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Some of my wishes [message #104245] Fri, 16 October 2009 14:38 Go to next message
roginator is currently offline  roginator   CROATIA
Messages: 28
Registered: January 2006
Junior Member
Whell I was user of Paris for long time before I had my IDOTIC WISH to have other converters Rolling Eyes

after 2 years on ssl alpha link ( aslo worked on other converters )
im back on paris....wont repeat my crazy mistake again to sell paris for other digital system

I JUST LOVE SOUND OF PARIS!!!!!

anyway...

Im back on it and record into it ..... so i have some wishes.........

Im happy with Paris FX stuff and i have enough outboard FX but simple Analog tape like space echo would be nice Smile

MIKE THANX FOR FILE YOU SENDED ME !!!!! I LOVE IT!!!!!!!!!!!!

I wanted to ask if its possible to fix bugs in 3.0 like zooming on waveform....

PARIS is just about all i need from digital system

I mix on my MCI 534D and with paris its my dream combo!!!

that 2 wishes are things i would like to be fixed....

Smile

I will support this group as much as I can in future.....couse Paris is back to stay



Re: Some of my wishes [message #104249 is a reply to message #104245] Mon, 19 October 2009 07:33 Go to previous messageGo to next message
studiodog is currently offline  studiodog   UNITED STATES
Messages: 9
Registered: May 2009
Junior Member
I did the same thing! I keep worrying about what other people and clients thought about using Paris VS pro tools - then said heck with it. Much easier to use and sounds great to me!! Very Happy
Re: Some of my wishes [message #104265 is a reply to message #104245] Wed, 28 October 2009 11:55 Go to previous messageGo to next message
mikeaudet   CANADA
Messages: 477
Registered: February 2009
Location: Canada
Senior Member
An analog like space echo might be possible. Unfortunately, unless ID releases the source code for PARIS, I can't fix anything in the application itself.

All the best,

Mike
Re: Some of my wishes [message #104266 is a reply to message #104265] Wed, 28 October 2009 13:03 Go to previous message
kerryg is currently offline  kerryg   CANADA
Messages: 1529
Registered: February 2009
Senior Member
Administrator
I generally find that my clients honestly couldn't care less what DAW I use. They come to work with me, and not my DAW, and they pretty much leave me to make the decisions about things like that - as long as I get the job they're paying me for done. I've never been asked "do you have ProTools?" or "what plugins do you use?" except out of idle curiosity.

If perceptible latency or crashes were to irritate my clients during sessions it might be a different story, but with PARIS the first's a non-issue, and the second seems to be a matter of careful setup. Most PARIS days over here go by without a single crash (better than I can say for most Logic days).

It'd probably look different if I was concentrating on a career in film or TV, but I don't particularly enjoy that work unless I'm working with the relatively small number of employers in the local industry (in my experience) that are sane and remain in possession of some sort of sense of perspective - "no, I certainly have no intention of staying up 36 hours straight having angina re-cutting audio for your crappy straight-to-cable-access series because your 'locked cut' came 'unlocked'".

So I've exercised pretty careful control over my "gear overhead" so I don't have to do stuff I don't particularly like doing; after all, if I'd started out with the goal of "doing things I strongly dislike for the purpose of making money" there are smarter and more lucrative career paths to do that in, like real estate or accounting. Returning to PARIS was an essential part of that strategy.

In those cases where I *do* want to work with the composer (case in point, the miniseries I just finished, which was a real pleasure), I can always boot up Logic when needed. It wasn't.


"... being bitter is like swallowing poison and waiting for the other guy to die..." - anon

[Updated on: Wed, 28 October 2009 13:05]

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