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this has been covered 6,453,732,453,231 times [message #73170] Thu, 28 September 2006 06:29 Go to previous message
Jeremy Luzier is currently offline  Jeremy Luzier   UNITED STATES
Messages: 102
Registered: November 2005
Senior Member
what the **** is happening on the PARIS master.

lately i have been running back into Nuendo where i generally eq and
compress the final stereo mix.

NOW... i am not squashing to death the final stereo mix, generally speaking.
:-)

i only use a compressor set in dual mono... not stereo linking... as this
gives me a noticeably increase in width.

i listened back to some mixes i did without this method. the final was
either printed in paris, meaning actually bounced in paris. OR the paris
master was sent via spdif back to Nuendo for a bounce... same thing i do now
without eq and compression on the return input to Nuendo.

upon listening back to those mixes... i prompty wanted to throw up!!!

because they were so much bigger and wider than my current method. was it
just those songs were better produced? has the most recent stuff i mixed
just been lacking in attention to detail from the producer? or is it
because of the freekin paris bus mojo magic enhancer thingy?

here is why i quit doing the paris bus bounce. i was tired of getting sawed
off waveforms. thats it. is that ridiculous or what?

sawed off waveforms are bad right?

WTF?
 
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