Home » The PARIS Forums » PARIS: Main » What replaces No Limit?
| What replaces No Limit? [message #82964] |
Wed, 11 April 2007 16:42  |
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brandon[2]
Messages: 380
Registered: June 2006
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Senior Member |
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So now I am mising No Limit.
I am diggin Cubase, but heres the thing....
What are your opinions and suggestions....
After say...drums and guitars have been laid down
and you have a basic rough mix and now want to lay down the bass guitar...The
mix is too loud and you can't hear the bass thru the mix for realtime monitoring
while ou play/record.
I know I could just turn down the mix, but I don't want to.
I want to hear the rough mix BOOMIN and feel it while I record without pushing
the monitors way up to compensate for turning the mix down.
SO...... thats where No Limit was usful for me.
I would jus throw no limit on the track being recorded and crank it for live
monitoring. Worked perfectly.
SO.... how do I do this with Cubase?
I can strap a compressor as an insert before disk, but I dont wanna do that.
What is the solution?
thx
b
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| Re: What replaces No Limit? [message #82975 is a reply to message #82973] |
Wed, 11 April 2007 20:38  |
Neil
Messages: 1645
Registered: April 2006
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Senior Member |
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LOL! Actually, LA2A's of course suck for Bass - I was just
thinking of the most expensive single-channel justification
that came to mind. Fairchild 660 might've been an even better
example.
Seriously, though, Brandon, an a/b/y splitter and a cheapie
comp of any kind that doesn't suck royally for bass would get
you to the method I was referring to - coupla hundred bucks
maybe - and if you get a halfway decent compressor for a bit
more $$$, you'll be able to use that for other stuff, and the
a/b/y splitter will come in handy for simultaneously tracking
an amp'ed guitar signal & a direct signal, so you can process
the direct signal later with Amplitube or something like that.
Neil
Neil
;)
"Dave(EK Sound)" <audioguy_editout_@shaw.ca> wrote:
>You can compress the mix on playback while overdubbing, but
>the recording signal would not be processed... This can be
>done by inserting on the master, or bussing everything
>through a compressed sub first, then to master.
>
>If you want the bass compressed for monitoring as well, I
>suggest you do what Neil said by splitting the signal and
>monitor the compressed signal. Whether or not you want to
>get the LA2A he suggested is another matter... ;-)
>
>David.
>
>
>
>Brandon wrote:
>
>> So now I am mising No Limit.
>> I am diggin Cubase, but heres the thing....
>> What are your opinions and suggestions....
>> After say...drums and guitars have been laid down
>> and you have a basic rough mix and now want to lay down the bass guitar...The
>> mix is too loud and you can't hear the bass thru the mix for realtime
monitoring
>> while ou play/record.
>> I know I could just turn down the mix, but I don't want to.
>> I want to hear the rough mix BOOMIN and feel it while I record without
pushing
>> the monitors way up to compensate for turning the mix down.
>> SO...... thats where No Limit was usful for me.
>> I would jus throw no limit on the track being recorded and crank it for
live
>> monitoring. Worked perfectly.
>> SO.... how do I do this with Cubase?
>> I can strap a compressor as an insert before disk, but I dont wanna do
that.
>> What is the solution?
>>
>> thx
>> b
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| Re: What replaces No Limit? [message #82978 is a reply to message #82964] |
Wed, 11 April 2007 21:11 |
Dedric Terry
Messages: 788
Registered: June 2007
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Senior Member |
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If you have Cubase 4, use the control room for your CR monitor send as it is
separate from the mix buss. You can insert a limiter there as well as set
your monitor levels without affecting the mix to disk. Regardless of
whether you use the CR as a full mix/tracking monitor solution, you can
still use it for this one purpose (and setting up multiple monitor
switching, mono fold down, surround, etc).
Some limiter options:
Flux comp (the clipper is pretty good)
Spectraphy - sometimes it's excellent, sometimes I'm not sure I like the
very top end, but for monitor limiting, it's great, esp. for the money.
Voxengo Elephant - a bit duller than others but hard to say if it's enough
to matter.
Regards,
Dedric
On 4/11/07 5:42 PM, in article 461d7283@linux, "Brandon" <A@A.com> wrote:
>
> So now I am mising No Limit.
> I am diggin Cubase, but heres the thing....
> What are your opinions and suggestions....
> After say...drums and guitars have been laid down
> and you have a basic rough mix and now want to lay down the bass guitar...The
> mix is too loud and you can't hear the bass thru the mix for realtime
> monitoring
> while ou play/record.
> I know I could just turn down the mix, but I don't want to.
> I want to hear the rough mix BOOMIN and feel it while I record without pushing
> the monitors way up to compensate for turning the mix down.
> SO...... thats where No Limit was usful for me.
> I would jus throw no limit on the track being recorded and crank it for live
> monitoring. Worked perfectly.
> SO.... how do I do this with Cubase?
> I can strap a compressor as an insert before disk, but I dont wanna do that.
> What is the solution?
>
> thx
> b
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| Re: What replaces No Limit? [message #82985 is a reply to message #82978] |
Thu, 12 April 2007 05:17 |
brandon[2]
Messages: 380
Registered: June 2006
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Senior Member |
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This is a multi-part message in MIME format.
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So basically there is no plugin available that will do this in the same =
manner No-Limit
works inside PARIS?
Arent we talking about DX plugins here?
I havent used DX plugs in a long time, but wasnt the benefit of using =
them the ability to
effect realtime audio?
Isnt there DX limiter plugs available that would work in this situation?
--=20
Thanks,
Brandon=20
"Dedric Terry" <dterry@keyofd.net> wrote in message =
news:C2430D76.91E2%dterry@keyofd.net...
If you have Cubase 4, use the control room for your CR monitor send as =
it is
separate from the mix buss. You can insert a limiter there as well as =
set
your monitor levels without affecting the mix to disk. Regardless of
whether you use the CR as a full mix/tracking monitor solution, you =
can
still use it for this one purpose (and setting up multiple monitor
switching, mono fold down, surround, etc).
Some limiter options:
Flux comp (the clipper is pretty good)
Spectraphy - sometimes it's excellent, sometimes I'm not sure I like =
the
very top end, but for monitor limiting, it's great, esp. for the =
money.
Voxengo Elephant - a bit duller than others but hard to say if it's =
enough
to matter.
Regards,
Dedric
On 4/11/07 5:42 PM, in article 461d7283@linux, "Brandon" <A@A.com> =
wrote:
>=20
> So now I am mising No Limit.
> I am diggin Cubase, but heres the thing....
> What are your opinions and suggestions....
> After say...drums and guitars have been laid down
> and you have a basic rough mix and now want to lay down the bass =
guitar...The
> mix is too loud and you can't hear the bass thru the mix for =
realtime
> monitoring
> while ou play/record.
> I know I could just turn down the mix, but I don't want to.
> I want to hear the rough mix BOOMIN and feel it while I record =
without pushing
> the monitors way up to compensate for turning the mix down.
> SO...... thats where No Limit was usful for me.
> I would jus throw no limit on the track being recorded and crank it =
for live
> monitoring. Worked perfectly.
> SO.... how do I do this with Cubase?
> I can strap a compressor as an insert before disk, but I dont wanna =
do that.
> What is the solution?
>=20
> thx
> b
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<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial>So basically there is no plugin available that =
will do=20
this in the same manner No-Limit</FONT></DIV>
<DIV><FONT face=3DArial>works inside PARIS?</FONT></DIV>
<DIV><FONT face=3DArial>Arent we talking about DX plugins =
here?</FONT></DIV>
<DIV><FONT face=3DArial>I havent used DX plugs in a long time, but wasnt =
the=20
benefit of using them the ability to</FONT></DIV>
<DIV><FONT face=3DArial>effect realtime audio?</FONT></DIV>
<DIV><FONT face=3DArial>Isnt there DX limiter plugs available that would =
work in=20
this situation?</FONT></DIV>
<DIV> </DIV>
<DIV><BR>-- <BR>Thanks,</DIV>
<DIV><FONT face=3DArial></FONT> </DIV>
<DIV>Brandon </DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>"Dedric Terry" <<A=20
href=3D"mailto:dterry@keyofd.net">dterry@keyofd.net</A>> wrote in =
message <A=20
href=3D"news:C2430D76.91E2%dterry@keyofd.net">news:C2430D76.91E2%dterry@k=
eyofd.net</A>...</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">If=20
you have Cubase 4, use the control room for your CR monitor send as it =
is<BR>separate from the mix buss. You can insert a limiter there =
as well=20
as set<BR>your monitor levels without affecting the mix to disk. =
Regardless of<BR>whether you use the CR as a full mix/tracking monitor =
solution, you can<BR>still use it for this one purpose (and setting up =
multiple monitor<BR>switching, mono fold down, surround, =
etc).<BR><BR>Some=20
limiter options:<BR><BR>Flux comp (the clipper is pretty=20
good)<BR><BR>Spectraphy - sometimes it's excellent, sometimes I'm not =
sure I=20
like the<BR>very top end, but for monitor limiting, it's great, esp. =
for the=20
money.<BR><BR>Voxengo Elephant - a bit duller than others but hard to =
say if=20
it's enough<BR>to matter.<BR><BR>Regards,<BR>Dedric<BR><BR>On 4/11/07 =
5:42 PM,=20
in article <A href=3D"mailto:461d7283@linux">461d7283@linux</A>, =
"Brandon"=20
<<A href=3D"mailto:A@A.com">A@A.com</A>> wrote:<BR><BR>> =
<BR>> So=20
now I am mising No Limit.<BR>> I am diggin Cubase, but heres the=20
thing....<BR>> What are your opinions and suggestions....<BR>> =
After=20
say...drums and guitars have been laid down<BR>> and you have a =
basic rough=20
mix and now want to lay down the bass guitar...The<BR>> mix is too =
loud and=20
you can't hear the bass thru the mix for realtime<BR>> =
monitoring<BR>>=20
while ou play/record.<BR>> I know I could just turn down the mix, =
but I=20
don't want to.<BR>> I want to hear the rough mix BOOMIN and feel it =
while I=20
record without pushing<BR>> the monitors way up to compensate for =
turning=20
the mix down.<BR>> SO...... thats where No Limit was usful for =
me.<BR>>=20
I would jus throw no limit on the track being recorded and crank it =
for=20
live<BR>> monitoring. Worked perfectly.<BR>> SO.... how do I do =
this=20
with Cubase?<BR>> I can strap a compressor as an insert before =
disk, but I=20
dont wanna do that.<BR>> What is the solution?<BR>> <BR>> =
thx<BR>>=20
b<BR></BLOCKQUOTE></BODY></HTML>
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| Re: What replaces No Limit? [message #82991 is a reply to message #82985] |
Thu, 12 April 2007 07:13 |
Dedric Terry
Messages: 788
Registered: June 2007
|
Senior Member |
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> This message is in MIME format. Since your mail reader does not understand
this format, some or all of this message may not be legible.
--B_3259210430_225726
Content-type: text/plain; charset="US-ASCII"
Content-transfer-encoding: 7bit
Are you looking for a plugin for Paris or Cubase? The ones I listed are VST
for native DAWs and work
quite well in realtime.
Regards,
Dedric
On 4/12/07 6:17 AM, in article 461e2441@linux, "Brandon" <a@a.com> wrote:
> So basically there is no plugin available that will do this in the same manner
> No-Limit
> works inside PARIS?
> Arent we talking about DX plugins here?
> I havent used DX plugs in a long time, but wasnt the benefit of using them the
> ability to
> effect realtime audio?
> Isnt there DX limiter plugs available that would work in this situation?
>
--B_3259210430_225726
Content-type: text/html; charset="US-ASCII"
Content-transfer-encoding: quoted-printable
<HTML>
<HEAD>
<TITLE>Re: What replaces No Limit?</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Verdana"><SPAN STYLE=3D'font-size:12.0px'>Are you looking for a p=
lugin for Paris or Cubase? The ones I listed are VST for native DAWs a=
nd work<BR>
quite well in realtime. <BR>
<BR>
Regards,<BR>
Dedric<BR>
<BR>
On 4/12/07 6:17 AM, in article 461e2441@linux, "Brandon" <a@a.=
com> wrote:<BR>
<BR>
</SPAN></FONT><BLOCKQUOTE><SPAN STYLE=3D'font-size:12.0px'><FONT FACE=3D"Arial"=
>So basically there is no plugin available that will do this in the same man=
ner No-Limit<BR>
works inside PARIS?<BR>
Arent we talking about DX plugins here?<BR>
I havent used DX plugs in a long time, but wasnt the benefit of using them =
the ability to<BR>
effect realtime audio?<BR>
Isnt there DX limiter plugs available that would work in this situation?<BR=
>
</FONT><FONT FACE=3D"Verdana"> <BR>
</FONT></SPAN></BLOCKQUOTE><SPAN STYLE=3D'font-size:12.0px'><FONT FACE=3D"Verda=
na"><BR>
</FONT></SPAN>
</BODY>
</HTML>
--B_3259210430_225726--
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| Re: What replaces No Limit? [message #83001 is a reply to message #82992] |
Thu, 12 April 2007 12:34 |
Dedric Terry
Messages: 788
Registered: June 2007
|
Senior Member |
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This is a multi-part message in MIME format.
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charset="iso-8859-1"
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Cubase 4 (if you aren't using it already). The control room is designed =
for exactly that.
Regards,
Dedric
"Brandon" <a@a.com> wrote in message news:461e4180@linux...
Looking for plugin to use inside Cubase.
Should work like this:
Source Input--------record to disk--------insert limiter plug in =
realtime monitoring--------------channel fader---------out stereo to =
monitors.
So the limiter is only effecting what you hear not the actual =
recording.
It doesnt have to be a good limiter just something to boost the volume =
during monitoring.
--=20
Thanks,
Brandon=20
"LaMont" <jjdpro@ameritech.net> wrote in message =
news:461e3cd3$1@linux...
Insert either of these plugins on you drum buss..
-Waves Trans-X..Does wonders for your drums..Thumpin!!
-Sony Oxford Oxford Transient Modulator..
As for a No Limit replacement..
-Waves SSL Comp..
-Sony Oxford Oxford Inflator
Both are replicas of the imfamous SSL Stereo Master Buss Compressor. =
They
both will add Warmth and will 'Tighten" up your overmix like =
nobody's business
"Brandon" <A@A.com> wrote:
>
>So now I am mising No Limit.
>I am diggin Cubase, but heres the thing....
>What are your opinions and suggestions....
>After say...drums and guitars have been laid down
>and you have a basic rough mix and now want to lay down the bass =
guitar...The
>mix is too loud and you can't hear the bass thru the mix for =
realtime monitoring
>while ou play/record.
>I know I could just turn down the mix, but I don't want to.
>I want to hear the rough mix BOOMIN and feel it while I record =
without pushing
>the monitors way up to compensate for turning the mix down.
>SO...... thats where No Limit was usful for me.
>I would jus throw no limit on the track being recorded and crank it =
for
live
>monitoring. Worked perfectly.
>SO.... how do I do this with Cubase?
>I can strap a compressor as an insert before disk, but I dont wanna =
do that.
>What is the solution?
>
>thx
>b
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Content-Transfer-Encoding: quoted-printable
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Cubase 4 (if you aren't using it =
already).=20
The control room is designed for exactly that.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Regards,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Dedric</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Brandon" <<A href=3D"mailto:a@a.com">a@a.com</A>> wrote in =
message=20
<A href=3D"news:461e4180@linux">news:461e4180@linux</A>...</DIV>
<DIV><FONT face=3DArial>Looking for plugin to use inside =
Cubase.</FONT></DIV>
<DIV><FONT face=3DArial>Should work like this:</FONT></DIV>
<DIV><FONT face=3DArial>Source Input--------record to =
disk--------insert limiter=20
plug in realtime monitoring--------------channel fader---------out =
stereo to=20
monitors.</FONT></DIV>
<DIV><FONT face=3DArial></FONT> </DIV>
<DIV><FONT face=3DArial>So the limiter is only effecting what you hear =
not the=20
actual recording.</FONT></DIV>
<DIV><FONT face=3DArial>It doesnt have to be a good limiter just =
something to=20
boost the volume during monitoring.</FONT></DIV>
<DIV><FONT face=3DArial></FONT> </DIV>
<DIV><FONT face=3DArial></FONT> </DIV>
<DIV><FONT face=3DArial></FONT> </DIV>
<DIV><BR>-- <BR>Thanks,</DIV>
<DIV> </DIV>
<DIV>Brandon </DIV>
<DIV> </DIV>
<DIV><FONT face=3DArial></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"LaMont" <<A=20
href=3D"mailto:jjdpro@ameritech.net">jjdpro@ameritech.net</A>> =
wrote in=20
message <A=20
=
href=3D"news:461e3cd3$1@linux">news:461e3cd3$1@linux</A>...</DIV><BR>Inse=
rt=20
either of these plugins on you drum buss..<BR><BR>-Waves =
Trans-X..Does=20
wonders for your drums..Thumpin!!<BR>-Sony Oxford Oxford Transient=20
Modulator..<BR><BR>As for a No Limit replacement..<BR><BR>-Waves SSL =
Comp..<BR>-Sony Oxford Oxford Inflator<BR><BR><BR>Both are replicas =
of the=20
imfamous SSL Stereo Master Buss Compressor. They<BR>both will add =
Warmth and=20
will 'Tighten" up your overmix like nobody's=20
business<BR><BR><BR><BR>"Brandon" <<A=20
href=3D"mailto:A@A.com">A@A.com</A>> wrote:<BR>><BR>>So now =
I am=20
mising No Limit.<BR>>I am diggin Cubase, but heres the=20
thing....<BR>>What are your opinions and =
suggestions....<BR>>After=20
say...drums and guitars have been laid down<BR>>and you have a =
basic=20
rough mix and now want to lay down the bass guitar...The<BR>>mix =
is too=20
loud and you can't hear the bass thru the mix for realtime=20
monitoring<BR>>while ou play/record.<BR>>I know I could just =
turn down=20
the mix, but I don't want to.<BR>>I want to hear the rough mix =
BOOMIN and=20
feel it while I record without pushing<BR>>the monitors way up to =
compensate for turning the mix down.<BR>>SO...... thats where No =
Limit=20
was usful for me.<BR>>I would jus throw no limit on the track =
being=20
recorded and crank it for<BR>live<BR>>monitoring. Worked=20
perfectly.<BR>>SO.... how do I do this with Cubase?<BR>>I can =
strap a=20
compressor as an insert before disk, but I dont wanna do =
that.<BR>>What=20
is the=20
solution?<BR>><BR>>thx<BR>>b<BR> </BLOCKQUOTE></BLOCKQUOTE></BODY=
></HTML>
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| Re: What replaces No Limit? [message #83002 is a reply to message #83001] |
Thu, 12 April 2007 12:41 |
brandon[2]
Messages: 380
Registered: June 2006
|
Senior Member |
|
|
This is a multi-part message in MIME format.
------=_NextPart_000_01D3_01C77D10.9E0142E0
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
I am on Cubase SX3
--=20
Thanks,
Brandon=20
"Dedric Terry" <dedric@echomg.com> wrote in message =
news:461e8af9@linux...
Cubase 4 (if you aren't using it already). The control room is =
designed for exactly that.
Regards,
Dedric
"Brandon" <a@a.com> wrote in message news:461e4180@linux...
Looking for plugin to use inside Cubase.
Should work like this:
Source Input--------record to disk--------insert limiter plug in =
realtime monitoring--------------channel fader---------out stereo to =
monitors.
So the limiter is only effecting what you hear not the actual =
recording.
It doesnt have to be a good limiter just something to boost the =
volume during monitoring.
--=20
Thanks,
Brandon=20
"LaMont" <jjdpro@ameritech.net> wrote in message =
news:461e3cd3$1@linux...
Insert either of these plugins on you drum buss..
-Waves Trans-X..Does wonders for your drums..Thumpin!!
-Sony Oxford Oxford Transient Modulator..
As for a No Limit replacement..
-Waves SSL Comp..
-Sony Oxford Oxford Inflator
Both are replicas of the imfamous SSL Stereo Master Buss =
Compressor. They
both will add Warmth and will 'Tighten" up your overmix like =
nobody's business
"Brandon" <A@A.com> wrote:
>
>So now I am mising No Limit.
>I am diggin Cubase, but heres the thing....
>What are your opinions and suggestions....
>After say...drums and guitars have been laid down
>and you have a basic rough mix and now want to lay down the bass =
guitar...The
>mix is too loud and you can't hear the bass thru the mix for =
realtime monitoring
>while ou play/record.
>I know I could just turn down the mix, but I don't want to.
>I want to hear the rough mix BOOMIN and feel it while I record =
without pushing
>the monitors way up to compensate for turning the mix down.
>SO...... thats where No Limit was usful for me.
>I would jus throw no limit on the track being recorded and crank =
it for
live
>monitoring. Worked perfectly.
>SO.... how do I do this with Cubase?
>I can strap a compressor as an insert before disk, but I dont =
wanna do that.
>What is the solution?
>
>thx
>b
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charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
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<STYLE></STYLE>
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial>I am on Cubase SX3</FONT></DIV>
<DIV><BR>-- <BR>Thanks,</DIV>
<DIV> </DIV>
<DIV>Brandon </DIV>
<DIV> </DIV>
<DIV>"Dedric Terry" <<A=20
href=3D"mailto:dedric@echomg.com">dedric@echomg.com</A>> wrote in =
message <A=20
href=3D"news:461e8af9@linux">news:461e8af9@linux</A>...</DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV><FONT face=3DArial size=3D2>Cubase 4 (if you aren't using it =
already).=20
The control room is designed for exactly that.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Regards,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Dedric</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Brandon" <<A href=3D"mailto:a@a.com">a@a.com</A>> wrote =
in message=20
<A href=3D"news:461e4180@linux">news:461e4180@linux</A>...</DIV>
<DIV><FONT face=3DArial>Looking for plugin to use inside =
Cubase.</FONT></DIV>
<DIV><FONT face=3DArial>Should work like this:</FONT></DIV>
<DIV><FONT face=3DArial>Source Input--------record to =
disk--------insert=20
limiter plug in realtime monitoring--------------channel =
fader---------out=20
stereo to monitors.</FONT></DIV>
<DIV><FONT face=3DArial></FONT> </DIV>
<DIV><FONT face=3DArial>So the limiter is only effecting what you =
hear not the=20
actual recording.</FONT></DIV>
<DIV><FONT face=3DArial>It doesnt have to be a good limiter just =
something to=20
boost the volume during monitoring.</FONT></DIV>
<DIV><FONT face=3DArial></FONT> </DIV>
<DIV><FONT face=3DArial></FONT> </DIV>
<DIV><FONT face=3DArial></FONT> </DIV>
<DIV><BR>-- <BR>Thanks,</DIV>
<DIV> </DIV>
<DIV>Brandon </DIV>
<DIV> </DIV>
<DIV><FONT face=3DArial></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"LaMont" <<A=20
href=3D"mailto:jjdpro@ameritech.net">jjdpro@ameritech.net</A>> =
wrote in=20
message <A=20
=
href=3D"news:461e3cd3$1@linux">news:461e3cd3$1@linux</A>...</DIV><BR>Inse=
rt=20
either of these plugins on you drum buss..<BR><BR>-Waves =
Trans-X..Does=20
wonders for your drums..Thumpin!!<BR>-Sony Oxford Oxford Transient =
Modulator..<BR><BR>As for a No Limit replacement..<BR><BR>-Waves =
SSL=20
Comp..<BR>-Sony Oxford Oxford Inflator<BR><BR><BR>Both are =
replicas of the=20
imfamous SSL Stereo Master Buss Compressor. They<BR>both will add =
Warmth=20
and will 'Tighten" up your overmix like nobody's=20
business<BR><BR><BR><BR>"Brandon" <<A=20
href=3D"mailto:A@A.com">A@A.com</A>> wrote:<BR>><BR>>So =
now I am=20
mising No Limit.<BR>>I am diggin Cubase, but heres the=20
thing....<BR>>What are your opinions and =
suggestions....<BR>>After=20
say...drums and guitars have been laid down<BR>>and you have a =
basic=20
rough mix and now want to lay down the bass =
guitar...The<BR>>mix is too=20
loud and you can't hear the bass thru the mix for realtime=20
monitoring<BR>>while ou play/record.<BR>>I know I could just =
turn=20
down the mix, but I don't want to.<BR>>I want to hear the rough =
mix=20
BOOMIN and feel it while I record without pushing<BR>>the =
monitors way=20
up to compensate for turning the mix down.<BR>>SO...... thats =
where No=20
Limit was usful for me.<BR>>I would jus throw no limit on the =
track=20
being recorded and crank it for<BR>live<BR>>monitoring. Worked=20
perfectly.<BR>>SO.... how do I do this with Cubase?<BR>>I =
can strap=20
a compressor as an insert before disk, but I dont wanna do=20
that.<BR>>What is the=20
=
solution?<BR>><BR>>thx<BR>>b<BR> </BLOCKQUOTE></BLOCKQUOTE></BLOC=
KQUOTE></BODY></HTML>
------=_NextPart_000_01D3_01C77D10.9E0142E0--
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| Re: What replaces No Limit? [message #83036 is a reply to message #83034] |
Fri, 13 April 2007 08:44 |
brandon[2]
Messages: 380
Registered: June 2006
|
Senior Member |
|
|
This is a multi-part message in MIME format.
------=_NextPart_000_0041_01C77DB8.A91D1B60
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
I dont see this on there website can you post a link please.
--=20
Thanks,
Brandon=20
"Dimitrios" <musurgio@otenet.gr> wrote in message =
news:461fa2e3$1@linux...
Hi,
Best candidate for me is the Sonic Timeworks Hard Limiter.
I use this with creamware but as I know it sells for DX too.
Super sound.
Regards,
Dimitrios=20
"Brandon" <A@A.com> wrote:
>
>So now I am mising No Limit.
>I am diggin Cubase, but heres the thing....
>What are your opinions and suggestions....
>After say...drums and guitars have been laid down
>and you have a basic rough mix and now want to lay down the bass =
guitar...The
>mix is too loud and you can't hear the bass thru the mix for realtime =
monitoring
>while ou play/record.
>I know I could just turn down the mix, but I don't want to.
>I want to hear the rough mix BOOMIN and feel it while I record =
without pushing
>the monitors way up to compensate for turning the mix down.
>SO...... thats where No Limit was usful for me.
>I would jus throw no limit on the track being recorded and crank it =
for
live
>monitoring. Worked perfectly.
>SO.... how do I do this with Cubase?
>I can strap a compressor as an insert before disk, but I dont wanna =
do that.
>What is the solution?
>
>thx
>b
------=_NextPart_000_0041_01C77DB8.A91D1B60
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.6000.16414" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial>I dont see this on there website can you post a =
link=20
please.</FONT></DIV>
<DIV><FONT face=3DArial></FONT> </DIV>
<DIV><FONT face=3DArial></FONT> </DIV>
<DIV><BR>-- <BR>Thanks,</DIV>
<DIV> </DIV>
<DIV>Brandon </DIV>
<DIV> </DIV>
<DIV> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Dimitrios" <<A=20
href=3D"mailto:musurgio@otenet.gr">musurgio@otenet.gr</A>> wrote in =
message=20
<A=20
=
href=3D"news:461fa2e3$1@linux">news:461fa2e3$1@linux</A>...</DIV><BR>Hi,<=
BR>Best=20
candidate for me is the Sonic Timeworks Hard Limiter.<BR>I use this =
with=20
creamware but as I know it sells for DX too.<BR>Super=20
sound.<BR>Regards,<BR>Dimitrios <BR><BR>"Brandon" <<A=20
href=3D"mailto:A@A.com">A@A.com</A>> wrote:<BR>><BR>>So now I =
am mising=20
No Limit.<BR>>I am diggin Cubase, but heres the =
thing....<BR>>What are=20
your opinions and suggestions....<BR>>After say...drums and guitars =
have=20
been laid down<BR>>and you have a basic rough mix and now want to =
lay down=20
the bass guitar...The<BR>>mix is too loud and you can't hear the =
bass thru=20
the mix for realtime monitoring<BR>>while ou play/record.<BR>>I =
know I=20
could just turn down the mix, but I don't want to.<BR>>I want to =
hear the=20
rough mix BOOMIN and feel it while I record without pushing<BR>>the =
monitors way up to compensate for turning the mix =
down.<BR>>SO...... thats=20
where No Limit was usful for me.<BR>>I would jus throw no limit on =
the=20
track being recorded and crank it for<BR>live<BR>>monitoring. =
Worked=20
perfectly.<BR>>SO.... how do I do this with Cubase?<BR>>I can =
strap a=20
compressor as an insert before disk, but I dont wanna do =
that.<BR>>What is=20
the =
solution?<BR>><BR>>thx<BR>>b<BR> </BLOCKQUOTE></BODY></HTML>
------=_NextPart_000_0041_01C77DB8.A91D1B60--
|
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| Re: What replaces No Limit? [message #83050 is a reply to message #83036] |
Fri, 13 April 2007 17:55 |
neil[1]
Messages: 164
Registered: October 2006
|
Senior Member |
|
|
Brandon, if you can't find that, try this one:
http://www5c.biglobe.ne.jp/~buzzroom/files/BuzMaxi3_130.zip
Or perhaps the ones in this packet called "Grancomp"
or "Grancomp3" (multi-band version):
http://www5c.biglobe.ne.jp/~buzzroom/files/buzcompfree_v12.z ip
Actually, you ALL should try these - I insist. :)
Neil
"Brandon" <a@a.com> wrote:
>
>
>I dont see this on there website can you post a link please.
>
>
>
>--=20
>Thanks,
>
>Brandon=20
>
>
> "Dimitrios" <musurgio@otenet.gr> wrote in message =
>news:461fa2e3$1@linux...
>
> Hi,
> Best candidate for me is the Sonic Timeworks Hard Limiter.
> I use this with creamware but as I know it sells for DX too.
> Super sound.
> Regards,
> Dimitrios=20
>
> "Brandon" <A@A.com> wrote:
> >
> >So now I am mising No Limit.
> >I am diggin Cubase, but heres the thing....
> >What are your opinions and suggestions....
> >After say...drums and guitars have been laid down
> >and you have a basic rough mix and now want to lay down the bass =
>guitar...The
> >mix is too loud and you can't hear the bass thru the mix for realtime
=
>monitoring
> >while ou play/record.
> >I know I could just turn down the mix, but I don't want to.
> >I want to hear the rough mix BOOMIN and feel it while I record =
>without pushing
> >the monitors way up to compensate for turning the mix down.
> >SO...... thats where No Limit was usful for me.
> >I would jus throw no limit on the track being recorded and crank it =
>for
> live
> >monitoring. Worked perfectly.
> >SO.... how do I do this with Cubase?
> >I can strap a compressor as an insert before disk, but I dont wanna =
>do that.
> >What is the solution?
> >
> >thx
> >b
>
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3DContent-Type content=3D"text/html; =
>charset=3Diso-8859-1">
><META content=3D"MSHTML 6.00.6000.16414" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial>I dont see this on there website can you post a
=
>link=20
>please.</FONT></DIV>
><DIV><FONT face=3DArial></FONT> </DIV>
><DIV><FONT face=3DArial></FONT> </DIV>
><DIV><BR>-- <BR>Thanks,</DIV>
><DIV> </DIV>
><DIV>Brandon </DIV>
><DIV> </DIV>
><DIV> </DIV>
><BLOCKQUOTE=20
>style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> <DIV>"Dimitrios" <<A=20
> href=3D"mailto:musurgio@otenet.gr">musurgio@otenet.gr</A>> wrote in =
>message=20
> <A=20
> =
>href=3D"news:461fa2e3$1@linux">news:461fa2e3$1@linux</A>...</DIV><BR>Hi,<=
>BR>Best=20
> candidate for me is the Sonic Timeworks Hard Limiter.<BR>I use this =
>with=20
> creamware but as I know it sells for DX too.<BR>Super=20
> sound.<BR>Regards,<BR>Dimitrios <BR><BR>"Brandon" <<A=20
> href=3D"mailto:A@A.com">A@A.com</A>> wrote:<BR>><BR>>So now I =
>am mising=20
> No Limit.<BR>>I am diggin Cubase, but heres the =
>thing....<BR>>What are=20
> your opinions and suggestions....<BR>>After say...drums and guitars =
>have=20
> been laid down<BR>>and you have a basic rough mix and now want to =
>lay down=20
> the bass guitar...The<BR>>mix is too loud and you can't hear the =
>bass thru=20
> the mix for realtime monitoring<BR>>while ou play/record.<BR>>I =
>know I=20
> could just turn down the mix, but I don't want to.<BR>>I want to =
>hear the=20
> rough mix BOOMIN and feel it while I record without pushing<BR>>the =
>
> monitors way up to compensate for turning the mix =
>down.<BR>>SO...... thats=20
> where No Limit was usful for me.<BR>>I would jus throw no limit on =
>the=20
> track being recorded and crank it for<BR>live<BR>>monitoring. =
>Worked=20
> perfectly.<BR>>SO.... how do I do this with Cubase?<BR>>I can =
>strap a=20
> compressor as an insert before disk, but I dont wanna do =
>that.<BR>>What is=20
> the =
>solution?<BR>><BR>>thx<BR>>b<BR></BLOCKQUOTE></BODY ></HTML>
>
>
|
|
|
|
| Re: What replaces No Limit? [message #83057 is a reply to message #83050] |
Sat, 14 April 2007 00:03 |
erlilo
Messages: 405
Registered: June 2005
|
Senior Member |
|
|
I have all the Buzzroom stuff and am with you here, Neil. My favorite is the
multiband compressor "Buzcomp CP5". But my real favorites are "The Gold
Series" to Kjaerhus.
But noone of these are freeware.
http://www.x-buz.com/index2.html
http://www.kjaerhusaudio.com/products.php
Erling
"Neil" <IOUOIU@OIU.com> skrev i en meddelelse news:46202697$1@linux...
>
> Brandon, if you can't find that, try this one:
>
> http://www5c.biglobe.ne.jp/~buzzroom/files/BuzMaxi3_130.zip
>
> Or perhaps the ones in this packet called "Grancomp"
> or "Grancomp3" (multi-band version):
>
> http://www5c.biglobe.ne.jp/~buzzroom/files/buzcompfree_v12.z ip
>
> Actually, you ALL should try these - I insist. :)
>
> Neil
>
>
> "Brandon" <a@a.com> wrote:
>>
>>
>>I dont see this on there website can you post a link please.
>>
>>
>>
>>--=20
>>Thanks,
>>
>>Brandon=20
>>
>>
>> "Dimitrios" <musurgio@otenet.gr> wrote in message =
>>news:461fa2e3$1@linux...
>>
>> Hi,
>> Best candidate for me is the Sonic Timeworks Hard Limiter.
>> I use this with creamware but as I know it sells for DX too.
>> Super sound.
>> Regards,
>> Dimitrios=20
>>
>> "Brandon" <A@A.com> wrote:
>> >
>> >So now I am mising No Limit.
>> >I am diggin Cubase, but heres the thing....
>> >What are your opinions and suggestions....
>> >After say...drums and guitars have been laid down
>> >and you have a basic rough mix and now want to lay down the bass =
>>guitar...The
>> >mix is too loud and you can't hear the bass thru the mix for realtime
> =
>>monitoring
>> >while ou play/record.
>> >I know I could just turn down the mix, but I don't want to.
>> >I want to hear the rough mix BOOMIN and feel it while I record =
>>without pushing
>> >the monitors way up to compensate for turning the mix down.
>> >SO...... thats where No Limit was usful for me.
>> >I would jus throw no limit on the track being recorded and crank it =
>>for
>> live
>> >monitoring. Worked perfectly.
>> >SO.... how do I do this with Cubase?
>> >I can strap a compressor as an insert before disk, but I dont wanna =
>>do that.
>> >What is the solution?
>> >
>> >thx
>> >b
>>
>>
>><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
>><HTML><HEAD>
>><META http-equiv=3DContent-Type content=3D"text/html; =
>>charset=3Diso-8859-1">
>><META content=3D"MSHTML 6.00.6000.16414" name=3DGENERATOR>
>><STYLE></STYLE>
>></HEAD>
>><BODY bgColor=3D#ffffff>
>><DIV><FONT face=3DArial>I dont see this on there website can you post a
> =
>>link=20
>>please.</FONT></DIV>
>><DIV><FONT face=3DArial></FONT> </DIV>
>><DIV><FONT face=3DArial></FONT> </DIV>
>><DIV><BR>-- <BR>Thanks,</DIV>
>><DIV> </DIV>
>><DIV>Brandon </DIV>
>><DIV> </DIV>
>><DIV> </DIV>
>><BLOCKQUOTE=20
>>style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
>>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
>> <DIV>"Dimitrios" <<A=20
>> href=3D"mailto:musurgio@otenet.gr">musurgio@otenet.gr</A>> wrote in =
>>message=20
>> <A=20
>> =
>>href=3D"news:461fa2e3$1@linux">news:461fa2e3$1@linux</A>...</DIV><BR>Hi,<=
>>BR>Best=20
>> candidate for me is the Sonic Timeworks Hard Limiter.<BR>I use this =
>>with=20
>> creamware but as I know it sells for DX too.<BR>Super=20
>> sound.<BR>Regards,<BR>Dimitrios <BR><BR>"Brandon" <<A=20
>> href=3D"mailto:A@A.com">A@A.com</A>> wrote:<BR>><BR>>So now I =
>>am mising=20
>> No Limit.<BR>>I am diggin Cubase, but heres the =
>>thing....<BR>>What are=20
>> your opinions and suggestions....<BR>>After say...drums and guitars =
>>have=20
>> been laid down<BR>>and you have a basic rough mix and now want to =
>>lay down=20
>> the bass guitar...The<BR>>mix is too loud and you can't hear the =
>>bass thru=20
>> the mix for realtime monitoring<BR>>while ou play/record.<BR>>I =
>>know I=20
>> could just turn down the mix, but I don't want to.<BR>>I want to =
>>hear the=20
>> rough mix BOOMIN and feel it while I record without pushing<BR>>the =
>>
>> monitors way up to compensate for turning the mix =
>>down.<BR>>SO...... thats=20
>> where No Limit was usful for me.<BR>>I would jus throw no limit on =
>>the=20
>> track being recorded and crank it for<BR>live<BR>>monitoring. =
>>Worked=20
>> perfectly.<BR>>SO.... how do I do this with Cubase?<BR>>I can =
>>strap a=20
>> compressor as an insert before disk, but I dont wanna do =
>>that.<BR>>What is=20
>> the =
>>solution?<BR>><BR>>thx<BR>>b<BR></BLOCKQUOTE></BODY ></HTML>
>>
>>
>
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