Home » The PARIS Forums » PARIS: Main » Cue Mix Headphones?
Cue Mix Headphones? [message #73028] |
Sun, 24 September 2006 21:38 |
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I'm thinking that it's getting to be time to replace my trusty old Fostex
T-20s w/ new and better sounding headphones. The great thing about the T-20s
is that they seem to be almost indestructable. I've had to replace the occasional
cable and other bits and pieces, but I've never blown a pair, and God knows,
I've tried!
So what do you guys use? I need phones that can get LOUD without crapping
out. I run them w/ a Bryston 3B into custom made breakout boxes. I have
a pair of Sony 7506s that I sometimes use for cue mix, but I'm afraid they
can't take the abuse that the Fostex 'phones can handle.
Thanks!
Gantt
Gantt Kushner
Gizmo Recording Company
Silver Spring, MD
www.gizmorecording.com
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Re: Cue Mix Headphones? [message #73032 is a reply to message #73028] |
Mon, 25 September 2006 00:26 |
Martin Harrington
Messages: 560 Registered: September 2005
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Senior Member |
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Hi Gantt
I used to use the T-20's in my old studio, but when I started to do location
TV audio,I bought the V6 /7506's, and I swear that you can't kill them with
an axe.
I've had 2 pair in the 21 years that I've been doing location sound,(all
around the globe), and they've taken everything I can dish out to them, and
they're good sounding 'phones.
BTW, they're pretty much the location recording standard these days.
--
Martin Harrington
www.lendanear-sound.com
"Gantt Kushner" <ganttmann@comcast.net> wrote in message
news:45175d4a$1@linux...
>
> I'm thinking that it's getting to be time to replace my trusty old Fostex
> T-20s w/ new and better sounding headphones. The great thing about the
> T-20s
> is that they seem to be almost indestructable. I've had to replace the
> occasional
> cable and other bits and pieces, but I've never blown a pair, and God
> knows,
> I've tried!
>
> So what do you guys use? I need phones that can get LOUD without crapping
> out. I run them w/ a Bryston 3B into custom made breakout boxes. I have
> a pair of Sony 7506s that I sometimes use for cue mix, but I'm afraid they
> can't take the abuse that the Fostex 'phones can handle.
>
> Thanks!
>
> Gantt
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Re: Cue Mix Headphones? [message #73039 is a reply to message #73032] |
Mon, 25 September 2006 08:18 |
EK Sound
Messages: 939 Registered: June 2005
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Senior Member |
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I hate the 7506's hyped low end and brittle high end... we have 5 dead
ones in a box around here somewhere... blown elements. But I know many
people that swear by them.
If you like the Fostex, check out the T40. Also for *loud*, try to
find a used pair of AKG 270's... the dual element ones. You could
almost use these things for nearfields! :-)
David.
Martin Harrington wrote:
> Hi Gantt
> I used to use the T-20's in my old studio, but when I started to do location
> TV audio,I bought the V6 /7506's, and I swear that you can't kill them with
> an axe.
> I've had 2 pair in the 21 years that I've been doing location sound,(all
> around the globe), and they've taken everything I can dish out to them, and
> they're good sounding 'phones.
> BTW, they're pretty much the location recording standard these days.
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Re: Cue Mix Headphones? [message #73067 is a reply to message #73039] |
Mon, 25 September 2006 11:29 |
Tom Bruhl
Messages: 1368 Registered: June 2007
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Senior Member |
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This is a multi-part message in MIME format.
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charset="iso-8859-1"
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Gantt,
I have 7 pair of AKG K240s and only once took a driver out
thanks to a 1k sign wave at ludicrous speed. I don't love their
boxy/cloudy sound but they do take a beating. Shattering RnR levels
from a 175 watt amp.
20 years and counting.
Tom
"EK Sound" <askme@nospam.com> wrote in message =
news:4517f159$1@linux...
I hate the 7506's hyped low end and brittle high end... we have 5 dead =
ones in a box around here somewhere... blown elements. But I know many =
people that swear by them.
If you like the Fostex, check out the T40. Also for *loud*, try to=20
find a used pair of AKG 270's... the dual element ones. You could=20
almost use these things for nearfields! :-)
David.
Martin Harrington wrote:
> Hi Gantt
> I used to use the T-20's in my old studio, but when I started to do =
location=20
> TV audio,I bought the V6 /7506's, and I swear that you can't kill =
them with=20
> an axe.
> I've had 2 pair in the 21 years that I've been doing location =
sound,(all=20
> around the globe), and they've taken everything I can dish out to =
them, and=20
> they're good sounding 'phones.
> BTW, they're pretty much the location recording standard these days.
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
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charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Gantt,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I have 7 pair of AKG K240s and only =
once took a=20
driver out</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>thanks to a 1k sign wave at ludicrous =
speed. =20
I don't love their</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>boxy/cloudy sound but they do take a =
beating. =20
Shattering RnR levels</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>from a 175 watt amp.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>20 years and counting.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"EK Sound" <<A =
href=3D"mailto:askme@nospam.com">askme@nospam.com</A>>=20
wrote in message <A=20
href=3D"news:4517f159$1@linux">news:4517f159$1@linux</A>...</DIV>I =
hate the=20
7506's hyped low end and brittle high end... we have 5 dead <BR>ones =
in a box=20
around here somewhere... blown elements. But I know many <BR>people =
that swear=20
by them.<BR><BR>If you like the Fostex, check out the T40. Also =
for=20
*loud*, try to <BR>find a used pair of AKG 270's... the dual element=20
ones. You could <BR>almost use these things for nearfields!=20
:-)<BR><BR>David.<BR><BR>Martin Harrington wrote:<BR>> Hi =
Gantt<BR>> I=20
used to use the T-20's in my old studio, but when I started to do =
location=20
<BR>> TV audio,I bought the V6 /7506's, and I swear that you can't =
kill=20
them with <BR>> an axe.<BR>> I've had 2 pair in the 21 years =
that I've=20
been doing location sound,(all <BR>> around the globe), and they've =
taken=20
everything I can dish out to them, and <BR>> they're good sounding=20
'phones.<BR>> BTW, they're pretty much the location recording =
standard=20
these days.</BLOCKQUOTE>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
and=20
you?<BR><A=20
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A> </FONT></DIV></BODY ></HTML>
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