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Re: Legendary Jazz Singer Nancy [message #59049 is a reply to message #59042] |
Wed, 12 October 2005 21:15 ![Go to previous message Go to previous message](/theme/PARIS_Forum_Template/images/up.png) |
Rich Lamanna
![UNITED STATES UNITED STATES](/images/flags/us.png) Messages: 316 Registered: February 2006
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Senior Member |
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><BR>I have a pair of DBX 160 VU's that come =
close=20
to the sound I <BR>want if I keep the ratio really low. =
Close, but=20
not perfect.<BR><BR>What I have always wanted to hear is the trick we =
do in=20
the studio <BR>where we mult the return (on tape) or copy the track =
(in a DAW)=20
and <BR>squeeze one track and don't squeeze the other. =
Play with=20
the <BR>relative levels a bit, and maybe some EQ and you can get=20
some<BR>sterling tones. (btw, this is not panned left and right, =
this is=20
a mono<BR>effect I am speaking of) I used to use my =
Carl=20
Martin compressor<BR>this way by using the 4 inputs on a Matchless=20
DC-30. Run the<BR>guitar into the high gain input, then run a =
shorty=20
from the low-gain<BR>input on the same channel to the compressor, then =
run the=20
comp<BR>out to the other channel in. This got the signal =
to both=20
channels, <BR>one side compressed and one not compressed. =
I got=20
some great<BR>tones, but it was pretty cumbersome to setup and =
adjusting=20
the<BR>volume got pretty involved...<BR><BR>The Barber Tone Press, =
does it all=20
in one box. You get volume,<BR>blend, and =
compression. What=20
I do is run the blend up to full <BR>compressor and then adjust the =
compressor=20
knob until I am hearing<BR>quite a bit of squeeze going on, and then =
pull the=20
blend back until<BR>I get just the right amount of uncomp
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