Home » The PARIS Forums » PARIS: Main » Suggestions for stereo compressors
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Re: Suggestions for stereo compressors [message #59816 is a reply to message #59813] |
Thu, 03 November 2005 07:51   |
Cujjo
Messages: 325
Registered: June 2007
|
Senior Member |
|
|
essage
news:436ab747$1@linux...
>
> I haven't run my windows XP machine in awhile, I just started it up and I
> no longer have desk top Icons, what's up with that? It runs Ok, but no
> Icons.
>
> Thought you guys would know.
>
> Thanks
> JamesThis is a multi-part message in MIME format.
------=_NextPart_000_007C_01C5E0DD.AE73B520
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Gene,
I have a very early 166 and a 161VU. Is it possible they
use the same vca?!?! I couldn't find anything out doing a=20
google search about it. I wonder if the new DBX (Harmon) would=20
have any records on that? I'd open them up and look
but I'm not sure which component is the VCA. =20
Any tips for me to learn more? I'll look inside for clues.
Tom
"gene lennon" <glennon@NOSPmyrealbox.com> wrote in message =
news:436a335f$1@linux...
"cujo" <chris@applemanstudio.com> wrote:
>
>Hmm, so Gene, you;d say a Compeller could be good for drum O/H's =
while tracking
>to keep form getting "overs" while still getting a good hot signal =
into
your
>pres?
>It is sort of like an RNC on supernice no? Right now, I only have a =
lowly
>DBX 166 for this (old one) although, I read somewhere recently that =
the
old
>166's are close to the old ssl..Was that you who wrote that? MAy have =
been
>Fletcher
>
The Compeller is very much like a RNC on supernice. It has Servo =
transformerless,
circuitry that makes it VERY clean sounding. Unfortunately, it has no =
attack
or release controls so it is a little slow for drums. The Compeller =
could
best be described as an automatic leveler. It sounds lik
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Re: Suggestions for stereo compressors [message #59841 is a reply to message #59828] |
Fri, 04 November 2005 09:19 |
gene lennon
Messages: 565
Registered: July 2006
|
Senior Member |
|
|
va2V5PgoJCQkJCTxk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---=_linux436b89f4--I always wanted a place to stay when I am down under.
Pictures of the guest room please.
Congrats.
GeneThis is a multi-part message in MIME format.
------=_NextPart_000_00C8_01C5E135.C2473510
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Kim,
I lived by myself for a little over a year in Boston and remember it to
be one of the best times of my life. Enjoy your newfound
privacy and be sure to eat once in a while.
Tom
"gene lennon" <glennon@NOSPmyrealbox.com> wrote in message =
news:436b8ca0$1@linux...
I always wanted a place to stay when I am down under.
Pictures of the guest room please.
Congrats.
Gene
------=_NextPart_000_00C8_01C5E135.C2473510
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Kim,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I lived by myself for a little over a =
year in=20
Boston and remember it to</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>be one of the best times of my =
life. Enjoy=20
your newfound</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>privacy and be sure to eat once in a=20
while.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"gene lennon" <<A=20
=
href=3D"mailto:glennon@NOSPmyrealbox.com">glennon@NOSPmyrealbox.com</A>&g=
t;=20
wrote in message <A=20
href=3D"news:436b8ca0$1@linux">news:436b8ca0$1@linux</A>...</DIV><BR>I =
always=20
wanted a place to stay when I am down under.<BR>Pictures of the guest =
room=20
please.<BR>Congrats.<BR>Gene</BLOCKQUOTE></BODY></HTML >
------=_NextPart_000_00C8_01C5E135.C2473510--What do you think of updating with an external wordclock and a high end D/A
converter in lieu of a stereo compressor
Thoughts and suggestions are more than welcome
DonThis is a multi-part message in MIME format.
------=_NextPart_000_0048_01C5E12E.BC05A940
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
The VCA is in a pack on my 160VU's, and very hard to get at. It's as I =
recall a little black box on the circuit board. Betcha you have the same =
setup.=20
AA
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:436afd88@linux...
Gene,
I have a very early 166 and a 161VU. Is it possible they
use the same vca?!?! I couldn't find anything out doing a=20
google search about it. I wonder if the new DBX (Harmon) would=20
have any records on that? I'd open them up and look
but I'm not sure which component is the VCA. =20
Any tips for me to learn more? I'll look inside for clues.
Tom
"gene lennon" <glennon@NOSPmyrealbox.com> wrote in message =
news:436a335f$1@linux...
"cujo" <chris@applemanstudio.com> wrote:
>
>Hmm, so Gene, you;d say a Compeller could be good for drum O/H's =
while tracking
>to keep form getting "overs" while still getting a good hot signal =
into
your
>pres?
>It is sort of like an RNC on supernice no? Right now, I only have a =
lowly
>DBX 166 for this (old one) although, I read somewhere recently that =
the
old
>166's are close to the old ssl..Was that you who wrote that? MAy =
have been
>Fletcher
>
The Compeller is very much like a RNC on supernice. It has Servo =
transformerless,
circuitry that makes it VERY clean sounding. Unfortunately, it has =
no attack
or release controls so it is a little slow for drums. The Compeller =
could
best be described as an automatic leveler. It sounds like to an =
engineer
riding input levels rather than like a compressor. I have one and =
use it
on acoustic instruments and sometimes on vocals before an LA2a or =
Distressor
type compressor.
Some of the old 166 compressors with the original DBX VCA do sound =
good.
Closer to a 160VU than any other DBX. I don't know what the serial =
number
range is for the good units. I'm not a fan of the later 166 and the =
early
units are rare. I have a pair of 161s (Unbalanced 160VU) that I hold =
quite
dear to my heart.
Gene
.
------=_NextPart_000_0048_01C5E12E.BC05A940
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2900.2769" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>The VCA is in a pack on my 160VU's, and =
very hard=20
to get at. It's as I recall a little black box on the circuit board. =
Betcha you=20
have the same setup. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>AA</FONT></DIV>
<DIV> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> wrote =
in message=20
<A href=3D"news:436afd88@linux">news:436afd88@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Gene,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I have a very early 166 and a =
161VU. Is it=20
possible they</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>use the same vca?!?! I couldn't =
find=20
anything out doing a </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>google search about it. I =
wonder if the new=20
DBX (Harmon) would </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>have any records on that? I'd =
open them up=20
and look</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>but I'm not sure which component is =
the=20
VCA. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Any tips for me to learn more? =
I'll look=20
inside for clues.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"gene lennon" <<A=20
=
href=3D"mailto:glennon@NOSPmyrealbox.com">glennon@NOSPmyrealbox.com</A>&g=
t;=20
wrote in message <A=20
=
href=3D"news:436a335f$1@linux">news:436a335f$1@linux</A>...</DIV><BR>"cuj=
o"=20
<<A=20
=
href=3D"mailto:chris@applemanstudio.com">Report message to a moderator
|
|
|
|
| Re: Suggestions for stereo compressors [message #59845 is a reply to message #59828] |
Fri, 04 November 2005 08:58 |
Aaron Allen
Messages: 1988
Registered: May 2008
|
Senior Member |
|
|
eanup Wizard
>>
>>AA
>>
>>"James McCloskey" <excelsm@hotmail.com> wrote in message
>>news:436ab747$1@linux...
>>>
>>> I haven't run my windows XP machine in awhile, I just started it up and
> I
>>> no longer have desk top Icons, what's up with that? It runs Ok, but no
>
>>> Icons.
>>>
>>> Thought you guys would know.
>>>
>>> Thanks
>>> James
>>
>>
>It's all good, though I think Paris' converters are still in the upper
reaches of what is available, even today.
The Lucid clock is really cool here. Nice bit of improvement in the imaging.
I think you'd notice a much bigger improvement with compression over
"better" converters.
JMO.
Jimmy
"Don Nafe" <dnafe@magma.ca> wrote in message news:436b91a9@linux...
> What do you think of updating with an external wordclock and a high end
D/A
> converter in lieu of a stereo compressor
>
> Thoughts and suggestions are more than welcome
>
> Don
>
>Excellent! You've got my number.
Tony
"Morgan" <morganp@ntplx.net> wrote in message news:436b8613$1@linux...
> Hi Tony,
> I have some files I can send .
> These are 24bit Wav files recorded by Roger Nichols.
>
> Thanks,
>
> Morgan :)
>
>
> Tony Benson wrote:
>> I remember DJ had done some mic comparisons a while back and some other
>> various test recordings, etc. I'm sure others have done similar
>> "experiments". If anyone has any audio files, songs, pictures,
>> instructions, tips, heck anything they'd like to post on the net for easy
>> access by others, I'm offering space on my web server to host the files.
>> I've got a good hosting package and don't use anywhere close to my
>> bandwidth or storage limits. Anyway, anyone who wants to make basically
>> anything (music and/or PARIS related that is) available through the web,
>> send me an email. If the files aren't too big (10 megs or smaller) you
>> can just email them and I'll create a folder on my site for you and post
>> a link back here on the group. If they're big files, you can send me a
>> disc and I'll post it up.
>>
>> Email me at this address: tony@mercysakes.com. This address can handle
>> bigger files.
>>
>> Tony
>>
>> Check out Tom Bruhl's mic shootout files here:
>>
>> http://www.mercysakes.com/paris/tbruhl110105
>Do you own? That's the real deal, the feeling of empowerment that cannot be
beaten.
I'll never forget my first apartment. I rented, but the feeling of privacy
and autonomy was tactile. Awesome feeling.
Jimmy
"Kim" <hiddensounds@hotmail.com> wrote in message news:436b37f1$1@linux...
>
>
> Well, I'm officially in and living on my own for the first time ever. :o)
> It's been an adventure and a lot of work in the move.
>
> The guts of home is here. I've still got some minor stuff to move... one
> keyboard and it's indoor stand, and various other accessories, but overall
> things here are set up and happenning. The Paris system hasn't been set up
> yet mind you. It's in peices awaiting me to work out a method of getting
> the Paris desk inside. ;o) When I built the desk it was built to use, not
> built to move, or get in and out. ;o)
>
> But overall, the kitchen works... the lounge works... the bedroom
works...
> the toilet works... the phone works... mind you the internet doesn't
> work yet. I'm currently on some kind of wireless "go anywhere" system my
> work is trialing (fortunately) on my laptop. It's due to be connected next
> week though, and once that happens the newsgroup server will be moving
with
> me. It's currently sitting in my old bedroom at my previous residence in
> an empty room. Doing it's job still I see though. ;o)
>
> The great news is that this Friday night PBS radio are playing some great
> funk! The other great news is that I have fantastic TV reception here
compared
> to the old place. I can pick up every free to air channel better than I've
> ever seen before through the main antenna in the lounge, and quite well
through
> my dodgy rabbit ears in my bedroom. I'm enjoying picking up ABC and SBS
for
> once, the "government" and "world" TV stations.
>
> Living on my own is certainly a new thing. I have very little cash though
> at the moment, as I spent it all on those little bits that you don't know
> you don't have until you move out of the share house and go "Hold on! I
don't
> have a..." ;o)
>
> It's going to be fun though. It's wonderful to live somewhere you can
watch
> what you want, see who you want, put on the CD you want, listen to the
radio
> station you want, and not be questioned about the whole thing. :o)
>
> Life is good. :o)
>
> Cheers,
> Kim.I think the situation really is a best band for the buck scenario...so the
next question that follows is which would render a bigger improvement
Don
"uptown jimmy" <johnson314@bellsouth.net> wrote in message
news:436b96d9@linux...
> It's all good, though I think Paris' converters are still in the upper
> reaches of what is available, even today.
>
> The Lucid clock is really cool here. Nice bit of improvement in the
> imaging.
>
> I think you'd notice a much bigger improvement with compression over
> "better" converters.
>
> JMO.
> Jimmy
>
> "Don Nafe" <dnafe@magma.ca> wrote in message news:436b91a9@linux...
>> What do you think of updating with an external wordclock and a high end
> D/A
>> converter in lieu of a stereo compressor
>>
>> Thoughts and suggestions are more than welcome
>>
>> Don
>>
>>
>
>Man I've got to re-read my posts before sending...."best band" DUH!
"Don Nafe" <dnafe@magma.ca> wrote in message news:436b97eb@linux...
>I think the situation really is a best band for the buck scenario...so the
>next question that follows is which would render a bigger improvement
>
> Don
>
>
> "uptown jimmy" <johnson314@bellsouth.net> wrote in message
> news:436b96d9@linux...
>> It's all good, though I think Paris' converters are still in the upper
>> reaches of what is available, even today.
>>
>> The Lucid clock is really cool here. Nice bit of improvement in the
>> imaging.
>>
>> I think you'd notice a much bigger improvement with compression over
>> "better" converters.
>>
>> JMO.
>> Jimmy
>>
>> "Don Nafe" <dnafe@magma.ca&
|
|
|
|
| Re: Suggestions for stereo compressors [message #59857 is a reply to message #59841] |
Fri, 04 November 2005 10:27 |
Tom Bruhl
Messages: 1368
Registered: June 2007
|
Senior Member |
|
|
not be questioned about the whole thing. :o)
>
>Life is good. :o)
>
>Cheers,
>Kim.when i tried to even suggest such a thing she slapped me hard.
On 5 Nov 2005 05:43:41 +1000, "Dominic" <BERTSTUDIO@aol.com> wrote:
>
>Just wondering if anyone has linked PARIS with an Ampex MM1200
>using a Timeline Mycrolynx.
>
>Just wondering if anyone can give me some advice
>Thanx DominicShe still no worky! This machine hasn't been right since I went on the internet
with it. I think a bug may be eating my lunch, time to reinstall.
Thanks
James
"Aaron Allen" <nospam@not_here.dude> wrote:
>The default is a folder on your desktop called *Unused Desktop Shortcuts*
>that is built automatically. Try resizing the desktop and see if possibly
it
>got pulled out of range of your current desktop... if you're at 1024x768,
>move to 800x600, apply, then resize back to 1024x768. Any icons outside
of
>the viewing area should be pushed back in that way.
>
>AA
>
>
>"James McCloskey" <excelsm@hotmail.com> wrote in message
>news:436b05e4$1@linux...
>>
>> Thanks Aaron! I've got my computer and my docs, but where are all my
>> short
>> cuts? I the properties, it states that desktop clean up wizard placed
>> them
>> in a folder. What folder, where?
>>
>> Thanks
>> James
>>
>> "Aaron Allen" <nospam@not_here.dude> wrote:
>>>Yup. Left click on the desktop, and turn off the desktop cleanup wizard:
>>>Left click > properties>desktop tab>customize desktop>general tab, uncheck
>>
>>>Run Desktop Cleanup Wizard
>>>
>>>AA
>>>
>>>"James McCloskey" <excelsm@hotmail.com> wrote in message
>>>news:436ab747$1@linux...
>>>>
>>>> I haven't run my windows XP machine in awhile, I just started it up
and
>> I
>>>> no longer have desk top Icons, what's up with that? It runs Ok, but
no
>>
>>>> Icons.
>>>>
>>>> Thought you guys would know.
>>>>
>>>> Thanks
>>>> James
>>>
>>>
>>
>
>I am not familiar with the Timeline products, but I have locked
MM1200's using Adams Smith, Tascam, Q-Loc (ick) and others. If this
is a later 1200 with the servo mod, the tape tension will be more
stable, but I would still not sync Paris to the 1200. I would instead
use a SMPTE stripe in Paris (audio track) and send the TC out of a
pre-fade Aux to the synchronizer. The 1200 could then chase the
timecode coming from Paris. As this is an audio track, you would have
to have at least 20 seconds of TC pre-roll available in Paris for the
1200 to lock properly.
David.
Dominic wrote:
> Just wondering if anyone has linked PARIS with an Ampex MM1200
> using a Timeline Mycrolynx.
>
> Just wondering if anyone can give me some advice
> Thanx DominicI would recommend a WC generator and a D/A for monitoring. The WC
unit will also allow you to interconnect the Paris and Cubase machines
ala DJ if you wanted to. We use and recommend this WC generator:
http://www.rosendahl-studiotechnik.de/nanoclocks.html
As for a D/A, the Benchmark is very good, also the UA 2192 is quite nice.
David.
Don Nafe wrote:
> Hey Dave
>
> Mainly mixing as I have a quasi partner who takes care of the recording end.
>
> I will be running two rigs, one for paris the other w/Cubase or something
> similar for UAD & Midi
>
> any other thoughts
>
> Don
>
>
> "EK Sound" <spamnot.info@eksoundNO.com> wrote in message
> news:436ba2ce$1@linux...
>
>>Well, it depends on what you are doing. The external word clock would
>>provide improvements with A/D-D/A conversion. If you are "mixing only",
>>then the external word clock would only give benefits in monitoring while
>>mixing. The internal bounce of the mix would not benefit from the word
>>clock as it is a sample by sample mix. A high quality D/A converter would
>>provide more accurate monitoring allowing you to make better informed
>>decisions on the overall soundstage during mixing. What exactly will you
>>be doing primarily? Tracking? Mixing? Both?
>>
>>David.
>>
>>Don Nafe wrote:
>>
>>>What do you think of updating with an external wordclock and a high end
>>>D/A converter in lieu of a stereo compressor
>>>
>>>Thoughts and suggestions are more than welcome
>>>
>>>Don
>
>
>I take it the UA is running around $3000 CDN - What's the Nano worth?
Don "there goes the budget" Nafe
"EK Sound" <spamnot.info@eksoundNO.com> wrote in message
news:436bbcf8$1@linux...
>I would recommend a WC generator and a D/A for monitoring. The WC unit
>will also allow you to interconnect the Paris and Cubase machines ala DJ if
>you wanted to. We use and recommend this WC generator:
>
> http://www.rosendahl-studiotechnik.de/nanoclocks.html
>
> As for a D/A, the Benchmark is very good, also the UA 2192 is quite nice.
>
> David.
>
> Don Nafe wrote:
>
>> Hey Dave
>>
>> Mainly mixing as I have a quasi partner who takes care of the recording
>> end.
>>
>> I will be running two rigs, one for paris the other w/Cubase or something
>> similar for UAD & Midi
>>
>> any other thoughts
>>
>> Don
>>
>>
>> "EK Sound" <
|
|
|
|
| Re: Suggestions for stereo compressors [message #59881 is a reply to message #59857] |
Fri, 04 November 2005 17:27 |
Aaron Allen
Messages: 1988
Registered: May 2008
|
Senior Member |
|
|
is@nospamapplemanstudio.com> wrote in message
news:436c02c9$1@linux...
>
> Also, Don, what is your monitor situation like?
>
>
>
> "benjamin" <none@a.a> wrote:
>> I went through this same thing recently. First thing I did was purchase
> an
>>Apogee Big Ben. There was a noticable difference with big ben. Most
>>noticable in a wider sound field. It was really obvious when going back
> to
>>internal sync. I'd say it made a good 5% increase in quality.
>> The next thing I did was purchase a bunch of outboard gear. I was using
>
>>various gear in the external loops using the stock PARIS converters. The
>
>>biggest difference was strapping a Drawmer 1968 across the master bus. I'm
>
>>talking 20% increase in quality. Tracks really glued together. NoLimit
>>pales
>
>>in comparison.
>> Then I purchased an Apogee DA and AD-16x. Even at 20bit (via ADAT) the
>
>>sound became less boxy, and more "pro" sounding. Increase in highs,
>>tighter
>
>>bass, wider sound field. A good 10% better than the stock converters.
>>I have since switched to an RME/cubase SX system.
>>
>>Anyway, if I could have only made one move, it would be the 1968 across
> the
>>mix bus.
>>
>>
>>"Don Nafe" <dnafe@magma.ca> wrote in message news:436b91a9@linux...
>>> What do you think of updating with an external wordclock and a high end
>
>>> D/A converter in lieu of a stereo compressor
>>>
>>> Thoughts and suggestions are more than welcome
>>>
>>> Don
>>>
>>
>>>>>And it's a wonderful looking day outside. :o)<<<
In Melbourne ??? ;-p
--
Martin Harrington
www.lendanear-sound.com
"Kim" <hiddensounds@hotmail.com> wrote in message news:436be7a4$1@linux...
>
>
> No I don't own the place, but my hope is that this will be the last
> renter.
> If I hang in here a couple of years I should be able to get the finances
> together to make a purchase with any luck. It's all part of the plan. When
> I buy I likely wont be able to afford a place this close to the city, so
> I want to live in here a bit and get some good quality "living" done in
> the
> hope that when I buy I'm ready to move a bit further out...
>
> ...of course it could well backfire and have me end up just getting used
> to the inner city lifestyle. We'll see. ;o)
>
> It is great though. This morning, for example, is Saturday and I've gotten
> up at 8:00 or so. At the old place the other two residents don't really
> get
> up until midday or so, so there would usually be about four hours of tippy
> toes around the house making no noise until everyone wakes up, trying to
> find things to do which are quiet. Here, on the other hand, I can do what
> I like. All the doors are open, the stereo's on.
>
>>
> Cheers,
> Kim.
>
> "uptown jimmy" <johnson314@bellsouth.net> wrote:
>>Do you own? That's the real deal, the feeling of empowerment that cannot
> be
>>beaten.
>>
>>I'll never forget my first apartment. I rented, but the feeling of privacy
>>and autonomy was tactile. Awesome feeling.
>>
>>Jimmy
>>
>>"Kim" <hiddensounds@hotmail.com> wrote in message news:436b37f1$1@linux...
>>>
>>>
>>> Well, I'm officially in and living on my own for the first time ever.
> :o)
>>> It's been an adventure and a lot of work in the move.
>>>
>>> The guts of home is here. I've still got some minor stuff to move...
> one
>>> keyboard and it's indoor stand, and various other accessories, but
>>> overall
>>> things here are set up and happenning. The Paris system hasn't been set
> up
>>> yet mind you. It's in peices awaiting me to work out a method of getting
>>> the Paris desk inside. ;o) When I built the desk it was built to use,
> not
>>> built to move, or get in and out. ;o)
>>>
>>> But overall, the kitchen works... the lounge works... the bedroom
>>works...
>>> the toilet works... the phone works... mind you the internet doesn't
>>> work yet. I'm currently on some kind of wireless "go anywhere" system
> my
>>> work is trialing (fortunately) on my laptop. It's due to be connected
> next
>>> week though, and once that happens the newsgroup server will be moving
>>with
>>> me. It's currently sitting in my old bedroom at my previous residence
> in
>>> an empty room. Doing it's job still I see though. ;o)
>>>
>>> The great news is that this Friday night PBS radio are playing some
>>> great
>>> funk! The other great news is that I have fantastic TV reception here
>>compared
>>> to the old place. I can pick up every free to air channel better than
> I've
>>> ever seen before through the main antenna in the lounge, and quite well
>>through
>>> my dodgy rabbit ears in my bedroom. I'm enjoying picking up ABC and SBS
>>for
>>> once, the "government" and "world" TV stations.
>>>
>>> Living on my own is certainly a new thing. I have very little cash
>>> though
>>> at the moment, as I spent it all on those little bits that you don't
>>> know
>>> you don't have until you move out of the share house and go "Hold on!
> I
>>don't
>>> have a..." ;o)
>>>
>>> It's going to be fun though. It's wonderful to live somewhere you can
>>watch
>>> what you want, see who you want, put on the CD you want, listen to the
>>radio
>>> station you want, and not be questioned about the whole thing. :o)
>>>
>>> Life is good. :o)
>>>
>>> Cheers,
>>> Kim.
>>
>>
>Hey been out for a bit the usual moved working a lot. So what ever came
of the skinning last I heard someone was going to start a place to keep
them.This is a multi-part message in MIME format.
---=_linux436c15a5
Content-Type: text/plain
Content-Transfer-Encoding: 7bit
If you use a Mac and have an interest in TriTone Digital plugins, the pro
version of ColorTone is available for download as a beta demo. This is a
convolution based tone shaper with some unique new concepts and a library
of great sounding impulse responses. It also allows you to add your own IRs.
The included impulses files are named somewhat cryptically to avoid legal
issues, but each one I have tested so far sounds very good.
http://www.tritonedigital.com/forum/viewtopic.php?t=399& highlight=
---=_linux436c15a5
Content-Type: image/jpeg; name="Colortone-IRs.jpg"
Content-Transfer-Encoding: base64
Content-Disposition: attachment; filename="Colortone-IRs.jpg"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|
|
|
|
| Re: Suggestions for stereo compressors [message #59901 is a reply to message #59881] |
Sat, 05 November 2005 07:57 |
cujo
Messages: 285
Registered: July 2005
|
Senior Member |
|
|
iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Cujo,
Not familiar with him. Where is New Alliance?
Tom
"cujo" <chris@nospamapplemanstudio.com> wrote in message =
news:436cc85e$1@linux...
How do I know how old one is. I thin mine is about 15 years or more.
Tom, do you know a repair guy named Bo Dixon here in Boston? He works =
out
of the basemant at New Alliance. He has done a few small things for me =
that
all work well. I have also heard some mixed reviews though.
"Aaron Allen" <nospam@not_here.dude> wrote:
>
>
>Last time I talked w/DBx, Tom Cram was the dude I spoke with, super =
=3D
>guy/real helpful. I highly recommend him, he was instrumental in =
helping
=3D
>me rebuild one of my 160's when I got them a few years back.=3D20
>
>tcram AT dbxpro DOT com
>
>AA
> "Tom Bruhl" <arpegio@comcast.net> wrote in message =3D
>news:436ba859@linux...
> Thanks for the help Gene and Aaron.
>
> >Some of the old 166 compressors with the original DBX VCA do sound =
=3D
>good.
> >Closer to a 160VU than any other DBX. =3D20
>
> The problem is that my 166 needs repair. It's not worth repairing =
if
> it isn't the model Gene refers to. I bought the 166 for $1,000 =
when =3D
>they first
> came out. I had to wait for delivery to the store. I'm pretty =
sure =3D
>it was out of the
> first run. I am running the serial number by DBX to see what they =
=3D
>say. Also
> looking for specialists in this field. I might call Eric at Earth =
=3D
>Works.
>
> Thanks for the info,
> Tom
>
> "gene lennon" <glennon@NOSPmyrealbox.com> wrote in message =3D
>news:436b89f4$1@linux...
>
> "Tom Bruhl" <arpegio@comcast.net> wrote:
> >
> >
> >Gene,
> >I have a very early 166 and a 161VU. Is it possible they
> >use the same vca?!?! I couldn't find anything out doing =
a=3D3D20
> >google search about it. I wonder if the new DBX (Harmon) =3D
>would=3D3D20
> >have any records on that? I'd open them up and look
> >but I'm not sure which component is the VCA. =3D3D20
> >
> >Any tips for me to learn more? I'll look inside for clues.
> >Tom
> >
> I know the 163 and the 166 share the same VCA (except as noted) =
and
=3D
>these
> both have different envelopes-of-attack from the 161. This has a =
lot
=3D
>to do
> with the overall sound.
> I should point out that the person who told me about some of the =
=3D
>early 166
> boxes was not from DBX, but was a technician that I trusted and =
he =3D
>should
> have known. I could be wrong about this.
> You should be in a good position to listen to the two units side =
by
=3D
>side.
> This is really the best way anyway, particularly since many of =
the =3D
>older
> units are way overdue for a rebuild/recalibration.
> Looking inside is not always helpful. The early VCAs are not =
always
=3D
>labeled.
>
>
> The attached image looks generally like most of the early VCAs.
>
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D
>charset=3D3Diso-8859-1">
><META content=3D3D"MSHTML 6.00.2900.2769" name=3D3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D3D#ffffff>
><DIV><FONT face=3D3DArial size=3D3D2>Last time I talked w/DBx, Tom =
Cram was
=3D
>the dude I=3D20
>spoke with, super guy/real helpful. I highly recommend him, he was =
=3D
>instrumental=3D20
>in helping me rebuild one of my 160's when I got them a few years =
back.=3D20
></FONT></DIV>
><DIV><FONT face=3D3DArial size=3D3D2></FONT> </DIV>
><DIV><FONT face=3D3DArial size=3D3D2><A =3D
>href=3D3D"mailto:tcram@dbxpro.com">tcram AT dbxpro=3D20
>DOT com</A></FONT></DIV>
><DIV><FONT face=3D3DArial size=3D3D2></FONT> </DIV>
><DIV><FONT face=3D3DArial size=3D3D2>AA</FONT></DIV>
><BLOCKQUOTE dir=3D3Dltr=3D20
>style=3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
=3D
>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> <DIV>"Tom Bruhl" <<A=3D20
> href=3D3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> =
wrote =3D
>in message=3D20
> <A href=3D3D"news:436ba859@linux">news:436ba859@linux</A>...</DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>Thanks for the help Gene and =
=3D
>Aaron.</FONT></DIV>
> <DIV> </DIV>
> <DIV>>Some of the old 166 compressors with the original DBX VCA do =
=3D
>sound=3D20
> good.<BR>>Closer to a 160VU than any other DBX. </DIV>
> <DIV> </DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>The problem is that my 166 =
needs =3D
>
> repair. It's not worth repairing if</FONT></DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>it isn't the model Gene refers =
=3D
>to. I bought=3D20
> the 166 for $1,000 when they first</FONT></DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>came out. I had to wait for =
=3D
>delivery to the=3D20
> store. I'm pretty sure it was out of the</FONT></DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>first run. I am running the =
=3D
>serial number=3D20
> by DBX to see what they say. Also</FONT></DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>looking for specialists in =
this =3D
>field. I=3D20
> might call Eric at Earth Works.</FONT></DIV>
> <DIV><FONT face=3D3DArial size=3D3D2></FONT> </DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>Thanks for the =
info,</FONT></DIV>
> <DIV><FONT face=3D3DArial size=3D3D2>Tom</FONT></DIV>
> <DIV> </DIV>
> <BLOCKQUOTE=3D20
> style=3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
=3D
>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> <DIV>"gene lennon" <<A=3D20
> =3D
=
>href=3D3D"mailto:glennon@NOSPmyrealbox.com">glennon@NOSPmyrealbox.com</A=
>&g=3D
>t;=3D20
> wrote in message <A=3D20
> =3D
=
>href=3D3D"news:436b89f4$1@linux">news:436b89f4$1@linux</A>...</DIV><BR>"=
Tom=3D
>=3D20
> Bruhl" <<A =3D
>href=3D3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=3D20
> wrote:<BR>><BR>><BR>>Gene,<BR>>I have a very early 166 =3D
>and a=3D20
> 161VU. Is it possible they<BR>>use the same vca?!?! I =3D
>
> couldn't find anything out doing a=3D3D20<BR>>google search about =
=3D
>it. I=3D20
> wonder if the new DBX (Harmon) would=3D3D20<BR>>have any records =
on =3D
>
> that? I'd open them up and look<BR>>but I'm not sure which=3D20
> component is the VCA. =3D3D20<BR>><BR>>Any tips for me to =
learn=3D20
> more? I'l
|
|
|
|
| Re: Suggestions for stereo compressors [message #59902 is a reply to message #59901] |
Sat, 05 November 2005 07:34 |
Tom Bruhl
Messages: 1368
Registered: June 2007
|
Senior Member |
|
|
l look inside for clues.<BR>>Tom<BR>><BR>I know =3D
>the 163=3D20
> and the 166 share the same VCA (except as noted) and =
these<BR>both =3D
>have=3D20
> different envelopes-of-attack from the 161. This has a lot to =3D
>do<BR>with the=3D20
> overall sound.<BR>I should point out that the person who told me =
=3D
>about some=3D20
> of the early 166<BR>boxes was not from DBX, but was a technician =
=3D
>that I=3D20
> trusted and he should<BR>have known. I could be wrong about =3D
>this.<BR>You=3D20
> should be in a good position to listen to the two units side =
by=3D20
> side.<BR>This is really the best way anyway, particularly since =
many
=3D
>of the=3D20
> older<BR>units are way overdue for a =3D
>rebuild/recalibration.<BR>Looking=3D20
> inside is not always helpful. The early VCAs are not always=3D20
> labeled.<BR><BR><BR>The attached image looks generally like most =
of
=3D
>the=3D20
> early VCAs.<BR></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>
>
>
------=_NextPart_000_004D_01C5E1F4.75015AA0
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Cujo,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Not familiar with him. Where is =
New=20
Alliance?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"cujo" <<A=20
=
href=3D"mailto:chris@nospamapplemanstudio.com">chris@nospamapplemanstudio=
..com</A>>=20
wrote in message <A=20
=
href=3D"news:436cc85e$1@linux">news:436cc85e$1@linux</A>...</DIV><BR><BR>=
How do=20
I know how old one is. I thin mine is about 15 years or more.<BR>Tom, =
do you=20
know a repair guy named Bo Dixon here in Boston? He works out<BR>of =
the=20
basemant at New Alliance. He has done a few small things for me =
that<BR>all=20
work well. I have also heard some mixed reviews =
though.<BR><BR><BR>"Aaron=20
Allen" <<A =
href=3D"mailto:nospam@not_here.dude">nospam@not_here.dude</A>>=20
wrote:<BR>><BR>><BR>>Last time I talked w/DBx, Tom Cram was =
the dude=20
I spoke with, super =3D<BR>>guy/real helpful. I highly recommend =
him, he was=20
instrumental in helping<BR>=3D<BR>>me rebuild one of my 160's when =
I got them=20
a few years back.=3D20<BR>><BR>>tcram AT dbxpro DOT=20
com<BR>><BR>>AA<BR>> "Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> wrote =
in message=20
=3D<BR>>news:436ba859@linux...<BR>> Thanks for the help =
Gene and=20
Aaron.<BR>><BR>> >Some of the old 166 compressors with =
the=20
original DBX VCA do sound =3D<BR>>good.<BR>> >Closer to =
a 160VU=20
than any other DBX. =3D20<BR>><BR>> The problem is that my =
166 needs=20
repair. It's not worth repairing if<BR>> it isn't the =
model=20
Gene refers to. I bought the 166 for $1,000 when =3D<BR>>they =
first<BR>> came out. I had to wait for delivery to the=20
store. I'm pretty sure =3D<BR>>it was out of =
the<BR>> first=20
run. I am running the serial number by DBX to see what they=20
=3D<BR>>say. Also<BR>> looking for specialists in =
this=20
field. I might call Eric at Earth =
=3D<BR>>Works.<BR>><BR>> =20
Thanks for the info,<BR>> =
Tom<BR>><BR>> "gene=20
lennon" <<A=20
=
href=3D"mailto:glennon@NOSPmyrealbox.com">glennon@NOSPmyrealbox.com</A>&g=
t;=20
wrote in message=20
=3D<BR>>news:436b89f4$1@linux...<BR>><BR>> =
"Tom=20
Bruhl" <<A =
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=20
wrote:<BR>> ><BR>> =20
><BR>> >Gene,<BR>> =
>I have=20
a very early 166 and a 161VU. Is it possible=20
they<BR>> >use the same vca?!?! I =
couldn't find=20
anything out doing a=3D3D20<BR>> >google =
search about=20
it. I wonder if the new DBX (Harmon)=20
=3D<BR>>would=3D3D20<BR>> >have any records =
on=20
that? I'd open them up and look<BR>> =
>but I'm=20
not sure which component is the VCA. =3D3D20<BR>> =
><BR>> >Any tips for me to learn =
more? I'll=20
look inside for clues.<BR>> =20
>Tom<BR>> ><BR>> I =
know the=20
163 and the 166 share the same VCA (except as noted)=20
and<BR>=3D<BR>>these<BR>> both have different=20
envelopes-of-attack from the 161. This has a lot<BR>=3D<BR>>to=20
do<BR>> with the overall =
sound.<BR>> =20
I should point out that the person who told me about some of the=20
=3D<BR>>early 166<BR>> boxes was not from DBX, =
but was a=20
technician that I trusted and he =
=3D<BR>>should<BR>> =20
have known. I could be wrong about this.<BR>> You =
should=20
be in a good position to listen to the two units side=20
by<BR>=3D<BR>>side.<BR>> This is really the =
best way=20
anyway, particularly since many of the=20
=3D<BR>>older<BR>> units are way overdue for a =
rebuild/recalibration.<BR>> Looking inside is not =
always=20
helpful. The early VCAs are not=20
=
always<BR>=3D<BR>>labeled.<BR>><BR>> <BR>> =
The=20
attached image looks generally like most of the early=20
VCAs.<BR>><BR>><BR>><!DOCTYPE HTML PUBLIC "-//W3C//DTD =
HTML 4.0=20
Transitional//EN"><BR>><HTML><HEAD> <BR>><META=20
http-equiv=3D3DContent-Type content=3D3D"text/html;=20
=3D<BR>>charset=3D3Diso-8859-1"><BR>><META =
content=3D3D"MSHTML=20
6.00.2900.2769"=20
=
name=3D3DGENERATOR><BR>><STYLE></STYLE> <BR>></HEA=
D><BR>><BODY=20
bgColor=3D3D#ffffff><BR>><DIV><FONT face=3D3DArial =
size=3D3D2>Last=20
time I talked w/DBx, Tom Cram was<BR>=3D<BR>>the dude =
I=3D20<BR>>spoke with,=20
super guy/real helpful. I highly recommend him, he was=20
=3D<BR>>instrumental=3D20<BR>>in helping me rebuild one of my =
160's when I=20
got them a few years=20
back.=3D20<BR>></FONT></DIV> <BR>><DIV><FONT =
face=3D3DArial size=3D3D2></FONT> =
</DIV><BR>><DIV><FONT=20
face=3D3DArial size=3D3D2><A =3D<BR>>href=3D3D"<A=20
=
href=3D'mailto:tcram@dbxpro.com">tcram'>mailto:tcram@dbxpro.com">tcram=
</A> AT=20
dbxpro=3D20<BR>>DOT=20
com</A></FONT></DIV&g t; <BR>><DIV><FONT =
face=3D3DArial=20
size=3D3D2></FONT> </DIV><BR>><DIV><FONT =
face=3D3DArial=20
size=3D3D2>AA</FONT></DIV> ; <BR>><BLOCKQUOTE=20
dir=3D3Dltr=3D20<BR>>style=3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: =
5px;=20
MARGIN-LEFT: 5px; =3D<BR>>BORDER-LEFT: #000000 2px solid; =
MARGIN-RIGHT:=20
0px"><BR>> <DIV>"Tom Bruhl" =
<<A=3D20<BR>> =20
href=3D3D"<A=20
=
href=3D'mailto:arpegio@comcast.net">arpegio@comcast.net</A'>mailto:arpegi=
o@comcast.net">arpegio@comcast.net</A</A>>>=20
wrote =3D<BR>>in message=3D20<BR>> <A href=3D3D"<A=20
=
href=3D'news:436ba859@linux">news:436ba859@linux</A>...</DIV'>news:436ba8=
59@linux">news:436ba859@linux</A>...</DIV</A>><BR>>&nbs=
p;=20
<DIV><FONT face=3D3DArial size=3D3D2>Thanks for the help =
Gene and=20
=3D<BR>>Aaron.</FONT></DIV> <BR>> <DIV>=20
</DIV><BR>> <DIV>>Some of the old 166 =
compressors with=20
the original DBX VCA do =3D<BR>>sound=3D20<BR>> =20
good.<BR>>Closer to a 160VU than any other DBX.=20
</DIV><BR>> <DIV> </DIV><BR>> =20
<DIV><FONT face=3D3DArial size=3D3D2>The problem is that =
my 166 needs=20
=3D<BR>><BR>> repair. It's not worth repairing=20
if</FONT></DIV><BR>> <DIV><FONT =
face=3D3DArial=20
size=3D3D2>it isn't the model Gene refers =3D<BR>>to. I=20
bought=3D20<BR>> the 166 for $1,000 when they=20
first</FONT></DIV><BR>> <DIV><FONT =
face=3D3DArial=20
size=3D3D2>came out. I had to wait for =3D<BR>>delivery to=20
the=3D20<BR>> store. I'm pretty sure it was out of=20
the</FONT></DIV><BR>> <DIV><FONT =
face=3D3DArial=20
size=3D3D2>first run. I am running the =3D<BR>>serial=20
number=3D20<BR>> by DBX to see what they say.=20
Also</FONT></DIV><BR>> <DIV><FONT =
face=3D3DArial=20
size=3D3D2>looking for specialists in this =3D<BR>>field. =
I=3D20<BR>> =20
might call Eric at Earth Works.</FONT></DIV><BR>> =
<DIV><FONT face=3D3DArial size=3D3D2></FONT>=20
</DIV><BR>> <DIV><FONT face=3D3DArial =
size=3D3D2>Thanks=20
for the info,</FONT></DIV><BR>> =
<DIV><FONT=20
face=3D3DArial =
size=3D3D2>Tom</FONT></DIV&g t; <BR>> =20
<DIV> </DIV><BR>> =
<BLOCKQUOTE=3D20<BR>> =20
style=3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px;=20
=3D<BR>>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT:=20
0px"><BR>> <DIV>"gene lennon"=20
<<A=3D20<BR>> =3D<BR>>href=3D3D"<A=20
=
href=3D'mailto:glennon@NOSPmyrealbox.com">glennon@NOSPmyrealbox.com</A>&a=
mp;g'>mailto:glennon@NOSPmyrealbox.com">glennon@NOSPmyrealbox.com</=
A>&g</A>=3D<BR>>t;=3D20<BR>> =20
wrote in message <A=3D20<BR>> =
=3D<BR>>href=3D3D"<A=20
=
href=3D'news:436b89f4$1@linux">news:436b89f4$1@linux</A>...</DIV><BR>"Tom=
'>news:436b89f4$1@linux">news:436b89f4$1@linux</A>...</DIV>=
;<BR>"Tom</A>=3D<BR>>=3D20<BR>> =20
Bruhl" <<A =3D<BR>>href=3D3D"<A=20
=
href=3D'mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=3D20'>mailto=
:arpegio@comcast.net">arpegio@comcast.net</A>>=3D20</A><BR>&g=
t; =20
wrote:<BR>><BR>>&a mp;lt;BR>>Gene,<BR>>I =
have a=20
very early 166 =3D<BR>>and a=3D20<BR>> 161VU. =
Is it=20
possible they<BR>>use the same vca?!?! I=20
=3D<BR>><BR>> couldn't find anything out doing =
a=3D3D20<BR>>google search about =3D<BR>>it.=20
I=3D20<BR>> wonder if the new DBX (Harmon)=20
would=3D3D20<BR>>have any records on=20
=3D<BR>><BR>> that? I'd open them up and=20
look<BR>>but I'm not sure =
which=3D20<BR>> =20
component is the VCA. =3D3D20<BR>><BR>>A ny tips for =
me to=20
learn=3D20<BR>> more? I'll look inside for=20
clues.<BR>>Tom<BR>> ;<BR>I know =3D<BR>>the=20
163=3D20<BR>> and the 166 share the same VCA =
(except as=20
noted) and these<BR>both =
=3D<BR>>have=3D20<BR>> =20
different envelopes-of-attack from the 161. This has a lot to=20
=3D<BR>>do<BR>with the=3D20<BR>> overall =
sound.<BR>I should point out that the person who told me =
=3D<BR>>about=20
some=3D20<BR>> of the early 166<BR>boxes =
was not from=20
DBX, but was a technician =3D<BR>>that =
I=3D20<BR>> trusted=20
and he should<BR>have known. I could be wrong about=20
=3D<BR>>this.<BR>You=3D20<BR>> should be =
in a good=20
position to listen to the two units side =
by=3D20<BR>> =20
side.<BR>This is really the best way anyway, particularly since=20
many<BR>=3D<BR>>of the=3D20<BR>> =
older<BR>units are=20
way overdue for a=20
=
=3D<BR> >rebuild/recalibration.<BR>Looking=3D20 <BR>> &nbs=
p; =20
inside is not always helpful. The early VCAs are not=20
always=3D20<BR>> =
labeled.<BR><BR><BR&g t;The=20
attached image looks generally like most=20
of<BR>=3D<BR>>the=3D20<BR>> early=20
=
VCAs.<BR></BLOCKQUOTE></B LOCKQUOTE></BODY></HT=
ML><BR>><BR>></BLOCKQUOTE></BODY> </HTML>
------=_NextPart_000_004D_01C5E1F4.75015AA0--We had 4" of snow last week and it's been hovering around
0C... you suck! ;-)
David.
Martin Harrington wrote:
> Luxury...
> BTW, Sydney is 21C and cloudy/rainy.
>"Kim" <hiddensounds@hotmail.com> wrote:
>
>"cujo" <chris@nospamapplemanstudio.com> wrote:
>>I can see that bay window featuring in to your control room somehow.
>
>Well that was the original plan, but I don't know that I'm going to be able
>to get my desk into that room. There are actually two bay windows in the
>house. That front one is the master bedroom, and then there is a second
one
>on (based on that photo) the right of the house which is in the lounge.
Unfortunately
>it looks as if the control room will end up out the back in the sun room,
>which is a little sad because it's quite a small room and the only one in
>the house with a low ceiling. I'm still thinking about it at this stage.
>Of course the advantage of using the sun room is that over winter I'd get
>plenty of warmth and sunlight in the afternoon.
>
>I was going to make the master bedroom the control room, sleep in the second
>bedroom, and make the sunroom the guests room, but various things are working
>against that and it doesn't look like happenning that way.
So are you going to to set it up to have a control room, plus a
separate recording room? Or are you mainly going to be tracking
yourself & you just want a single room that works as a good
control room that you can also mic something up in & monitor
through headphones when you're tracking? Just curious?
I'm actually looking at moving, myself... this place - which I
thought would work out well for taking on some small projects
in addition to doing my own stuff - is turning out to be not so
conducive for that, after all. The couple of small outside
projects that I've worked on here have proven that (part of the
problem is the low ceilings, part of it is the layout of the
place). Luckily, I got it at such a good price, that I should
be able to turn a good profit on it if I sell, but then the
issue becomes finding a place that DOES have the right
configuration - which means, really, something that has a
separate building with high ceilings, and of the right size
overall.
There are lots of places around here that have guest houses or
what they call "mother in-law's apartments" added on, but so
far none of them have been big enough, or they've had low
ceilings, too. This girl I've been dating is a loan officer for
a mortgage company, and one of her real estate agent friends
told her about this house that's going on the market next week
that seems to have everything I want... decent size, grass yard
for the dogs, swimming pool, AND a separate building that is
actually... (wait for it...) an INDOOR HANDBALL COURT!
Drove by & looked at it from the outside yesterday... it is
indeed a separate building, about 20 feet away from the house.
The ceilings would definitely be high enough - I'm guessing
about 16' to 18' high (it's towards the back a ways, so I could
only guesstimate from the street), and it's big... the
appraisal records have that building listed as 800 square feet.
Plenty of room to build out a control room & recording room
inside... I'm just crossing my fingers that it's a proper,
traditional handball court, and that the floors & wall
surfaces are wood!
NeilWe just got word our camping buddies had to put down their dog Patton
yesterday...said a little prayer for the old guy...we watched him go from a
great chipmunk/squirrel chasing, food mooching ruler of the roost to a poor
old hound with really bad arthritis....oh there was always a twinkle in his
eye when the treats came out but he was a shadow of his former self....we
will miss him
Don
"cujo" <chris@nospamapplemanstudio.com> wrote in message
news:436cc795$1@linux...
>
>
> You touched a nerve here. I had to hold back the tears. Thanks for the
> beautiful
> story.
> The guitar player in my band had to put his cat down the other day.
> I faced a simillar thing a couple of years ago at the vets advice, but
> didn't
> do it. Now that cat has come back to health, and rules the house again. I
> don't like vets so much anymore. A owner just knows when it's time.
> Now hurry up and answer all th questions.
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>Looks like things have been busy around here this week. I see some posts
>>that look like I might be of help. I'll get around to answers tomorrow.
>>
>>I have been in northern New Mexico the last few days(Santa Fe, Taos and
>>Espanola/Abuquiu area). Today around sunset I stopped for gas in the
>>beautiful little mountain village of Chama New Mexico. I was tired and it
>>was getting cold. Snow was falling on the peaks surrounding the town. I
> made
>>myself a cup of coffee and took a while to chat with the owner of the
>>station. We sat by a big pot bellied wood stove drinking coffee and in a
> few
>>minutes, a nose pushed the door open between the garage bays and the
>>office
>>and in hopped his 12 year old German Shepherd. The dog had a lot of battle
>>scars and had recently had a stroke. rendering one of his hind legs
>>useless
>>He only had one good eye left. He whimpered a bit and was obviously in
>>pain.
>>He laid down next to the stove between me and his person and gave me a
>>look
>>that said, "I may be old and hurt, but I'm still top dog so don't mess
>>with
>>my owner" It was really touching. His owner told me that today was his
>>last
>>day on earth. The old dog had major nerve damage due to the stroke and was
>>in increasing pain. He was going to take him to the vet tomorrow and end
> his
>>suffering. I thought about how I have experienced the same thing with my
> own
>>pets. The old dog settled down by the fire and started to doze and I could
>>see the owner's chin start to quiver a bit as he started down at his old
>>friend. My chin quivered a bit too. I finally got up to go. The sun was
>>almost gone and I had 2 hours of mountain driving to finish before I got
>>home. As I opened the door, the owner called to the old dog, pointed to
> me,
>>grinned, winked and said "sick'em" !!! His old dog, obviously a guard dog,
>>jumped up, bristled and gave me a good woof'in for a final send off. I
>>gave
>>them both a grin and big thumbs up and headed to the car. Somehow I felt
>>special to have been there for this old dog's last day. I hope he has a
>>peaceful night without any pain and an easy sendoff tomorrow.
>>
>>I'm really tired tonight. It's good to be back home.
>>
>>C'ya tomorrow.
>>
>>Deej
>>
>>Boylston Street, across from Fenway and WBCN.
Here is his site
http://notoasters.net/
I was refered to him by Sonic Circus.
He is working on some sort of new Mic Pre, I haven't heard it though.
If you contact him, tell him Chris with the Langvins sent you.
"Tom Bruhl" <arpegio@comcast.net> wrote:
>
>
>Cujo,
>Not familiar with him. Where is New Alliance?
>Tom
> "cujo" <chris@nospamapplemanstudio.com> wrote in message =
>news:436cc85e$1@linux...
>
>
> How do I know how old one is. I thin mine is about 15 years or more.
> Tom, do you know a repair guy named Bo Dixon here in Boston? He works
=
>out
> of the basemant at New Alliance. He has done a few small things for me
=
>that
> all work well. I have also heard some mixed reviews though.
>
>
> "Aaron Allen" <nospam@not_here.dude> wrote:
> >
> >
> >Last time I talked w/DBx, Tom Cram was the dude I spoke with, super =
>=3D
> >guy/real helpful. I highly recommend him, he was instrumental in =
>helping
> =3D
> >me rebuild one of my 160's when I got them a few years back.=3D20
> >
> >tcram AT dbxpro DOT com
> >
> >AA
> > "Tom Bruhl" <arpegio@comcast.net> wrote in message =3D
> >news:436ba859@linux...
> > Thanks for the help Gene and Aaron.
> >
> > >Some of the old 166 compressors with the original DBX VCA do sound
=
>=3D
> >good.
> > >Closer to a 160VU than any
|
|
|
|
| Re: Suggestions for stereo compressors [message #59906 is a reply to message #59902] |
Sat, 05 November 2005 09:11 |
cujo
Messages: 285
Registered: July 2005
|
Senior Member |
|
|
;linux">news:436b89f4$1@linux</A>...</DIV><BR>"=
>Tom=3D
> >=3D20
> > Bruhl" <<A =3D
> >href=3D3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=3D20
> > wrote:<BR>><BR>><BR>>Gene,<BR>>I have a very early 166 =3D
> >and a=3D20
> > 161VU. Is it possible they<BR>>use the same vca?!?! I =3D
> >
> > couldn't find anything out doing a=3D3D20<BR>>google search about
=
>=3D
> >it. I=3D20
> > wonder if the new DBX (Harmon) would=3D3D20<BR>>have any records
=
>on =3D
> >
> > that? I'd open them up and look<BR>>but I'm not sure which=3D20
> > component is the VCA. =3D3D20<BR>><BR>>Any tips for me to =
>learn=3D20
> > more? I'll look inside for clues.<BR>>Tom<BR>><BR>I know =3D
> >the 163=3D20
> > and the 166 share the same VCA (except as noted) and =
>these<BR>both =3D
> >have=3D20
> > different envelopes-of-attack from the 161. This has a lot to =3D
> >do<BR>with the=3D20
> > overall sound.<BR>I should point out that the person who told me
=
>=3D
> >about some=3D20
> > of the early 166<BR>boxes was not from DBX, but was a technician
=
>=3D
> >that I=3D20
> > trusted and he should<BR>have known. I could be wrong about =3D
> >this.<BR>You=3D20
> > should be in a good position to listen to the two units side =
>by=3D20
> > side.<BR>This is really the best way anyway, particularly since =
>many
> =3D
> >of the=3D20
> > older<BR>units are way overdue for a =3D
> >rebuild/recalibration.<BR>Looking=3D20
> > inside is not always helpful. The early VCAs are not always=3D20
> > labeled.<BR><BR><BR>The attached image looks generally like most
=
>of
> =3D
> >the=3D20
> > early VCAs.<BR></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>
> >
> >
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3DContent-Type content=3D"text/html; =
>charset=3Diso-8859-1">
><META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>Cujo,</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Not familiar with him. Where is =
>New=20
>Alliance?</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
><BLOCKQUOTE=20
>style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> <DIV>"cujo" <<A=20
> =
>href=3D"mailto:chris@nospamapplemanstudio.com">chris@nospamapplemanstudio=
>.com</A>>=20
> wrote in message <A=20
> =
>href=3D"news:436cc85e$1@linux">news:436cc85e$1@linux</A>...</DIV><BR><BR>=
>How do=20
> I know how old one is. I thin mine is about 15 years or more.<BR>Tom,
=
>do you=20
> know a repair guy named Bo Dixon here in Boston? He works out<BR>of =
>the=20
> basemant at New Alliance. He has done a few small things for me =
>that<BR>all=20
> work well. I have also heard some mixed reviews =
>though.<BR><BR><BR>"Aaron=20
> Allen" <<A =
>href=3D"mailto:nospam@not_here.dude">nospam@not_here.dude</A>>=20
> wrote:<BR>><BR>><BR>>Last time I talked w/DBx, Tom Cram was =
>the dude=20
> I spoke with, super =3D<BR>>guy/real helpful. I highly recommend =
>him, he was=20
> instrumental in helping<BR>=3D<BR>>me rebuild one of my 160's when =
>I got them=20
> a few years back.=3D20<BR>><BR>>tcram AT dbxpro DOT=20
> com<BR>><BR>>AA<BR>> "Tom Bruhl" <<A=20
> href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> wrote =
>in message=20
> =3D<BR>>news:436ba859@linux...<BR>> Thanks for the help =
>Gene and=20
> Aaron.<BR>><BR>> >Some of the old 166 compressors with =
>the=20
> original DBX VCA do sound =3D<BR>>good.<BR>> >Closer to =
>a 160VU=20
> than any other DBX. =3D20<BR>><BR>> The problem is that my =
>166 needs=20
> repair. It's not worth repairing if<BR>> it isn't the =
>model=20
> Gene refers to. I bought the 166 for $1,000 when =3D<BR>>they =
>
> first<BR>> came out. I had to wait for delivery to the=20
> store. I'm pretty sure =3D<BR>>it was out of =
>the<BR>> first=20
> run. I am running the serial number by DBX to see what they=20
> =3D<BR>>say. Also<BR>> looking for specialists in =
>this=20
> field. I might call Eric at Earth =
>=3D<BR>>Works.<BR>><BR>> =20
> Thanks for the info,<BR>> =
>Tom<BR>><BR>> "gene=20
> lennon" <<A=20
> =
>href=3D"mailto:glennon@NOSPmyrealbox.com">glennon@NOSPmyrealbox.com</A>&g=
>t;=20
> wrote in message=20
> =3D<BR>>news:436b89f4$1@linux...<BR>><BR>> =
>"Tom=20
> Bruhl" <<A =
>href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=20
> wrote:<BR>> ><BR>> =20
> ><BR>> >Gene,<BR>> =
>>I have=20
> a very early 166 and a 161VU. Is it possible=20
> they<BR>> >use the same vca?!?! I =
>couldn't find=20
> anything out doing a=3D3D20<BR>> >google =
>search about=20
> it. I wonder if the new DBX (Harmon)=20
> =3D<BR>>would=3D3D20<BR>> >have any records =
>on=20
> that? I'd open them up and look<BR>> =
>>but I'm=20
> not sure which component is the VCA. =3D3D20<BR>> =
>
> ><BR>> >Any tips for me to learn =
>more? I'll=20
> look inside for clues.<BR>> =20
> >Tom<BR>> ><BR>> I =
>know the=20
> 163 and the 166 share the same VCA (except as noted)=20
> and<BR>=3D<BR>>these<BR>> both have different=20
> envelopes-of-attack from the 161. This has a lot<BR>=3D<BR>>to=20
> do<BR>> with the overall =
>sound.<BR>> =20
> I should point out that the person who told me about some of the=20
> =3D<BR>>early 166<BR>> boxes was not from DBX, =
>but was a=20
> technician that I trusted and he =
>=3D<BR>>should<BR>> =20
> have known. I could be wrong about this.<BR>> You =
>should=20
> be in a good position to listen to the two units side=20
> by<BR>=3D<BR>>side.<BR>> This is really the =
>best way=20
> anyway, particularly since many of the=20
> =3D<BR>>older<BR>> units are way overdue for a =
>
> rebuild/recalibration.<BR>> Looking inside is not =
>always=20
> helpful. The early VCAs are not=20
> =
>always<BR>=3D<BR>>labeled.<BR>><BR>><BR>> =
>The=20
> attached image looks generally like most of the early=20
> VCAs.<BR>><BR>><BR>><!DOCTYPE HTML PUBLIC "-//W3C//DTD =
>HTML 4.0=20
> Transitional//EN"><BR>><HTML><HEAD><BR>><META=20
> http-equiv=3D3DContent-Type content=3D3D"text/html;=20
> =3D<BR>>charset=3D3Diso-8859-1"><BR>><META =
>content=3D3D"MSHTML=20
> 6.00.2900.2769"=20
> =
>name=3D3DGENERATOR><BR>><STYLE></STYLE><BR>></HEA=
>D><BR>><BODY=20
> bgColor=3D3D#ffffff><BR>><DIV><FONT face=3D3DArial =
>size=3D3D2>Last=20
> time I talked w/DBx, Tom Cram was<BR>=3D<BR>>the dude =
>I=3D20<BR>>spoke with,=20
> super guy/real helpful. I highly recommend him, he was=20
> =3D<BR>>instrumental=3D20<BR>>in helping me rebuild one of my =
>160's when I=20
> got them a few years=20
> back.=3D20<BR>></FONT></DIV><BR>><DIV><FONT =
>
> face=3D3DArial size=3D3D2></FONT> =
></DIV><BR>><DIV><FONT=20
> face=3D3DArial size=3D3D2><A =3D<BR>>href=3D3D"<A=20
> =
>href=3D'mailto:tcram@dbxpro.com">tcram'>mailto:tcram@dbxpro.com">tcram=
></A> AT=20
> dbxpro=3D20<BR>>DOT=20
> com</A></FONT></DIV><BR>><DIV><FONT =
>face=3D3DArial=20
> size=3D3D2></FONT> </DIV><BR>><DIV><FONT =
>face=3D3DArial=20
> size=3D3D2>AA</FONT></DIV><BR>><BLOCKQUOTE=20
> dir=3D3Dltr=3D20<BR>>style=3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: =
>5px;=20
> MARGIN-LEFT: 5px; =3D<BR>>BORDER-LEFT: #000000 2px solid; =
>MARGIN-RIGHT:=20
> 0px"><BR>> <DIV>"Tom Bruhl" =
><<A=3D20<BR>> =20
> href=3D3D"<A=20
> =
>href=3D'mailto:arpegio@comcast.net">arpegio@comcast.net</A'>mailto:arpegi=
>o@comcast.net">arpegio@comcast.net</A</A>>>=20
> wrote =3D<BR>>in message=3D20<BR>> <A href=3D3D"<A=20
> =
>href=3D'news:436ba859@linux">news:436ba859@linux</A>...</DIV'>news:436ba8=
>59@linux">news:436ba859@linux</A>...</DIV</A>><BR>>&nbs=
>p;=20
> <DIV><FONT face=3D3DArial size=3D3D2>Thanks for the help =
>Gene and=20
> =3D<BR>>Aaron.</FONT></DIV><BR>> <DIV>=20
> </DIV><BR>> <DIV>>Some of the old 166 =
>compressors with=20
> the original DBX VCA do =3D<BR>>sound=3D20<BR>> =20
> good.<BR>>Closer to a 160VU than any other DBX.=20
> </DIV><BR>> <DIV> </DIV><BR>> =20
> <DIV><FONT face=3D3DArial size=3D3D2>The problem is that =
>my 166 needs=20
> =3D<BR>><BR>> repair. It's not worth repairing=20
> if</FONT></DIV><BR>> <DIV><FONT =
>face=3D3DArial=20
> size=3D3D2>it isn't the model Gene refers =3D<BR>>to. I=20
> bought=3D20<BR>> the 166 for $1,000 when they=20
> first</FONT></DIV><BR>> <DIV><FONT =
>face=3D3DArial=20
> size=3D3D2>came out. I had to wait for =3D<BR>>delivery to=20
> the=3D20<BR>> store. I'm pretty sure it was out of=20
> the</FONT></DIV><BR>> <DIV><FONT =
>face=3D3DArial=20
> size=3D3D2>first run. I am running the =3D<BR>>serial=20
> number=3D20<BR>> by DBX to see what they say.=20
> Also</FONT></DIV><BR>> <DIV><FONT =
>face=3D3DArial=20
> size=3D3D2>looking for specialists in this =3D<BR>>field. =
>I=3D20<BR>> =20
> might call Eric at Earth Works.</FONT></DIV><BR>> =
>
> <DIV><FONT face=3D3DArial size=3D3D2></FONT>=20
> </DIV><BR>> <DIV><FONT face=3D3DArial =
>size=3D3D2>Thanks=20
> for the info,</FONT></DIV><BR>> =
><DIV><FONT=20
> face=3D3DArial =
>size=3D3D2>Tom</FONT></DIV><BR>> =20
> <DIV> </DIV><BR>> =
><BLOCKQUOTE=3D20<BR>> =20
> style=3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px;=20
> =3D<BR>>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT:=20
> 0px"><BR>> <DIV>"gene lennon"=20
> <<A=3D20<BR>> =3D<BR>>href=3D3D"<A=20
> =
>href=3D'mailto:glennon@NOSPmyrealbox.com">glennon@NOSPmyrealbox.com</A>&a=
>mp;g'>mailto:glennon@NOSPmyrealbox.com">glennon@NOSPmyrealbox.com</=
>A>&g</A>=3D<BR>>t;=3D20<BR>> =20
> wrote in message <A=3D20<BR>> =
>=3D<BR>>href=3D3D"<A=20
> =
>href=3D'news:436b89f4$1@linux">news:436b89f4$1@linux</A>...</DIV><BR>"Tom=
>'>news:436b89f4$1@linux">news:436b89f4$1@linux</A>...</DIV>=
>;<BR>"Tom</A>=3D<BR>>=3D20<BR>> =20
> Bruhl" <<A =3D<BR>>href=3D3D"<A=20
> =
>href=3D'mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=3D20'>mailto=
>:arpegio@comcast.net">arpegio@comcast.net</A>>=3D20</A><BR>&g=
>t; =20
> wrote:<BR>><BR>><BR>>Gene,<BR>>I =
>have a=20
> very early 166 =3D<BR>>and a=3D20<BR>> 161VU. =
>Is it=20
> possible they<BR>>use the same vca?!?! I=20
> =3D<BR>><BR>> couldn't find anything out doing =
>
> a=3D3D20<BR>>google search about =3D<BR>>it.=20
> I=3D20<BR>> wonder if the new DBX (Harmon)=20
> would=3D3D20<BR>>have any records on=20
> =3D<BR>><BR>> that? I'd open them up and=20
> look<BR>>but I'm not sure =
>which=3D20<BR>> =20
> component is the VCA. =3D3D20<BR>><BR>>Any tips for =
>me to=20
> learn=3D20<BR>> more? I'll look inside for=20
> clues.<BR>>Tom<BR>><BR>I know =3D<BR>>the=20
> 163=3D20<BR>> and the 166 share the same VCA =
>(except as=20
> noted) and these<BR>both =
>=3D<BR>>have=3D20<BR>> =20
> different envelopes-of-attack from the 161. This has a lot to=20
> =3D<BR>>do<BR>with the=3D20<BR>> overall =
>
> sound.<BR>I should point out that the person who told me =
>=3D<BR>>about=20
> some=3D20<BR>> of the early 166<BR>boxes =
>was not from=20
> DBX, but was a technician =3D<BR>>that =
>I=3D20<BR>> trusted=20
> and he should<BR>have known. I could be wrong about=20
> =3D<BR>>this.<BR>You=3D20<BR>> should be =
>in a good=20
> position to listen to the two units side =
>by=3D20<BR>> =20
> side.<BR>This is really the best way anyway, particularly since=20
> many<BR>=3D<BR>>of the=3D20<BR>> =
>older<BR>units are=20
> way overdue for a=20
> =
>=3D<BR>>rebuild/recalibration.<BR>Looking=3D20<BR>> &nbs=
>p; =20
> inside is not always helpful. The early VCAs are not=20
> always=3D20<BR>> =
>labeled.<BR><BR><BR>The=20
> attached image looks generally like most=20
> of<BR>=3D<BR>>the=3D20<BR>> early=20
> =
>VCAs.<BR></BLOCKQUOTE></BLOCKQUOTE></BODY></HT=
>ML><BR>><BR>></BLOCKQUOTE></BODY></HTML>
>
>Kim wrote:
> Jamey Tiffee <jstiffee_nospam@allassomusic.com> wrote:
>
>>Hey been out for a bit the usual moved working a lot. So what ever came
>
>
>>of the skinning last I heard someone was going to start a place to keep
>
>
>>them.
>
>
> Yes that was me, and sorry I've been very slack... if you can call moving
> house slack. ;o) Now that I'm moved and have less people to distract me though
> with any luck I might get it done "soon". ;o)
>
> Cheers,
> Kim.
Must have been a year for moving ; )Does the guy that does the tracking sync to an external WC?
"Don Nafe" <dnafe@magma.ca> wrote:
>Presently running a pair Noteperfect Alpha Pro via a Hafler P1500...so far
>mixes are translating well on other systems including other studios in town.
>Only thing I have to be aware of is my room is a tad hot in the mids and
>highs so I have to be careful with the bottom end...that problem I'll be
>addressing shortly with acoustic treatments
>
>All in all I'd say I'm looking for a little more clarity in my mixes rather
>than puch as I have plenty of that
>
>DOn
>
>"cujo" <chris@nospamapplemanstudio.com> wrote in message
>news:436c02c9$1@linux...
>>
>> Also, Don, what is your monitor situation like?
>>
>>
>>
>> "benjamin" <none@a.a> wrote:
>>> I went through this same thing recently. First thing I did was purchase
>> an
>>>Apogee Big Ben. There was a noticable difference with big ben. Most
>>>noticable in a wider sound field. It was really obvious when going back
>> to
>>>internal sync. I'd say it made a good 5% increase in quality.
>>> The next thing I did was purchase a bunch of outboard gear. I was using
>>
>>>various gear in the external loops using the stock PARIS converters. The
>>
>>>biggest difference was strapping a Drawmer 1968 across the master bus.
I'm
>>
>>>talking 20% increase in quality. Tracks really glued together. NoLimit
>>>pales
>>
>>>in comparison.
>>> Then I purchased an Apogee DA and AD-16x. Even at 20bit (via ADAT) the
>>
>>>sound became less boxy, and more "pro" sounding. Increase in highs,
>>>tighter
>>
>>>bass, wider sound field. A good 10% better than the stock converters.
>>>I have since switched to an RME/cubase SX system.
>>>
>>>Anyway, if I could have only made one move, it would be the 1968 across
>> the
>>>mix bus.
>>>
>>>
>>>"Don Nafe" <dnafe@magma.ca> wrote in message news:436b91a9@linux...
>>>> What do you think of updating with an external wordclock and a high
end
>>
>>>> D/A converter in lieu of a stereo compressor
>>>>
>>>> Thoughts and suggestions are more than welcome
>>>>
>>>> Don
>>>>
>>>
>>>
>
>This is a multi-part message in MIME format.
------=_NextPart_000_0072_01C5E1FC.F6CCEB00
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Cool,
Tom
well not exactly...
"cujo" <chris@nospamapplemanstudio.com> wrote in message =
news:436cd9cf$1@linux...
Boylston Street, across from Fenway and WBCN.
Here is his site
http://notoasters.net/
I was refered to him by Sonic Circus.
He is working on some sort of new Mic Pre, I haven't heard it though.
If you contact him, tell him Chris with the Langvins sent you.
"Tom Bruhl" <arpegio@comcast.net> wrote:
>
>
>Cujo,
>Not familiar with him. Where is New Alliance?
>Tom
> "cujo" <chris@nospamapplemanstudio.com> wrote in message =3D
>news:436cc85e$1@linux...
>
>
> How do I know how old one is. I thin mine is about 15 years or =
more.
> Tom, do you know a repair guy named Bo Dixon here in Boston? He =
works
=3D
>out
> of the basemant at New Alliance. He has done a few small things for =
me
=3D
>that
> all work well. I have also heard some mixed reviews though.
>
>
> "Aaron Allen" <nospam@not_here.dude> wrote:
> >
> >
> >Last time I talked w/DBx, Tom Cram was the dude I spoke with, =
super =3D
>=3D3D
> >guy/real helpful. I highly recommend him, he was instrumental in =
=3D
>helping
> =3D3D
> >me rebuild one of my 160's when I got them a few years =
back.=3D3D20
> >
> >tcram AT dbxpro DOT com
> >
> >AA
> > "Tom Bruhl" <arpegio@comcast.net> wrote in message =3D3D
> >news:436ba859@linux...
> > Thanks for the help Gene and Aaron.
> >
> > >Some of the old 166 compressors with the original DBX VCA do =
sound
=3D
>=3D3D
> >good.
> > >Closer to a 160VU than any other DBX. =3D3D20
> >
> > The problem is that my 166 needs repair. It's not worth =
repairing
=3D
>if
> > it isn't the model Gene refers to. I bought the 166 for $1,000 =
=3D
>when =3D3D
> >they first
> > came out. I had to wait for delivery to the store. I'm pretty =
=3D
>sure =3D3D
> >it was out of the
> > first run. I am running the serial number by DBX to see what =
they
=3D
>=3D3D
> >say. Also
> > looking for specialists in this field. I might call Eric at =
Earth
=3D
>=3D3D
> >Works.
> >
> > Thanks for the info,
> > Tom
> >
> > "gene lennon" <glennon@NOSPmyrealbox.com> wrote in message =
=3D3D
> >news:436b89f4$1@linux...
> >
> > "Tom Bruhl" <arpegio@comcast.net> wrote:
> > >
> > >
> > >Gene,
> > >I have a very early 166 and a 161VU. Is it possible they
> > >use the same vca?!?! I couldn't find anything out doing =3D
>a=3D3D3D20
> > >google search about it. I wonder if the new DBX (Harmon) =
=3D3D
> >would=3D3D3D20
> > >have any records on that? I'd open them up and look
> > >but I'm not sure which component is the VCA. =3D3D3D20
> > >
> > >Any tips for me to learn more? I'll look inside for clues.
> > >Tom
> > >
> > I know the 163 and the 166 share the same VCA (except as =
noted) =3D
>and
> =3D3D
> >these
> > both have different envelopes-of-attack from the 161. This has =
a
=3D
>lot
> =3D3D
> >to do
> > with the overall sound.
> > I should point out that the person who told me about some of =
the
=3D
>=3D3D
> >early 166
> > boxes was not from DBX, but was a technician that I trusted =
and =3D
>he =3D3D
> >should
> > have known. I could be wrong about this.
> > You should be in a good position to listen to the two units =
side
=3D
>by
> =3D3D
> >side.
> > This is really the best way anyway, particularly since many of =
=3D
>the =3D3D
> >older
> > units are way overdue for a rebuild/recalibration.
> > Looking inside is not always helpful. The early VCAs are not =
=3D
>always
> =3D3D
|
|
|
|
| Re: Suggestions for stereo compressors [message #59909 is a reply to message #59906] |
Sat, 05 November 2005 08:35 |
Tom Bruhl
Messages: 1368
Registered: June 2007
|
Senior Member |
|
|
y DBX to see what they say. Also</FONT></DIV>
> > <DIV><FONT face=3D3D3DArial size=3D3D3D2>looking for specialists =
in =3D
>this =3D3D
> >field. I=3D3D20
> > might call Eric at Earth Works.</FONT></DIV>
> > <DIV><FONT face=3D3D3DArial size=3D3D3D2></FONT> </DIV>
> > <DIV><FONT face=3D3D3DArial size=3D3D3D2>Thanks for the =3D
>info,</FONT></DIV>
> > <DIV><FONT face=3D3D3DArial size=3D3D3D2>Tom</FONT></DIV>
> > <DIV> </DIV>
> > <BLOCKQUOTE=3D3D20
> > style=3D3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: =
5px;
=3D
>=3D3D
> >BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> > <DIV>"gene lennon" <<A=3D3D20
> > =3D3D
> =3D
=
>>href=3D3D3D"mailto:glennon@NOSPmyrealbox.com">glennon@NOSPmyrealbox.com=
</A=3D
>>&g=3D3D
> >t;=3D3D20
> > wrote in message <A=3D3D20
> > =3D3D
> =3D
=
>>href=3D3D3D"news:436b89f4$1@linux">news:436b89f4$1@linux</A>...</DIV><B=
R>"=3D
>Tom=3D3D
> >=3D3D20
> > Bruhl" <<A =3D3D
> =
>href=3D3D3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=3D3D20
> > wrote:<BR>><BR>><BR>>Gene,<BR>>I have a very early 166 =3D3D
> >and a=3D3D20
> > 161VU. Is it possible they<BR>>use the same vca?!?! I =3D3D
> >
> > couldn't find anything out doing a=3D3D3D20<BR>>google search =
about
=3D
>=3D3D
> >it. I=3D3D20
> > wonder if the new DBX (Harmon) would=3D3D3D20<BR>>have any =
records
=3D
>on =3D3D
> >
> > that? I'd open them up and look<BR>>but I'm not sure =
which=3D3D20
> > component is the VCA. =3D3D3D20<BR>><BR>>Any tips for me to =
=3D
>learn=3D3D20
> > more? I'll look inside for clues.<BR>>Tom<BR>><BR>I know =3D3D
> >the 163=3D3D20
> > and the 166 share the same VCA (except as noted) and =3D
>these<BR>both =3D3D
> >have=3D3D20
> > different envelopes-of-attack from the 161. This has a lot to =
=3D3D
> >do<BR>with the=3D3D20
> > overall sound.<BR>I should point out that the person who told =
me
=3D
>=3D3D
> >about some=3D3D20
> > of the early 166<BR>boxes was not from DBX, but was a =
technician
=3D
>=3D3D
> >that I=3D3D20
> > trusted and he should<BR>have known. I could be wrong about =
=3D3D
> >this.<BR>You=3D3D20
> > should be in a good position to listen to the two units side =
=3D
>by=3D3D20
> > side.<BR>This is really the best way anyway, particularly =
since =3D
>many
> =3D3D
> >of the=3D3D20
> > older<BR>units are way overdue for a =3D3D
> >rebuild/recalibration.<BR>Looking=3D3D20
> > inside is not always helpful. The early VCAs are not =
always=3D3D20
> > labeled.<BR><BR><BR>The attached image looks generally like =
most
=3D
>of
> =3D3D
> >the=3D3D20
> > early VCAs.<BR></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>
> >
> >
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D
>charset=3D3Diso-8859-1">
><META content=3D3D"MSHTML 6.00.2800.1400" name=3D3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D3D#ffffff>
><DIV><FONT face=3D3DArial size=3D3D2>Cujo,</FONT></DIV>
><DIV><FONT face=3D3DArial size=3D3D2>Not familiar with him. Where is =
=3D
>New=3D20
>Alliance?</FONT></DIV>
><DIV><FONT face=3D3DArial size=3D3D2>Tom</FONT></DIV>
><BLOCKQUOTE=3D20
>style=3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
=3D
>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> <DIV>"cujo" <<A=3D20
> =3D
=
>href=3D3D"mailto:chris@nospamapplemanstudio.com">chris@nospamapplemanstu=
dio=3D
>.com</A>>=3D20
> wrote in message <A=3D20
> =3D
=
>href=3D3D"news:436cc85e$1@linux">news:436cc85e$1@linux</A>...</DIV><BR><=
BR>=3D
>How do=3D20
> I know how old one is. I thin mine is about 15 years or =
more.<BR>Tom,
=3D
>do you=3D20
> know a repair guy named Bo Dixon here in Boston? He works out<BR>of =
=3D
>the=3D20
> basemant at New Alliance. He has done a few small things for me =3D
>that<BR>all=3D20
> work well. I have also heard some mixed reviews =3D
>though.<BR><BR><BR>"Aaron=3D20
> Allen" <<A =3D
>href=3D3D"mailto:nospam@not_here.dude">nospam@not_here.dude</A>>=3D20
> wrote:<BR>><BR>><BR>>Last time I talked w/DBx, Tom Cram was =3D
>the dude=3D20
> I spoke with, super =3D3D<BR>>guy/real helpful. I highly recommend =
=3D
>him, he was=3D20
> instrumental in helping<BR>=3D3D<BR>>me rebuild one of my 160's =
when =3D
>I got them=3D20
> a few years back.=3D3D20<BR>><BR>>tcram AT dbxpro DOT=3D20
> com<BR>><BR>>AA<BR>> "Tom Bruhl" <<A=3D20
> href=3D3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> =
wrote =3D
>in message=3D20
> =3D3D<BR>>news:436ba859@linux...<BR>> Thanks for the help =3D
>Gene and=3D20
> Aaron.<BR>><BR>> >Some of the old 166 compressors with =3D
>the=3D20
> original DBX VCA do sound =3D3D<BR>>good.<BR>> >Closer to =3D
>a 160VU=3D20
> than any other DBX. =3D3D20<BR>><BR>> The problem is that my =3D
>166 needs=3D20
> repair. It's not worth repairing if<BR>> it isn't the =3D
>model=3D20
> Gene refers to. I bought the 166 for $1,000 when =3D3D<BR>>they =3D
>
> first<BR>> came out. I had to wait for delivery to the=3D20
> store. I'm pretty sure =3D3D<BR>>it was out of =3D
>the<BR>> first=3D20
> run. I am running the serial number by DBX to see what they=3D20
> =3D3D<BR>>say. Also<BR>> looking for specialists in =3D
>this=3D20
> field. I might call Eric at Earth =3D
>=3D3D<BR>>Works.<BR>><BR>> =3D20
> Thanks for the info,<BR>> =3D
>Tom<BR>><BR>> "gene=3D20
> lennon" <<A=3D20
> =3D
=
>href=3D3D"mailto:glennon@NOSPmyrealbox.com">glennon@NOSPmyrealbox.com</A=
>&g=3D
>t;=3D20
> wrote in message=3D20
> =3D3D<BR>>news:436b89f4$1@linux...<BR>><BR>> =3D
>"Tom=3D20
> Bruhl" <<A =3D
>href=3D3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=3D20
> wrote:<BR>> ><BR>> =3D20
> ><BR>> >Gene,<BR>> =3D
>>I have=3D20
> a very early 166 and a 161VU. Is it possible=3D20
> they<BR>> >use the same vca?!?! I =3D
>couldn't find=3D20
> anything out doing a=3D3D3D20<BR>> >google =3D
>search about=3D20
> it. I wonder if the new DBX (Harmon)=3D20
> =3D3D<BR>>would=3D3D3D20<BR>> >have any records =3D
>on=3D20
> that? I'd open them up and look<BR>> =3D
>>but I'm=3D20
> not sure which component is the VCA. =3D3D3D20<BR>> =3D
>
> ><BR>> >Any tips for me to learn =3D
>more? I'll=3D20
> look inside for clues.<BR>> =3D20
> >Tom<BR>> ><BR>> I =3D
>know the=3D20
> 163 and the 166 share the same VCA (except as noted)=3D20
> and<BR>=3D3D<BR>>these<BR>> both have different=3D20
> envelopes-of-attack from the 161. This has a =
lot<BR>=3D3D<BR>>to=3D20
> do<BR>> with the overall =3D
>sound.<BR>> =3D20
> I should point out that the person who told me about some of =
the=3D20
> =3D3D<BR>>early 166<BR>> boxes was not from DBX, =3D
>but was a=3D20
> technician that I trusted and he =3D
>=3D3D<BR>>should<BR>> =3D20
> have known. I could be wrong about this.<BR>> You =3D
>should=3D20
> be in a good position to listen to the two units side=3D20
> by<BR>=3D3D<BR>>side.<BR>> This is really the =3D
>best way=3D20
> anyway, particularly since many of the=3D20
> =3D3D<BR>>older<BR>> units are way overdue for a =3D
>
> rebuild/recalibration.<BR>> Looking inside is not =3D
>always=3D20
> helpful. The early VCAs are not=3D20
> =3D
>always<BR>=3D3D<BR>>labeled.<BR>><BR>><BR>> =3D
>The=3D20
> attached image looks generally like most of the early=3D20
> VCAs.<BR>><BR>><BR>><!DOCTYPE HTML PUBLIC "-//W3C//DTD =3D
>HTML 4.0=3D20
> Transitional//EN"><BR>><HTML><HEAD><BR>><META=3D20
> http-equiv=3D3D3DContent-Type content=3D3D3D"text/html;=3D20
> =3D3D<BR>>charset=3D3D3Diso-8859-1"><BR>><META =3D
>content=3D3D3D"MSHTML=3D20
> 6.00.2900.2769"=3D20
> =3D
>name=3D3D3DGENERATOR><BR>><STYLE></STYLE><BR>></HEA=3D
>D><BR>><BODY=3D20
> bgColor=3D3D3D#ffffff><BR>><DIV><FONT face=3D3D3DArial =3D
>size=3D3D3D2>Last=3D20
> time I talked w/DBx, Tom Cram was<BR>=3D3D<BR>>the dude =3D
>I=3D3D20<BR>>spoke with,=3D20
> super guy/real helpful. I highly recommend him, he was=3D20
> =3D3D<BR>>instrumental=3D3D20<BR>>in helping me rebuild one of my =
=3D
>160's when I=3D20
> got them a few years=3D20
> back.=3D3D20<BR>></FONT></DIV><BR>><DIV><FONT =3D
>
> face=3D3D3DArial size=3D3D3D2></FONT> =3D
></DIV><BR>><DIV><FONT=3D20
> face=3D3D3DArial size=3D3D3D2><A =3D3D<BR>>href=3D3D3D"<A=3D20
> =3D
=
>href=3D3D'mailto:tcram@dbxpro.com">tcram'>mailto:tcram@dbxpro.com">tcram=
=3D
></A> AT=3D20
> dbxpro=3D3D20<BR>>DOT=3D20
> com</A></FONT></DIV><BR>><DIV><FONT =3D
>face=3D3D3DArial=3D20
> size=3D3D3D2></FONT> </DIV><BR>><DIV><FONT =3D
>face=3D3D3DArial=3D20
> size=3D3D3D2>AA</FONT></DIV><BR>><BLOCKQUOTE=3D20
> dir=3D3D3Dltr=3D3D20<BR>>style=3D3D3D"PADDING-RIGHT: 0px; =
PADDING-LEFT: =3D
>5px;=3D20
> MARGIN-LEFT: 5px; =3D3D<BR>>BORDER-LEFT: #000000 2px solid; =3D
>MARGIN-RIGHT:=3D20
> 0px"><BR>> <DIV>"Tom Bruhl" =3D
><<A=3D3D20<BR>> =3D20
> href=3D3D3D"<A=3D20
> =3D
=
>href=3D3D'mailto:arpegio@comcast.net">arpegio@comcast.net</A'>mailto:arp=
egi=3D
>o@comcast.net">arpegio@comcast.net</A</A>>>=3D20
> wrote =3D3D<BR>>in message=3D3D20<BR>> <A href=3D3D3D"<A=3D20
> =3D
=
>href=3D3D'news:436ba859@linux">news:436ba859@linux</A>...</DIV'>news:436=
ba8=3D
>59@linux">news:436ba859@linux</A>...</DIV</A>><BR>>&nbs=3D
>p;=3D20
> <DIV><FONT face=3D3D3DArial size=3D3D3D2>Thanks for the help =3D
>Gene and=3D20
> =3D3D<BR>>Aaron.</FONT></DIV><BR>> <DIV>=3D20
> </DIV><BR>> <DIV>>Some of the old 166 =3D
>compressors with=3D20
> the original DBX VCA do =3D3D<BR>>sound=3D3D20<BR>> =3D20
> good.<BR>>Closer to a 160VU than any other DBX.=3D20
> </DIV><BR>> <DIV> </DIV><BR>> =3D20
> <DIV><FONT face=3D3D3DArial size=3D3D3D2>The problem is that =3D
>my 166 needs=3D20
> =3D3D<BR>><BR>> repair. It's not worth repairing=3D20
> if</FONT></DIV><BR>> <DIV><FONT =3D
>face=3D3D3DArial=3D20
> size=3D3D3D2>it isn't the model Gene refers =3D3D<BR>>to. I=3D20
> bought=3D3D20<BR>> the 166 for $1,000 when they=3D20
> first</FONT></DIV><BR>> <DIV><FONT =3D
>face=3D3D3DArial=3D20
> size=3D3D3D2>came out. I had to wait for =3D3D<BR>>delivery to=3D20
> the=3D3D20<BR>> store. I'm pretty sure it was out of=3D20
> the</FONT></DIV><BR>> <DIV><FONT =3D
>face=3D3D3DArial=3D20
> size=3D3D3D2>first run. I am running the =3D3D<BR>>serial=3D20
> number=3D3D20<BR>> by DBX to see what they say.=3D20
> Also</FONT></DIV><BR>> <DIV><FONT =3D
>face=3D3D3DArial=3D20
> size=3D3D3D2>looking for specialists in this =3D3D<BR>>field. =3D
>I=3D3D20<BR>> =3D20
> might call Eric at Earth Works.</FONT></DIV><BR>> =3D
>
> <DIV><FONT face=3D3D3DArial size=3D3D3D2></FONT>=3D20
> </DIV><BR>> <DIV><FONT face=3D3D3DArial =3D
>size=3D3D3D2>Thanks=3D20
> for the info,</FONT></DIV><BR>> =3D
><DIV><FONT=3D20
> face=3D3D3DArial =3D
>size=3D3D3D2>Tom</FONT></DIV><BR>> =3D20
> <DIV> </DIV><BR>> =3D
><BLOCKQUOTE=3D3D20<BR>> =3D20
> style=3D3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: =
5px;=3D20
> =3D3D<BR>>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT:=3D20
> 0px"><BR>> <DIV>"gene lennon"=3D20
> <<A=3D3D20<BR>> =3D3D<BR>>href=3D3D3D"<A=3D20
> =3D
=
>href=3D3D'mailto:glennon@NOSPmyrealbox.com">glennon@NOSPmyrealbox.com</A=
>&a=3D
=
>mp;g'>mailto:glennon@NOSPmyrealbox.com">glennon@NOSPmyrealbox.com</=3D
>A>&g</A>=3D3D<BR>>t;=3D3D20<BR>> =3D20
> wrote in message <A=3D3D20<BR>> =3D
>=3D3D<BR>>href=3D3D3D"<A=3D20
> =3D
=
>href=3D3D'news:436b89f4$1@linux">news:436b89f4$1@linux</A>...</DIV><BR>"=
Tom=3D
>'>news:436b89f4$1@linux">news:436b89f4$1@linux</A>...</DIV>=3D
>;<BR>"Tom</A>=3D3D<BR>>=3D3D20<BR>> =3D20
> Bruhl" <<A =3D3D<BR>>href=3D3D3D"<A=3D20
> =3D
=
>href=3D3D'mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=3D3D20'>m=
ailto=3D
>:arpegio@comcast.net">arpegio@comcast.net</A>>=3D3D20</A><BR>&g=3D
>t; =3D20
> wrote:<BR>><BR>><BR>>Gene,<BR>>I =3D
>have a=3D20
> very early 166 =3D3D<BR>>and a=3D3D20<BR>> 161VU. =3D
>Is it=3D20
> possible they<BR>>use the same vca?!?! I=3D20
> =3D3D<BR>><BR>> couldn't find anything out doing =3D
>
> a=3D3D3D20<BR>>google search about =3D3D<BR>>it.=3D20
> I=3D3D20<BR>> wonder if the new DBX (Harmon)=3D20
> would=3D3D3D20<BR>>have any records on=3D20
> =3D3D<BR>><BR>> that? I'd open them up and=3D20
> look<BR>>but I'm not sure =3D
>which=3D3D20<BR>> =3D20
> component is the VCA. =3D3D3D20<BR>><BR>>Any tips for =3D
>me to=3D20
> learn=3D3D20<BR>> more? I'll look inside for=3D20
> clues.<BR>>Tom<BR>><BR>I know =3D3D<BR>>the=3D20
> 163=3D3D20<BR>> and the 166 share the same VCA =3D
>(except as=3D20
> noted) and these<BR>both =3D
>=3D3D<BR>>have=3D3D20<BR>> =3D20
> different envelopes-of-attack from the 161. This has a lot to=3D20
> =3D3D<BR>>do<BR>with the=3D3D20<BR>> overall =3D
>
> sound.<BR>I should point out that the person who told me =3D
>=3D3D<BR>>about=3D20
> some=3D3D20<BR>> of the early 166<BR>boxes =3D
>was not from=3D20
> DBX, but was a technician =3D3D<BR>>that =3D
>I=3D3D20<BR>> trusted=3D20
> and he should<BR>have known. I could be wrong about=3D20
> =3D3D<BR>>this.<BR>You=3D3D20<BR>> should be =3D
>in a good=3D20
> position to listen to the two units side =3D
>by=3D3D20<BR>> =3D20
> side.<BR>This is really the best way anyway, particularly =
since=3D20
> many<BR>=3D3D<BR>>of the=3D3D20<BR>> =3D
>older<BR>units are=3D20
> way overdue for a=3D20
> =3D
>=3D3D<BR>>rebuild/recalibration.<BR>Looking=3D3D20<BR> > &nbs=3D
>p; =3D20
> inside is not always helpful. The early VCAs are not=3D20
> always=3D3D20<BR>> =3D
>labeled.<BR><BR><BR>The=3D20
> attached image looks generally like most=3D20
> of<BR>=3D3D<BR>>the=3D3D20<BR>> early=3D20
> =3D
>VCAs.<BR></BLOCKQUOTE></BLOCKQUOTE></BODY></HT=3D
>ML><BR>><BR>></BLOCKQUOTE></BODY></HTML>
>
>
------=_NextPart_000_0072_01C5E1FC.F6CCEB00
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Cool,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>well not exactly...</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"cujo" <<A=20
=
href=3D"mailto:chris@nospamapplemanstudio.com">chris@nospamapplemanstudio=
..com</A>>=20
wrote in message <A=20
=
href=3D"news:436cd9cf$1@linux">news:436cd9cf$1@linux</A>...</DIV><BR><BR>=
Boylston=20
Street, across from Fenway and WBCN.<BR>Here is his site<BR><BR><A=20
href=3D"http://notoasters.net/">http://notoasters.net/</A><BR><BR>I =
was refered=20
to him by Sonic Circus.<BR>He is working on some sort of new Mic Pre, =
I=20
haven't heard it though.<BR><BR>If you contact him, tell him Chris =
with the=20
Langvins sent you.<BR><BR><BR><BR><BR><BR>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=20
wrote:<BR>><BR>><BR>>Cujo,<BR>>Not familiar with =
him. Where=20
is New Alliance?<BR>>Tom<BR>> "cujo" <<A=20
=
href=3D"mailto:chris@nospamapplemanstudio.com">chris@nospamapplemanstudio=
..com</A>>=20
wrote in message=20
=3D<BR>>news:436cc85e$1@linux...<BR>><BR>><BR>> How =
do I know=20
how old one is. I thin mine is about 15 years or more.<BR>> =
Tom, do=20
you know a repair guy named Bo Dixon here in Boston? He=20
works<BR>=3D<BR>>out<BR>> of the basemant at New Alliance. =
He has=20
done a few small things for me<BR>=3D<BR>>that<BR>> all =
work well. I=20
have also heard some mixed reviews =
though.<BR>><BR>><BR>> =20
"Aaron Allen" <<A=20
href=3D"mailto:nospam@not_here.dude">nospam@not_here.dude</A>>=20
wrote:<BR>> ><BR>> ><BR>> >Last =
time I=20
talked w/DBx, Tom Cram was the dude I spoke with, super=20
=3D<BR>>=3D3D<BR>> >guy/real helpful. I highly =
recommend him, he=20
was instrumental in =3D<BR>>helping<BR>> =
=3D3D<BR>> >me=20
rebuild one of my 160's when I got them a few years =
back.=3D3D20<BR>> =20
><BR>> >tcram AT dbxpro DOT com<BR>> =20
><BR>> >AA<BR>> > "Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> wrote =
in message=20
=3D3D<BR>> >news:436ba859@linux...<BR>> =
> Thanks=20
for the help Gene and Aaron.<BR>> ><BR>> =
> =20
>Some of the old 166 compressors with the original DBX VCA do=20
sound<BR>=3D<BR>>=3D3D<BR>> >good.<BR>> =
> =20
>Closer to a 160VU than any other DBX. =3D3D20<BR>> =20
><BR>> > The problem is that my 166 needs =
repair. =20
It's not worth repairing<BR>=3D<BR>>if<BR>> > it =
isn't the=20
model Gene refers to. I bought the 166 for $1,000 =
=3D<BR>>when=20
=3D3D<BR>> >they first<BR>> > came =
out. I=20
had to wait for delivery to the store. I'm pretty =
=3D<BR>>sure=20
=3D3D<BR>> >it was out of the<BR>> > =
first=20
run. I am running the serial number by DBX to see what=20
they<BR>=3D<BR>>=3D3D<BR>> >say. =
Also<BR>> =20
> looking for specialists in this field. I might call =
Eric at=20
Earth<BR>=3D<BR>>=3D3D<BR>> >Works.<BR>> =20
><BR>> > Thanks for the info,<BR>> =
> =20
Tom<BR>> ><BR>> > "gene =
lennon"=20
<<A=20
=
href=3D"mailto:glennon@NOSPmyrealbox.com">glennon@NOSPmyrealbox.com</A>&g=
t;=20
wrote in message =3D3D<BR>> =
>news:436b89f4$1@linux...<BR>> =20
><BR>> > "Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=20
wrote:<BR>> > ><BR>> =20
> ><BR>> > =20
>Gene,<BR>> > >I have a very early =
166 and=20
a 161VU. Is it possible they<BR>> =
> =20
>use the same vca?!?! I couldn't find anything out doing=20
=3D<BR>>a=3D3D3D20<BR>> > >google =
search about=20
it. I wonder if the new DBX (Harmon) =3D3D<BR>> =20
>would=3D3D3D20<BR>> > >have any =
records on=20
that? I'd open them up and look<BR>> =
> =20
>but I'm not sure which component is the VCA. =
=3D3D3D20<BR>> =20
> ><BR>> > =
>Any tips=20
for me to learn more? I'll look inside for clues.<BR>> =20
> >Tom<BR>> > =20
><BR>> > I know the 163 and the 166 =
share the=20
same VCA (except as noted) =3D<BR>>and<BR>> =
=3D3D<BR>> =20
>these<BR>> > both have different=20
envelopes-of-attack from the 161. This has =
a<BR>=3D<BR>>lot<BR>> =20
=3D3D<BR>> >to do<BR>> > =
with the=20
overall sound.<BR>> > I should point out =
that=20
the person who told me about some of =
the<BR>=3D<BR>>=3D3D<BR>> =20
>early 166<BR>> > boxes was not from =
DBX, but=20
was a technician that I trusted and =3D<BR>>he =3D3D<BR>> =20
>should<BR>> > have known. I could be =
wrong=20
about this.<BR>> > You should be in a =
good=20
position to listen to the two units =
side<BR>=3D<BR>>by<BR>> =20
=3D3D<BR>> >side.<BR>> > =
This is=20
really the best way anyway, particularly since many of =3D<BR>>the=20
=3D3D<BR>> >older<BR>> > =
units are way=20
overdue for a rebuild/recalibration.<BR>> =
> =20
Looking inside is not always helpful. The early VCAs are not=20
=3D<BR>>always<BR>> =3D3D<BR>> =
>labeled.<BR>> =20
><BR>> ><BR>> > The =
attached=20
image looks generally like most of the early VCAs.<BR>> =20
><BR>> ><BR>> ><!DOCTYPE HTML PUBLIC=20
"-//W3C//DTD HTML 4.0 Transitional//EN"><BR>> =20
><HTML><HEAD><BR>> ><META=20
http-equiv=3D3D3DContent-Type content=3D3D3D"text/html; =
=3D3D<BR>> =20
>charset=3D3D3Diso-8859-1"><BR>> ><META =
content=3D3D3D"MSHTML=20
6.00.2900.2769" name=3D3D3DGENERATOR><BR>> =20
><STYLE></STYLE><BR>> =
></HEAD><BR>> =20
><BODY bgColor=3D3D3D#ffffff><BR>> =
><DIV><FONT=20
face=3D3D3DArial size=3D3D3D2>Last time I talked w/DBx, Tom =
=3D<BR>>Cram=20
was<BR>> =3D3D<BR>> >the dude =
I=3D3D20<BR>> =20
>spoke with, super guy/real helpful. I highly recommend him, he was =
=3D<BR>>=3D3D<BR>> >instrumental=3D3D20<BR>> =
>in helping=20
me rebuild one of my 160's when I got them a few years=20
=3D<BR>>back.=3D3D20<BR>> =
></FONT></DIV><BR>> =20
><DIV><FONT face=3D3D3DArial size=3D3D3D2></FONT> =
</DIV><BR>> ><DIV><FONT face=3D3D3DArial=20
size=3D3D3D2><A =3D3D<BR>> >href=3D3D3D"<A=20
=
href=3D'mailto:tcram@dbxpro.com">tcram'>mailto:tcram@dbxpro.com">tcram=
</A> AT=20
dbxpro=3D3D20<BR>> >DOT=20
com</A></FONT></DIV&g t; <BR>> =
><DIV><FONT=20
face=3D3D3DArial size=3D3D3D2></FONT> =
</DIV><BR>> =20
><DIV><FONT face=3D3D3DArial=20
size=3D3D3D2>AA</FONT></DIV& gt; <BR>> =
><BLOCKQUOTE=20
dir=3D3D3Dltr=3D3D20<BR>> >style=3D3D3D"PADDING-RIGHT: =
0px;=20
PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =3D<BR>>=3D3D<BR>> =20
>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: =
0px"><BR>> =20
> <DIV>"Tom Bruhl" <<A=3D3D20<BR>> =
> =20
href=3D3D3D"<A=20
=
href=3D'mailto:arpegio@comcast.net">arpegio@comcast.net</A'>mailto:arpegi=
o@comcast.net">arpegio@comcast.net</A</A>>>=20
=3D<BR>>wrote =3D3D<BR>> >in =
message=3D3D20<BR>> > =20
<A href=3D3D3D"<A=20
=
href=3D'news:436ba859@linux">news:436ba859@linux</A>...</DIV'>news:436ba8=
59@linux">news:436ba859@linux</A>...</DIV</A>><BR>>&nbs=
p;=20
> <DIV><FONT face=3D3D3DArial size=3D3D3D2>Thanks =
for the=20
help Gene and =3D<BR>>=3D3D<BR>> =20
>Aaron.</FONT></DIV><BR>> > =
<DIV>=20
</DIV><BR>> > <DIV>>Some of the old =
166=20
compressors with the original DBX VCA =
do<BR>=3D<BR>>=3D3D<BR>> =20
>sound=3D3D20<BR>> > good.<BR>>Closer to =
a 160VU=20
than any other DBX. </DIV><BR>> > <DIV>=20
</DIV><BR>> > <DIV><FONT =
face=3D3D3DArial=20
size=3D3D3D2>The problem is that my 166 =3D<BR>>needs =
=3D3D<BR>> =20
><BR>> > repair. It's not worth repairing=20
if</FONT></DIV><BR>> > =
<DIV><FONT=20
face=3D3D3DArial size=3D3D3D2>it isn't the model Gene=20
refers<BR>=3D<BR>>=3D3D<BR>> >to. I =
bought=3D3D20<BR>> =20
> the 166 for $1,000 when they=20
first</FONT></DIV><BR>> > =
<DIV><FONT=20
face=3D3D3DArial size=3D3D3D2>came out. I had to wait for=20
=3D<BR>>=3D3D<BR>> >delivery to =
the=3D3D20<BR>> > =20
store. I'm pretty sure it was out of=20
the</FONT></DIV><BR>> > =
<DIV><FONT=20
face=3D3D3DArial size=3D3D3D2>first run. I am running the=20
=3D<BR>>=3D3D<BR>> >serial number=3D3D20<BR>> =
> by=20
DBX to see what they say. Also</FONT></DIV><BR>> =20
> <DIV><FONT face=3D3D3DArial =
size=3D3D3D2>looking for=20
specialists in =3D<BR>>this =3D3D<BR>> >field. =
I=3D3D20<BR>> =20
> might call Eric at Earth=20
Works.</FONT></DIV><BR>> > =
<DIV><FONT=20
face=3D3D3DArial size=3D3D3D2></FONT> =
</DIV><BR>> =20
> <DIV><FONT face=3D3D3DArial size=3D3D3D2>Thanks =
for the=20
=3D<BR>>info,</FONT></DIV> <BR>> > =20
<DIV><FONT face=3D3D3DArial=20
size=3D3D3D2>Tom</FONT></DIV& ;gt; <BR>> > =20
<DIV> </DIV><BR>> > =20
<BLOCKQUOTE=3D3D20<BR>> > =
style=3D3D3D"PADDING-RIGHT: 0px;=20
PADDING-LEFT: 5px; MARGIN-LEFT: 5px;<BR>=3D<BR>>=3D3D<BR>> =
>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: =
0px"><BR>> =20
> <DIV>"gene lennon" =
<<A=3D3D20<BR>> =20
> =3D3D<BR>> =
=3D<BR>>>href=3D3D3D"<A=20
=
href=3D'mailto:glennon@NOSPmyrealbox.com">glennon@NOSPmyrealbox.com</A'>m=
ailto:glennon@NOSPmyrealbox.com">glennon@NOSPmyrealbox.com</A</A>=3D=
<BR>>>&g=3D3D<BR>> =20
>t;=3D3D20<BR>> > wrote in message=20
<A=3D3D20<BR>> > =3D3D<BR>> =20
=3D<BR>>>href=3D3D3D"<A=20
=
href=3D'news:436b89f4$1@linux">news:436b89f4$1@linux</A>...</DIV><BR'>new=
s:436b89f4$1@linux">news:436b89f4$1@linux</A>...</DIV><=
BR</A>>"=3D<BR>>Tom=3D3D<BR>> =20
>=3D3D20<BR>> > Bruhl" <<A=20
=3D3D<BR>> >href=3D3D3D"<A=20
=
href=3D'mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=3D3D20'>mail=
to:arpegio@comcast.net">arpegio@comcast.net</A>>=3D3D20</A><B=
R>> =20
> =20
wrote:<BR>><BR>>&a mp;lt;BR>>Gene,<BR>>I =
have a=20
very early 166 =3D3D<BR>> >and a=3D3D20<BR>> =20
> 161VU. Is it possible they<BR>>use the =
same=20
vca?!?! I =3D3D<BR>> ><BR>> =
> couldn't=20
find anything out doing a=3D3D3D20<BR>>google search=20
about<BR>=3D<BR>>=3D3D<BR>> >it. I=3D3D20<BR>> =
> wonder if the new DBX (Harmon)=20
would=3D3D3D20<BR>>have any records<BR>=3D<BR>>on =
=3D3D<BR>> =20
><BR>> > that? I'd open them up and=20
look<BR>>but I'm not sure which=3D3D20<BR>> =20
> component is the VCA.=20
=3D3D3D20<BR>><BR>> ;Any tips for me to=20
=3D<BR>>learn=3D3D20<BR>> > more? =
I'll look=20
inside for clues.<BR>>Tom<BR>> ;<BR>I know=20
=3D3D<BR>> >the 163=3D3D20<BR>> =
> and=20
the 166 share the same VCA (except as noted) and =
=3D<BR>>these<BR>both=20
=3D3D<BR>> >have=3D3D20<BR>> =
> different=20
envelopes-of-attack from the 161. This has a lot to =
=3D3D<BR>> =20
>do<BR>with the=3D3D20<BR>> > =
overall=20
sound.<BR>I should point out that the person who told=20
me<BR>=3D<BR>>=3D3D<BR>> >about =
some=3D3D20<BR>> =20
> of the early 166<BR>boxes was not from =
DBX, but=20
was a technician<BR>=3D<BR>>=3D3D<BR>> >that =
I=3D3D20<BR>> =20
> trusted and he should<BR>have known. I =
could be=20
wrong about =3D3D<BR>> =
>this.<BR>You=3D3D20<BR>> =20
> should be in a good position to listen to the =
two units=20
side =3D<BR>>by=3D3D20<BR>> > =
side.<BR>This=20
is really the best way anyway, particularly since =
=3D<BR>>many<BR>> =20
=3D3D<BR>> >of the=3D3D20<BR>> =
> =20
older<BR>units are way overdue for a =3D3D<BR>> =20
>rebuild/recalibration.<BR>Looking=3D3D 20 <BR>> =20
> inside is not always helpful. The early VCAs =
are not=20
always=3D3D20<BR>> > =20
labeled.<BR><BR><BR&g t;The attached image looks =
generally like=20
most<BR>=3D<BR>>of<BR>> =3D3D<BR>> =
>the=3D3D20<BR>> =20
> early=20
=
VCAs.<BR></BLOCKQUOTE></B LOCKQUOTE></BODY></HT=
ML><BR>> =20
><BR>> ><BR>><BR>><!DOCTYPE HTML PUBLIC =
"-//W3C//DTD=20
HTML 4.0 =
Transitional//EN"><BR>><HTML><HEAD> <BR>><META=20
http-equiv=3D3DContent-Type content=3D3D"text/html;=20
=3D<BR>>charset=3D3Diso-8859-1"><BR>><META =
content=3D3D"MSHTML=20
6.00.2800.1400"=20
=
name=3D3DGENERATOR><BR>><STYLE></STYLE> <BR>></HEA=
D><BR>><BODY=20
bgColor=3D3D#ffffff><BR>><DIV><FONT face=3D3DArial=20
=
size=3D3D2>Cujo,</FONT></DIV& ;gt; <BR>><DIV><FONT=20
face=3D3DArial size=3D3D2>Not familiar with him. Where is=20
=
=3D<BR>>New=3D20<BR>>Alliance?</FONT></DIV> <BR>><=
DIV><FONT=20
face=3D3DArial=20
=
size=3D3D2>Tom</FONT></DIV&g t; <BR>><BLOCKQUOTE=3D20<BR>=
>style=3D3D"PADDING-RIGHT:=20
0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =3D<BR>>BORDER-LEFT: =
#000000 2px=20
solid; MARGIN-RIGHT: 0px"><BR>> <DIV>"cujo"=20
<<A=3D20<BR>> =3D<BR>>href=3D3D"<A=20
=
href=3D'mailto:chris@nospamapplemanstudio.com">chris@nospamapplemanstudio=
'>mailto:chris@nospamapplemanstudio.com">chris@nospamapplemanstudio</A=
>=3D<BR>>.com</A>>=3D20<BR>> =20
wrote in message <A=3D20<BR>> =3D<BR>>href=3D3D"<A=20
=
href=3D'news:436cc85e$1@linux">news:436cc85e$1@linux</A>...</DIV><BR><BR'=
>news:436cc85e$1@linux">news:436cc85e$1@linux</A>...</DIV>=
<BR><BR</A>>=3D<BR>>How=20
do=3D20<BR>> I know how old one is. I thin mine is about 15 =
years or=20
more.<BR>Tom,<BR>=3D<BR>>do you=3D20<BR>> know a =
repair guy=20
named Bo Dixon here in Boston? He works out<BR>of=20
=3D<BR>>the=3D20<BR>> basemant at New Alliance. He has =
done a few=20
small things for me =3D<BR>>that<BR>all=3D20<BR>> =
work well. I=20
have also heard some mixed reviews=20
=
=3D<BR> >though.<BR><BR><B R> "Aaron=3D20<BR>> =
Allen"=20
<<A =3D<BR>>href=3D3D"<A=20
=
href=3D'mailto:nospam@not_here.dude">nospam@not_here.dude</A>>=3D20'>mail=
to:nospam@not_here.dude">nospam@not_here.dude</A>>=3D20</A><B=
R>> =20
wrote:<BR>><BR>>&a mp;lt;BR>>Last time I talked =
w/DBx, Tom=20
Cram was =3D<BR>>the dude=3D20<BR>> I spoke with, super=20
=3D3D<BR>>guy/real helpful. I highly recommend =
=3D<BR>>him, he=20
was=3D20<BR>> instrumental in =
helping<BR>=3D3D<BR>>me=2 0
rebuild one of my 160's when =3D<BR>>I got them=3D20<BR>> =
a few years=20
back.=3D3D20<BR>><BR>& ;gt;tcram AT dbxpro =
DOT=3D20<BR>> =20
com<BR>><BR>>AA&am p;lt;BR>> "Tom Bruhl"=20
<<A=3D20<BR>> href=3D3D"<A=20
=
href=3D'mailto:arpegio@comcast.net">arpegio@comcast.net</A'>mailto:arpegi=
o@comcast.net">arpegio@comcast.net</A</A>>>=20
wrote =3D<BR>>in message=3D20<BR>> =20
=3D3D<BR>>news:436ba859@linux...<BR>> Thanks for the =
help=20
=3D<BR>>Gene and=3D20<BR>> =
Aaron.<BR>><BR>> >Some=20
of the old 166 compressors with =3D<BR>>the=3D20<BR>> =
original DBX VCA=20
do sound =3D3D<BR>>good.<BR>&g t; >Closer to =
=3D<BR>>a=20
160VU=3D20<BR>> than any other DBX. =
=3D3D20<BR>><BR>>= 20
The problem is that my =3D<BR>>166 needs=3D20<BR>> repair. =
It's not=20
worth repairing if<BR>> it isn't the =
=3D<BR>>model=3D20<BR>> =20
Gene refers to. I bought the 166 for $1,000 when =
=3D3D<BR>>they=20
=3D<BR>><BR>> first<BR>> came out. I had to wait =
for=20
delivery to the=3D20<BR>> store. I'm pretty sure =
=3D3D<BR>>it=20
was out of =3D<BR>>the<BR>> first=3D20<BR>> run. =
I am running=20
the serial number by DBX to see what they=3D20<BR>> =20
=3D3D<BR>>say. Also<BR>> looking for specialists in=20
=3D<BR>>this=3D20<BR>> field. I might call Eric at Earth=20
=3D<BR> >=3D3D<BR>>Works.<BR& gt;><BR>> =
=3D20<BR>> =20
Thanks for the info,<BR>> =
=3D<BR> >Tom<BR>><BR>& gt;=20
"gene=3D20<BR>> lennon" <<A=3D20<BR>> =
=3D<BR>>href=3D3D"<A=20
=
href=3D'mailto:glennon@NOSPmyrealbox.com">glennon@NOSPmyrealbox.com</A>&a=
mp;g'>mailto:glennon@NOSPmyrealbox.com">glennon@NOSPmyrealbox.com</=
A>&g</A>=3D<BR>>t;=3D20<BR>> =20
wrote in message=3D20<BR>> =20
=
=3D3D<BR>>news:436b89f4$1@linux...<BR>><BR>>=20
=3D<BR>>"Tom=3D20<BR>> Bruhl" <<A =
=3D<BR>>href=3D3D"<A=20
=
href=3D'mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=3D20'>mailto=
:arpegio@comcast.net">arpegio@comcast.net</A>>=3D20</A><BR>&g=
t; =20
wrote:<BR>> ><BR>> =3D20<BR>> =
><BR>>=20
>Gene,<BR>> =3D<BR>>>I have=3D20<BR>> a =
very early 166=20
and a 161VU. Is it possible=3D20<BR>> they<BR>> =
>use the=20
same vca?!?! I =3D<BR>>couldn't find=3D20<BR>> anything =
out doing=20
a=3D3D3D20<BR>> >google =3D<BR>>search =
about=3D20<BR>> it. I=20
wonder if the new DBX (Harmon)=3D20<BR>> =20
=3D3D<BR>>would=3D3D3D20<BR& gt;> >have any records=20
=3D<BR>>on=3D20<BR>> that? I'd open them up and =
look<BR>>=20
=3D<BR>>>but I'm=3D20<BR>> not sure which component is =
the VCA.=20
=3D3D3D20<BR>> =3D<BR>><BR>> ><BR>> =
>Any tips=20
for me to learn =3D<BR>>more? I'll=3D20<BR>> look inside =
for=20
clues.<BR>> =3D20<BR>> >Tom<BR>>=20
><BR>> I =3D<BR>>know the=3D20<BR>> 163 and =
the 166 share=20
the same VCA (except as noted)=3D20<BR>> =20
and<BR>=3D3D<BR>>these&am p;lt;BR>> both have=20
different=3D20<BR>> envelopes-of-attack from the 161. This =
has a=20
lot<BR>=3D3D<BR>>to=3D20<BR >> do<BR>> =
with the=20
overall =3D<BR>>sound.<BR>> =3D20<BR>> I should =
point out=20
that the person who told me about some of the=3D20<BR>> =20
=3D3D<BR>>early 166<BR>> boxes was not from DBX, =
=3D<BR>>but=20
was a=3D20<BR>> technician that I trusted and he=20
=3D<BR> >=3D3D<BR>>should<BR& gt;> =3D20<BR>> =
have known. I=20
could be wrong about this.<BR>> You =
=3D<BR>>should=3D20<BR>> =20
be in a good position to listen to the two units =
side=3D20<BR>> =20
by<BR>=3D3D<BR>>side.& ;lt;BR>> This is really the=20
=3D<BR>>best way=3D20<BR>> anyway, particularly since many =
of=20
the=3D20<BR>> =3D3D<BR>>older<BR>&g t; units =
are way=20
overdue for a =3D<BR>><BR>> =
rebuild/recalibration.<BR>>=20
Looking inside is not =3D<BR>>always=3D20<BR>> helpful. =
The early VCAs=20
are not=3D20<BR>> =20
=
=3D<BR> >always<BR>=3D3D<BR>& gt;labeled.<BR>><B=
R>><BR>>=20
=3D<BR>>The=3D20<BR>> attached image looks generally like =
most of the=20
early=3D20<BR>> =20
VCAs.<BR>><BR>>&am p;lt;BR>><!DOCTYPE HTML =
PUBLIC=20
"-//W3C//DTD =3D<BR>>HTML 4.0=3D20<BR>> =20
=
Transitional//EN" ><BR>><HTML>&l t;HEAD><BR>>=
<META=3D20<BR>> =20
http-equiv=3D3D3DContent-Type =
content=3D3D3D"text/html;=3D20<BR>> =20
=3D3D<BR>>charset=3D3D3Diso-8859-1"><BR>><META =
=3D<BR>>content=3D3D3D"MSHTML=3D20<BR>> =
6.00.2900.2769"=3D20<BR>> =20
=
=3D<BR> >name=3D3D3DGENERATOR><BR>&g t;<STYLE></STYLE&=
gt;<BR>></HEA=3D<BR> >D><BR>><BODY=3D20 <BR>&=
gt; =20
bgColor=3D3D3D#ffffff><BR>>& lt;DIV><FONT =
face=3D3D3DArial=20
=3D<BR>>size=3D3D3D2>Last=3D20<BR>> time I talked =
w/DBx, Tom Cram=20
was<BR>=3D3D<BR>>the dude =
=3D<BR>>I=3D3D20<BR>>spoke=20
with,=3D20<BR>> super guy/real helpful. I highly recommend =
him, he=20
was=3D20<BR>> =
=3D3D<BR>>instrumental=3D3D20<BR >>in=20
helping me rebuild one of my =3D<BR>>160's when =
I=3D20<BR>> got them a=20
few years=3D20<BR>> =20
=
back.=3D3D20<BR>></FONT>& amp;lt;/DIV><BR>><DIV& ;=
gt;<FONT=20
=3D<BR>><BR>> face=3D3D3DArial =
size=3D3D3D2></FONT>=20
=
=3D<BR> ></DIV><BR>>&l t;DIV><FONT=3D20 <BR>>&nbs=
p;=20
face=3D3D3DArial size=3D3D3D2><A=20
=3D3D<BR>>href=3D3D3D"<A=3D20<BR >> =20
=
=3D<BR>>href=3D3D'mailto:tcram@dbxpro.com">tcram'>mailto:tcram@d=
bxpro.com">tcram=3D<BR>></A>=20
AT=3D20<BR>> =
dbxpro=3D3D20<BR>>DOT=3D20<BR>> =20
=
com</A></FONT></DIV&g t;<BR>><DIV><FONT= 20
=3D<BR>>face=3D3D3DArial=3D20<BR>> =
size=3D3D3D2></FONT>=20
</DIV><BR>><DIV&am p;gt;<FONT=20
=3D<BR>>face=3D3D3DArial=3D20<BR>> =20
=
size=3D3D3D2>AA</FONT></DIV& gt;<BR>><BLOCKQUOTE=3D=
20<BR>> =20
dir=3D3D3Dltr=3D3D20<BR>>style=3D3D3D"PADDING-RIGHT: 0px; =
PADDING-LEFT:=20
=3D<BR>>5px;=3D20<BR>> MARGIN-LEFT: 5px; =
=3D3D<BR>>BORDER-LEFT:=20
#000000 2px solid; =3D<BR>>MARGIN-RIGHT:=3D20<BR>> =20
0px"><BR>> <DIV>"Tom Bruhl"=20
=3D<BR>><<A=3D3D20<BR>> =3D20<BR>> =20
href=3D3D3D"<A=3D20<BR>> =20
=
=3D<BR>>href=3D3D'mailto:arpegio@comcast.net">arpegio@comcast.net&l=
t;/A'>mailto:arpegi=3D<BR>>o@comcast.net">arpegio@comcast.net<=
;/A</A>>>=3D20<BR>> =20
wrote =3D3D<BR>>in message=3D3D20<BR>> <A=20
href=3D3D3D"<A=3D20<BR>> =20
=
=3D<BR>>href=3D3D'news:436ba859@linux">news:436ba859@linux</A>=
;...</DIV'>news:436ba8=3D<BR>>59@linux">news:436ba859@linux&l=
t;/A>...</DIV</A>>< ;BR>>&nbs=3D <BR>>p;=3D20=
<BR>> =20
<DIV><FONT face=3D3D3DArial size=3D3D3D2>Thanks for the =
help=20
=3D<BR>>Gene and=3D20<BR>> =20
=3D3D<BR>>Aaron.</FONT>&a mp;lt;/DIV><BR>>=20
<DIV>=3D20<BR>> </DIV><BR>> =
<DIV>>Some of=20
the old 166 =3D<BR>>compressors with=3D20<BR>> the =
original DBX VCA do=20
=3D3D<BR>>sound=3D3D20<BR> ;> =3D20<BR>> =20
good.<BR>>Closer to a 160VU than any other =
DBX.=3D20<BR>> =20
</DIV><BR>> <DIV> </DIV><BR>>=20
=3D20<BR>> <DIV><FONT face=3D3D3DArial =
size=3D3D3D2>The problem=20
is that =3D<BR>>my 166 needs=3D20<BR>> =
=3D3D<BR>><BR>>=20
repair. It's not worth repairing=3D20<BR>> =20
if</FONT></DIV><BR> ;> <DIV><FONT=20
=3D<BR>>face=3D3D3DArial=3D20<BR>> size=3D3D3D2>it =
isn't the model Gene=20
refers =3D3D<BR>>to. I=3D20<BR>> =
bought=3D3D20<BR>> the=20
166 for $1,000 when they=3D20<BR>> =20
first</FONT></DIV><BR& ;gt;> <DIV><FONT=20
=3D<BR>>face=3D3D3DArial=3D20<BR>> size=3D3D3D2>came =
out. I had to wait=20
for =3D3D<BR>>delivery to=3D20<BR>> =
the=3D3D20<BR>>=20
store. I'm pretty sure it was out of=3D20<BR>> =20
the</FONT></DIV><BR&g t;> <DIV><FONT=20
=3D<BR>>face=3D3D3DArial=3D20<BR>> size=3D3D3D2>first =
run. I am running=20
the =3D3D<BR>>serial=3D20<BR>> =
number=3D3D20<BR>> by DBX=20
to see what they say.=3D20<BR>> =20
Also</FONT></DIV><BR& gt;> <DIV><FONT=20
=3D<BR>>face=3D3D3DArial=3D20<BR>> size=3D3D3D2>looking =
for specialists=20
in this =3D3D<BR>>field. =3D<BR>>I=3D3D20<BR>>=20
=3D20<BR>> might call Eric at Earth=20
Works.</FONT></DIV><BR&am p;gt;> =
=3D<BR>><BR>> =20
<DIV><FONT face=3D3D3DArial=20
size=3D3D3D2></FONT>=3D20<BR>> =
</DIV><BR>>=20
<DIV><FONT face=3D3D3DArial=20
=3D<BR>>size=3D3D3D2>Thanks=3D20<BR>> for the=20
info,</FONT></DIV><BR& ;gt;>=20
=3D<BR>><DIV><FONT=3D20<BR>> face=3D3D3DArial=20
=3D<BR> >size=3D3D3D2>Tom</FONT>< /DIV><BR>>=20
=3D20<BR>> <DIV> </DIV><BR>>=20
=3D<BR>><BLOCKQUOTE=3D3D20<BR>> =3D20<BR>> =20
style=3D3D3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT:=20
5px;=3D20<BR>> =3D3D<BR>>BORDER-LEFT: #000000 2px =
solid;=20
MARGIN-RIGHT:=3D20<BR>> 0px"><BR>> =
<DIV>"gene=20
lennon"=3D20<BR>> <<A=3D3D20<BR>>=20
=3D3D<BR>>href=3D3D3D"<A=3D20<BR >> =20
=
=3D<BR>>href=3D3D'mailto:glennon@NOSPmyrealbox.com">glennon@NOSPmyr=
ealbox.com</A>&a=3D<BR>>mp;g'>mailto:glennon@NOSPmyrealbo=
x.com">glennon@NOSPmyrealbox.com</=3D<BR>>A>&g</A>=3D=
3D<BR>>t;=3D3D20<BR>& gt;=20
=3D20<BR>> wrote in message <A=3D3D20<BR>>=20
=3D<BR>>=3D3D<BR>>href=3D3D3D"<A=3D20 <BR>> =20
=
=3D<BR>>href=3D3D'news:436b89f4$1@linux">news:436b89f4$1@linux</=
A>...</DIV><BR>"Tom=3D<BR >>'>news:436b89f4$1@linux"&=
gt;news:436b89f4$1@linux</A>...</DIV>=3D<BR>>;<BR> "T=
om</A>=3D3D<BR>>=3D3D20&a mp;lt;BR>>=20
=3D20<BR>> Bruhl" <<A=20
=3D3D<BR>>href=3D3D3D"<A=3D20<BR >> =20
=
=3D<BR>>href=3D3D'mailto:arpegio@comcast.net">arpegio@comcast.net&l=
t;/A>>=3D3D20'>mailto=3D<BR>>:arpegio@comcast.net">arpegio=
@comcast.net</A>>=3D3D20</A& gt;<BR>&g=3D <BR>>t; =
=3D20<BR>> =20
wrote:<BR>><BR>>&a mp;lt;BR>>Gene,<BR>>I=20
=3D<BR>>have a=3D20<BR>> very early 166 =
=3D3D<BR>>and=20
a=3D3D20<BR>> 161VU. =3D<BR>>Is it=3D20<BR>> =
possible=20
they<BR>>use the same vca?!?! I=3D20<BR>> =20
=3D3D<BR>><BR>> couldn't find anything out doing=20
=3D<BR>><BR>> a=3D3D3D20<BR>>google search about=20
=3D3D<BR>>it.=3D20<BR>> I=3D3D20<BR>> =
wonder if the new=20
DBX (Harmon)=3D20<BR>> would=3D3D3D20<BR>>have any =
records=20
on=3D20<BR>> =3D3D<BR>><BR>> that? I'd open =
them up=20
and=3D20<BR>> look<BR>>but I'm not sure=20
=3D<BR>>which=3D3D20<BR>> =3D20<BR>> component is =
the VCA.=20
=3D3D3D20<BR>><BR>> ;Any tips for =3D<BR>>me=20
to=3D20<BR>> learn=3D3D20<BR>> more? I'll look =
inside=20
for=3D20<BR>> =
clues.<BR>>Tom<BR>> ;<BR>I know=20
=3D3D<BR>>the=3D20<BR>> 163=3D3D20<BR>> and =
the 166 share=20
the same VCA =3D<BR>>(except as=3D20<BR>> noted) and=20
these<BR>both =
=3D<BR> >=3D3D<BR>>have=3D3D20<BR >>=20
=3D20<BR>> different envelopes-of-attack from the 161. This =
has a lot=20
to=3D20<BR>> =3D3D<BR>>do<BR>with =
the=3D3D20<BR>>=20
overall =3D<BR>><BR>> sound.<BR>I should point out =
that the=20
person who told me =
=3D<BR>>=3D3D<BR>>about=3D20<BR >> =20
some=3D3D20<BR>> of the early 166<BR>boxes =
=3D<BR>>was not=20
from=3D20<BR>> DBX, but was a technician =
=3D3D<BR>>that=20
=3D<BR>>I=3D3D20<BR>> trusted=3D20<BR>> and he=20
should<BR>have known. I could be wrong about=3D20<BR>> =20
=3D3D<BR>>this.<BR>You=3D 3D20<BR>> should be =
=3D<BR>>in a=20
good=3D20<BR>> position to listen to the two units side=20
=3D<BR>>by=3D3D20<BR>> =3D20<BR>> =
side.<BR>This is really=20
the best way anyway, particularly since=3D20<BR>> =20
many<BR>=3D3D<BR>>of the=3D3D20<BR>>=20
=3D<BR>>older<BR>units are=3D20<BR>> way overdue for =
a=3D20<BR>> =20
=
=3D<BR> >=3D3D<BR>>rebuild/recalibration .<BR>Looking=3D3=
D20<BR>>=20
&nbs=3D<BR>>p; =3D20<BR>> inside is not always =
helpful. The early=20
VCAs are not=3D20<BR>> always=3D3D20<BR>>=20
=
=3D<BR> >labeled.<BR><BR>< BR>The=3D20 <BR>> =
attached=20
image looks generally like most=3D20<BR>> =20
of<BR>=3D3D<BR>>the=3D3D2 0<BR>> =
early=3D20<BR>> =20
=
=3D<BR> >VCAs.<BR></BLOCKQUOTE>&a mp;lt;/BLOCKQUOTE></BODY=
></HT=3D<BR> >ML><BR>><BR&g t;></BLOCKQUOTE&g=
t;</BODY></HTML><BR>><BR >></BLOCKQUOTE></BODY></HTML>
------=_NextPart_000_0072_01C5E1FC.F6CCEB00--Hey, congrats on the new digs! She's a beaut....
jef
Kim wrote:
>Well, I'm officially in and living on my own for the first time ever. :o)
>It's been an adventure and a lot of work in the move.
>
>The guts of home is here. I've still got some minor stuff to move... one
>keyboard and it's indoor stand, and various other accessories, but overall
>things here are set up and happenning. The Paris system hasn't been set up
>yet mind you. It's in peices awaiting me to work out a method of getting
>the Paris desk inside. ;o) When I built the desk it was built to use, not
>built to move, or get in and out. ;o)
>
>But overall, the kitchen works... the lounge works... the bedroom works...
> the toilet works... the phone works... mind you the internet doesn't
>work yet. I'm currently on some kind of wireless "go anywhere" system my
>work is trialing (fortunately) on my laptop. It's due to be connected next
>week though, and once that happens the newsgroup server will be moving with
>me. It's currently sitting in my old bedroom at my previous residence in
>an empty room. Doing it's job still I see though. ;o)
>
>The great news is that this Friday night PBS radio are playing some great
>funk! The other great news is that I have fantastic TV reception here compared
>to the old place. I can pick up every free to air channel better than I've
>ever seen before through the main antenna in the lounge, and quite well through
>my dodgy rabbit ears in my bedroom. I'm enjoying picking up ABC and SBS for
>once, the "government" and "world" TV stations.
>
>Living on my own is certainly a new thing. I have very little cash though
>at the moment, as I spent it all on those little bits that you don't know
>you don't have until you move out of the share house and go "Hold on! I don't
>have a..." ;o)
>
>It's going to be fun though. It's wonderful to live somewhere you can watch
>what you want, see who you want, put on the CD you want, listen to the radio
>station you want, and not be questioned about the whole thing. :o)
>
>Life is good. :o)
>
>Cheers,
>Kim.
>rick <parnell68@hotmail.com> wrote:
>a southern or jersey accent would probably be your best bet...since
>you already talk funny. ;o)
>
Yo! I ain’t no Benny. South-Jersey! Fuhgetaboutit!
gI think this mic will work for anything you throw at it. As with any other
mic, whether or not it will be the best mic for the job will depend on the
source/mic/preamp interaction. I don't have a U47 here, but I'd guess from
the comparisons I've heard that it would work nicely on the same kind of
sources that you would use this kind of mic for. I have had good success
using it with both male and female vocalists, though I haven't used it on
projects in the rock genre. When I think of rock, I think of an SM57 into a
Neve'esque kinda' preamp so that the singer can stick the mic down his
throat if he wants to and the capsule won't collapse.
;o)
"cujo" <chris@applemanstudio.com> wrote in message news:436ad457$1@linux...
>
>
>
> Hey Deej,
> I know you have a SE Gemini,
> Can you tell me what you think it would do on rock vocals?
> I know you do a ton of acoustic stuff, will this thing get atttiude?
> Is is to whispy for that? Is it harsh or sibilant?
> How is the noise floor? Could it hold up infront of a drum kit?
>
> Please tell all ASAP, as I may have a deal on one.
>I wish I had read this before I went. grrr. I was 2 feet from em for
the entire night. ahhhhhhhhhh Try posting in the discussion board at
http://www.spyrogyra.com They say it's an ADK but no model number,
but if you ask there they might say. Show was great.
Chris Lang wrote:
> See if you can spot what kind of mic set-up Jay Beckenstein is using. Just
> curious,
>
> Chris
>
>
> John <no@no.com> wrote:
>
>>Yay baby!
>
>Tony,
I just sent you a few MP3's with some info about what mics were used on what
instruments.
Deej
"Tony Benson" <tony@standinghampton.com> wrote in message
news:43691710$1@linux...
> I remember DJ had done some mic comparisons a while back and some other
> various test recordings, etc. I'm sure others have done similar
> "experiments". If anyone has any audio files, songs, pictures,
instructions,
> tips, heck anything they'd like to post on the net for easy access by
> others, I'm offering space on my web server to host the files. I've got a
> good hosting package and don't use anywhere close to my bandwidth or
storage
> limits. Anyway, anyone who wants to make basically anything (music and/or
> PARIS related that is) available through the web, send me an email. If the
> files aren't too big (10 megs or smaller) you can just email them and I'll
> create a folder on my site for you and post a link back here on the group.
> If they're big files, you can send me a disc and I'll post it up.
>
> Email me at this address: tony@mercysakes.com. This address can handle
> bigger files.
>
> Tony
>
> Check out Tom Bruhl's mic shootout files here:
>
> http://www.mercysakes.com/paris/tbruhl110105
>
>Right now my partner is using Nuendo via RME and Layla (soon to be replaced)
converters with no external clock...he is going to be switching to SawStudio
in the very very near future so that will be one of several platforms I will
be running on my second machine.
Don
"cujo" <chris@nospamapplemanstudio.com> wrote in message
news:436cdb42$1@linux...
>
>
> Does the guy that does the tracking sync to an external WC?
>
>
> "Don Nafe" <dnafe@magma.ca> wrote:
>>Presently running a pair Noteperfect Alpha Pro via a Hafler P1500...so far
>
>>mixes are translating well on other systems including other studios in
>>town.
>
>>Only thing I have to be aware of is my room is a tad hot in the mids and
>
>>highs so I have to be careful with the bottom end...that problem I'll be
>
>>addressing shortly with acoustic treatments
>>
>>All in all I'd say I'm looking for a little more clarity in my mixes
>>rather
>
>>than puch as I have plenty of that
>>
>>DOn
>>
>>"cujo" <chris@nospamapplemanstudio.com> wrote in message
>>news:436c02c9$1@linux...
>>>
>>> Also, Don, what is your monitor situation like?
>>>
>>>
>>>
>>> "benjamin" <none@a.a> wrote:
>>>> I went through this same thing recently. First thing I did was purchase
>>> an
>>>>Apogee Big Ben. There was a noticable difference with big ben. Most
>>>>noticable in a wider sound field. It was really obvious when going back
>>> to
>>>>internal sync. I'd say it made a good 5% increase in quality.
>>>> The next thing I did was purchase a bunch of outboard gear. I was using
>>>
>>>>various gear in the external loops using the stock PARIS converters. The
>>>
>>>>biggest difference was strapping a Drawmer 1968 across the master bus.
> I'm
>>>
>>>>talking 20% increase in quality. Tracks really glued together. NoLimit
>
>>>>pales
>>>
>>>>in comparison.
>>>> Then I purchased an Apogee DA and AD-16x. Even at 20bit (via ADAT) the
>>>
>>>>sound became less boxy, and more "pro" sounding. Increase in highs,
>>>>tighter
>>>
>>>>bass, wider sound field. A good 10% better than the stock converters.
>>>>I have since switched to an RME/cubase SX system.
>>>>
>>>>Anyway, if I could have only made one move, it would be the 1968 across
>>> the
>>>>mix bus.
>>>>
>>>>
>>>>"Don Nafe" <dnafe@magma.ca> wrote in message news:436b91a9@linux...
>>>>> What do you think of updating with an external wordclock and a high
> end
>>
|
|
|
|
| Re: Suggestions for stereo compressors [message #59930 is a reply to message #59857] |
Sun, 06 November 2005 08:43 |
cujo
Messages: 285
Registered: July 2005
|
Senior Member |
|
|
woof'in for a final send off. I
gave
> them both a grin and big thumbs up and headed to the car. Somehow I felt
> special to have been there for this old dog's last day. I hope he has a
> peaceful night without any pain and an easy sendoff tomorrow.
>
> I'm really tired tonight. It's good to be back home.
>
> C'ya tomorrow.
>
> Deej
>
>The mic is very sensitive and thus has a lot of low level detail. As far as
it being airy, I guess the answer would be yes. It seems to have a bit of
top boost, though it doesn't sound spitty or strident between 10-12KHz on
the sources I've tried it with.
I have some more mic comparison files that I'm going to send to Tony Benson
probably later today.
Deej
"cujo" <chris@nospamapplemanstudio.com> wrote in message
news:436e2340$1@linux...
>
>
>
> I have read a buch of stuff over at Gearslutz about this mic,
> Some thoghts were that it was too airy. Others love it.
> Do you noticed an exagerated top on it? From the clip you sent me, it
seems
> it may do very well on a Martin or something.
>
>
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >I think this mic will work for anything you throw at it. As with any
other
> >mic, whether or not it will be the best mic for the job will depend on
> the
> >source/mic/preamp interaction. I don't have a U47 here, but I'd guess
from
> >the comparisons I've heard that it would work nicely on the same kind of
> >sources that you would use this kind of mic for. I have had good success
> >using it with both male and female vocalists, though I haven't used it on
> >projects in the rock genre. When I think of rock, I think of an SM57 into
> a
> >Neve'esque kinda' preamp so that the singer can stick the mic down his
> >throat if he wants to and the capsule won't collapse.
> >
> >;o)
> >
> >"cujo" <chris@applemanstudio.com> wrote in message
news:436ad457$1@linux...
> >>
> >>
> >>
> >> Hey Deej,
> >> I know you have a SE Gemini,
> >> Can you tell me what you think it would do on rock vocals?
> >> I know you do a ton of acoustic stuff, will this thing get atttiude?
> >> Is is to whispy for that? Is it harsh or sibilant?
> >> How is the noise floor? Could it hold up infront of a drum kit?
> >>
> >> Please tell all ASAP, as I may have a deal on one.
> >>
> >
> >Thanks for sharing.
Best wishes and prayers a plenty for his universe of family and friend.
Regards,
El Miguel
"gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
news:4363c02d$1@linux...
>
> Dave Townsend died this week in California. Dave was best know as the
guitar
> player in the platinum R&B group "surface", but Dave was also a talented
> session musician, songwriter and producer. I co-wrote and co-produced
several
> tracks with Dave over the years.
> Dave was a quiet person and a true gentleman, and he will be missed.
> He was 50 years old.
> Dave's father, (Ed Townsend) was also a well know songwriter who's songs
> included Marvin Gaye's 'Let's Get It On.'
> Dave collaborated with many Paris owners in the last few years, including
> myself, David "Pic" Conley (also from Surface), Thurman Phillips, and
Joshua
> Thompson. He was a big believer in the "Paris sound."
> Gene
> http://akwww.digidesign.com/support/docs/WhitePaper_48BitMix er.pdf
Any comments? It appears to me that the signals are recorded at 24
bit, then processed at whatever bit rate the plugin on the channel has,
including dither, or not, then reprocessed to 24 bit, then these channels
are summed. I'm no guru when it comes to this stuff, but I get this feeling
that this reprocessing *per channel* is the reason the TDM systems seem to
start sounding gnarly as more and more tracks are summed.What bad gramma?
I will buy Dimitrios for $49 too!
And he should come to Denver and show me how to use Wormhole.
El Miguel (who is a kid who never grew up :)
"EK Sound" <spamnot.info@eksoundNO.com> wrote in message
news:4363adea@linux...
> That's a problem with an international forum... subtleties get lost in
> translation. Yes, Rick WAS joking at Brandon's poor grammar! :-)
>
> David.
>
> TC wrote:
> > Hey Dimitrios,
> >
> > I think he was joking, it was a pun at Brandon's wording of "I will buy
> > Dimitrios"
> >
> > Meaning he will purchase you, Dimitrios, with cash money, not anything
> > to do with wormhole..
> >
> > Cheers,
> >
> > TC
> >
> > Dimitrios wrote:
> >
> >> Dear Rick,
> >> I am really dissapointed in your post.
> >> If you don't care buying thats ok but saying that it is slavery to buy
> >> something
> >> that is so innovative for Paris and not only and considering the som
many
> >> hours spent to make things smooth for Paris and wormhole as much as
> >> possible
> >> without me being involved at all in the sales of this plugin that
really
> >> makes me feel sad.
> >> I was hoping that you at least would appreciatte all the efoorts here
and
> >> that wouild be supporting those nice and cheap plugins that help Paris
..
> >> I see people here payinmg 250 $ for a single adat card so for 3 adat
> >> cards
> >> 750 $.
> >> plus a Mec 150$ almost a 1000 $ to just have 24 adat 20 bit tracks
> >> from one
> >> PC to another.
> >> Now a simple plugin lets you have 24 bit (or 32bit floating until you
use
> >> Paris dsp ) of 24 audio tracks for a normal 2600 Ghz cpu.
> >> So if you think that I am giving you guys a hard time then sorry I
> >> will stop
> >> what I am doing these last months.
> >> thanks to all of you anyway.
> >> Regards,
> >> Dimitrios
> >>
> >> rick <Report message to a moderator
|
|
|
|
| Re: Suggestions for stereo compressors [message #59937 is a reply to message #59930] |
Sun, 06 November 2005 11:16 |
gene lennon
Messages: 565
Registered: July 2006
|
Senior Member |
|
|
/>
>>>>>>
>>>>>>Greetings to all!!
>>>>>>
>>>>>>Suad Cokljat
>>>>>>Indigo Audio
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>>
>>>>>
>>>>>
>>>>
>>I achieved a sound closer to the high end converters using a little bigger
( I don't think -but may- made this difference) 220uF/400V instead of the
stock 180uf , I found same exactly branch but that does not matter as long
as you will use a good 105o deggrees electrolytic.
I bypassed with a WIMA 0.01 and it made a difference.
More mids revelaed from ad conversion.
I like what I hear.
Regards,
DimitriosYes it works fine.
Eugene
"Richard Faylor" <RichardFaylor@aol.com> wrote:
>
>To fully utilize an Apple display, I'll need to upgrade my Mac G4 from OS
>9.2.1 to 9.2.2. Anyone know from experience whether or not OS 9.2.2 works
>well with Paris 3.0?
>
>Many thanks and best wishes,
>Richard FaylorYes, I concur, whole heartedly!
Tony
On 11/6/05 3:22 PM, in article 436e65fc$1@linux, "Eugene B"
<martinlancer@hotmail.com> wrote:
>
> Yes it works fine.
> Eugene
>
>
>
> "Richard Faylor" <RichardFaylor@aol.com> wrote:
>>
>> To fully utilize an Apple display, I'll need to upgrade my Mac G4 from OS
>> 9.2.1 to 9.2.2. Anyone know from experience whether or not OS 9.2.2 works
>> well with Paris 3.0?
>>
>> Many thanks and best wishes,
>> Richard Faylor
>Ya know........I still can't believe that this whi
|
|
|
|
| Re: Suggestions for stereo compressors [message #59938 is a reply to message #59937] |
Sun, 06 November 2005 11:49 |
cujo
Messages: 285
Registered: July 2005
|
Senior Member |
|
|
ning about Paris/EMU/ID
is still happening. It seems it would make sense to either sell your system
and get out or just record music with it. The *I'm pissed off at ID thing is
sooooooo irrelavent, IMHO* I do wholeheartedly agree that things were
handled badly by just about everyone involved........Ensoniq, Creative, EMU,
ID and us.. Let's move on, shall we? Either it still works, or it is still
marketable to someone else. If you bought it new, are you going to get your
money out of it?????? No, but if you bought a PT system in 1997 you are
hosed too. If you sell your Paris hardware, you will likely make enough to
get yourself a native sound card and converters, or whatever.
Deej
"Mike Audet" <mike@mikeF-SPAM
|
|
|
|
| Re: Suggestions for stereo compressors [message #59953 is a reply to message #59930] |
Mon, 07 November 2005 00:54 |
dc[4]
Messages: 62
Registered: September 2005
|
Member |
|
|
ors a 0.1 and 0.01.
This is a well kept secret amoung big studios that have lectronics engineers
in their stuff, regulation and filtering
DON'T use commercial RF filters at all in your mains.
They compress the sound and do not let the sound breath at all after some
level.
Now in Paris power supply this is a switching supply like ADI-PRO8
So bigger cap makes a difference (not very big) bypassed with 0.01 ( i did
not like much 0.1 because gave me more boxy sound)
0.01 is magical for great high mids/highs.
Ok I did not AB but I hear a difference on recorded tracks, remember I don;t
use Paris DA for monitoring (SPDIF to PULSAR to ADI-PRO8)
The rule is not much higher cap then needed sometimes higher mains cap is
not needed i.e higher caps inside Great River made the sound SLOW !
0.1 and 0.01 uf inside Great River MP made no difference !, but 1uF gave
me some bass I needed (Great river has Lundahl transformers)
I encourage inside Paris power supply to leave the 180uF stock capacitor
and just put a WIMA MKP or FKP (or Multicap-Musicap-expensive)of a 0.01 uF
value with at least ~250V as bypasser
All the above were/are try and listen and I spent many hours in my life not
writting music but instead experimenting.
I am happy to share my knowledge and encourage to try and listen for yourself
with any changes.
Most of the times A/B was not needed because I mmediately heard any difference
for the best or worse...
If you are sometimes uncertain as what to put first and where try only the
0.01 Wima polypropylene bypassing the mains capacitors (electrolytics)
Regards,
Dimitrios
"Dimitrios" <musurgio@otenet.gr> wrote:
>
>I achieved a sound closer to the high end converters using a little bigger
>( I don't think -but may- made this difference) 220uF/400V instead of the
>stock 180uf , I found same exactly branch but that does not matter as long
>as you will use a good 105o deggrees electrolytic.
>I bypassed with a WIMA 0.01 and it made a difference.
>More mids revelaed from ad conversion.
>I like what I hear.
>Regards,
>DimitriosI hear ya DJ. Our 13 year old Shepard dissapeared 10/15. She was just gone
sparing us the saddness of finding her empty shell. Didn't look too hard for
her in the woods, she choose her place and I'didn't want to dishonor that
choice with a human burial. Perhaps she died with honor, in battle.
GGreat story - thank you. Makes me think of my dog too - they
pack so much into such a short life and always leave us wanting
more.
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>Looks like things have been busy around here this week. I see some posts
>that look like I might be of help. I'll get around to answers tomorrow.
>
>I have been in northern New Mexico the last few days(Santa Fe, Taos and
>Espanola/Abuquiu area). Today around sunset I stopped for gas in the
>beautiful little mountain village of Chama New Mexico. I was tired and it
>was getting cold. Snow was falling on the peaks surrounding the town. I
made
>myself a cup of coffee and took a while to chat with the owner of the
>station. We sat by a big pot bellied wood stove drinking coffee and in a
few
>minutes, a nose pushed the door open between the garage bays and the office
>and in hopped his 12 year old German Shepherd. The dog had a lot of battle
>scars and had recently had a stroke. rendering one of his hind legs useless
>He only had one good eye left. He whimpered a bit and was obviously in pain.
>He laid down next to the stove between me and his person and gave me a look
>that said, "I may be old and hurt, but I'm still top dog so don't mess with
>my owner" It was really touching. His owner told me that today was his last
>day on earth. The old dog had major nerve damage due to the stroke and was
>in increasing pain. He was going to take him to the vet tomorrow and end
his
>suffering. I thought about how I have experienced the same thing with my
own
>pets. The old dog settled down by the fire and started to doze and I could
>see the owner's chin start to quiver a bit as he started down at his old
>friend. My chin quivered a bit too. I finally got up to go. The sun was
>almost gone and I had 2 hours of mountain driving to finish before I got
>home. As I opened the door, the owner called to the old dog, pointed to
me,
>grinned, winked and said "sick'em" !!! His old dog, obviously a guard dog,
>jumped up, bristled and gave me a good woof'in for a final send off. I gave
>them both a grin and big thumbs up and headed to the car. Somehow I felt
>special to have been there for this old dog's last day. I hope he has a
>peaceful night without any pain and an easy sendoff tomorrow.
>
>I'm really tired tonight. It's good to be back home.
>
>C'ya tomorrow.
>
>Deej
>
>This is a multi-part message in MIME format.
------=_NextPart_000_0054_01C5E408.E6FF75E0
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Hi, is the C-16 cable just an ordinary telephone cable? Wired the same? =
Also, anyone know where I might obtain the sample project disk?
Many thanks,
Edna
------=_NextPart_000_0054_01C5E408.E6FF75E0
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2600.0" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT size=3D2>Hi, is the C-16 cable just an ordinary telephone =
cable? Wired=20
the same? Also, anyone know where I might obtain the sample =
project=20
disk?</FONT></DIV>
<DIV><FONT size=3D2>Many thanks,</FONT></DIV>
<DIV><FONT size=3D2>Edna</FONT></DIV></BODY></HTML>
------=_NextPart_000_0054_01C5E408.E6FF75E0--This is a multi-part message in MIME format.
------=_NextPart_000_00B9_01C5E39D.ABF72A80
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Edna,
This is a standard CAT5 LAN cable, not a telephone cable. Also, make =
sure you do ****NOT**** use a crossover cable........I =
repeat........... do ****NOT**** use a crossover =
cable.......errrrr.....and make sure that whatever you do, ****NOT**** =
use a crossover cable. Using a crossover cable *will* fry your =
MEC..........no kiddin'. It's one of the wonderful little omissions in =
the Paris manual.
;Do
Deej
Here's a link to cables:
http://www.newegg.com/Product/ProductList.asp?Submit=3Dlist& amp;SubCategory=3D=
132&CMP=3DKNC-GoogleAdwords&ATT=3DCables
Or if you live in a city like most people, you can buy these at Office =
Depot/Best Buy, etc. I always have to order my stuff online because I =
live in a cave in the wilderness.
;o)
"Edna Sloan" <edna@texomaonline.com> wrote in message =
news:436fb3fd@linux...
Hi, is the C-16 cable just an ordinary telephone cable? Wired the =
same? Also, anyone know where I might obtain the sample project disk?
Many thanks,
Edna
------=_NextPart_000_00B9_01C5E39D.ABF72A80
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-E
|
|
|
|
Goto Forum:
Current Time: Sun Dec 15 15:17:39 PST 2024
Total time taken to generate the page: 0.02087 seconds
|
The PARIS Forums
Search
Help
Members
Register
Login
Home
