Home » The PARIS Forums » PARIS: Main » Is everyone bailing?
| Is everyone bailing? [message #67455] |
Sun, 30 April 2006 18:33  |
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I haven't been around much lately, and I just took a look at the "For Sale"
site. Wow! So much Paris stuff for sale! It made me wonder... Who (or
is it "whom"?), besides me, is still using Paris as their main system? I'm
getting pretty frustrated about not being able to use most of the new plugins.
I have to dive into PT (LE) or Digital Performer to do some of the more
modern tricks, and then import files back to Paris. But it still sounds
SOOOO good to me. I have a client who moved here from New Orleans after
Katrina. He had done a bunch of recording in a studio there (he is pretty
much a techno-phobe, so he doesn't know what format) and he says the quality
of the ruff mixes from my little Paris studio kills the stuff he did down
there. He says he's just gonna have to record it all again here.
Anyway... If I knew what I could get that'd sound as good (and that I could
afford!) I'd switch, but for now, I'm still a Paris dude.
Peace ('cause we still need it!),
Gantt
Gantt Kushner
Gizmo Recording Company
Silver Spring, MD
www.gizmorecording.com
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| Re: Is everyone bailing? [message #67456 is a reply to message #67455] |
Sun, 30 April 2006 18:40  |
uptown jimmy
Messages: 441
Registered: September 2005
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Senior Member |
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I'm here for a loooooooooong time to come.
Got no reason to change, every reason to stay. Everyone else is chasing
ghosts, IMO.
I'm sorta stocked-up on parts, will probably add to the cache as things get
even cheaper.
Jimmy
"Gantt Kushner" <ganttmann@comcast.net> wrote in message
news:4455655b$1@linux...
>
> I haven't been around much lately, and I just took a look at the "For
Sale"
> site. Wow! So much Paris stuff for sale! It made me wonder... Who (or
> is it "whom"?), besides me, is still using Paris as their main system?
I'm
> getting pretty frustrated about not being able to use most of the new
plugins.
> I have to dive into PT (LE) or Digital Performer to do some of the more
> modern tricks, and then import files back to Paris. But it still sounds
> SOOOO good to me. I have a client who moved here from New Orleans after
> Katrina. He had done a bunch of recording in a studio there (he is pretty
> much a techno-phobe, so he doesn't know what format) and he says the
quality
> of the ruff mixes from my little Paris studio kills the stuff he did down
> there. He says he's just gonna have to record it all again here.
>
> Anyway... If I knew what I could get that'd sound as good (and that I
could
> afford!) I'd switch, but for now, I'm still a Paris dude.
>
> Peace ('cause we still need it!),
>
> Gantt
>
>
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| Re: Is everyone bailing? [message #67457 is a reply to message #67455] |
Sun, 30 April 2006 19:03 |
excelav
Messages: 2130
Registered: July 2005
Location: Metro Detroit
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Senior Member |
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I'm definitely not going any where! A two system set up is the way to go
if you want to do all the tricks, IMHO. No matter what digital system you
buy, it will be considered out of date before you know it. Better to invest
in the best analog gear, like high quality mic pres and compressors, than
another DAW. As long as the industry standards are 16bit 44.1, MP3, and
Paris sounds good, there is no good reason for me to switch. I can make
a great recording with Paris, and I already own it!
If I was going to blow 30K, I would rather invest it for my retirement.
The only reason I would get in to a full blown PT rig, is if I was running
a commercial studio in a major market, and I'd be losing business if I didn't.
If that was the situation, I would lease and write it off as a business
expense. No need here.
That's my $0.02
James
"Gantt Kushner" <ganttmann@comcast.net> wrote:
>
>I haven't been around much lately, and I just took a look at the "For Sale"
>site. Wow! So much Paris stuff for sale! It made me wonder... Who (or
>is it "whom"?), besides me, is still using Paris as their main system?
I'm
>getting pretty frustrated about not being able to use most of the new plugins.
> I have to dive into PT (LE) or Digital Performer to do some of the more
>modern tricks, and then import files back to Paris. But it still sounds
>SOOOO good to me. I have a client who moved here from New Orleans after
>Katrina. He had done a bunch of recording in a studio there (he is pretty
>much a techno-phobe, so he doesn't know what format) and he says the quality
>of the ruff mixes from my little Paris studio kills the stuff he did down
>there. He says he's just gonna have to record it all again here.
>
>Anyway... If I knew what I could get that'd sound as good (and that I could
>afford!) I'd switch, but for now, I'm still a Paris dude.
>
>Peace ('cause we still need it!),
>
>Gantt
>
>
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| Re: Is everyone bailing? [message #67460 is a reply to message #67457] |
Sun, 30 April 2006 19:23 |
uptown jimmy
Messages: 441
Registered: September 2005
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Senior Member |
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Wow.
Well and succinctly said.
Jimmy
"James McCloskey" <excelsm@hotmail.com> wrote in message
news:44556c59$1@linux...
>
> I'm definitely not going any where! A two system set up is the way to go
> if you want to do all the tricks, IMHO. No matter what digital system you
> buy, it will be considered out of date before you know it. Better to
invest
> in the best analog gear, like high quality mic pres and compressors, than
> another DAW. As long as the industry standards are 16bit 44.1, MP3, and
> Paris sounds good, there is no good reason for me to switch. I can make
> a great recording with Paris, and I already own it!
>
> If I was going to blow 30K, I would rather invest it for my retirement.
> The only reason I would get in to a full blown PT rig, is if I was running
> a commercial studio in a major market, and I'd be losing business if I
didn't.
> If that was the situation, I would lease and write it off as a business
> expense. No need here.
>
> That's my $0.02
> James
>
> "Gantt Kushner" <ganttmann@comcast.net> wrote:
> >
> >I haven't been around much lately, and I just took a look at the "For
Sale"
> >site. Wow! So much Paris stuff for sale! It made me wonder... Who (or
> >is it "whom"?), besides me, is still using Paris as their main system?
> I'm
> >getting pretty frustrated about not being able to use most of the new
plugins.
> > I have to dive into PT (LE) or Digital Performer to do some of the more
> >modern tricks, and then import files back to Paris. But it still sounds
> >SOOOO good to me. I have a client who moved here from New Orleans after
> >Katrina. He had done a bunch of recording in a studio there (he is
pretty
> >much a techno-phobe, so he doesn't know what format) and he says the
quality
> >of the ruff mixes from my little Paris studio kills the stuff he did down
> >there. He says he's just gonna have to record it all again here.
> >
> >Anyway... If I knew what I could get that'd sound as good (and that I
could
> >afford!) I'd switch, but for now, I'm still a Paris dude.
> >
> >Peace ('cause we still need it!),
> >
> >Gantt
> >
> >
>
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| Re: Is everyone bailing? [message #67461 is a reply to message #67459] |
Sun, 30 April 2006 19:33 |
Tom Bruhl
Messages: 1368
Registered: June 2007
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Senior Member |
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I'll be hanging whether or not I get this WC thing working!
Tom
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message =
news:44556f56@linux...
Nope......not a chance.
;o)
"Gantt Kushner" <ganttmann@comcast.net> wrote in message
news:4455655b$1@linux...
>
> I haven't been around much lately, and I just took a look at the =
"For
Sale"
> site. Wow! So much Paris stuff for sale! It made me wonder... Who =
(or
> is it "whom"?), besides me, is still using Paris as their main =
system?
I'm
> getting pretty frustrated about not being able to use most of the =
new
plugins.
> I have to dive into PT (LE) or Digital Performer to do some of the =
more
> modern tricks, and then import files back to Paris. But it still =
sounds
> SOOOO good to me. I have a client who moved here from New Orleans =
after
> Katrina. He had done a bunch of recording in a studio there (he is =
pretty
> much a techno-phobe, so he doesn't know what format) and he says the
quality
> of the ruff mixes from my little Paris studio kills the stuff he did =
down
> there. He says he's just gonna have to record it all again here.
>
> Anyway... If I knew what I could get that'd sound as good (and that =
I
could
> afford!) I'd switch, but for now, I'm still a Paris dude.
>
> Peace ('cause we still need it!),
>
> Gantt
>
>
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<DIV><FONT face=3DArial size=3D2>I'll be hanging whether or not I get =
this WC thing=20
working!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message <A=20
=
href=3D"news:44556f56@linux">news:44556f56@linux</A>...</DIV>Nope......no=
t a=20
chance.<BR><BR>;o)<BR><BR>"Gantt Kushner" <<A=20
href=3D"mailto:ganttmann@comcast.net">ganttmann@comcast.net</A>> =
wrote in=20
message<BR><A=20
=
href=3D"news:4455655b$1@linux">news:4455655b$1@linux</A>...<BR>><BR>&g=
t; I=20
haven't been around much lately, and I just took a look at the=20
"For<BR>Sale"<BR>> site. Wow! So much Paris stuff for=20
sale! It made me wonder... Who (or<BR>> is it "whom"?), =
besides me,=20
is still using Paris as their main system?<BR>I'm<BR>> getting =
pretty=20
frustrated about not being able to use most of the=20
new<BR>plugins.<BR>> I have to dive into PT (LE) or Digital =
Performer=20
to do some of the more<BR>> modern tricks, and then import files =
back to=20
Paris. But it still sounds<BR>> SOOOO good to me. I =
have a=20
client who moved here from New Orleans after<BR>> Katrina. He =
had=20
done a bunch of recording in a studio there (he is pretty<BR>> much =
a=20
techno-phobe, so he doesn't know what format) and he says=20
the<BR>quality<BR>> of the ruff mixes from my little Paris studio =
kills the=20
stuff he did down<BR>> there. He says he's just gonna have to =
record=20
it all again here.<BR>><BR>> Anyway... If I knew what I =
could get=20
that'd sound as good (and that I<BR>could<BR>> afford!) I'd switch, =
but for=20
now, I'm still a Paris dude.<BR>><BR>> Peace ('cause we still =
need=20
it!),<BR>><BR>> =
Gantt<BR>><BR>><BR><BR></BLOCKQUOTE></BODY ></HTML>
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| Re: Is everyone bailing? [message #67462 is a reply to message #67461] |
Sun, 30 April 2006 19:31 |
Deej [1]
Messages: 2149
Registered: January 2006
|
Senior Member |
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This is a multi-part message in MIME format.
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charset="iso-8859-1"
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still no workee?
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:4455729c@linux...
I'll be hanging whether or not I get this WC thing working!
Tom
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message =
news:44556f56@linux...
Nope......not a chance.
;o)
"Gantt Kushner" <ganttmann@comcast.net> wrote in message
news:4455655b$1@linux...
>
> I haven't been around much lately, and I just took a look at the =
"For
Sale"
> site. Wow! So much Paris stuff for sale! It made me wonder... =
Who (or
> is it "whom"?), besides me, is still using Paris as their main =
system?
I'm
> getting pretty frustrated about not being able to use most of the =
new
plugins.
> I have to dive into PT (LE) or Digital Performer to do some of =
the more
> modern tricks, and then import files back to Paris. But it still =
sounds
> SOOOO good to me. I have a client who moved here from New Orleans =
after
> Katrina. He had done a bunch of recording in a studio there (he =
is pretty
> much a techno-phobe, so he doesn't know what format) and he says =
the
quality
> of the ruff mixes from my little Paris studio kills the stuff he =
did down
> there. He says he's just gonna have to record it all again here.
>
> Anyway... If I knew what I could get that'd sound as good (and =
that I
could
> afford!) I'd switch, but for now, I'm still a Paris dude.
>
> Peace ('cause we still need it!),
>
> Gantt
>
>
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1106" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>still no workee?</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> wrote =
in message=20
<A href=3D"news:4455729c@linux">news:4455729c@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>I'll be hanging whether or not I get =
this WC=20
thing working!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message <A=20
=
href=3D"news:44556f56@linux">news:44556f56@linux</A>...</DIV>Nope......no=
t a=20
chance.<BR><BR>;o)<BR><BR>"Gantt Kushner" <<A=20
href=3D"mailto:ganttmann@comcast.net">ganttmann@comcast.net</A>> =
wrote in=20
message<BR><A=20
=
href=3D"news:4455655b$1@linux">news:4455655b$1@linux</A>...<BR>><BR>&g=
t; I=20
haven't been around much lately, and I just took a look at the=20
"For<BR>Sale"<BR>> site. Wow! So much Paris stuff for =
sale! It made me wonder... Who (or<BR>> is it "whom"?), =
besides me,=20
is still using Paris as their main system?<BR>I'm<BR>> getting =
pretty=20
frustrated about not being able to use most of the=20
new<BR>plugins.<BR>> I have to dive into PT (LE) or Digital =
Performer to do some of the more<BR>> modern tricks, and then =
import=20
files back to Paris. But it still sounds<BR>> SOOOO good to =
me. I have a client who moved here from New Orleans =
after<BR>>=20
Katrina. He had done a bunch of recording in a studio there =
(he is=20
pretty<BR>> much a techno-phobe, so he doesn't know what format) =
and he=20
says the<BR>quality<BR>> of the ruff mixes from my little Paris =
studio=20
kills the stuff he did down<BR>> there. He says he's just =
gonna=20
have to record it all again here.<BR>><BR>> Anyway... If =
I knew=20
what I could get that'd sound as good (and that I<BR>could<BR>> =
afford!)=20
I'd switch, but for now, I'm still a Paris dude.<BR>><BR>> =
Peace=20
('cause we still need it!),<BR>><BR>>=20
Gantt<BR>><BR>><BR><BR></BLOCKQUOTE></BLOCKQUOTE ></BODY></HTML>
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| Re: Is everyone bailing? [message #67463 is a reply to message #67457] |
Sun, 30 April 2006 19:47 |
duncan
Messages: 123
Registered: November 2006
|
Senior Member |
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My sentiments exactly. Music is the point -- *how* you get it done is
waaaay down the list of priorities ... Chas.
On 1 May 2006 12:03:05 +1000, "James McCloskey" <excelsm@hotmail.com>
wrote:
>
>I'm definitely not going any where! A two system set up is the way to go
>if you want to do all the tricks, IMHO. No matter what digital system you
>buy, it will be considered out of date before you know it. Better to invest
>in the best analog gear, like high quality mic pres and compressors, than
>another DAW. As long as the industry standards are 16bit 44.1, MP3, and
>Paris sounds good, there is no good reason for me to switch. I can make
>a great recording with Paris, and I already own it!
>
>If I was going to blow 30K, I would rather invest it for my retirement.
>The only reason I would get in to a full blown PT rig, is if I was running
>a commercial studio in a major market, and I'd be losing business if I didn't.
> If that was the situation, I would lease and write it off as a business
>expense. No need here.
>
>That's my $0.02
>James
>
>"Gantt Kushner" <ganttmann@comcast.net> wrote:
>>
>>I haven't been around much lately, and I just took a look at the "For Sale"
>>site. Wow! So much Paris stuff for sale! It made me wonder... Who (or
>>is it "whom"?), besides me, is still using Paris as their main system?
>I'm
>>getting pretty frustrated about not being able to use most of the new plugins.
>> I have to dive into PT (LE) or Digital Performer to do some of the more
>>modern tricks, and then import files back to Paris. But it still sounds
>>SOOOO good to me. I have a client who moved here from New Orleans after
>>Katrina. He had done a bunch of recording in a studio there (he is pretty
>>much a techno-phobe, so he doesn't know what format) and he says the quality
>>of the ruff mixes from my little Paris studio kills the stuff he did down
>>there. He says he's just gonna have to record it all again here.
>>
>>Anyway... If I knew what I could get that'd sound as good (and that I could
>>afford!) I'd switch, but for now, I'm still a Paris dude.
>>
>>Peace ('cause we still need it!),
>>
>>Gantt
>>
>>
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| Re: Is everyone bailing? [message #67464 is a reply to message #67461] |
Sun, 30 April 2006 20:24 |
uptown jimmy
Messages: 441
Registered: September 2005
|
Senior Member |
|
|
This is a multi-part message in MIME format.
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Never got the multi-MEC thing working, even with Doug's eternally =
gracious help.
But I finally realized I didn't need it.=20
And Paris sounds better with an external wordclock anyway.=20
I just reassign submixes for tracking purposes.
Jimmy
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:4455729c@linux...
I'll be hanging whether or not I get this WC thing working!
Tom
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message =
news:44556f56@linux...
Nope......not a chance.
;o)
"Gantt Kushner" <ganttmann@comcast.net> wrote in message
news:4455655b$1@linux...
>
> I haven't been around much lately, and I just took a look at the =
"For
Sale"
> site. Wow! So much Paris stuff for sale! It made me wonder... =
Who (or
> is it "whom"?), besides me, is still using Paris as their main =
system?
I'm
> getting pretty frustrated about not being able to use most of the =
new
plugins.
> I have to dive into PT (LE) or Digital Performer to do some of =
the more
> modern tricks, and then import files back to Paris. But it still =
sounds
> SOOOO good to me. I have a client who moved here from New Orleans =
after
> Katrina. He had done a bunch of recording in a studio there (he =
is pretty
> much a techno-phobe, so he doesn't know what format) and he says =
the
quality
> of the ruff mixes from my little Paris studio kills the stuff he =
did down
> there. He says he's just gonna have to record it all again here.
>
> Anyway... If I knew what I could get that'd sound as good (and =
that I
could
> afford!) I'd switch, but for now, I'm still a Paris dude.
>
> Peace ('cause we still need it!),
>
> Gantt
>
>
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<DIV><FONT face=3DArial size=3D2>Never got the multi-MEC thing working, =
even with=20
Doug's eternally gracious help.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>But I finally realized I didn't need =
it.=20
</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>And Paris sounds better with an =
external wordclock=20
anyway. </FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>I just reassign submixes for tracking=20
purposes.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Jimmy</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> wrote =
in message=20
<A href=3D"news:4455729c@linux">news:4455729c@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>I'll be hanging whether or not I get =
this WC=20
thing working!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message <A=20
=
href=3D"news:44556f56@linux">news:44556f56@linux</A>...</DIV>Nope......no=
t a=20
chance.<BR><BR>;o)<BR><BR>"Gantt Kushner" <<A=20
href=3D"mailto:ganttmann@comcast.net">ganttmann@comcast.net</A>> =
wrote in=20
message<BR><A=20
=
href=3D"news:4455655b$1@linux">news:4455655b$1@linux</A>...<BR>><BR>&g=
t; I=20
haven't been around much lately, and I just took a look at the=20
"For<BR>Sale"<BR>> site. Wow! So much Paris stuff for =
sale! It made me wonder... Who (or<BR>> is it "whom"?), =
besides me,=20
is still using Paris as their main system?<BR>I'm<BR>> getting =
pretty=20
frustrated about not being able to use most of the=20
new<BR>plugins.<BR>> I have to dive into PT (LE) or Digital =
Performer to do some of the more<BR>> modern tricks, and then =
import=20
files back to Paris. But it still sounds<BR>> SOOOO good to =
me. I have a client who moved here from New Orleans =
after<BR>>=20
Katrina. He had done a bunch of recording in a studio there =
(he is=20
pretty<BR>> much a techno-phobe, so he doesn't know what format) =
and he=20
says the<BR>quality<BR>> of the ruff mixes from my little Paris =
studio=20
kills the stuff he did down<BR>> there. He says he's just =
gonna=20
have to record it all again here.<BR>><BR>> Anyway... If =
I knew=20
what I could get that'd sound as good (and that I<BR>could<BR>> =
afford!)=20
I'd switch, but for now, I'm still a Paris dude.<BR>><BR>> =
Peace=20
('cause we still need it!),<BR>><BR>>=20
Gantt<BR>><BR>><BR><BR></BLOCKQUOTE></BLOCKQUOTE ></BODY></HTML>
------=_NextPart_000_0010_01C66CAD.325C7560--
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| Re: Is everyone bailing? [message #67465 is a reply to message #67455] |
Sun, 30 April 2006 20:36 |
John Macy
Messages: 242
Registered: April 2006
|
Senior Member |
|
|
Not a chance here--I have learned to make the thing
work in my favor, actually. I have had lots of people
call me cause they hear about my "protools killing"
system :) .
I have a 3 card track/overdub system and a
5 card mix system. I keep a PT 002R on hand to facilitate
transfers and the like and the occasional remote overdub,
but it is 99% Paris for me, and not likely to change
anytime soon.
"Gantt Kushner" <ganttmann@comcast.net> wrote:
>
>I haven't been around much lately, and I just took a look at the "For Sale"
>site. Wow! So much Paris stuff for sale! It made me wonder... Who (or
>is it "whom"?), besides me, is still using Paris as their main system?
I'm
>getting pretty frustrated about not being able to use most of the new plugins.
> I have to dive into PT (LE) or Digital Performer to do some of the more
>modern tricks, and then import files back to Paris. But it still sounds
>SOOOO good to me. I have a client who moved here from New Orleans after
>Katrina. He had done a bunch of recording in a studio there (he is pretty
>much a techno-phobe, so he doesn't know what format) and he says the quality
>of the ruff mixes from my little Paris studio kills the stuff he did down
>there. He says he's just gonna have to record it all again here.
>
>Anyway... If I knew what I could get that'd sound as good (and that I could
>afford!) I'd switch, but for now, I'm still a Paris dude.
>
>Peace ('cause we still need it!),
>
>Gantt
>
>
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| Re: Is everyone bailing? [message #67467 is a reply to message #67455] |
Sun, 30 April 2006 21:55 |
Rich Lamanna
Messages: 316
Registered: February 2006
|
Senior Member |
|
|
Not me Gantt. I just finished mixing a track of a live recording that just
sounds so extraordinary, I'd have to be led away from Paris at gunpoint. The
more I use the system the more I'm amazed at how good it really sounds. I
see no need to move anywhere, period. Familiarity breeds contempt, but not
so for me and Paris.
Rich
"Gantt Kushner" <ganttmann@comcast.net> wrote in message
news:4455655b$1@linux...
>
> I haven't been around much lately, and I just took a look at the "For
Sale"
> site. Wow! So much Paris stuff for sale! It made me wonder... Who (or
> is it "whom"?), besides me, is still using Paris as their main system?
I'm
> getting pretty frustrated about not being able to use most of the new
plugins.
> I have to dive into PT (LE) or Digital Performer to do some of the more
> modern tricks, and then import files back to Paris. But it still sounds
> SOOOO good to me. I have a client who moved here from New Orleans after
> Katrina. He had done a bunch of recording in a studio there (he is pretty
> much a techno-phobe, so he doesn't know what format) and he says the
quality
> of the ruff mixes from my little Paris studio kills the stuff he did down
> there. He says he's just gonna have to record it all again here.
>
> Anyway... If I knew what I could get that'd sound as good (and that I
could
> afford!) I'd switch, but for now, I'm still a Paris dude.
>
> Peace ('cause we still need it!),
>
> Gantt
>
>
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| Re: Is everyone bailing? [message #67468 is a reply to message #67467] |
Sun, 30 April 2006 21:03 |
uptown jimmy
Messages: 441
Registered: September 2005
|
Senior Member |
|
|
We'll all be fighting over EDS cards in 10 years.
*Sigh.*
Jimmy
"Rich Lamanna" <richard.lamanna@verizon.net> wrote in message
news:4455858a@linux...
> Not me Gantt. I just finished mixing a track of a live recording that just
> sounds so extraordinary, I'd have to be led away from Paris at gunpoint.
The
> more I use the system the more I'm amazed at how good it really sounds. I
> see no need to move anywhere, period. Familiarity breeds contempt, but not
> so for me and Paris.
>
> Rich
>
> "Gantt Kushner" <ganttmann@comcast.net> wrote in message
> news:4455655b$1@linux...
> >
> > I haven't been around much lately, and I just took a look at the "For
> Sale"
> > site. Wow! So much Paris stuff for sale! It made me wonder... Who (or
> > is it "whom"?), besides me, is still using Paris as their main system?
> I'm
> > getting pretty frustrated about not being able to use most of the new
> plugins.
> > I have to dive into PT (LE) or Digital Performer to do some of the more
> > modern tricks, and then import files back to Paris. But it still sounds
> > SOOOO good to me. I have a client who moved here from New Orleans after
> > Katrina. He had done a bunch of recording in a studio there (he is
pretty
> > much a techno-phobe, so he doesn't know what format) and he says the
> quality
> > of the ruff mixes from my little Paris studio kills the stuff he did
down
> > there. He says he's just gonna have to record it all again here.
> >
> > Anyway... If I knew what I could get that'd sound as good (and that I
> could
> > afford!) I'd switch, but for now, I'm still a Paris dude.
> >
> > Peace ('cause we still need it!),
> >
> > Gantt
> >
> >
>
>
|
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| Re: Is everyone bailing? [message #67469 is a reply to message #67467] |
Sun, 30 April 2006 20:58 |
Deej [1]
Messages: 2149
Registered: January 2006
|
Senior Member |
|
|
>The more I use the system the more I'm amazed at how good it really sounds<
I feel the same way after having used Paris and SX side by side for over two
years now. Paris is just so much easier to track with, to quickly nail the
sound I'm looking for and is so forgiving when mixing. I use RME and Mytek
converters from time to time, but to tell the truth, I *choose* to use the
Paris converters more often than not these days. With an external clock,
they sound just as good to my ears.
Deej
"Rich Lamanna" <richard.lamanna@verizon.net> wrote in message
news:4455858a@linux...
> Not me Gantt. I just finished mixing a track of a live recording that just
> sounds so extraordinary, I'd have to be led away from Paris at gunpoint.
The
> more I use the system the more I'm amazed at how good it really sounds. I
> see no need to move anywhere, period. Familiarity breeds contempt, but not
> so for me and Paris.
>
> Rich
>
> "Gantt Kushner" <ganttmann@comcast.net> wrote in message
> news:4455655b$1@linux...
> >
> > I haven't been around much lately, and I just took a look at the "For
> Sale"
> > site. Wow! So much Paris stuff for sale! It made me wonder... Who (or
> > is it "whom"?), besides me, is still using Paris as their main system?
> I'm
> > getting pretty frustrated about not being able to use most of the new
> plugins.
> > I have to dive into PT (LE) or Digital Performer to do some of the more
> > modern tricks, and then import files back to Paris. But it still sounds
> > SOOOO good to me. I have a client who moved here from New Orleans after
> > Katrina. He had done a bunch of recording in a studio there (he is
pretty
> > much a techno-phobe, so he doesn't know what format) and he says the
> quality
> > of the ruff mixes from my little Paris studio kills the stuff he did
down
> > there. He says he's just gonna have to record it all again here.
> >
> > Anyway... If I knew what I could get that'd sound as good (and that I
> could
> > afford!) I'd switch, but for now, I'm still a Paris dude.
> >
> > Peace ('cause we still need it!),
> >
> > Gantt
> >
> >
>
>
|
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| Re: Is everyone bailing? [message #67472 is a reply to message #67462] |
Sun, 30 April 2006 21:39 |
Tom Bruhl
Messages: 1368
Registered: June 2007
|
Senior Member |
|
|
This is a multi-part message in MIME format.
------=_NextPart_000_0029_01C66CB7.A5E2B170
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
DJ,
I just finished a session (old setup). I have so much
going on I can't get to it. Maybe early tomorrow.
David gave me a few new things to try and he's using
the same mobo/EDS and # of mecs as I.
Thanks for your tips too,
Tom
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message =
news:44557447$1@linux...
still no workee?
"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:4455729c@linux...
I'll be hanging whether or not I get this WC thing working!
Tom
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message =
news:44556f56@linux...
Nope......not a chance.
;o)
"Gantt Kushner" <ganttmann@comcast.net> wrote in message
news:4455655b$1@linux...
>
> I haven't been around much lately, and I just took a look at the =
"For
Sale"
> site. Wow! So much Paris stuff for sale! It made me wonder... =
Who (or
> is it "whom"?), besides me, is still using Paris as their main =
system?
I'm
> getting pretty frustrated about not being able to use most of =
the new
plugins.
> I have to dive into PT (LE) or Digital Performer to do some of =
the more
> modern tricks, and then import files back to Paris. But it =
still sounds
> SOOOO good to me. I have a client who moved here from New =
Orleans after
> Katrina. He had done a bunch of recording in a studio there (he =
is pretty
> much a techno-phobe, so he doesn't know what format) and he says =
the
quality
> of the ruff mixes from my little Paris studio kills the stuff he =
did down
> there. He says he's just gonna have to record it all again =
here.
>
> Anyway... If I knew what I could get that'd sound as good (and =
that I
could
> afford!) I'd switch, but for now, I'm still a Paris dude.
>
> Peace ('cause we still need it!),
>
> Gantt
>
>
------=_NextPart_000_0029_01C66CB7.A5E2B170
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>DJ,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I just finished a session (old =
setup). I have=20
so much</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>going on I can't get to it. Maybe =
early=20
tomorrow.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>David gave me a few new things to try =
and he's=20
using</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>the same mobo/EDS and # of mecs as =
I.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for your tips too,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message <A=20
href=3D"news:44557447$1@linux">news:44557447$1@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>still no workee?</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Tom Bruhl" <<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> =
wrote in=20
message <A =
href=3D"news:4455729c@linux">news:4455729c@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>I'll be hanging whether or not I =
get this WC=20
thing working!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"DJ" <<A=20
=
href=3D"mailto:animix_spam-this-ahole_@animas.net">animix_spam-this-ahole=
_@animas.net</A>>=20
wrote in message <A=20
=
href=3D"news:44556f56@linux">news:44556f56@linux</A>...</DIV>Nope......no=
t a=20
chance.<BR><BR>;o)<BR><BR>"Gantt Kushner" <<A=20
=
href=3D"mailto:ganttmann@comcast.net">ganttmann@comcast.net</A>> =
wrote in=20
message<BR><A=20
=
href=3D"news:4455655b$1@linux">news:4455655b$1@linux</A>...<BR>><BR>&g=
t;=20
I haven't been around much lately, and I just took a look at the=20
"For<BR>Sale"<BR>> site. Wow! So much Paris stuff =
for=20
sale! It made me wonder... Who (or<BR>> is it "whom"?), =
besides=20
me, is still using Paris as their main system?<BR>I'm<BR>> =
getting=20
pretty frustrated about not being able to use most of the=20
new<BR>plugins.<BR>> I have to dive into PT (LE) or =
Digital=20
Performer to do some of the more<BR>> modern tricks, and then =
import=20
files back to Paris. But it still sounds<BR>> SOOOO good =
to=20
me. I have a client who moved here from New Orleans =
after<BR>>=20
Katrina. He had done a bunch of recording in a studio there =
(he is=20
pretty<BR>> much a techno-phobe, so he doesn't know what =
format) and he=20
says the<BR>quality<BR>> of the ruff mixes from my little Paris =
studio=20
kills the stuff he did down<BR>> there. He says he's just =
gonna=20
have to record it all again here.<BR>><BR>> Anyway... =
If I=20
knew what I could get that'd sound as good (and that =
I<BR>could<BR>>=20
afford!) I'd switch, but for now, I'm still a Paris =
dude.<BR>><BR>>=20
Peace ('cause we still need it!),<BR>><BR>>=20
=
Gantt<BR>><BR>><BR><BR></BLOCKQUOTE></BLOCKQUOTE ></BLOCKQUOTE></BOD=
Y></HTML>
------=_NextPart_000_0029_01C66CB7.A5E2B170--
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| Re: Is everyone bailing? [message #67473 is a reply to message #67455] |
Sun, 30 April 2006 21:38 |
Rod Lincoln
Messages: 883
Registered: September 2005
|
Senior Member |
|
|
No Way. It's my "secret sauce". I've aquired a reputation of getting fatter,
wider mixes than bigger commercial (all using protools)in my area. I won't
give up till I have to.
Rod
"Gantt Kushner" <ganttmann@comcast.net> wrote:
>
>I haven't been around much lately, and I just took a look at the "For Sale"
>site. Wow! So much Paris stuff for sale! It made me wonder... Who (or
>is it "whom"?), besides me, is still using Paris as their main system?
I'm
>getting pretty frustrated about not being able to use most of the new plugins.
> I have to dive into PT (LE) or Digital Performer to do some of the more
>modern tricks, and then import files back to Paris. But it still sounds
>SOOOO good to me. I have a client who moved here from New Orleans after
>Katrina. He had done a bunch of recording in a studio there (he is pretty
>much a techno-phobe, so he doesn't know what format) and he says the quality
>of the ruff mixes from my little Paris studio kills the stuff he did down
>there. He says he's just gonna have to record it all again here.
>
>Anyway... If I knew what I could get that'd sound as good (and that I could
>afford!) I'd switch, but for now, I'm still a Paris dude.
>
>Peace ('cause we still need it!),
>
>Gantt
>
>
|
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| Re: Is everyone bailing? [message #67475 is a reply to message #67455] |
Sun, 30 April 2006 22:31 |
Aaron Allen
Messages: 1988
Registered: May 2008
|
Senior Member |
|
|
I'm not going anywhere on it. I, like many others am, however using another
computer setup to get more current features/work done.
Somehow none of the new whiz bang toys sound the same though, w/o the Paris
mixbus *vibe* filter.
AA
"Gantt Kushner" <ganttmann@comcast.net> wrote in message
news:4455655b$1@linux...
>
> I haven't been around much lately, and I just took a look at the "For
> Sale"
> site. Wow! So much Paris stuff for sale! It made me wonder... Who (or
> is it "whom"?), besides me, is still using Paris as their main system?
> I'm
> getting pretty frustrated about not being able to use most of the new
> plugins.
> I have to dive into PT (LE) or Digital Performer to do some of the more
> modern tricks, and then import files back to Paris. But it still sounds
> SOOOO good to me. I have a client who moved here from New Orleans after
> Katrina. He had done a bunch of recording in a studio there (he is pretty
> much a techno-phobe, so he doesn't know what format) and he says the
> quality
> of the ruff mixes from my little Paris studio kills the stuff he did down
> there. He says he's just gonna have to record it all again here.
>
> Anyway... If I knew what I could get that'd sound as good (and that I
> could
> afford!) I'd switch, but for now, I'm still a Paris dude.
>
> Peace ('cause we still need it!),
>
> Gantt
>
>
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
|
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| Re: Is everyone bailing? [message #67479 is a reply to message #67469] |
Mon, 01 May 2006 08:50 |
emarenot
Messages: 345
Registered: June 2005
|
Senior Member |
|
|
Wow.
MR
"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
news:4455889f$1@linux...
> >The more I use the system the more I'm amazed at how good it really
sounds<
>
> I feel the same way after having used Paris and SX side by side for over
two
> years now. Paris is just so much easier to track with, to quickly nail the
> sound I'm looking for and is so forgiving when mixing. I use RME and Mytek
> converters from time to time, but to tell the truth, I *choose* to use the
> Paris converters more often than not these days. With an external clock,
> they sound just as good to my ears.
>
> Deej
>
> "Rich Lamanna" <richard.lamanna@verizon.net> wrote in message
> news:4455858a@linux...
> > Not me Gantt. I just finished mixing a track of a live recording that
just
> > sounds so extraordinary, I'd have to be led away from Paris at gunpoint.
> The
> > more I use the system the more I'm amazed at how good it really sounds.
I
> > see no need to move anywhere, period. Familiarity breeds contempt, but
not
> > so for me and Paris.
> >
> > Rich
> >
> > "Gantt Kushner" <ganttmann@comcast.net> wrote in message
> > news:4455655b$1@linux...
> > >
> > > I haven't been around much lately, and I just took a look at the "For
> > Sale"
> > > site. Wow! So much Paris stuff for sale! It made me wonder... Who
(or
> > > is it "whom"?), besides me, is still using Paris as their main system?
> > I'm
> > > getting pretty frustrated about not being able to use most of the new
> > plugins.
> > > I have to dive into PT (LE) or Digital Performer to do some of the
more
> > > modern tricks, and then import files back to Paris. But it still
sounds
> > > SOOOO good to me. I have a client who moved here from New Orleans
after
> > > Katrina. He had done a bunch of recording in a studio there (he is
> pretty
> > > much a techno-phobe, so he doesn't know what format) and he says the
> > quality
> > > of the ruff mixes from my little Paris studio kills the stuff he did
> down
> > > there. He says he's just gonna have to record it all again here.
> > >
> > > Anyway... If I knew what I could get that'd sound as good (and that I
> > could
> > > afford!) I'd switch, but for now, I'm still a Paris dude.
> > >
> > > Peace ('cause we still need it!),
> > >
> > > Gantt
> > >
> > >
> >
> >
>
>
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| Re: Is everyone bailing? [message #67491 is a reply to message #67469] |
Mon, 01 May 2006 10:31 |
pauln[2]
Messages: 28
Registered: September 2007
|
Junior Member |
|
|
So, you're saying if you are running just a one MEC system, a work clock makes
a significant difference in the sound of the converters?
"DJ" <animix_spam-this-ahole_@animas.net> wrote:
>>The more I use the system the more I'm amazed at how good it really sounds<
>
>I feel the same way after having used Paris and SX side by side for over
two
>years now. Paris is just so much easier to track with, to quickly nail the
>sound I'm looking for and is so forgiving when mixing. I use RME and Mytek
>converters from time to time, but to tell the truth, I *choose* to use the
>Paris converters more often than not these days. With an external clock,
>they sound just as good to my ears.
>
>Deej
>
>"Rich Lamanna" <richard.lamanna@verizon.net> wrote in message
>news:4455858a@linux...
>> Not me Gantt. I just finished mixing a track of a live recording that
just
>> sounds so extraordinary, I'd have to be led away from Paris at gunpoint.
>The
>> more I use the system the more I'm amazed at how good it really sounds.
I
>> see no need to move anywhere, period. Familiarity breeds contempt, but
not
>> so for me and Paris.
>>
>> Rich
>>
>> "Gantt Kushner" <ganttmann@comcast.net> wrote in message
>> news:4455655b$1@linux...
>> >
>> > I haven't been around much lately, and I just took a look at the "For
>> Sale"
>> > site. Wow! So much Paris stuff for sale! It made me wonder... Who
(or
>> > is it "whom"?), besides me, is still using Paris as their main system?
>> I'm
>> > getting pretty frustrated about not being able to use most of the new
>> plugins.
>> > I have to dive into PT (LE) or Digital Performer to do some of the
more
>> > modern tricks, and then import files back to Paris. But it still sounds
>> > SOOOO good to me. I have a client who moved here from New Orleans after
>> > Katrina. He had done a bunch of recording in a studio there (he is
>pretty
>> > much a techno-phobe, so he doesn't know what format) and he says the
>> quality
>> > of the ruff mixes from my little Paris studio kills the stuff he did
>down
>> > there. He says he's just gonna have to record it all again here.
>> >
>> > Anyway... If I knew what I could get that'd sound as good (and that
I
>> could
>> > afford!) I'd switch, but for now, I'm still a Paris dude.
>> >
>> > Peace ('cause we still need it!),
>> >
>> > Gantt
>> >
>> >
>>
>>
>
>
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| Re: Is everyone bailing? [message #67494 is a reply to message #67456] |
Mon, 01 May 2006 13:25 |
Rich[3]
Messages: 132
Registered: January 2006
|
Senior Member |
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Same here - added a spare Mec and eds card just in case... system is stable,
sounds good and is easy to work with (less some of the latest features -
can we say mi mi midi - but hey that's what a second system is for)... Current
bang for the buck is unbelivable.
"uptown jimmy" <johnson314@bellsouth.net> wrote:
>I'm here for a loooooooooong time to come.
>
>Got no reason to change, every reason to stay. Everyone else is chasing
>ghosts, IMO.
>
>I'm sorta stocked-up on parts, will probably add to the cache as things
get
>even cheaper.
>
>Jimmy
>
>"Gantt Kushner" <ganttmann@comcast.net> wrote in message
>news:4455655b$1@linux...
>>
>> I haven't been around much lately, and I just took a look at the "For
>Sale"
>> site. Wow! So much Paris stuff for sale! It made me wonder... Who (or
>> is it "whom"?), besides me, is still using Paris as their main system?
>I'm
>> getting pretty frustrated about not being able to use most of the new
>plugins.
>> I have to dive into PT (LE) or Digital Performer to do some of the more
>> modern tricks, and then import files back to Paris. But it still sounds
>> SOOOO good to me. I have a client who moved here from New Orleans after
>> Katrina. He had done a bunch of recording in a studio there (he is pretty
>> much a techno-phobe, so he doesn't know what format) and he says the
>quality
>> of the ruff mixes from my little Paris studio kills the stuff he did down
>> there. He says he's just gonna have to record it all again here.
>>
>> Anyway... If I knew what I could get that'd sound as good (and that I
>could
>> afford!) I'd switch, but for now, I'm still a Paris dude.
>>
>> Peace ('cause we still need it!),
>>
>> Gantt
>>
>>
>
>
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| Re: Is everyone bailing? [message #67507 is a reply to message #67455] |
Mon, 01 May 2006 19:20 |
Michael Broyles
Messages: 18
Registered: June 2005
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Junior Member |
|
|
Sticking, not bailing... adding SX system when the funds allow.
MEB
"Gantt Kushner" <ganttmann@comcast.net> wrote:
>
>I haven't been around much lately, and I just took a look at the "For Sale"
>site. Wow! So much Paris stuff for sale! It made me wonder... Who (or
>is it "whom"?), besides me, is still using Paris as their main system?
I'm
>getting pretty frustrated about not being able to use most of the new plugins.
> I have to dive into PT (LE) or Digital Performer to do some of the more
>modern tricks, and then import files back to Paris. But it still sounds
>SOOOO good to me. I have a client who moved here from New Orleans after
>Katrina. He had done a bunch of recording in a studio there (he is pretty
>much a techno-phobe, so he doesn't know what format) and he says the quality
>of the ruff mixes from my little Paris studio kills the stuff he did down
>there. He says he's just gonna have to record it all again here.
>
>Anyway... If I knew what I could get that'd sound as good (and that I could
>afford!) I'd switch, but for now, I'm still a Paris dude.
>
>Peace ('cause we still need it!),
>
>Gantt
>
>
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| Re: Is everyone bailing? [message #67508 is a reply to message #67507] |
Mon, 01 May 2006 19:38 |
lat studio
Messages: 6
Registered: April 2006
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Junior Member |
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I'm hanging on to one small system to archive or update any of my old files
and recordings. I agree that the Paris system sounds great.....better than
Pro Tools. However after trying Nuendo 3 for my most recent projects I was
blown away by the quality and tons of added features Nuendo has to offer.
With no support for Paris, I need to to look forward....just for business
sake. Win 98 is no longer supported,and XP is starting to act up with Paris.
Xp drivers worked great for a while...however...Paris has been locking up
on me quite frequently with service pack 2 and any or all the XP updating
that needs to be done to my computer. With less and less support from the
duddes on this website, I have no choice but to upgrade. It was awesome
while it lasted.
Good luck to you on your future projects. As long as PAris works for you,
keep on rockin'!
"Michael Broyles" <mbroyles@mindspring.com> wrote:
>
>
>Sticking, not bailing... adding SX system when the funds allow.
>
>MEB
>
>"Gantt Kushner" <ganttmann@comcast.net> wrote:
>>
>>I haven't been around much lately, and I just took a look at the "For Sale"
>>site. Wow! So much Paris stuff for sale! It made me wonder... Who (or
>>is it "whom"?), besides me, is still using Paris as their main system?
>I'm
>>getting pretty frustrated about not being able to use most of the new plugins.
>> I have to dive into PT (LE) or Digital Performer to do some of the more
>>modern tricks, and then import files back to Paris. But it still sounds
>>SOOOO good to me. I have a client who moved here from New Orleans after
>>Katrina. He had done a bunch of recording in a studio there (he is pretty
>>much a techno-phobe, so he doesn't know what format) and he says the quality
>>of the ruff mixes from my little Paris studio kills the stuff he did down
>>there. He says he's just gonna have to record it all again here.
>>
>>Anyway... If I knew what I could get that'd sound as good (and that I
could
>>afford!) I'd switch, but for now, I'm still a Paris dude.
>>
>>Peace ('cause we still need it!),
>>
>>Gantt
>>
>>
>
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| Re: Is everyone bailing? [message #67594 is a reply to message #67455] |
Wed, 03 May 2006 09:30 |
Larry Hogan
Messages: 17
Registered: June 2005
Location: Upstate New York
|
Junior Member |
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|
Hardly ever time to post the past few years or so, but still visiting several
times a week. My computer-based, media/graphic design teaching job kind of
kills my computer-based creativity after a long day in the media arts classroom.
But, this summer, I'm planning on finishing up a major project for a great
singer-songwriter from NC. Then maybe get back to my own stuff while I'm
on a roll.
No, I'm definitely not going anywhere at all. But maybe sideways ;-) into
DP or Logic eventually—if I need to—for MIDI and maybe some other ocassional
goodies.
Yeah, PARIS is still the place for me fer sure. (User since '98. One MEC,
two EDS cards, two c-16s. Mac running v.2.)
Cheers,
Larry Hogan
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