Home » The PARIS Forums » PARIS: Main » OT: Guitar Newbie In Need of Guidance from Guitar Gurus
| OT: Guitar Newbie In Need of Guidance from Guitar Gurus [message #54813] |
Wed, 22 June 2005 14:58  |
emarenot
Messages: 345
Registered: June 2005
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Senior Member |
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> > >
> > >
>
>One of my all-time favorite movies, red stapler, efficiency experts and all.
Dubya
"uptown jimmy" <johnson314@bellsouth.net> wrote in message
news:42ba134b$1@linux...
> Is it true that you can punch a horse on the nose and reduce it to a
> quivering wreck? Come to think of it, that probably works on most
> mammals...
>
> Deej, have you ever seen "office Space"? It's one of my top five comedies
> ever. Sublime, so good it hurts your feelings. Anyway, it has, amongst
> other
> gems, a classic bit where the three buddies exact their revenge on a
> terminally recalcitrant piece of office equipment...so good...
>
> Jimmy
>
> "Mr Simplicity" <animix_spamless_@animas.net> wrote in message
> news:42b9a275@linux...
>> I'm thinking target practice with my .44, or ju
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| Re: Guitar Newbie In Need of Guidance from Guitar Gurus [message #54826 is a reply to message #54819] |
Thu, 23 June 2005 05:15  |
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another.
>And another. After a while you'll have a vocabulary of cool licks to use
>when improvising.
I agree completely. It is also true that one of the best ways to learn to
write songs or break a writer's block is to learn to play a bunch of other
people's songs.Good words.
Jimmy
"Gantt Kushner" <gizmo@his.com> wrote in message
news:42BAA7DE.C174C318@his.com...
> Get a good teacher.
>
> And/or pick a tune that has a cool solo on it. First learn to sing the
solo.
> Then go looking for the notes on the neck. Most likely you'll find the
> patterns
> the guy was using. Once you figure that one out pick another. And
another.
> And another. After a while you'll have a vocabulary of cool licks to use
> when improvising.
>
> Scales are scales, not music. Using other people's "systems" seems to me a
> lot like learning Morse code and then being told "OK, now say something".
> First you have to have something to say. Learning how to type won't make
> you an author, but having a story to tell can certainly make you learn to
type!
>
> Gantt
>
> uptown jimmy wrote:
>
> > Greek. You're speakin' Greek to me, and I've been playing guitar for 10
> > years. For better or worse...
> >
> > Jimmy
> >
> > "Mike R." <emarenot@yahoo.com> wrote in message news:42b9df09$1@linux...
> > >
> > > I've been playing guitar for years, but I've never gotten into
learning to
> > > improvise/solo until now. I thought try on my own for awhile, to make
> > sure
> > > I'm committed before finding a teacher. But, I'm not sure which is
the
> > best
> > > approach to learning. I've downloaded some teaching software
> > (www.guitarscalesmethod.com),
> > > and I've also gotten some books full of scale patterns. It seems like
I'm
> > > presented with two different approaches:
> > > 1. This guitarscales thingy is teaching 5 "grid" patterns that contain
> > within
> > > them all the modes and scales needed. But you don't really learn the
Gantt Kushner
Gizmo Recording Company
Silver Spring, MD
www.gizmorecording.com
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| Re: Guitar Newbie In Need of Guidance from Guitar Gurus [message #54827 is a reply to message #54813] |
Thu, 23 June 2005 06:31 |
D-unit
Messages: 69
Registered: February 2006
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Member |
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/>
> > scale
> > > pattern per se. Essentially, you learn these grids and from there you
> > learn
> > > scale patterns, modes etc...
> > > 2. The other approach seems to be to learn scale patterns for all the
> > modes,
> > > gradually increasing your scale pattern vocabulary, and learn the
notes on
> > > the entire neck. None of this grid stuff.
> > > Gosh, I'm ashamed of my newbiness, but I want to go about this in the
most
> > > efficient way I can, and there must be approaches that are more
efficient
> > > than others. (By the way, I have a good grounding in theory and
technique
> > > -though I'm mostly a rhythm player.)
> > > Any thoughts would be appreciated.
> > > MR
> > >
>I'm a relatively conservative guy, but I have got to say this current government
has gone nuts with the corporate greed shit. Talk about repressive regimes!!!!
This sucks!!! It is time WE THE PEOPLE ARE HEARD!!!!!
READ THIS!
http://apnews.excite.com/article/20050623/D8ATDSD80.htmlSorry to post off topic. We can move this thread to the general board, if
anybody has a comment.
James
"James McCloskey" <excelsm@hotmail.com> wrote:
>
>I'm a relatively conservative guy, but I have got to say this current government
>has gone nuts with the corporate greed shit. Talk about repressive regimes!!!!
> This sucks!!! It is t
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| Re: OT: Guitar Newbie In Need of Guidance from Guitar Gurus [message #54828 is a reply to message #54813] |
Thu, 23 June 2005 07:13 |
"Kris" .
Messages: 27
Registered: June 2006
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Junior Member |
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ime WE THE PEOPLE ARE HEARD!!!!!
>
>READ THIS!
>
>http://apnews.excite.com/article/20050623/D8ATDSD80.htmlGene,
There a reason for this madness. I've been following your posts carefully
and it's pretty obvious as I have more time to get into this why you have
been doing your mix moves and automation in the native app and pans in Paris
(no way to pan otherwise if the native tracks aren't feeding a stereo buss,
now is there, plus, if a track in the native app is being sent to a reverb
or other effect and the effects are being physically bussed to an aux in
Paris, lowering the fader on the Paris track doesn't reduce the amount of
reverb being sent-it's a prefader scenaio which can only be solved by using
inserts on the native tracks if fader moves are to be made in Paris). I was
looking at an 8 fader controller because the 9th fader and the other
functions aren't really that necessary- the Houston, Radikal or Mackie
controllers are more designed to work in a scenario where there is a mix
bus. I guess I could assign the 9thfader of one of these units to my drum
bus, or another bus though. I'm trying tio decide whether to just order
another Behringer and see if it works or buy a more sophisticated
controller. The Tascam 24 fader controller looks damned nice, but I Cubase
SX 3 doesn't support it.......Murphy's law, eh?
Maybe a Houston controller. Since they are obsolete and unsupported, it
would be right at home here. Half my gear is no longer being
manufactured/supported. I'm gonna rename this place *The Studio Of The
Living Dead*.
;o)
"gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
news:42ba4503$1@linux...
>
>James McCloskey wrote:
> I'm a relatively conservative guy, but I have got to say this current government
> has gone nuts with the corporate greed shit. Talk about repressive regimes!!!!
> This sucks!!! It is time WE THE PEOPLE ARE HEARD!!!!!
>
> READ THIS!
>
> http://apnews.excite.com/article/20050623/D8ATDSD80.html
That is truly sickening..
TCHmmm..
If it were 48khz then it would play faster than slower.
The project is at 44.1.
I will have to look at it.
Thanks.
"HeavyD" <dave@giantkiller.ca> wrote in message news:42bace61@linux...
> Sorry I couldn't resist
> OK maybe ther is a drummer in your system(speeds up slows down)
> My Paris also makes the boing sound but more when the wife walks by ;-)~
> Peace
> D
>
>
> "rick" <Report message to a moderator
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| Re: Guitar Newbie In Need of Guidance from Guitar Gurus [message #54909 is a reply to message #54862] |
Sat, 25 June 2005 06:30 |
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ere that it's possible to control one pc across
> a network. I'd like to use a laptop to view the screen of my paris
> computer.
> That way I can have the C16 and a silent laptop in the tracking room so I
> can control the Paris PC in the control room remotely. All I need to be
> able
> to see is the screen - I don't need to actually be able to control it
> (though
> that might be a bonus), since the C16 will do everything (I'm hesistant to
> use the c16 alone blind!). I know networking a Paris PC isn't ideal,
> but...
>
>
> Thanks
> DanThanks Doug! and happy birthday in advance!
Its the 29th of June if I'm not mistaken. Oh yaa and
the same to Martin Harrington
respect
NappyHas anyone tried to install this yet? Any problems?
ThanksThanks for all the responses. Tightvnc looks like the ticket, particularly
since it's free! A monitor cable's probably out of the question - it'd need
to be about 13-14 metres long!
Cheers,
D
"Mike" <spamthis@alltel.net> wrote:
>http://www.tightvnc.com/
>
>
>
>
>"Dan B" <mrrinse@NOSPAMyahoo.com> wrote in message news:42bd1d72$1@linux...
>>
>> Hi,
>> I remember reading somewhere that it's possible to control one pc across
>> a network. I'd like to use a laptop to view the screen of my paris
>> computer.
>> That way I can have the C16 and a silent laptop in the tracking room so
I
>> can control the Paris PC in the control room remotely. All I need to be
>> able
>> to see is the screen - I don't need to actually be able to control it
>> (though
>> that might be a bonus), since the C16 will do everything (I'm hesistant
to
>> use the c16 alone blind!). I know networking a Paris PC isn't ideal,
>> but...
>>
>>
>> Thanks
>> Dan
>
>Hi,
I want to use my J-Station or Focusrite Platinum Tonefactory as a DI box
straight into a recorder, and then later “re-amp” via the J-Station (using
an insert on the recorder) and rerecord the J output. My only worry is that
there will be an impedance mismatch and level mismatch which will adversely
affect sound quality: see http://www.soundonsound.com/sos/jun04/articles/qa0604-3.htm
Presumably the J input is configured as a hi-zi instrument level input only
(unless anyone knows any different… !).
Alternatively, as the J has I presume a buffered bypass (and I have two of
them), I could run the signal into one J bypassed and then into the other
J non-bypassed (though this seems a bit silly, but checkout the above article).
Just to clarify, from the SOS article I understand that there may be level
and impedance issues with amp, but does this also apply to fx units (e.g.
J-Station, normal Pod, any guitar effects), or are such units equally happy
with line and guitar level inputs?
Many thanks
Danielgoogle TIGHTVNC. You'll love it. Let me know if you have any
questions. Just install the Server on the box you want to view and the
Viewer on the box you will view from. The middle viewer (fast
compression i think) works best for me.
John
Chas. Duncan wrote:
> Or you could use a dual-head graphics card to clone your main screen
> via longer cable (I use 25' here, no problem) out to a flat panel in
Gantt Kushner
Gizmo Recording Company
Silver Spring, MD
www.gizmorecording.com
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