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