Home » The PARIS Forums » PARIS: Main » What do you guys do? Paris 24bit paf to Cubase 24 bit .wav
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| Re: What do you guys do? Paris 24bit paf to Cubase 24 bit .wav [message #70804 is a reply to message #70802] |
Wed, 02 August 2006 22:12   |
Tom Bruhl
Messages: 1368
Registered: June 2007
|
Senior Member |
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This is a multi-part message in MIME format.
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Thanks Rod,
I select all files and do that while still in 24 bit mode right?
Do I need to rename or anything else ? Probably set a new
record path to help isolate the files.=20
If all are recorded in one pass then no rendering should be needed =
right?
When in Cubase what type of wavs are these? Single monos right?
Are they considered broadcast wavs in Cubase?
Tom
"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message =
news:44d182c5$1@linux...
I actualy have a macro that does each file for me. I hit 1 button, and =
go
get a drink.
Rod
"rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote:
>
>In the audio window, select "export audio object as" rinse and =
repeat.=20
>"Tom Bruhl" <arpegio@comcast.net> wrote:
>>
>>
>>I have a jazz session coming up and the producer wants to
>>mix on Cubase at his place if my two mix isn't all there. We =
are=3D20
>>recording all tracks live here to Paris multitrack. We'll be at 24 =
bit=3D20
>>and don't expect overdubs. I think all tracks will automatically =
line
=3D
>>up right?
>>
>>What do you use to convert 24bit .pafs to 24bit .wavs for Cubase =
3.0?
>>Thanks for your suggestions as always!
>>Tom
>>
>>
>>
>>I choose Polesoft Lockspam to fight spam, and you?
>>http://www.polesoft.com/refer.html =20
>>
>><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
>><HTML><HEAD>
>><META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D
>>charset=3D3Diso-8859-1">
>><META content=3D3D"MSHTML 6.00.2800.1400" name=3D3DGENERATOR>
>><STYLE></STYLE>
>></HEAD>
>><BODY bgColor=3D3D#ffffff>
>><DIV><FONT face=3D3DArial size=3D3D2>I have a jazz session coming up =
and the
>=3D
>>producer=3D20
>>wants to</FONT></DIV>
>><DIV><FONT face=3D3DArial size=3D3D2>mix on Cubase at his place if =
my two =3D
>>mix isn't all=3D20
>>there. We are </FONT></DIV>
>><DIV><FONT face=3D3DArial size=3D3D2>recording all tracks live =
</FONT><FONT
>=3D
>>face=3D3DArial=3D20
>>size=3D3D2>here to Paris multitrack. We'll be at 24 bit =3D
>></FONT></DIV>
>><DIV><FONT face=3D3DArial size=3D3D2>and don't expect </FONT><FONT =
=3D
>>face=3D3DArial=3D20
>>size=3D3D2>overdubs. I think all tracks will automatically line =
up=3D20
>>right?</FONT></DIV>
>><DIV><FONT face=3D3DArial size=3D3D2></FONT> </DIV>
>><DIV><FONT face=3D3DArial size=3D3D2>What do you use to convert =
24bit .pafs
>=3D
>>to 24bit=3D20
>>.wavs for Cubase 3.0?</FONT></DIV>
>><DIV><FONT face=3D3DArial size=3D3D2>Thanks for your suggestions as =
=3D
>>always!</FONT></DIV>
>><DIV><FONT face=3D3DArial size=3D3D2>Tom</FONT></DIV>
>><DIV><FONT face=3D3DArial size=3D3D2></FONT> </DIV>
>><DIV><FONT size=3D3D2><BR><BR>I choose Polesoft Lockspam to fight =
spam, =3D
>>and=3D20
>>you?<BR><A=3D20
=
>>href=3D3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/r=
efer=3D
>>.html</A> </FONT></DIV></BODY></HTML>
>>
>>
>
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<HTML><HEAD>
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charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Thanks Rod,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I select all files and do that while =
still in 24=20
bit mode right?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Do I need to rename or anything =
else ? =20
Probably set a new</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>record path to help isolate the=20
files.</FONT> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>If all are recorded in one pass then no =
rendering=20
should be needed right?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>When in Cubase what type of wavs are =
these? =20
Single monos right?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Are they considered broadcast wavs in=20
Cubase?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Rod Lincoln" <<A=20
=
href=3D"mailto:rlincoln@nospam.kc.rr.com">rlincoln@nospam.kc.rr.com</A>&g=
t;=20
wrote in message <A=20
href=3D"news:44d182c5$1@linux">news:44d182c5$1@linux</A>...</DIV><BR>I =
actualy=20
have a macro that does each file for me. I hit 1 button, and go<BR>get =
a=20
drink.<BR>Rod<BR>"rod Lincoln" <<A=20
=
href=3D"mailto:rlincoln@nospam.kc.rr.com">rlincoln@nospam.kc.rr.com</A>&g=
t;=20
wrote:<BR>><BR>>In the audio window, select "export audio object =
as"=20
rinse and repeat. <BR>>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=20
wrote:<BR>>><BR>>><BR>>>I have a jazz session coming =
up and=20
the producer wants to<BR>>>mix on Cubase at his place if my two =
mix=20
isn't all there. We are=3D20<BR>>>recording all tracks =
live here to=20
Paris multitrack. We'll be at 24 bit=3D20<BR>>>and don't =
expect=20
overdubs. I think all tracks will automatically =
line<BR>=3D<BR>>>up=20
right?<BR>>><BR>>>What do you use to convert 24bit .pafs =
to 24bit=20
.wavs for Cubase 3.0?<BR>>>Thanks for your suggestions as=20
=
always!<BR>>>Tom<BR>>><BR>>> <BR>>><BR>>>I =
choose=20
Polesoft Lockspam to fight spam, and=20
you?<BR>>>http://www.polesoft.com/refer.html =20
<BR>>><BR>>><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 =
=
Transitional//EN"><BR>>><HTML><HEAD> <BR>>><=
META=20
http-equiv=3D3DContent-Type content=3D3D"text/html;=20
=3D<BR>>>charset=3D3Diso-8859-1"><BR >>><META =
content=3D3D"MSHTML=20
6.00.2800.1400"=20
=
name=3D3DGENERATOR><BR>>><STYLE></STYLE> <BR>>>=
</HEAD><BR>>><BODY=20
bgColor=3D3D#ffffff><BR>>><DIV><FONT face=3D3DArial=20
size=3D3D2>I have a jazz session coming up and=20
the<BR>>=3D<BR>>>producer=3D20<BR>>>wants=20
to</FONT></DIV><BR>>><DIV><FONT =
face=3D3DArial=20
size=3D3D2>mix on Cubase at his place if my two =3D<BR>>>mix =
isn't=20
all=3D20<BR>>>there. We are=20
</FONT></DIV><BR>>><DIV><FONT =
face=3D3DArial=20
size=3D3D2>recording all tracks live=20
=
</FONT><FONT<BR>>=3D<BR>>>face=3D3DArial=3D20 <BR>>&g=
t;size=3D3D2>here=20
to Paris multitrack. We'll be at 24 bit=20
=
=3D<BR>>></FONT></DIV> <BR>>><DIV><FONT=20
face=3D3DArial size=3D3D2>and don't expect </FONT><FONT=20
=3D<BR>>>face=3D3DArial=3D20<BR>>>size=3D3D2>overdubs. =
I think all=20
tracks will automatically line=20
=
up=3D20<BR> >>right?</FONT></DIV& gt; <BR>>><DIV>=
<FONT=20
face=3D3DArial size=3D3D2></FONT>=20
</DIV><BR>>><DIV><FONT face=3D3DArial =
size=3D3D2>What do=20
you use to convert 24bit .pafs<BR>>=3D<BR>>>to=20
24bit=3D20<BR>>>.wavs for Cubase=20
3.0?</FONT></DIV><BR>>><DIV><FONT =
face=3D3DArial=20
size=3D3D2>Thanks for your suggestions as=20
=
=3D<BR> >>always!</FONT></DIV& ;gt; <BR>>><DIV><=
;FONT=20
face=3D3DArial=20
=
size=3D3D2>Tom</FONT></DIV&g t; <BR>>><DIV><FONT=
=20
face=3D3DArial size=3D3D2></FONT>=20
</DIV><BR>>><DIV><FONT =
size=3D3D2><BR><BR>I=20
choose Polesoft Lockspam to fight spam,=20
=
=3D<BR>>>and=3D20<BR>>>you?<BR><A=3D20 <BR>>>hr=
ef=3D3D"<A=20
=
href=3D'http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
'>http://www.polesoft.com/refer.html">http://www.polesoft.com/refer</A=
>=3D<BR>>>.html</A>=20
=
</FONT></DIV></BODY&g t;</HTML> <BR>>><BR>>&g=
t;<BR>><BR></BLOCKQUOTE></BODY></HTML>
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| Re: What do you guys do? Paris 24bit paf to Cubase 24 bit .wav [message #70821 is a reply to message #70804] |
Thu, 03 August 2006 06:24 |
Rod Lincoln
Messages: 883
Registered: September 2005
|
Senior Member |
|
|
Setting Paris to record as waves only works if your at 16 bit.
To export 24 bit waves. First render all files. I'd do this even if everything
was recorded in one piece. Make sure all jails are empty, etc, and only used
files are on the playing field. Set a new record path to a folder caled ("song
name)Waves" Open the audio window, and select unused, do a control B(NOT
control shift B)to clear out unused files. Do a save as under another name,
like "(song name)wave export". Still being the audio window, do a select
all, then lock files, then select locked. Then do a control E (export audio
objects)and as each file pops up, select wave for the file type (you can
rename it but you don't have to). That's it. The PAF to wave converter probably
works also, but since I have the above steps on a macro, it's just as fast,
so I've never used it.
"Tom Bruhl" <arpegio@comcast.net> wrote:
>
>
>Thanks Rod,
>I select all files and do that while still in 24 bit mode right?
>Do I need to rename or anything else ? Probably set a new
>record path to help isolate the files.=20
>
>If all are recorded in one pass then no rendering should be needed =
>right?
>
>When in Cubase what type of wavs are these? Single monos right?
>Are they considered broadcast wavs in Cubase?
>Tom
>
> "Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message =
>news:44d182c5$1@linux...
>
> I actualy have a macro that does each file for me. I hit 1 button, and
=
>go
> get a drink.
> Rod
> "rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote:
> >
> >In the audio window, select "export audio object as" rinse and =
>repeat.=20
> >"Tom Bruhl" <arpegio@comcast.net> wrote:
> >>
> >>
> >>I have a jazz session coming up and the producer wants to
> >>mix on Cubase at his place if my two mix isn't all there. We =
>are=3D20
> >>recording all tracks live here to Paris multitrack. We'll be at 24
=
>bit=3D20
> >>and don't expect overdubs. I think all tracks will automatically =
>line
> =3D
> >>up right?
> >>
> >>What do you use to convert 24bit .pafs to 24bit .wavs for Cubase =
>3.0?
> >>Thanks for your suggestions as always!
> >>Tom
> >>
> >>
> >>
> >>I choose Polesoft Lockspam to fight spam, and you?
> >>http://www.polesoft.com/refer.html =20
> >>
> >><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> >><HTML><HEAD>
> >><META http-equiv=3D3DContent-Type content=3D3D"text/html; =3D
> >>charset=3D3Diso-8859-1">
> >><META content=3D3D"MSHTML 6.00.2800.1400" name=3D3DGENERATOR>
> >><STYLE></STYLE>
> >></HEAD>
> >><BODY bgColor=3D3D#ffffff>
> >><DIV><FONT face=3D3DArial size=3D3D2>I have a jazz session coming up
=
>and the
> >=3D
> >>producer=3D20
> >>wants to</FONT></DIV>
> >><DIV><FONT face=3D3DArial size=3D3D2>mix on Cubase at his place if =
>my two =3D
> >>mix isn't all=3D20
> >>there. We are </FONT></DIV>
> >><DIV><FONT face=3D3DArial size=3D3D2>recording all tracks live =
></FONT><FONT
> >=3D
> >>face=3D3DArial=3D20
> >>size=3D3D2>here to Paris multitrack. We'll be at 24 bit =3D
> >></FONT></DIV>
> >><DIV><FONT face=3D3DArial size=3D3D2>and don't expect </FONT><FONT =
>=3D
> >>face=3D3DArial=3D20
> >>size=3D3D2>overdubs. I think all tracks will automatically line =
>up=3D20
> >>right?</FONT></DIV>
> >><DIV><FONT face=3D3DArial size=3D3D2></FONT> </DIV>
> >><DIV><FONT face=3D3DArial size=3D3D2>What do you use to convert =
>24bit .pafs
> >=3D
> >>to 24bit=3D20
> >>.wavs for Cubase 3.0?</FONT></DIV>
> >><DIV><FONT face=3D3DArial size=3D3D2>Thanks for your suggestions as
=
>=3D
> >>always!</FONT></DIV>
> >><DIV><FONT face=3D3DArial size=3D3D2>Tom</FONT></DIV>
> >><DIV><FONT face=3D3DArial size=3D3D2></FONT> </DIV>
> >><DIV><FONT size=3D3D2><BR><BR>I choose Polesoft Lockspam to fight =
>spam, =3D
> >>and=3D20
> >>you?<BR><A=3D20
> =
>>>href=3D3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/r=
>efer=3D
> >>.html</A> </FONT></DIV></BODY></HTML>
> >>
> >>
> >
>
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3DContent-Type content=3D"text/html; =
>charset=3Diso-8859-1">
><META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>Thanks Rod,</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>I select all files and do that while =
>still in 24=20
>bit mode right?</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Do I need to rename or anything =
>else ? =20
>Probably set a new</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>record path to help isolate the=20
>files.</FONT> </DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>If all are recorded in one pass then no
=
>rendering=20
>should be needed right?</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>When in Cubase what type of wavs are =
>these? =20
>Single monos right?</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Are they considered broadcast wavs in=20
>Cubase?</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><BLOCKQUOTE=20
>style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> <DIV>"Rod Lincoln" <<A=20
> =
>href=3D"mailto:rlincoln@nospam.kc.rr.com">rlincoln@nospam.kc.rr.com</A>&g=
>t;=20
> wrote in message <A=20
> href=3D"news:44d182c5$1@linux">news:44d182c5$1@linux</A>...</DIV><BR>I
=
>actualy=20
> have a macro that does each file for me. I hit 1 button, and go<BR>get
=
>a=20
> drink.<BR>Rod<BR>"rod Lincoln" <<A=20
> =
>href=3D"mailto:rlincoln@nospam.kc.rr.com">rlincoln@nospam.kc.rr.com</A>&g=
>t;=20
> wrote:<BR>><BR>>In the audio window, select "export audio object =
>as"=20
> rinse and repeat. <BR>>"Tom Bruhl" <<A=20
> href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=20
> wrote:<BR>>><BR>>><BR>>>I have a jazz session coming =
>up and=20
> the producer wants to<BR>>>mix on Cubase at his place if my two =
>mix=20
> isn't all there. We are=3D20<BR>>>recording all tracks =
>live here to=20
> Paris multitrack. We'll be at 24 bit=3D20<BR>>>and don't =
>expect=20
> overdubs. I think all tracks will automatically =
>line<BR>=3D<BR>>>up=20
> right?<BR>>><BR>>>What do you use to convert 24bit .pafs =
>to 24bit=20
> .wavs for Cubase 3.0?<BR>>>Thanks for your suggestions as=20
> =
>always!<BR>>>Tom<BR>>><BR>>><BR>>><BR>>>I =
>choose=20
> Polesoft Lockspam to fight spam, and=20
> you?<BR>>>http://www.polesoft.com/refer.html =20
> <BR>>><BR>>><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 =
>
> =
>Transitional//EN"><BR>>><HTML><HEAD><BR>>><=
>META=20
> http-equiv=3D3DContent-Type content=3D3D"text/html;=20
> =3D<BR>>>charset=3D3Diso-8859-1"><BR>>><META =
>content=3D3D"MSHTML=20
> 6.00.2800.1400"=20
> =
>name=3D3DGENERATOR><BR>>><STYLE></STYLE><BR>>>=
></HEAD><BR>>><BODY=20
> bgColor=3D3D#ffffff><BR>>><DIV><FONT face=3D3DArial=20
> size=3D3D2>I have a jazz session coming up and=20
> the<BR>>=3D<BR>>>producer=3D20<BR>>>wants=20
> to</FONT></DIV><BR>>><DIV><FONT =
>face=3D3DArial=20
> size=3D3D2>mix on Cubase at his place if my two =3D<BR>>>mix =
>isn't=20
> all=3D20<BR>>>there. We are=20
> </FONT></DIV><BR>>><DIV><FONT =
>face=3D3DArial=20
> size=3D3D2>recording all tracks live=20
> =
></FONT><FONT<BR>>=3D<BR>>>face=3D3DArial=3D20<BR>>&g=
>t;size=3D3D2>here=20
> to Paris multitrack. We'll be at 24 bit=20
> =
>=3D<BR>>></FONT></DIV><BR>>><DIV><FONT=20
> face=3D3DArial size=3D3D2>and don't expect </FONT><FONT=20
> =3D<BR>>>face=3D3DArial=3D20<BR>>>size=3D3D2>overdubs. =
>I think all=20
> tracks will automatically line=20
> =
>up=3D20<BR>>>right?</FONT></DIV><BR>>><DIV>=
><FONT=20
> face=3D3DArial size=3D3D2></FONT>=20
> </DIV><BR>>><DIV><FONT face=3D3DArial =
>size=3D3D2>What do=20
> you use to convert 24bit .pafs<BR>>=3D<BR>>>to=20
> 24bit=3D20<BR>>>.wavs for Cubase=20
> 3.0?</FONT></DIV><BR>>><DIV><FONT =
>face=3D3DArial=20
> size=3D3D2>Thanks for your suggestions as=20
> =
>=3D<BR>>>always!</FONT></DIV><BR>>><DIV><=
>;FONT=20
> face=3D3DArial=20
> =
>size=3D3D2>Tom</FONT></DIV><BR>>><DIV><FONT=
>=20
> face=3D3DArial size=3D3D2></FONT>=20
> </DIV><BR>>><DIV><FONT =
>size=3D3D2><BR><BR>I=20
> choose Polesoft Lockspam to fight spam,=20
> =
>=3D<BR>>>and=3D20<BR>>>you?<BR><A=3D20<BR>>>hr=
>ef=3D3D"<A=20
> =
>href=3D'http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
>'>http://www.polesoft.com/refer.html">http://www.polesoft.com/refer</A=
>>=3D<BR>>>.html</A>=20
> =
></FONT></DIV></BODY></HTML><BR>>><BR>>&g=
>t;<BR>><BR></BLOCKQUOTE></BODY></HTML>
>
>
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| Re: What do you guys do? Paris 24bit paf to Cubase 24 bit .wav [message #70826 is a reply to message #70825] |
Thu, 03 August 2006 08:08 |
Tom Bruhl
Messages: 1368
Registered: June 2007
|
Senior Member |
|
|
This is a multi-part message in MIME format.
------=_NextPart_000_001B_01C6B6ED.27915C60
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DJ,
I have old Wavelab 3 and it only works with 16 bit pafs. It's also
in another computer. I don't think it will be my best option.
Tom
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message =
news:44d20dac$1@linux...
Tom,
If you've got Wavelab, just render the .paf's so that they all have a =
00:00 starting point, then batch process them as .wavs in WL. I do this =
over a gigabit LAN network with the destination set to the audio file of =
a corresponding Cubase project and then they are ready to import to the =
Cubase project when I open it up. Very smooth procedure.
Deej
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:44d173db@linux...
I have a jazz session coming up and the producer wants to
mix on Cubase at his place if my two mix isn't all there. We are=20
recording all tracks live here to Paris multitrack. We'll be at 24 =
bit=20
and don't expect overdubs. I think all tracks will automatically =
line up right?
What do you use to convert 24bit .pafs to 24bit .wavs for Cubase =
3.0?
Thanks for your suggestions as always!
Tom
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
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<DIV><FONT face=3DArial size=3D2>DJ,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I have old Wavelab 3 and it only works =
with 16 bit=20
pafs. It's also</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>in another computer. I don't =
think it will be=20
my best option.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message <A=20
href=3D"news:44d20dac$1@linux">news:44d20dac$1@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Tom,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>If you've got Wavelab, just render =
the .paf's so=20
that they all have a 00:00 starting point, then batch process them as =
..wavs in=20
WL. I do this over a gigabit LAN network with the destination set to =
the audio=20
file of a corresponding Cubase project and then they are ready to =
import to=20
the Cubase project when I open it up. Very smooth =
procedure.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Deej</FONT></DIV>
<DIV> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> =
wrote in=20
message <A =
href=3D"news:44d173db@linux">news:44d173db@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>I have a jazz session coming up and =
the=20
producer wants to</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>mix on Cubase at his place if my =
two mix isn't=20
all there. We are </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>recording all tracks live =
</FONT><FONT=20
face=3DArial size=3D2>here to Paris multitrack. We'll be at 24 =
bit=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>and don't expect </FONT><FONT =
face=3DArial=20
size=3D2>overdubs. I think all tracks will automatically line =
up=20
right?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>What do you use to convert 24bit =
..pafs to 24bit=20
.wavs for Cubase 3.0?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for your suggestions as=20
always!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight =
spam, and=20
you?<BR><A=20
=
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A> </FONT></DIV></BLOCKQUOTE ></BLOCKQUOTE></BODY>=
</HTML>
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| Re: What do you guys do? Paris 24bit paf to Cubase 24 bit .wav [message #70833 is a reply to message #70826] |
Thu, 03 August 2006 11:37 |
Deej [1]
Messages: 2149
Registered: January 2006
|
Senior Member |
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This is a multi-part message in MIME format.
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Egads man!!!!..........this is a great excuse to spend more money!!! Get =
your mind right!!!!......what on earth are you thinking?
;o)
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:44d2101a$1@linux...
DJ,
I have old Wavelab 3 and it only works with 16 bit pafs. It's also
in another computer. I don't think it will be my best option.
Tom
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message =
news:44d20dac$1@linux...
Tom,
If you've got Wavelab, just render the .paf's so that they all have =
a 00:00 starting point, then batch process them as .wavs in WL. I do =
this over a gigabit LAN network with the destination set to the audio =
file of a corresponding Cubase project and then they are ready to import =
to the Cubase project when I open it up. Very smooth procedure.
Deej
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:44d173db@linux...
I have a jazz session coming up and the producer wants to
mix on Cubase at his place if my two mix isn't all there. We are=20
recording all tracks live here to Paris multitrack. We'll be at =
24 bit=20
and don't expect overdubs. I think all tracks will automatically =
line up right?
What do you use to convert 24bit .pafs to 24bit .wavs for Cubase =
3.0?
Thanks for your suggestions as always!
Tom
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
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charset=3Diso-8859-1">
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Egads man!!!!..........this is a great =
excuse to=20
spend more money!!! Get your mind right!!!!......what on earth are you=20
thinking?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>;o)</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> wrote =
in message=20
<A href=3D"news:44d2101a$1@linux">news:44d2101a$1@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>DJ,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I have old Wavelab 3 and it only =
works with 16=20
bit pafs. It's also</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>in another computer. I don't =
think it will=20
be my best option.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message <A=20
href=3D"news:44d20dac$1@linux">news:44d20dac$1@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>Tom,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>If you've got Wavelab, just render =
the .paf's=20
so that they all have a 00:00 starting point, then batch process =
them as=20
.wavs in WL. I do this over a gigabit LAN network with the =
destination set=20
to the audio file of a corresponding Cubase project and then they =
are ready=20
to import to the Cubase project when I open it up. Very smooth=20
procedure.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Deej</FONT></DIV>
<DIV> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> =
wrote in=20
message <A =
href=3D"news:44d173db@linux">news:44d173db@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>I have a jazz session coming up =
and the=20
producer wants to</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>mix on Cubase at his place if my =
two mix=20
isn't all there. We are </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>recording all tracks live =
</FONT><FONT=20
face=3DArial size=3D2>here to Paris multitrack. We'll be at =
24 bit=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>and don't expect </FONT><FONT =
face=3DArial=20
size=3D2>overdubs. I think all tracks will automatically =
line up=20
right?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>What do you use to convert 24bit =
..pafs to=20
24bit .wavs for Cubase 3.0?</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for your suggestions as=20
always!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight =
spam, and=20
you?<BR><A=20
=
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A> </FONT></DIV></BLOCKQUOTE ></BLOCKQUOTE></BLOCK=
QUOTE></BODY></HTML>
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| Re: What do you guys do? Paris 24bit paf to Cubase 24 bit .wav [message #70841 is a reply to message #70836] |
Thu, 03 August 2006 12:29 |
Tom Bruhl
Messages: 1368
Registered: June 2007
|
Senior Member |
|
|
This is a multi-part message in MIME format.
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Rick,
Positive. Wavelab 3 is 1999 vintage. I almost
never use it anyway. I send my work to pros.
I'm using a Delta 66 which does go up to 24bit.
Tom
"rick" <parnell68@hotmail.com> wrote in message =
news:ufh4d2t2p146obrbmj4fv3eruj4violofr@4ax.com...
are you sure it's not your soundcard limiting the bit rate in wavelab?
On Thu, 3 Aug 2006 11:08:31 -0400, "Tom Bruhl" <arpegio@comcast.net>
wrote:
>DJ,
>I have old Wavelab 3 and it only works with 16 bit pafs. It's also
>in another computer. I don't think it will be my best option.
>Tom
> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message =
news:44d20dac$1@linux...
> Tom,
>
> If you've got Wavelab, just render the .paf's so that they all have =
a 00:00 starting point, then batch process them as .wavs in WL. I do =
this over a gigabit LAN network with the destination set to the audio =
file of a corresponding Cubase project and then they are ready to import =
to the Cubase project when I open it up. Very smooth procedure.
>
> Deej
>
> "Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:44d173db@linux...
> I have a jazz session coming up and the producer wants to
> mix on Cubase at his place if my two mix isn't all there. We are =
> recording all tracks live here to Paris multitrack. We'll be at =
24 bit=20
> and don't expect overdubs. I think all tracks will automatically =
line up right?
>
> What do you use to convert 24bit .pafs to 24bit .wavs for Cubase =
3.0?
> Thanks for your suggestions as always!
> Tom
>
>
>
> I choose Polesoft Lockspam to fight spam, and you?
> http://www.polesoft.com/refer.html =20
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Rick,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Positive. Wavelab 3 is 1999 =
vintage. I=20
almost</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>never use it anyway. I send my =
work to=20
pros.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I'm using </FONT><FONT face=3DArial =
size=3D2>a Delta 66=20
which does go up to 24bit.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"rick" <<A=20
href=3D"mailto:parnell68@hotmail.com">parnell68@hotmail.com</A>> =
wrote in=20
message <A=20
=
href=3D"news:ufh4d2t2p146obrbmj4fv3eruj4violofr@4ax.com">news:ufh4d2t2p14=
6obrbmj4fv3eruj4violofr@4ax.com</A>...</DIV>are=20
you sure it's not your soundcard limiting the bit rate in =
wavelab?<BR><BR>On=20
Thu, 3 Aug 2006 11:08:31 -0400, "Tom Bruhl" <<A=20
=
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>><BR>wrote:=
<BR><BR>>DJ,<BR>>I=20
have old Wavelab 3 and it only works with 16 bit pafs. It's=20
also<BR>>in another computer. I don't think it will be my =
best=20
option.<BR>>Tom<BR>> "DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message <A=20
=
href=3D"news:44d20dac$1@linux">news:44d20dac$1@linux</A>...<BR>> =
=20
Tom,<BR>><BR>> If you've got Wavelab, just render the =
..paf's so=20
that they all have a 00:00 starting point, then batch process them as =
..wavs in=20
WL. I do this over a gigabit LAN network with the destination set to =
the audio=20
file of a corresponding Cubase project and then they are ready to =
import to=20
the Cubase project when I open it up. Very smooth=20
procedure.<BR>><BR>> =
Deej<BR>><BR>> "Tom=20
Bruhl" <<A =
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>>=20
wrote in message <A=20
=
href=3D"news:44d173db@linux">news:44d173db@linux</A>...<BR>> &nbs=
p; =20
I have a jazz session coming up and the producer wants=20
to<BR>> mix on Cubase at his place if my two mix =
isn't=20
all there. We are <BR>> recording all =
tracks live=20
here to Paris multitrack. We'll be at 24 bit =
<BR>> =20
and don't expect overdubs. I think all tracks will automatically =
line up=20
right?<BR>><BR>> What do you use to convert =
24bit=20
.pafs to 24bit .wavs for Cubase 3.0?<BR>> Thanks =
for your=20
suggestions as always!<BR>> =20
Tom<BR>><BR>><BR>><BR>> I choose =
Polesoft=20
Lockspam to fight spam, and you?<BR>> <A=20
=
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A> =20
<BR></BLOCKQUOTE></BODY></HTML>
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