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This is what I am plannig... [message #56928]

Mon, 15 August 2005 21:46

Spappy

Messages: 19
Registered: September 2007

Junior Member

t;>>to the fall of the space that is farthest from them or from the wall
> >
> > that is
> >
> >>>behind them. I know that since they are broadcasting into the room,
that
> >
> > the
> >
> >>>front makes sense, but music travels all directions and it seems it
> >
> > would
> >
> >>>

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Re: This is what I am plannig... [message #56979 is a reply to message #56928]

Tue, 16 August 2005 23:00

Messages: 61
Registered: July 2005

Member

/> >
>>>>in
>>>>
>>>>
>>>>>a very small market and I am starting to carve out a niche for myself.
>>>
>>>The
>>>
>>>
>>>>>engineers in the other studios around here have many more years behind
>>>
>>>the
>>>
>>>
>>>>>board than I do (average of around 30 years of full-time *earning a living
>>>>>at it* kind of experience so I'm a comparative newbie)
>>>>>
>>>>>I've learned a few things over the years of turd polishing and doing
>
> small
>
>>>>>demo projects and I'm starting to actually get some small labels sniffing<

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Re: This is what I am plannig... [message #56991 is a reply to message #56928]

Wed, 17 August 2005 07:19

Chris Ludwig

Messages: 868
Registered: May 2006

Senior Member

> These exist because people consider the stereo imaging and sound stage
> important.
> Obviously this is not the most critical issue in typical, modern, radio
> driven
> productions, but that does not equate to being meaningless.
> I love recording in true stereo (primarily M/S) whenever it seems
> appropriate.
>
> Trying to control the sound stage "after the fact" is a completely
> different
> animal but again, the details do add up.
> I have been playing around a little with GigaPulse, the convolution reverb
> that comes with Giga3, and now available separately. With multiple
> instances,
> you can create a very controlled and convincing 3D soundstages that you
> actually
> can adjust during mixdown. This reminds me a little of using the Calrec
> Soundfield
> (the ultimate mic for post recording control of sound stage.)
>
> The new generation of hardware and software phase correction systems also
> opens up new possibilities. As an example: If you record a small acoustic
> ensemble with M/S, you should be able

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