Home » The PARIS Forums » PARIS: Main » which mic pre?
| which mic pre? [message #57083] |
Fri, 19 August 2005 15:22  |
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ad.
"uptown jimmy" <johnson314@bellsouth.net> wrote in message=20
news:4306705a@linux...
> Ummmmm, I mean absolutely no offense, but one's mileage may vary =
here. We
> found the Mackie preamps to be a notch better than bad, and the RNP =
just a
> few notches better.
>
> Just sayin',
> Jimmy
>
>
> "Gantt Kushner" <gizmo@his.com> wrote in message
> news:43065B94.5080F000@his.com...
>> I needed to do some acoustic guitar tracks for a client, and
>> I'm currently set up for a small choir and didn't feel like
>> tearing the the setup apart, so I decided to use the mic pre's
>> in my Mackie 1402 (using the insert outs, of course, so as
>> to bypass extraneous circuitry). I set my trusty old AKG
>> 451's up in an X-Y configuration and moved my '79 Martin
>> M-38 around bit using headph
Gantt Kushner
Gizmo Recording Company
Silver Spring, MD
www.gizmorecording.com
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| Re: which mic pre? [message #57087 is a reply to message #57086] |
Fri, 19 August 2005 17:03  |
justcron
Messages: 330
Registered: May 2006
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Senior Member |
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resonus M-80, which I<BR>>> mostly use for drums, a Demeter =
VTMP-2a, a=20
Sytek and an<BR>>> RNP. Maybe one of them would have =
sounded even=20
better,<BR>>> but for those of you who can't afford "designer" =
mic=20
pre's<BR>>> I have to say this: If you put a great =
sounding=20
instrument<BR>>> in front of a great sounding mic and plug it =
into a=20
Mackie<BR>>> it'll probably sound great.<BR>>><BR>>> =
Just=20
thought I'd put that out there...<BR>>><BR>>>=20
Gantt<BR>>><BR>><BR>> <BR><BR></BLOCKQUOTE></BODY></HTML>
------=_NextPart_000_005A_01C5A50F.178F58D0--Scaning the manual but not finding anything about it.
ThanksHi,
I'd like to check these out please.
animix@animas.net
Thanx,
Deej
"db" <daniel_burneNOSPAM@yahoo.com> wrote in message
news:4305f81e$1@linux...
>
> Hi all,
>
> As promised I've put together a PPJ of collected Paris FX presets -
unfortuantely
> I can't attach it as it's too large (c.1.7Meg) - I'll happily e-mail it
though
> if you drop me an e-mail. I'll also send a copy to Mike Audet as he's got
> some webspace for this purpose.
>
> Most of these have been compiled from other users or the newsgroup or the
> FX preset updates. There are settings for the Comp, NoLimit, Plate and
Room
> Reverbs, Chorus, and Tap Delay.
>
> If anyone has any to add, let us all know. You might also want to contact
> Mike Audet (mike@mikeFSPAM!audet.com) and myself, as Mike has some
webspace
> (www.mikeaudet.com/paris) set up for Paris FX Presets.
>
> Enjoy.
>
> Dan B / dbH
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| Re: which mic pre? [message #57089 is a reply to message #57087] |
Fri, 19 August 2005 19:41 |
Tom Bruhl
Messages: 1368
Registered: June 2007
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Senior Member |
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today I've just provided a small service to a man
involved with teatre who came with his vhs tape...(the session ended up with
smashing glasses, as Hollywood's foley's pros...
2) the italian distributor once told me that the Smpte module was sort of a
"black sheep" amongst the Ensoniq production, born out with never fixed
limitations...
Reeegardseww...
On Fri, 19 Aug 2005 17:33:34 -0600, "Miguel Vigil" <nospam@nospam.com>
wrote:
>> yeah, but what happens as aging makes things...smaller? do you go for
>> less keys or...i'm getting depressed...sigh...
>
>
>
>All ye Ballie Oxen free
>
>
>El Miguel
>
>
>
>"rick" <parnell68@hotmail.com> wrote in message
>news:94m9g1hesnso4httjt6ppmgdbssrcivfkk@4ax.com...
>> yeah, but what happens as aging makes things...smaller? do you go for
>> less keys or...i'm getting depressed...sigh...
>>
>> On Thu, 18 Aug 2005 21:31:44 +1000, "Russ" <riverbed@iprimus.com.au>
>> wrote:
>>
>> >I wonder how much latency he is working with?? Talented sod....
>> >"rick" <parnell68@hotmail.com> wrote in message
>> >news:4nk8g11pgmtho8irhrptr72cceqvue4ack@4ax.com...
>> >> thanks aaron for putting my balls into a lesser place: pride has
>> >> replaced with disappointment.
>> >>
>> >> ;o(
>> >>
>> >> On Thu, 18 Aug 2005 03:13:12 -0500, "Aaron Allen"
>> >> <nospam@not_here.dude> wrote:
>> >>
>> >>>..... so I threw it out on one of my servers for everyone to dig.
>> >>>
>> >>>http://smirk.bjenterprise.com/PianoBalls.wmv
>> >>>
>> >>>Enjoy,
>> >>>AA
>> >>>
>> >>>
>> >>
>> >
>>
>working thanks.
On Fri, 19 Aug 2005 14:43:23 -0400, John <no@no.com> wrote:
>try this please
>
>http://people.musc.edu/~bercikj/all_presets.ppjI've posted them at www.mikeaudet.com/paris. If anyone has any other presets
to contribute, just send me an email, and I'll get it done.
All the best,
Mike
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>Hi,
>
>I'd like to check these out please.
>
>animix@animas.net
>
>Thanx,
>
>Deej
>
>"db" <daniel_burneNOSPAM@yahoo.com> wrote in message
>news:4305f81e$1@linux...
>>
>> Hi all,
>>
>> As promised I've put together a PPJ of collected Paris FX presets -
>unfortuantely
>> I can't attach it as it's too large (c.1.7Meg) - I'll happily e-mail it
>though
>> if you drop me an e-mail. I'll also send a copy to Mike Audet as he's
got
>> some webspace for this purpose.
>>
>> Most of these have been compiled from other users or the newsgroup or
the
>> FX preset updates. There are settings for the Comp, NoLimit, Plate and
>Room
>> Reverbs, Chorus, and Tap Delay.
>>
>> If anyone has any to add, let us all know. You might also want to contact
>> Mike Audet (mike@mikeFSPAM!audet.com) and myself, as Mike has some
>webspace
>> (www.mikeaudet.com/paris) set up for Paris FX Presets.
>>
>> Enjoy.
>>
>> Dan B / db
>
>My mileage has, indeed, varied. I'd never use the Mackie on piano
for classical or jazz, although for certain pop or rock things it's just
about right.
The reason I posted was because I was pleasamtly surprised...
Gantt
uptown jimmy wrote:
> Ummmmm, I mean absolutely no offense, but one's mileage may vary here. We
> found the Mackie preamps to be a notch better than bad, and the RNP just a
> few notches better.
>
> Just sayin',
> Jimmy
>
> "Gantt Kushner" <gizmo@his.com> wrote in message
> news:43065B94.5080F000@his.com...
> > I needed to do some acoustic guitar tracks for a client, and
> > I'm currently set up for a small choir and didn't feel like
> > tearing the the setup apart, so I decided to use the mic pre's
> > in my Mackie 1402 (using the insert outs, of course, so as
> > to bypass extraneous circuitry). I set my trusty old AKG
> > 451's up in an X-Y configuration and moved my '79 Martin
> > M-38 around bit using headphones (Fostex T-20's) to find
> > the sweet spot. I grabbed my new Wegen ($15.00 apiece!)
> > guitar pick and spent about two hours trying out parts until
> > I thought I had a couple of good tracks...
> >
> > And I was amazed at the sound of my guitar! It's a great
> > sounding box, and the Wegen picks, believe it or not, make
> > a big difference in the sound, but the surprise was the fact
> > that I used the Mackie! I have a Presonus M-80, which I
> > mostly use for drums, a Demeter VTMP-2a, a Sytek and an
> > RNP. Maybe one of them would have sounded even better,
> > but for those of you who can't afford "designer" mic pre's
> > I have to say this: If you put a great sounding instrument
> > in front of a great sounding mic and plug it into a Mackie
> > it'll probably sound great.
> >
> > Just thought I'd put that out there...
> >
> > Gantt
> >I've got a 1402 here........and a GR MP2-MH. Both of them are useful. The
Mackie pre's actually work better with some mics/sources than the
GR.......especially for mics with bright characteristics that I want to tame
without adding the color of a tube preamp. I've got a Rode NTV here that
really gets that Beatle'sy U47 into a V72 kinda' sound from a vocalist when
using it with a Mackie preamp.
Go figure.
Deej
"uptown jimmy" <johnson314@bellsouth.net> wrote in message
news:4306705a@linux...
> Ummmmm, I mean absolutely no offense, but one's mileage may vary here. We
> found the Mackie preamps to be a notch better than bad, and the RNP just a
> few notches better.
>
> Just sayin',
> Jimmy
>
>
> "Gantt Kushner" <gizmo@his.com> wrote in message
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| Re: which mic pre? [message #57096 is a reply to message #57086] |
Sat, 20 August 2005 08:02 |
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old school midi masters around here care to help out a poor pilgrim?
muchas gracias -- Chas.I am having problems getting paf to wav converter to load files. Is this a
problem in xp? Recommendations? I have tried re-installing a couple of times.
But, alas. Nope.Does anyone know of an online (free) ftp sight to post files??
It need to have around 300 to 400 meg per file capability.
I've been using yousendit...but it's gotten kind of hit and miss lately with
it's reliability recently.
rod http://radio.hydrorecords.com/index.php?act=Attach&type= post&id=1580
"esophagus" <none@none.com> wrote in message news:430774ae$1@linux...
>
> I am having problems getting paf to wav converter to load files. Is this a
> problem in xp? Recommendations? I have tried re-installing a couple of
> times.
> But, alas. Nope.
>
>yeah... web hosting
"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message
news:430774d1$1@linux...
>
> Does anyone know of an online (free) ftp sight to post files??
> It need to have around 300 to 400 meg per file capability.
> I've been using yousendit...but it's gotten kind of hit and miss lately
> with
> it's reliability recently.
> rodThis is a multi-part message in MIME format.
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Content-Transfer-Encoding: 7bit
*Every* tool has a use... at some point! ;-) Don't dismiss anything
as a possibility. I have grabbed some great sounds from the strangest
things. I ended up using the attached mic for harmonica on a
session... got a really cool "old" sound that fit the tune perfectly.
David.
DJ wrote:
> I've got a 1402 here........and a GR MP2-MH. Both of them are useful. The
> Mackie pr
Gantt Kushner
Gizmo Recording Company
Silver Spring, MD
www.gizmorecording.com
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| Re: which mic pre? [message #57104 is a reply to message #57097] |
Sat, 20 August 2005 11:27 |
EK Sound
Messages: 939
Registered: June 2005
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Senior Member |
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9BSaBuxorrF+q4S4Yc5ph1W+L7vtMm4981RApCwye1LlDnZdGp36vuF3KCP9 o1E97ck5M7n3
zVZumTR7U2rjU2WDeXWcmeTJ/wBo003Vz3mkJ92NQdO9IMjtSsHM+hK083P7 1z7ZpPPcDhmJ
7c9Kjz9BSH1FHKgTb6khlbbgsc/ypN53A5qPJx1/CkGScAHPam0LyH7yM9aR 9ykg5B9M03PX
9aTI70JITHbmHIJ5pu80jNnoeKTcQeKdkx2HbscdaQ8AEfiKbkeuD9KAc81L sNPQc2Q2M/ka
acDrS5Uk5NNc9M80xIUnPtQMbck/hTWbnpzTSetMm6Q8n2wKQg96aentRnjA NA1qic9QacKY
OPenDrSEkmKfXiikYjPAxQfYUWY/QcaBg+1NHHGaUmhlWsKcHnNGR1H5Umee CR2o9qaIaHUL
06YpBk0pyOtA99xQDmhW9Kbk0o56DHtSsHUX8cfSl64z0pv40oOMZFNXYLUd jtz+FAP1IpAx
AOO/rRyeKBtJbjueuODR3pO+M4xRk5/lSVgV2OGRzmkb3NIeKXAyKNRrUUe/ agEZwKTHPB4o
HNFrkPTYUZFBP6Ui9RmgEdOfc0bblWFBAwTz7EUEjOKbk5p2e5Ap6CsxxZdo 5pCMsMNj1puR
1xijcMAY6d6EG4MQO9NbpyKUsCfalI+bFAcug09OhoxxnNI3GMUZxTYl3DjA 6ZzQpAyGGc9D
SE98Zppb1qSnqObBbIOaYxxznijPp+dITj5e/rR0EGDjIoDYOeRTA340Nz2p 2HewEnJOaMkj
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JoyPWmjrQxx2ptivcdnjBxmm5A4pAe/tRnkUXA//2Q==
--------------070404040400020206020106--worked just grand! Thanks a bunch. woo wee.
"justcron" <justcron@hydrorecords.compound> wrote:
> http://radio.hydrorecords.com/index.php?act=Attach&type= post&id=1580
>
>"esophagus" <none@none.com> wrote in message news:430774ae$1@linux...
>>
>> I am having problems getting paf to wav converter to load files. Is this
a
>> problem in xp? Recommendations? I have tried re-installing a couple of
>> times.
>> But, alas. Nope.
>>
>>
>
>Hi! I am using Paris 3.0 on a Windows XP with RAID (mirror) system. The mirror
array had a problem recently (went out of sync for some reason) and I had
to rebuild the array (nothing lost, both disks were ok and had the data;
I just used one of them as source and formeatted/mirrored the other. So
the mirror is back running and all other applications seem to work (Wavelab,
etc). When I try to open Paris it never comes up, it doesn't even initialize
the MEC (I don't see the LEDs blinking), and the computer freezes.
I tried uninstalling/reinstalling a couple of times, still the same. I formatted
and reinstalled Windows, installed the Scherzo driver, the Interloc driver,
then Paris 3...and still the same problem.
I have no idea what could be causing this. Everything installed without
errors and device manager sees the Scherzo as a working device. Could this
be a MEC issue? Please help...I'm about to finish a big project but I'm
really stuck here!!! Thanks...I had a similar problem a while back and it turned out to be a motherboard
problem that involved rebuilding the entire computer. Why Paris was the
first program to not load I don't know because other programs continued to
operate but soon afterward Windows would not even boot. This may not be the
same problem, I was running ME at the time, but it is a similar symptom.
RZ
"ricalv" <ricardoalvarez@hotmail.com> wrote in message
news:43077ae3$1@linux...
>
> Hi! I am using Paris 3.0 on a Windows XP with RAID (mirror) system. The
mirror
> array had a problem recently (went out of sync for some reason) and I had
> to rebuild the array (nothing lost, both disks were ok and had the data;
> I just used one of them as source and formeatted/mirrored the other. So
> the mirror is back running and all other applications seem to work
(Wavelab,
> etc). When I try to open Paris it never comes up, it doesn't even
initialize
> the MEC (I don't see the LEDs blinking), and the computer freezes.
>
> I tried uninstalling/reinstalling a couple of times, still the same. I
formatted
> and reinstalled Windows, installed the Scherzo driver, the Interloc
driver,
> then Paris 3...and still the same problem.
>
> I have no idea what could be causing this. Everything installed without
> errors and device manager sees the Scherzo as a working device. Could
this
> be a MEC issue? Please help...I'm about to finish a big project but I'm
> really stuck here!!! Thanks...I slave Cubase SX on an external computer by taking Paris midi TC out via a
USB 2X2 into a Motu MTP A/V with a parallel interface on the Cubase
computer. It locks within a couple hundred milliseconds and does not drift.
The only thing to watch for is occationally (not often) Cubase goes into 25
fps which causes obvious drift. I then go to the project settings and
select 25 fps which for some reason sets it back to 30 fps. Go figure.
RZ
"Chas. Duncan" <duncan5199ATsbcglobalDOTnet@> wrote in message
news:bkmeg1h5224tb2h7peon47kslmgk3t9vq7@4ax.com...
> People --
>
> Having unhappy time with midi lately... These days I run Paris and
> Cubase SX on separate machines, slaving SX to Paris via ADAT out to
> RME in, so this would be a non-Paris topic, I guess... Except as it
> possibly relates to sync issues...
>
> Anyway -- Mostly work with VSTi's in SX, which are peachy fine, but
> still like to use a couple of older external modules some times, and
> that's where unhappines creeps in: Seems to take SX a loooong time to
> lock (like 8-10 bars or more) and there's still a bit of drift (I
> think) once it does. Alas. My question is: is it the funky older
> 2x2 usb midi interface? The RME Digi 9652? Some funky preference
> setting buried within Cubase's manymanymany menus? Maybe I need more
> zinc? (I do need more zinc.)
>
> Seems like such a caveman problem to be having these days -- I mean,
> people had this nailed in 1987 -- where did we go wrong? Any solid
> old school midi masters around here care to help out a poor pilgrim?
>
> muchas gracias -- Chas.That would require an output and input that I've never seen. If they
existed the routing would have to appear in the patchbay window with a
separate module labeled effects sidechain I/O.
I would probably use the channel inserts to run through an analog compressor
if you have one with a sidechain.
RZ
"Rob Arsenault" <mani2@nbnet.nb.ca> wrote in message
news:4306a013$1@linux...
> Scaning the manual but not finding anything about it.
>
> Thanks
>
>We're in PA tonight -- going to see Fallingwater in the morning.
Sheri noticed that Gordon Lightfoot was playing an outdoor venue about
20min from where we're staying tonight, so we got tix online yesterday
and drove out there. It's a festival stage set up at the bottom of a
ski run at the Seven Springs ski resort -- beautiful scenery way up in
the mountains.
Now, you have to have a little backstory. In her lifetime, Sheri has
attempted to see GL 4 times previous. Every time, she buys a ticket,
and something happens that the show is cancelled.
She figured this time, we'd be tucked up in the mountains and God
might forget all about it.
Wrong.
God noticed that Sheri was trying to sneak into a GL show, and sent a
pounding thunderstorm that had been terrorizing Pittsburgh down our
way. After sitting in our car in the parking lot for 40 minutes in
blinding rain, with lightning flashing all around, they finally
decided that it wasn't going to blow over and called the gig.
Moral of the story? 1) Gordon Lightfoot doesn't really exist. 2)
Don't try to sneak anything past God, since He's pretty good about
that kind of stuff.
Hopefully He'll leave us alone on Monday for Meat Loaf at Wolf Trap...
pab
"Enjoy every sandwich." -- Warren Zevon
"Here at Microsoft, Quality is job, oh, I dunno, maybe 7 or 8?"what version of cubase are you using? You should have no problem getting sample
accurate sync...especially with the 9652
I get sample accurate sync with Paris and cubase with a frontier Dakota card,
although I'm under the impression that with cubase sx 3 the RME 9652 is needed.
Rod
Chas. Duncan <duncan5199ATsbcglobalDOTnet@> wrote:
>People --
>
>Having unhappy time with midi lately... These days I run Paris and
>Cubase SX on separate machines, slaving SX to Paris via ADAT out to
>RME in, so this would be a non-Paris topic, I guess... Except as it
>possibly relates to sync issues...
>
>Anyway -- Mostly work with VSTi's in SX, which are peachy fine, but
>still like to use a couple of older external modules some times, and
>that's where unhappines creeps in: Seems to take SX a loooong time to
>lock (like 8-10 bars or more) and there's still a bit of drift (I
>think) once it does. Alas. My question is: is it the funky older
>2x2 usb midi interface? The RME Digi 9652? Some funky preference
>setting buried within Cubase's manymanymany menus? Maybe I need more
>zinc? (I do need more zinc.)
>
>Seems like such a caveman problem to be having these days -- I mean,
>people had this nailed in 1987 -- where did we go wrong? Any solid
>old school midi masters around here care to help out a poor pilgrim?
>
>muchas gracias -- Chas.Thanks for the info RZ, still diagnosing here. I like the part about
setting to 25 fps in order to get 30... Very Cubase-y, that.
Definitely a little Lewis Carrol in those Steinberg guys.
back to work -- Chas
On Sat, 20 Aug 2005 16:00:06 -0700, "RZ" <pearlmusic@sbcglobal.net>
wrote:
>I slave Cubase SX on an external computer by taking Paris midi TC out via a
>USB 2X2 into a Motu MTP A/V with a parallel interface on the Cubase
>computer. It locks within a couple hundred milliseconds and does not drift.
>The only thing to watch for is occationally (not often) Cubase goes into 25
>fps which causes obvious drift. I then go to the project settings and
>select 25 fps which for some reason sets it back to 30 fps. Go figure.
>
>RZ
>
>"Chas. Duncan" <duncan5199ATsbcglo
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