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THANKS GUYS! I also use Hammerfall/RME + Nuendo but prefer Paris for vocals. [message #66841 is a reply to message #66769] |
Sat, 15 April 2006 19:04 |
Chris Griffiths
Messages: 7 Registered: April 2006
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Junior Member |
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Thanks Guys,
I guess I'll have to buy a 442.
Just to fill you in, I also use a Hammerfall card with 3 RMEs for 24 ins and
outs (used with Nuendo or SX). But I still use Paris all the time. Why? I
use Paris for Vocal recordings and individual instruments and have done so
for years - even after getting the Hammerfall/RME system. I just find it
sounds better (warmer? hard to explain). All I wanted to do was get another
EDS card before they're too hard to get, I'm sick of updating virtual tracks
all the time.
Interestingly, my angle with clients lately, is that I use Paris because
it's a warmer, earthier converter. They seem to agree, and really go for
Paris as an almost "Retro" alternative. Believe it or not, it seems to be
cool to use Paris (especially with young bands) because it's getting old and
it's a bit rare. I've also started using my ASR-10 again! Clients think it's
cool - go figure!
Chris.
"Chris Griffiths" <cgriffo@aapt.net.au> wrote in message
news:4440eb8f@linux...
> Hi All,
>
> Does anybody know if you have to have a 442 or a MEC to run multiple EDS
> cards? I only have an "Interface 2" - 2 in's and 2 out's. With 2 EDSs
> Paris gives the following error on launch - "No interface connected to
> master card" - even though my interface is connected to the master card.
> All cables are connected as per instructions.
>
> Thanks,
>
> Chris Griffiths.
>
> P.S. Unfortunately I don't know anyone who still uses paris with a MEC
> interface I can try (From Australia).
>
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