| My latest insanity - setup. [message #60531] |
Tue, 22 November 2005 23:31  |
gene lennon
Messages: 565
Registered: July 2006
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Senior Member |
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| Re: My latest insanity - setup. [message #60537 is a reply to message #60531] |
Wed, 23 November 2005 01:34  |
Dimitrios
Messages: 1056
Registered: August 2005
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Senior Member |
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some mixes, I was going out and back on almost every track.
>Sometimes
>>I froze the tracks so I could utilize my best converters, and sometimes
>I
>>set the loops up during mixdown. The point is I was making an additional
>>A/D, D/A pass on almost every track.
>>
>>New Method.
>>With the realization that I was making the extra conversions anyway I switched
>>to:
>>Analog out of DP.
>>Hardware EQs and effects after the DP outputs when needed, then analog
back
>>into Paris.
>>This turns out to be the same amount of conversions but allows me to work
>>in DP at 96K.
>>I uses a combination of my Mytek 8X96 8 channel D/A plus my 2408MKIIIs
for
>>D/A, and my Mytek 8X96 8 channel A/D plus my Paris 24bit cards back in.
>
>>I usually pick the most critical channels for the Myteks but I sometimes
>>prefer the warmth and softening of the Paris converters.
>>
>>So now I have the 96K sound that I like along with the Paris Mix engine
>at
>>44.1.
>>The small quality reduction I occasionally thought I heard using 20bit
optical
>>is gone.
>>The extra conversion is not extra after all.
>>
>>You may know that some mastering engineers use this method to convert to
>>44.1 rather then use software samplerate conversion. No Dither.
>>
>>I may try to hybridize this to allow some channels to remain digital. That
>>is the next step.
>>Gene
>"Dimitrios" <musurgio@otenet.gr> wrote:
>
>Dear Gene,
>After a quick read I ahve some questions if you don't mind.
>You record in DP using your Myteks at 96khz, right ?
>Then you say you are submixing inside Paris... how do you do it when DP
works
>at 96 and Paris at 44.1 ?
>I missed something here...
>Next you are saying you though 20bit adat had some drawbacks , now it doesn't
>have ?
>Can you please explain how Paris adat now sounds ok with no hearable degradation
>?
>Regards,
>Dimitrios
Sorry I wasn’t clearer.
In this setup I am using analog inputs to Paris as if I was using it as a
live console from live audio.
Paris is set to 44.1. Clocked from the Mytek A/D converter.
Performer is set to 96K and clocked from my Mytek D/A converter. (This generation
of the Mytek is two separate boxes each with its own clock.).
http://www.mytekdigital.com/products/8x96.htm
Analog out of DP to analog in of Paris.
Insert hardware when needed between DP and Paris while still analog.
NO ADAT optical is used in this setup at all, so no deterioration from the
20bit transfers. (Actually I do use ADAT for interfacing to additional computers
but
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| Re: My latest insanity - setup. [message #60563 is a reply to message #60560] |
Wed, 23 November 2005 14:28 |
gene lennon
Messages: 565
Registered: July 2006
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Senior Member |
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e I got it.
It has very workable MIDI, though the top MIDI apps are certainly more
powerful in that area. They are steadily improving that.
I must say it sounds great. However I can't say whether other apps have
possibly caught up with it by now.
I have 2 gripes - it is sometimes hard to set up VSampler with multiple outs
and some of the menus are not as user-friendly as they could be. Also there
is not as much support for controllers as other apps have. It does support
HUI protocol.
Go ahead ask me what you want to know...
"DC" <dc@spamunclelouie.com> wrote in message news:4382b100$1@linux...
>
> I saw this system up close for the first time at the AES seminar on
> Saturday. I may have found my next DAW if Paris ever becomes
> unusable for me.
>
> Very impressive.
>
> Seen it? Opinions?
>
>
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