Just for grins... [message #81041] |
Fri, 02 March 2007 17:56 |
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I contacted our local Digidesign dealer (Washington Professional Systems)
to see what a PT HD system that was more or less comparable to my Paris setup
would cost. $30K - $35K for an HD 3 system w/ Control 24 and 24 channels
of I/O. Plus a new G5, peripherals and plugins.
Whew.
Gantt Kushner
Gizmo Recording Company
Silver Spring, MD
www.gizmorecording.com
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Re: Just for grins... [message #81053 is a reply to message #81047] |
Fri, 02 March 2007 21:23 |
dc[3]
Messages: 895 Registered: September 2005
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Senior Member |
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"chuck duffy" <c@c.com> wrote:
>
>You've seen the control 24 right? I mean that's 8000 of the PT price right
>there. There's just no way to compare a couple of lame $200 C16s to control
>24 in features or quality :-)
You know what's weird about that thing? No convertors. A Control 24 is
essentially an analog mixer combined with a transport control and you
can use it to control the mixer faders in PT. You must buy PT I/O's for
every input you use the Control 24 for... Also, the PT cards do not send
audio to a Control 24, so again, you must use an expensive I/O box to get
back to the Control 24 to monitor. Also, the Control 24 CR feeds are
lousy sounding! My client that I built the PT room for has to use them
for surround, but if you just patch a passive attenuator between the
192 I/O and the L-R monitors, the sound improves noticeably, and of
course you can't control your CR level with the Control 24 any more...
Very strange, and Digi does not say much about all this unless you really
dig around on the site.
I'm staying with ole tired Paris. Still sounds great.
DC
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