| Update_summary_senderella_use [message #58908] |
Mon, 10 October 2005 05:17  |
Dimitrios
Messages: 1056
Registered: August 2005
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Senior Member |
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nder dealer and his service guy about fell off his chair. It was
>a cheap knockoff (Fender decal and all) from the Phillipines!
>(evidently some of the servicemen buy them and bring them back)
>
>No truss rod, green wood in the neck, wavy plastic on the pickguard.
>
>Total POS. Worth nothing.
>
>ArrgGGGGGHHHHH...
>
>I'm 16 right, and know nothing about guitars, but I do know I am
>in a world of caca, and now I have no money.
>
>So, I go back to the thrift store, having cooked up a story about
>having sold something that wasn't mine and now I am in trouble, and
>the guy gave me my 55.00 back...
>
>Whew...
>
>Went and bought a real Fender (Jaguar this time) and finally got my
>heartbeat down to 195 or so....
>
>DCI did a gig in Atlanta a couple of nights ago. I'm still touring with Will
Downing, but the gig was honoring legendary Jazz singer "Nancy Wilson". I
am not certain of her age...late sixties I'm guessing, but she sounded incredible!!!
She worked a mic in a way that is no longer in existence in today's music...truly
sad. Her vocals were clean...riffs were phenomenal and interpretation skills
outstanding!
Certainly a worth while performer to see if at all possible.
Tyrone"Tyrone Corbett" <tyronecorbett@comcast.net> wrote:
>
>I did a gig in Atlanta a couple of nights ago. I'm still touring with Will
>Downing, but the gig was honoring legendary Jazz singer "Nancy Wilson".
I
>am not certain of her age...late sixties I'm guessing, but she sounded incredible!!!
>She worked a mic in a way that is no longer in existence in today's music...truly
>sad. Her vocals were clean...riffs were phenomenal and interpretation skills
>outstanding!
>
>Certainly a worth while performer to see if at all possible.
>
>Tyrone
>Thanks all for the feedback. I'm kicking myself for seeing DC's point about
low end detail, duh.
Cheers
MR
"Mike R." <emare@not.com> wrote:
>
>You know, I have read some reports that people actually percieve a difference
>between audio sampled at 44k, and audio sampled at 96k. I don't have any
>96k converters, or I'd give it a shot myself. In all things audio, I'd
trust
>this group's ears over
>m(any) others.
> If it is audible I'd propose three possiblities:
>-Our ears are much more sensitive than perviously thought or measured. (I'd
>tend to doubt this one...)
>-We do "hear" the higher frequencies, but with senses other than our ears.
> Perhaps our skin, or fine hair on the skin. Much like someone who is deaf
>"listens" to music, we are able to percieve the higher frequencies.
>or...
>-Its a sort of placebo effect. We think it's there, so it's there.
>Any thoughts???
>MRDimitrios, thanks for the effort to put this together. I'm adding this to
my "paris keepers" file.
MR
"Dimitrios" <musurgio@otenet.gr> wrote:
>Ok,
>Due to the many posts that maybe misleading if you don't follow all of them
>in the right order I decided to summarize what I know regarding senderella
>and its use with Paris .
>
>1. Use inside Paris.cfg at the top the string EDSTransfer=8,16
.You
>could use 8,8 but this has problems with audio streaming. The 8,16 seems
>like the magical number, remember I tried them all....
>This is needed because then Senderella works realtime NO LATENCY as a buss
>inside Paris.
>Senderella seems like the greatest discovery amoung FREE plugins for Paris,
>link: http://www.kvraudio.com/get/1433.html
>Senderella newest version has a redirect option so you can send the signal
>and not hear (or hear) the dry signal if you want.
>It has 64 bussses ! nad now saves its condition and prest (the version
>before could not) after saving your song.
>
>2. Senderella works across submixes ! but the latency in beetween submixes
>has to be taken into consideration.
>
>3. So possible uses are
>a} Use your favorite DX/VST/UAD1/POWERCORE /EXTERNAL DEVICE reverb as abuss
>with senderella.
>You occupy two Paris audio tracks for your reverb return using 16bit (24bit
>works too) silence paf file.
>Here you can create a long 5 minute file or bigger and have it in handy
>anytime you want it.
>b) Use your favourite compressor VST/DX/UAD!/POWERCORE/EXTERNAL for buss
>compression.
>
>4. On both uses the method is around the same.
>
>5. Senderella although showing up as it is in Paris as vst does not let
the
>audio pass the plugin, It stops in senderella so only WET signal can be
>send.
>this is useful only for bussing say dsrumtracks to a cmpressor and not need
>to have also the dry tracks playing.
>In that situation no wrapper needs for senderella.
>But for full use and potential senderella needs to be wrapped
>
>6. Wrappers that can be used are the FREE Spinaudio lite
> http://www.spinaudio.com/downloads.php?download_type=3&d ownload_id=33
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