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digital signal difficulty... [message #59072] Thu, 13 October 2005 17:40 Go to next message
uptown jimmy is currently offline  uptown jimmy   UNITED STATES
Messages: 441
Registered: September 2005
Senior Member
/> > > has, with no luck. He says that when he patches an FX send to a digital
> > output in the Paris patchbay, there's no signal on the mixer aux
channel.
> > The same basic patch works with an analog output engaged, just not the
> > digital.
> >
> > His Kurzweil KSP8 shows lock to the Lucid, and Paris locks perfectly as
> > well.
> >
> > Any knowledge?
> >
> > Jimmy
> >
> >
>
>"Kim" <

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Re: digital signal difficulty... [message #59076 is a reply to message #59072] Thu, 13 October 2005 18:21 Go to previous messageGo to next message
Deej [1] is currently offline  Deej [1]   UNITED STATES
Messages: 2149
Registered: January 2006
Senior Member
ust learning my room as is.
>
>>>
>>>http://www.mhlabs.com/

i suppose i should do them all on one post huh...

On 14 Oct 2005 01:46:17 +1000, "Dale" <dalebradleycello@yahoo.com>
wrote:

>
>Does anyone know of some room analysis software for a mac?
>
>Dale
>
>
>jef knight <thestudio@allknightmusic.com> wrote:
>>Hey,
>>
>>I just spent the last 2 months re-building my studio. The original
>>layout/design were giving me tons of problems in the low end, and
>>nothing seemed to make it better. It's just the problem inherent in a
>>smaller room.
>>
>>So, what I did was knock out a couple of walls (that were part of the
>>studio not the house) so I could turn the gear 90 degrees so the room is
>
>>now wider than it is long. I have 4" wedge foam in 6'x2' panels a foot
>>
Re: digital signal difficulty... [message #59081 is a reply to message #59076] Thu, 13 October 2005 20:45 Go to previous messageGo to next message
uptown jimmy is currently offline  uptown jimmy   UNITED STATES
Messages: 441
Registered: September 2005
Senior Member
" <hiddensounds@hotmail.com> wrote:
>>>
>>>
>>>Yehy, can't seem to see anything there either. This seems to be one of
>those
>>>items that you'd think you could get easily, but when you go looking they
>>>seem near impossible to find.
>>>
>>>Thanks for the suggestions... actually I haven't checked out the Roland
>>>products yet so I'll do that now, but I really wanted to build my own
so
>>>I could do several keyboards on a single unit...
>>>
>>>Cheers,
>>>Kim.
>>>
>>>"Mark McDermott" <mark@stateofwail.com> wrote:
>>>>
>>>>Hi Kim,
>>>>
>>>>Try this link:
>>>>
>>>>http://www.digikey.com
>>>>
>>>>They have just about everything you could ever need in electronics supplies.
>>>>
>>>>Also, Roland makes a couple of very nice foot switches. I don't think
>you'd
>>>>be able to customize them very easily but they are very heavy duty pro-quality
>>>>devices. Try this link:
>>>>
>>>> http://www.rolandus.com/products/subcategory.asp?CatID=1& ;SubCatID=4
>>>>
>>>>The FS-1 a
Re: digital signal difficulty... [message #59115 is a reply to message #59081] Sat, 15 October 2005 00:12 Go to previous messageGo to next message
Deej [1] is currently offline  Deej [1]   UNITED STATES
Messages: 2149
Registered: January 2006
Senior Member
amp;gt; &gt; &gt; I have not yet tried to route =
digital=20
signals to external FX boxes,<BR>but<BR>&gt; &gt; Swen<BR>&gt; &gt; =
&gt; has,=20
with no luck. He says that when he patches an FX send to =
a<BR>digital<BR>&gt;=20
&gt; &gt; output in the Paris patchbay, there's no signal on the mixer =

aux<BR>&gt; channel.<BR>&gt; &gt; &gt; The same basic patch works with =
an=20
analog output engaged, just not the<BR>&gt; &gt; &gt; digital.<BR>&gt; =
&gt;=20
&gt;<BR>&gt; &gt; &gt; His Kurzweil KSP8 shows lock to the Lucid, and =
Paris=20
locks perfectly<BR>as<BR>&gt; &gt; &gt; well.<BR>&gt; &gt; =
&gt;<BR>&gt; &gt;=20
&gt; Any knowledge?<BR>&gt; &gt; &gt;<BR>&gt; &gt; &gt; Jimmy<BR>&gt; =
&gt;=20
&gt;<BR>&gt; &gt; &gt;<BR>&gt; &gt;<BR>&gt;=20
&gt;<BR>&gt;<BR>&gt;<BR><BR></BLOCKQUOTE> </BODY></HTML>

------=_NextPart_000_0384_01C5D147.79AA6320--Does it work in paris and what directx do i need?4 is nice. the Dell P1110 21" CRT's have two analog inputs and a switch on
the front so that you can just switch between two computers. My Paris DAW
and SX DAW are both running Matrox G450's (PCI and AGP). My mobos both are
identical and have PCI slots that are hardwired to the AGP slots and the
G450's have the same driver so there is no driver conflict/ IRQ trainwreck.
I have tested both DAWs CPU usage with and without the PCI video card. The
CPU hit of the PCI video card is negligable as long as major screen drags
aren't done while tracking or mixing. Running 2 x dual head video cards and
four monitors with the ability to switch DAWs between the monitors is simple
and fun for the whole family.

;o)

"Aaron Allen" <nospam@not_here.dude> wrote in message news:43504ec5@linux...
> 2, definitely. I'm using 3 and wanting a 4th, but that's probably nature
of
&g
Re: digital signal difficulty... [message #59116 is a reply to message #59115] Sat, 15 October 2005 02:15 Go to previous message
Tom Bruhl is currently offline  Tom Bruhl   UNITED STATES
Messages: 1368
Registered: June 2007
Senior Member
t; my desires with tech. I'll never go back to a single display if that tells
> you anything. Also, get familiar with views in Paris, they are most
> definitely your best friend to help manage the desktop real estate in
paris.
>
> AA
>
>
> "Richard Faylor" <RichardFaylor@aol.com> wrote in message
> news:434fc1ba$1@linux...
> >
> > Richard,
> >
> > I've bought a used Mac G4 to use with Paris that has more horsepower
than
> > my previous Mac G3. Now I have to make a decision about displays. The G4
> > has two video cards so it can support two monitors. But one of the video
> > cards provides a DVI digital connection that, according to Apple, works
> > better
> > with the newest Apple displays, such as their 20-inch $800 display. My
> > local
> > Apple salesman claims therefore that the Apple display with the DVI
> > connection
> > will be superior in quality to any typical PC-world display with a VGA
> > connection.
> >
> > My question: Which is better for monitoring Paris--two 17" or 19"
displays
> > (costing $1,000 or so together) of decent quality or one 20" display
> > (costing
> > $800) of marginally better quality?
> >
> > Many thanks,
> > Richard Faylor
> >
> > RichardFaylor@aol.com
> > (208) 343-7681
> >
>
>Do any Mac people have experience w/ Waves 3.6 and Paris? I've
been using Waves 3.2 w/ no significant problems, but I tried V.3.2
and Paris crashed, so I've been sticking w/ 3.2. I'm curious about
V.3.6, which is the last OS 9 compatible update...

Thanks!

GanttI'm spending a dreary Saturday afternoon doing some studio chores and cranking
some lovely lovely music from a band that some of you may not know much about:
Big Star

BIg Star's main man was Alex CHilton who is more famous perhaps as the 17
year old singer of "The Letter" and"Cray Like A Baby" a member of The Box
Tops

Although recorded at Aredent in '72 and some a bit later, the engineerign
is still almost unmatched, I had met Jim Dikinson a few years back (Jim engineered
Big Star's Third) he told me that Engineer John Fry put everything he had
into the making of these records and pretty much gave up after them.


The songs, the playing and the sound are marvelous.

My good friend Phil Aiken will bakc me up on this, check em out if you have
not.
Start whith #1 Record and Radio City as "third" is a bit dreary.

http://www.rykodisc.com/Catalog/CatalogArtist_01.asp?Action= Get&Artist_ID=21Oh and the theme to "that 70's show" "In the Street" is a Big Star song.



"cujo" <chris@applemanstudio.com> wrote:
>
>
>I'm spending a dreary Saturday afternoon doing some studio chores and cranking
>some lovely lovely music from a band that some of you may not know much
about:
>Big Star
>
>BIg Star's main man was Alex CHilton who is more famous perhaps as the 17
>year old singer of "The Letter" and"Cray Like A Baby" a member of The Box
>Tops
>
>Although recorded at Aredent in '72 and some a bit later, the engineerign
>is still almost unmatched, I had met Jim Dikinson a few years back (Jim
engineered
>Big Star's Third) he told me that Engineer John Fry put everything he had
>into the making of these records and pretty much gave up after them.
>
>
>The songs, the playing and the sound are marvelous.
>
>My good friend Phil Aiken will bakc me up on this, check em out if you have
>not.
>Start whith #1 Record and Radio City as "third" is a bit dreary.
>
> http://www.rykodisc.com/Catalog/CatalogArtist_01.asp?Action= Get&Artist_ID=21
>
>...if I have a L/R set of tracks (say a stereo piano sound, for
example) on indivudal tracks, vs. a stereo interleaved track,
and I insert a plugin on each of the L/R tracks, does it take
twice as much CPU power to use that same plugin in two
instances than it would if I were using a stereo interleaved
piano track & inserted the same plugin in a singular stereo
instance? Or is it the same amount of CPU power regardless
because it sees the stereo insertion as two instances of that
plugin?

The reason I ask is that I am maxing out my CPU with a couple
of songs that have high track counts - If I go to insert another
CPU-hungry plugin it starts to bog down, and I've always used
separate tracks for any L/R sound (as oppsoed to a stereo track)
just for the conveniece of being able to change the degree of
pan on one channel or another, and alos being able to make
slightly different EQ settings on the left vs. right side, if
needed... however, am I costing myself badly-needed cycles by
doing this?

Neil"cujo" <chris@applemanstudio.com> wrote:
>
>
>Oh and the theme to "that 70's show" "In the Street" is a Big Star song.

Performed by Cheap trick, however.......

All the Big Star studio records are indeed fantastic.Either way will work. Paris lends itself to using two monitors, one for
mixer and one for tracks.

But if you use other apps they may be better on one larger monitor, for
example Final Cut Pro is great with a nice wide monitor for the
timeline. FYI Dell has a 24" wide screen that offers a fair amount of
bang/buck (when on sale it's between $800-1000), and at something around
1920x1280, a decent amount of screen real estate, full on HDTV res.

Cheers,
-Jamie K
http://www.JamieKrutz.com


Richard Faylor wrote:
> Richard,
>
> I've bought a used Mac G4 to use with Paris that has more horsepower than
> my previous Mac G3. Now I have to make a decision about displays. The G4
> has two video cards so it can support two monitors. But one of the video
> cards provides a DVI digital connection that, according to Apple, works better
> with the newest Apple displays, such as their 20-inch $800 display. My local
> Apple salesman claims therefore that the Apple display with the DVI connection
> will be superior in quality to any typical PC-world display with a VGA connection.
>
> My question: Which is better for monitoring Paris--two 17" or 19" displays
> (costing $1,000 or so together) of decent quality or one 20" display (costing
> $800) of marginally better quality?
>
> Many thanks,
> Richard Faylor
>
> RichardFaylor@aol.com
> (208) 343-7681
>Off the top of my head, I would say yes.
You're processing 2 files, (dual mono), 2 plugins, as opposed to one stereo
file and one plugin.
--
Martin Harrington
www.lendanear-sound.com

"Neil" <OIUIU@OIU.com> wrote in message news:435189c3$1@linux...
>
> ..if I have a L/R set of tracks (say a stereo piano sound, for
> example) on indivudal tracks, vs. a stereo interleaved track,
> and I insert a plugin on each of the L/R tracks, does it take
> twice as much CPU power to use that same plugin in two
> instances than it would if I were using a stereo interleaved
> piano track & inserted the same plugin in a singular stereo
> instance? Or is it the same amount of CPU power regardless
> because it sees the stereo insertion as two instances of that
> plugin?
>
> The reason I ask is that I am maxing out my CPU with a couple
> of songs that have high track counts - If I go to insert another
> CPU-hungry plugin it starts to bog down, and I've alway
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