Home » The PARIS Forums » PARIS: Main » *******DP/4 Hall Released*******
| *******DP/4 Hall Released******* [message #97762] |
Fri, 04 April 2008 18:36  |
![mike audet[3] is currently offline](/theme/PARIS_Forum_Template/images/offline.png "mike audet[3] is currently offline")
mike audet[3]
Messages: 88
Registered: June 2008
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Member |
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Hi All,
I just finished the a PARIS version of the hall reverb from the DP/4. I'm
not sure how much it was changed from the original when it was ported to
the ESP2 chip, but it sounds incredible. You can load 4 instances of it
on one EDS card.
You can get a copy at www.ensoniq.ca.
Next stop is the vocal plate.
All the best!
Mike
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| Re: *******DP/4 Hall Released******* [message #97764 is a reply to message #97763] |
Sat, 05 April 2008 01:22  |
Tom Bruhl
Messages: 1368
Registered: June 2007
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Senior Member |
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This is a multi-part message in MIME format.
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Hi Mike,
I will be trying it asap! The plate has been my usual go to
with added eq and/or chorus from time to time. This sounds
like a welcome addition since I never liked the other verbs
we have to choose from. Four on one card? Not too demanding=20
either. Nice!
Thanks for the ambience,
Tom
"Kerry Galloway" <kerrygalloway@telus.net> wrote in message =
news:kerrygalloway-031EC2.22224204042008@cust0358.vic01.dataco.com.au...
In article <47f6d789$1@linux>, "Mike Audet" <mike@..> wrote:
> Hi All,=20
>=20
> I just finished the a PARIS version of the hall reverb from the =
DP/4. I'm
> not sure how much it was changed from the original when it was =
ported to
> the ESP2 chip, but it sounds incredible. You can load 4 instances =
of it
> on one EDS card. =20
>=20
> You can get a copy at www.ensoniq.ca.
>=20
> Next stop is the vocal plate.
>=20
> All the best!
>=20
> Mike
Woot, nice work! Wish I had my rig to check this out. Top of the=20
priority list though when the rig arrives; previously the PARIS verbs=20
were something I always augmented with external units.
- Kerry
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
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<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hi Mike,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I will be trying it asap! The =
plate has been=20
my usual go to</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>with added eq and/or chorus from time =
to=20
time. This sounds</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>like a welcome addition since I never =
liked the=20
other verbs</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>we have to choose from. Four on =
one=20
card? Not too demanding </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>either. Nice!</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>Thanks for the ambience,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Kerry Galloway" <<A=20
=
href=3D"mailto:kerrygalloway@telus.net">kerrygalloway@telus.net</A>> =
wrote in=20
message <A=20
=
href=3D"news:kerrygalloway-031EC2.22224204042008@cust0358.vic01.dataco.co=
m.au">news:kerrygalloway-031EC2.22224204042008@cust0358.vic01.dataco.com.=
au</A>...</DIV>In=20
article <<A =
href=3D"mailto:47f6d789$1@linux">47f6d789$1@linux</A>>, "Mike=20
Audet" <mike@..> wrote:<BR><BR>> Hi All, <BR>> <BR>> I =
just=20
finished the a PARIS version of the hall reverb from the DP/4. =20
I'm<BR>> not sure how much it was changed from the original when it =
was=20
ported to<BR>> the ESP2 chip, but it sounds incredible. You =
can load=20
4 instances of it<BR>> on one EDS card. <BR>> <BR>> You =
can get=20
a copy at <A =
href=3D"http://www.ensoniq.ca">www.ensoniq.ca</A>.<BR>> <BR>>=20
Next stop is the vocal plate.<BR>> <BR>> All the best!<BR>> =
<BR>>=20
Mike<BR><BR>Woot, nice work! Wish I had my rig to check this out. Top =
of the=20
<BR>priority list though when the rig arrives; previously the PARIS =
verbs=20
<BR>were something I always augmented with external units.<BR><BR>-=20
Kerry</BLOCKQUOTE>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
and=20
you?<BR><A=20
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A> </FONT></DIV></BODY ></HTML>
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| Re: *******DP/4 Hall Released******* [message #97765 is a reply to message #97763] |
Sat, 05 April 2008 03:16 |
mike audet[3]
Messages: 88
Registered: June 2008
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Member |
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Hi Kerry,
I always used external verbs, too. I doubt I will again. I was digging
through the esp code I've got, and I don't have an exact match for the expert
verb in the DP/Pro, at least not according to the DP/Pro manual's parameter
list. But, the collection clearly looks like a compilable project for the
DP/Pro effects. It's a puzzle.
There is one reverb with 7 early reflection, and the DP/Pro manual mentions
8 for the expert verb. That's the closest match I can find.
Anyway, there are several reverbs, another hall, a room, a small room, and
several plates. There's actually more here that I thought, which is great!
I also want to do the stereo pitch shifter.
I'm hoping to have the vocal plate out before the end of April.
Cheers to all!
Mike
Kerry Galloway <kerrygalloway@telus.net> wrote:
>In article <47f6d789$1@linux>, "Mike Audet" <mike@..> wrote:
>
>> Hi All,
>>
>> I just finished the a PARIS version of the hall reverb from the DP/4.
I'm
>> not sure how much it was changed from the original when it was ported
to
>> the ESP2 chip, but it sounds incredible. You can load 4 instances of
it
>> on one EDS card.
>>
>> You can get a copy at www.ensoniq.ca.
>>
>> Next stop is the vocal plate.
>>
>> All the best!
>>
>> Mike
>
>Woot, nice work! Wish I had my rig to check this out. Top of the
>priority list though when the rig arrives; previously the PARIS verbs
>were something I always augmented with external units.
>
>- Kerry
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| Re: *******DP/4 Hall Released******* [message #97773 is a reply to message #97772] |
Sat, 05 April 2008 08:55 |
Rich Lamanna
Messages: 316
Registered: February 2006
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Senior Member |
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Thanks Mike, you're past the spam blocker. Looking forward to checking these
out.
Rich
"Mike Audet" <mike@..> wrote in message news:47f7841c$1@linux...
>
> Hi Rich,
>
> the plugins are all "pay what you can" feel free to pay whatever the
upgrade
> is worth to you.
>
> NoLimit was one of my first efforts - it was a lot to tackle at the time,
> but I agree that it's not as big of an upgrade as the newer ones.
>
> Anyway, feel free to send me whatever.
>
> Also, I just filled in a form to get past your spam blocker. Let me know
> if that doesn't work. your reverb is attached to the email I sent you.
>
> All the best!
>
> Mike
>
>
> "Rich Lamanna" <richard.lamanna@verizon.net> wrote:
> >Mike, I bought No limit when Chuck originally wrote it. Was wondering if
> I
> >buy a couple of other plug ins, do you mind if I download
> >No Limit for a little less?
> >
> >Rich
> >
> >"Mike Audet" <mike@..> wrote in message news:47f6d789$1@linux...
> >>
> >> Hi All,
> >>
> >> I just finished the a PARIS version of the hall reverb from the DP/4.
> I'm
> >> not sure how much it was changed from the original when it was ported
> to
> >> the ESP2 chip, but it sounds incredible. You can load 4 instances of
> it
> >> on one EDS card.
> >>
> >> You can get a copy at www.ensoniq.ca.
> >>
> >> Next stop is the vocal plate.
> >>
> >> All the best!
> >>
> >> Mike
> >
> >
>
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| Re: *******DP/4 Hall Released******* [message #97778 is a reply to message #97775] |
Sat, 05 April 2008 12:22 |
Tom Bruhl
Messages: 1368
Registered: June 2007
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Senior Member |
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This is a multi-part message in MIME format.
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OK we have the three existing Paris reverbs that were . . . ok. Plate
being my favorite usually but not really that great without some =
doctoring.
THE DP/4 HALL REVERB THAT MIKE PORTED OVER IS THE S & % T !
The DP/4 Hall is what we've all been waiting for as an EDS verb.
A noticeable stereo spread with stereo inputs too.
Sweet long tails, short tails without the 'ringing' , lots of easy to =
use
parameters for early reflections, panning, low end decay, etc..
There is no question this one is worth every dollar you can muster up.
Herman
"Gantt Kushner" <ganttmann@comcast.com> wrote in message =
news:47f79f62$1@linux...
Aaargh!!! We gotta get you a Mac!
Gantt
"Mike Audet" <mike@..> wrote:
>
>Hi All,=20
>
>I just finished the a PARIS version of the hall reverb from the DP/4. =
I'm
>not sure how much it was changed from the original when it was ported =
to
>the ESP2 chip, but it sounds incredible. You can load 4 instances of =
it
>on one EDS card. =20
>
>You can get a copy at www.ensoniq.ca.
>
>Next stop is the vocal plate.
>
>All the best!
>
>Mike
I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
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<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>OK we have the three existing Paris =
reverbs that=20
were . . . ok. Plate</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>being my favorite usually but not =
really that great=20
without some doctoring.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>THE DP/4 HALL REVERB THAT MIKE PORTED =
OVER IS=20
THE <U>S & % T</U> !</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>The DP/4 Hall is what we've all been =
waiting for as=20
an EDS verb.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>A noticeable stereo spread with stereo =
inputs=20
too.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Sweet long tails, short tails without =
the 'ringing'=20
, lots of easy to use</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>parameters for early reflections, =
panning, low end=20
decay, etc..</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV><FONT face=3DArial size=3D2>There is no question this one is worth=20
every dollar you can muster up.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>Herman</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<DIV> </DIV>
<DIV><FONT face=3DArial size=3D2></FONT> </DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Gantt Kushner" <<A=20
href=3D"mailto:ganttmann@comcast.com">ganttmann@comcast.com</A>> =
wrote in=20
message <A=20
=
href=3D"news:47f79f62$1@linux">news:47f79f62$1@linux</A>...</DIV><BR>Aaar=
gh!!! =20
We gotta get you a Mac!<BR><BR>Gantt<BR><BR>"Mike Audet" =
<mike@..>=20
wrote:<BR>><BR>>Hi All, <BR>><BR>>I just finished the a =
PARIS=20
version of the hall reverb from the DP/4. I'm<BR>>not sure =
how much=20
it was changed from the original when it was ported to<BR>>the ESP2 =
chip,=20
but it sounds incredible. You can load 4 instances of =
it<BR>>on one=20
EDS card. <BR>><BR>>You can get a copy at <A=20
href=3D"http://www.ensoniq.ca">www.ensoniq.ca</A>.<BR>><BR>>Next =
stop is=20
the vocal plate.<BR>><BR>>All the=20
best!<BR>><BR>>Mike<BR></BLOCKQUOTE>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
and=20
you?<BR><A=20
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A> </FONT></DIV></BODY ></HTML>
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| Re: *******DP/4 Hall Released******* [message #97783 is a reply to message #97778] |
Sat, 05 April 2008 13:04 |
excelav
Messages: 2130
Registered: July 2005
Location: Metro Detroit
|
Senior Member |
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Hey Mike, if you keep this up, Mr. you know who, will have to buy another
Paris system or he'll....well you know; )
"Tom Bruhl" <arpegio@comcast.net> wrote:
>
>
>OK we have the three existing Paris reverbs that were . . . ok. Plate
>being my favorite usually but not really that great without some =
>doctoring.
>
>THE DP/4 HALL REVERB THAT MIKE PORTED OVER IS THE S & % T !
>
>The DP/4 Hall is what we've all been waiting for as an EDS verb.
>A noticeable stereo spread with stereo inputs too.
>Sweet long tails, short tails without the 'ringing' , lots of easy to =
>use
>parameters for early reflections, panning, low end decay, etc..
>
>There is no question this one is worth every dollar you can muster up.
>Herman
>
>
>
> "Gantt Kushner" <ganttmann@comcast.com> wrote in message =
>news:47f79f62$1@linux...
>
> Aaargh!!! We gotta get you a Mac!
>
> Gantt
>
> "Mike Audet" <mike@..> wrote:
> >
> >Hi All,=20
> >
> >I just finished the a PARIS version of the hall reverb from the DP/4.
=
> I'm
> >not sure how much it was changed from the original when it was ported
=
>to
> >the ESP2 chip, but it sounds incredible. You can load 4 instances of
=
>it
> >on one EDS card. =20
> >
> >You can get a copy at www.ensoniq.ca.
> >
> >Next stop is the vocal plate.
> >
> >All the best!
> >
> >Mike
>
>
>
>I choose Polesoft Lockspam to fight spam, and you?
>http://www.polesoft.com/refer.html
>
><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
><HTML><HEAD>
><META http-equiv=3DContent-Type content=3D"text/html; =
>charset=3Diso-8859-1">
><META content=3D"MSHTML 6.00.2900.2180" name=3DGENERATOR>
><STYLE></STYLE>
></HEAD>
><BODY bgColor=3D#ffffff>
><DIV><FONT face=3DArial size=3D2>OK we have the three existing Paris =
>reverbs that=20
>were . . . ok. Plate</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>being my favorite usually but not =
>really that great=20
>without some doctoring.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>THE DP/4 HALL REVERB THAT MIKE PORTED =
>OVER IS=20
>THE <U>S & % T</U> !</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>The DP/4 Hall is what we've all been =
>waiting for as=20
>an EDS verb.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>A noticeable stereo spread with stereo
=
>inputs=20
>too.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Sweet long tails, short tails without =
>the 'ringing'=20
>, lots of easy to use</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>parameters for early reflections, =
>panning, low end=20
>decay, etc..</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV><FONT face=3DArial size=3D2>There is no question this one is worth=20
>every dollar you can muster up.</FONT></DIV>
><DIV><FONT face=3DArial size=3D2>Herman</FONT></DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><DIV> </DIV>
><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
><BLOCKQUOTE=20
>style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> <DIV>"Gantt Kushner" <<A=20
> href=3D"mailto:ganttmann@comcast.com">ganttmann@comcast.com</A>> =
>wrote in=20
> message <A=20
> =
>href=3D"news:47f79f62$1@linux">news:47f79f62$1@linux</A>...</DIV><BR>Aaar=
>gh!!! =20
> We gotta get you a Mac!<BR><BR>Gantt<BR><BR>"Mike Audet" =
><mike@..>=20
> wrote:<BR>><BR>>Hi All, <BR>><BR>>I just finished the a =
>PARIS=20
> version of the hall reverb from the DP/4. I'm<BR>>not sure =
>how much=20
> it was changed from the original when it was ported to<BR>>the ESP2 =
>chip,=20
> but it sounds incredible. You can load 4 instances of =
>it<BR>>on one=20
> EDS card. <BR>><BR>>You can get a copy at <A=20
> href=3D"http://www.ensoniq.ca">www.ensoniq.ca</A>.<BR>><BR>>Next =
>stop is=20
> the vocal plate.<BR>><BR>>All the=20
>best!<BR>><BR>>Mike<BR></BLOCKQUOTE>
><DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
>and=20
>you?<BR><A=20
>href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
>.html</A> </FONT></DIV></BODY></HTML>
>
>
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| Re: *******DP/4 Hall Released******* [message #97784 is a reply to message #97783] |
Sat, 05 April 2008 13:12 |
mike audet[1]
Messages: 129
Registered: February 2006
|
Senior Member |
|
|
If nothing else, I'm going to turn PARIS into one hell of an effects box.
:)
There is a lot more to come. :)
"James McCloskey" <excelsm@hotmail.com> wrote:
>
>Hey Mike, if you keep this up, Mr. you know who, will have to buy another
>Paris system or he'll....well you know; )
>
>"Tom Bruhl" <arpegio@comcast.net> wrote:
>>
>>
>>OK we have the three existing Paris reverbs that were . . . ok. Plate
>>being my favorite usually but not really that great without some =
>>doctoring.
>>
>>THE DP/4 HALL REVERB THAT MIKE PORTED OVER IS THE S & % T !
>>
>>The DP/4 Hall is what we've all been waiting for as an EDS verb.
>>A noticeable stereo spread with stereo inputs too.
>>Sweet long tails, short tails without the 'ringing' , lots of easy to =
>>use
>>parameters for early reflections, panning, low end decay, etc..
>>
>>There is no question this one is worth every dollar you can muster up.
>>Herman
>>
>>
>>
>> "Gantt Kushner" <ganttmann@comcast.com> wrote in message =
>>news:47f79f62$1@linux...
>>
>> Aaargh!!! We gotta get you a Mac!
>>
>> Gantt
>>
>> "Mike Audet" <mike@..> wrote:
>> >
>> >Hi All,=20
>> >
>> >I just finished the a PARIS version of the hall reverb from the DP/4.
>=
>> I'm
>> >not sure how much it was changed from the original when it was ported
>=
>>to
>> >the ESP2 chip, but it sounds incredible. You can load 4 instances of
>=
>>it
>> >on one EDS card. =20
>> >
>> >You can get a copy at www.ensoniq.ca.
>> >
>> >Next stop is the vocal plate.
>> >
>> >All the best!
>> >
>> >Mike
>>
>>
>>
>>I choose Polesoft Lockspam to fight spam, and you?
>>http://www.polesoft.com/refer.html
>>
>><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
>><HTML><HEAD>
>><META http-equiv=3DContent-Type content=3D"text/html; =
>>charset=3Diso-8859-1">
>><META content=3D"MSHTML 6.00.2900.2180" name=3DGENERATOR>
>><STYLE></STYLE>
>></HEAD>
>><BODY bgColor=3D#ffffff>
>><DIV><FONT face=3DArial size=3D2>OK we have the three existing Paris =
>>reverbs that=20
>>were . . . ok. Plate</FONT></DIV>
>><DIV><FONT face=3DArial size=3D2>being my favorite usually but not =
>>really that great=20
>>without some doctoring.</FONT></DIV>
>><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
>><DIV><FONT face=3DArial size=3D2>THE DP/4 HALL REVERB THAT MIKE PORTED
=
>>OVER IS=20
>>THE <U>S & % T</U> !</FONT></DIV>
>><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
>><DIV><FONT face=3DArial size=3D2>The DP/4 Hall is what we've all been =
>>waiting for as=20
>>an EDS verb.</FONT></DIV>
>><DIV><FONT face=3DArial size=3D2>A noticeable stereo spread with stereo
>=
>>inputs=20
>>too.</FONT></DIV>
>><DIV><FONT face=3DArial size=3D2>Sweet long tails, short tails without
=
>>the 'ringing'=20
>>, lots of easy to use</FONT></DIV>
>><DIV><FONT face=3DArial size=3D2>parameters for early reflections, =
>>panning, low end=20
>>decay, etc..</FONT></DIV>
>><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
>><DIV><FONT face=3DArial size=3D2>There is no question this one is worth=20
>>every dollar you can muster up.</FONT></DIV>
>><DIV><FONT face=3DArial size=3D2>Herman</FONT></DIV>
>><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
>><DIV> </DIV>
>><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
>><BLOCKQUOTE=20
>>style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
>>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
>> <DIV>"Gantt Kushner" <<A=20
>> href=3D"mailto:ganttmann@comcast.com">ganttmann@comcast.com</A>> =
>>wrote in=20
>> message <A=20
>> =
>>href=3D"news:47f79f62$1@linux">news:47f79f62$1@linux</A>...</DIV><BR>Aaar=
>>gh!!! =20
>> We gotta get you a Mac!<BR><BR>Gantt<BR><BR>"Mike Audet" =
>><mike@..>=20
>> wrote:<BR>><BR>>Hi All, <BR>><BR>>I just finished the a =
>>PARIS=20
>> version of the hall reverb from the DP/4. I'm<BR>>not sure =
>>how much=20
>> it was changed from the original when it was ported to<BR>>the ESP2 =
>>chip,=20
>> but it sounds incredible. You can load 4 instances of =
>>it<BR>>on one=20
>> EDS card. <BR>><BR>>You can get a copy at <A=20
>> href=3D"http://www.ensoniq.ca">www.ensoniq.ca</A>.<BR>><BR>>Next =
>>stop is=20
>> the vocal plate.<BR>><BR>>All the=20
>>best!<BR>><BR>>Mike<BR></BLOCKQUOTE>
>><DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
>>and=20
>>you?<BR><A=20
>>href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
>>.html</A> </FONT></DIV></BODY></HTML>
>>
>>
>
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| Re: *******DP/4 Hall Released******* [message #97798 is a reply to message #97784] |
Sun, 06 April 2008 10:05 |
Cujjo
Messages: 325
Registered: June 2007
|
Senior Member |
|
|
Any delay stuff ?
"Mike Audet" <mike@....> wrote:
>
>If nothing else, I'm going to turn PARIS into one hell of an effects box.
>:)
>
>There is a lot more to come. :)
>
>
>"James McCloskey" <excelsm@hotmail.com> wrote:
>>
>>Hey Mike, if you keep this up, Mr. you know who, will have to buy another
>>Paris system or he'll....well you know; )
>>
>>"Tom Bruhl" <arpegio@comcast.net> wrote:
>>>
>>>
>>>OK we have the three existing Paris reverbs that were . . . ok. Plate
>>>being my favorite usually but not really that great without some =
>>>doctoring.
>>>
>>>THE DP/4 HALL REVERB THAT MIKE PORTED OVER IS THE S & % T !
>>>
>>>The DP/4 Hall is what we've all been waiting for as an EDS verb.
>>>A noticeable stereo spread with stereo inputs too.
>>>Sweet long tails, short tails without the 'ringing' , lots of easy to
=
>>>use
>>>parameters for early reflections, panning, low end decay, etc..
>>>
>>>There is no question this one is worth every dollar you can muster up.
>>>Herman
>>>
>>>
>>>
>>> "Gantt Kushner" <ganttmann@comcast.com> wrote in message =
>>>news:47f79f62$1@linux...
>>>
>>> Aaargh!!! We gotta get you a Mac!
>>>
>>> Gantt
>>>
>>> "Mike Audet" <mike@..> wrote:
>>> >
>>> >Hi All,=20
>>> >
>>> >I just finished the a PARIS version of the hall reverb from the DP/4.
>>=
>>> I'm
>>> >not sure how much it was changed from the original when it was ported
>>=
>>>to
>>> >the ESP2 chip, but it sounds incredible. You can load 4 instances
of
>>=
>>>it
>>> >on one EDS card. =20
>>> >
>>> >You can get a copy at www.ensoniq.ca.
>>> >
>>> >Next stop is the vocal plate.
>>> >
>>> >All the best!
>>> >
>>> >Mike
>>>
>>>
>>>
>>>I choose Polesoft Lockspam to fight spam, and you?
>>>http://www.polesoft.com/refer.html
>>>
>>><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
>>><HTML><HEAD>
>>><META http-equiv=3DContent-Type content=3D"text/html; =
>>>charset=3Diso-8859-1">
>>><META content=3D"MSHTML 6.00.2900.2180" name=3DGENERATOR>
>>><STYLE></STYLE>
>>></HEAD>
>>><BODY bgColor=3D#ffffff>
>>><DIV><FONT face=3DArial size=3D2>OK we have the three existing Paris =
>>>reverbs that=20
>>>were . . . ok. Plate</FONT></DIV>
>>><DIV><FONT face=3DArial size=3D2>being my favorite usually but not =
>>>really that great=20
>>>without some doctoring.</FONT></DIV>
>>><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
>>><DIV><FONT face=3DArial size=3D2>THE DP/4 HALL REVERB THAT MIKE PORTED
>=
>>>OVER IS=20
>>>THE <U>S & % T</U> !</FONT></DIV>
>>><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
>>><DIV><FONT face=3DArial size=3D2>The DP/4 Hall is what we've all been
=
>>>waiting for as=20
>>>an EDS verb.</FONT></DIV>
>>><DIV><FONT face=3DArial size=3D2>A noticeable stereo spread with stereo
>>=
>>>inputs=20
>>>too.</FONT></DIV>
>>><DIV><FONT face=3DArial size=3D2>Sweet long tails, short tails without
>=
>>>the 'ringing'=20
>>>, lots of easy to use</FONT></DIV>
>>><DIV><FONT face=3DArial size=3D2>parameters for early reflections, =
>>>panning, low end=20
>>>decay, etc..</FONT></DIV>
>>><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
>>><DIV><FONT face=3DArial size=3D2>There is no question this one is worth=20
>>>every dollar you can muster up.</FONT></DIV>
>>><DIV><FONT face=3DArial size=3D2>Herman</FONT></DIV>
>>><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
>>><DIV> </DIV>
>>><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
>>><BLOCKQUOTE=20
>>>style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
>>>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
>>> <DIV>"Gantt Kushner" <<A=20
>>> href=3D"mailto:ganttmann@comcast.com">ganttmann@comcast.com</A>> =
>>>wrote in=20
>>> message <A=20
>>> =
>>>href=3D"news:47f79f62$1@linux">news:47f79f62$1@linux</A>...</DIV><BR>Aaar=
>>>gh!!! =20
>>> We gotta get you a Mac!<BR><BR>Gantt<BR><BR>"Mike Audet" =
>>><mike@..>=20
>>> wrote:<BR>><BR>>Hi All, <BR>><BR>>I just finished the a =
>>>PARIS=20
>>> version of the hall reverb from the DP/4. I'm<BR>>not sure =
>>>how much=20
>>> it was changed from the original when it was ported to<BR>>the ESP2
=
>>>chip,=20
>>> but it sounds incredible. You can load 4 instances of =
>>>it<BR>>on one=20
>>> EDS card. <BR>><BR>>You can get a copy at <A=20
>>> href=3D"http://www.ensoniq.ca">www.ensoniq.ca</A>.<BR>><BR>>Next =
>>>stop is=20
>>> the vocal plate.<BR>><BR>>All the=20
>>>best!<BR>><BR>>Mike<BR></BLOCKQUOTE>
>>><DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam,
=
>>>and=20
>>>you?<BR><A=20
>>>href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
>>>.html</A> </FONT></DIV></BODY></HTML>
>>>
>>>
>>
>
|
|
|
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| Re: *******DP/4 Hall Released******* [message #97799 is a reply to message #97798] |
Sun, 06 April 2008 10:29 |
mike audet[1]
Messages: 129
Registered: February 2006
|
Senior Member |
|
|
Not yet, but it's on the todo list, if only to fix the time/sample rate bugs.
"Cujo" <chris@applemanstudio.com> wrote:
>
>
>
>Any delay stuff ?
>
>
>"Mike Audet" <mike@....> wrote:
>>
>>If nothing else, I'm going to turn PARIS into one hell of an effects box.
>>:)
>>
>>There is a lot more to come. :)
>>
>>
>>"James McCloskey" <excelsm@hotmail.com> wrote:
>>>
>>>Hey Mike, if you keep this up, Mr. you know who, will have to buy another
>>>Paris system or he'll....well you know; )
>>>
>>>"Tom Bruhl" <arpegio@comcast.net> wrote:
>>>>
>>>>
>>>>OK we have the three existing Paris reverbs that were . . . ok. Plate
>>>>being my favorite usually but not really that great without some =
>>>>doctoring.
>>>>
>>>>THE DP/4 HALL REVERB THAT MIKE PORTED OVER IS THE S & % T !
>>>>
>>>>The DP/4 Hall is what we've all been waiting for as an EDS verb.
>>>>A noticeable stereo spread with stereo inputs too.
>>>>Sweet long tails, short tails without the 'ringing' , lots of easy to
>=
>>>>use
>>>>parameters for early reflections, panning, low end decay, etc..
>>>>
>>>>There is no question this one is worth every dollar you can muster up.
>>>>Herman
>>>>
>>>>
>>>>
>>>> "Gantt Kushner" <ganttmann@comcast.com> wrote in message =
>>>>news:47f79f62$1@linux...
>>>>
>>>> Aaargh!!! We gotta get you a Mac!
>>>>
>>>> Gantt
>>>>
>>>> "Mike Audet" <mike@..> wrote:
>>>> >
>>>> >Hi All,=20
>>>> >
>>>> >I just finished the a PARIS version of the hall reverb from the DP/4.
>>>=
>>>> I'm
>>>> >not sure how much it was changed from the original when it was ported
>>>=
>>>>to
>>>> >the ESP2 chip, but it sounds incredible. You can load 4 instances
>of
>>>=
>>>>it
>>>> >on one EDS card. =20
>>>> >
>>>> >You can get a copy at www.ensoniq.ca.
>>>> >
>>>> >Next stop is the vocal plate.
>>>> >
>>>> >All the best!
>>>> >
>>>> >Mike
>>>>
>>>>
>>>>
>>>>I choose Polesoft Lockspam to fight spam, and you?
>>>>http://www.polesoft.com/refer.html
>>>>
>>>><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
>>>><HTML><HEAD>
>>>><META http-equiv=3DContent-Type content=3D"text/html; =
>>>>charset=3Diso-8859-1">
>>>><META content=3D"MSHTML 6.00.2900.2180" name=3DGENERATOR>
>>>><STYLE></STYLE>
>>>></HEAD>
>>>><BODY bgColor=3D#ffffff>
>>>><DIV><FONT face=3DArial size=3D2>OK we have the three existing Paris
=
>>>>reverbs that=20
>>>>were . . . ok. Plate</FONT></DIV>
>>>><DIV><FONT face=3DArial size=3D2>being my favorite usually but not =
>>>>really that great=20
>>>>without some doctoring.</FONT></DIV>
>>>><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
>>>><DIV><FONT face=3DArial size=3D2>THE DP/4 HALL REVERB THAT MIKE PORTED
>>=
>>>>OVER IS=20
>>>>THE <U>S & % T</U> !</FONT></DIV>
>>>><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
>>>><DIV><FONT face=3DArial size=3D2>The DP/4 Hall is what we've all been
>=
>>>>waiting for as=20
>>>>an EDS verb.</FONT></DIV>
>>>><DIV><FONT face=3DArial size=3D2>A noticeable stereo spread with stereo
>>>=
>>>>inputs=20
>>>>too.</FONT></DIV>
>>>><DIV><FONT face=3DArial size=3D2>Sweet long tails, short tails without
>>=
>>>>the 'ringing'=20
>>>>, lots of easy to use</FONT></DIV>
>>>><DIV><FONT face=3DArial size=3D2>parameters for early reflections, =
>>>>panning, low end=20
>>>>decay, etc..</FONT></DIV>
>>>><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
>>>><DIV><FONT face=3DArial size=3D2>There is no question this one is worth=20
>>>>every dollar you can muster up.</FONT></DIV>
>>>><DIV><FONT face=3DArial size=3D2>Herman</FONT></DIV>
>>>><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
>>>><DIV> </DIV>
>>>><DIV><FONT face=3DArial size=3D2></FONT> </DIV>
>>>><BLOCKQUOTE=20
>>>>style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
>>>>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
>>>> <DIV>"Gantt Kushner" <<A=20
>>>> href=3D"mailto:ganttmann@comcast.com">ganttmann@comcast.com</A>> =
>>>>wrote in=20
>>>> message <A=20
>>>> =
>>>>href=3D"news:47f79f62$1@linux">news:47f79f62$1@linux</A>...</DIV><BR>Aaar=
>>>>gh!!! =20
>>>> We gotta get you a Mac!<BR><BR>Gantt<BR><BR>"Mike Audet" =
>>>><mike@..>=20
>>>> wrote:<BR>><BR>>Hi All, <BR>><BR>>I just finished the a =
>>>>PARIS=20
>>>> version of the hall reverb from the DP/4. I'm<BR>>not sure =
>>>>how much=20
>>>> it was changed from the original when it was ported to<BR>>the ESP2
>=
>>>>chip,=20
>>>> but it sounds incredible. You can load 4 instances of =
>>>>it<BR>>on one=20
>>>> EDS card. <BR>><BR>>You can get a copy at <A=20
>>>> href=3D"http://www.ensoniq.ca">www.ensoniq.ca</A>.<BR>><BR>>Next =
>>>>stop is=20
>>>> the vocal plate.<BR>><BR>>All the=20
>>>>best!<BR>><BR>>Mike<BR></BLOCKQUOTE>
>>>><DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam,
>=
>>>>and=20
>>>>you?<BR><A=20
>>>>href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
>>>>.html</A> </FONT></DIV></BODY></HTML>
>>>>
>>>>
>>>
>>
>
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