Home » The PARIS Forums » PARIS: Main » OK, I need help with logistics on a long recording
| OK, I need help with logistics on a long recording [message #84953] |
Mon, 21 May 2007 17:02  |
Paul Braun
Messages: 391
Registered: September 2005
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Senior Member |
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FIrst, I'm running v2 on a Mac right now.
I just tracked the last concert at the theatre - more or less 16
tracks for two hours.
I want the finished product to be continuous with track markers.
I know I can just split it into two halves, mix those, drop 'em into a
mastering program and lay in track markers.
However, as you can imagine, keeping your focus for an hour at a time
watching up to 16 channels can be damn tough. I've ruined several
takes because my brain wandered when I was supposed to bring something
up or down.
What I really want to know is if there's a way to tell Paris to stop
exactly on a marker. I can drop in markers for where I want each
track to start and stop, mix those chunks, and then drop the chunks
into Toast with zero gappage.
Can this be done? I want this thing done, but having to keep full
attention for an hour at a time is getting to be a problem.
Thanks!
pab
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| Re: OK, I need help with logistics on a long recording [message #84958 is a reply to message #84953] |
Mon, 21 May 2007 18:00  |
Aaron Allen
Messages: 1988
Registered: May 2008
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Senior Member |
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Cut your tracks, all of them, on markers.
Render selections, name/folder them as you see fit.
Mix each in it's own PPJ.
AA
"Paul Braun" <cygnus_nospam@ctgonline.org> wrote in message
news:dgc4531klks56jm2l74h1tbv247o2psrmi@4ax.com...
> FIrst, I'm running v2 on a Mac right now.
>
> I just tracked the last concert at the theatre - more or less 16
> tracks for two hours.
>
> I want the finished product to be continuous with track markers.
>
> I know I can just split it into two halves, mix those, drop 'em into a
> mastering program and lay in track markers.
>
> However, as you can imagine, keeping your focus for an hour at a time
> watching up to 16 channels can be damn tough. I've ruined several
> takes because my brain wandered when I was supposed to bring something
> up or down.
>
> What I really want to know is if there's a way to tell Paris to stop
> exactly on a marker. I can drop in markers for where I want each
> track to start and stop, mix those chunks, and then drop the chunks
> into Toast with zero gappage.
>
> Can this be done? I want this thing done, but having to keep full
> attention for an hour at a time is getting to be a problem.
>
> Thanks!
>
> pab
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| Re: OK, I need help with logistics on a long recording [message #84960 is a reply to message #84953] |
Mon, 21 May 2007 21:08 |
emarenot
Messages: 345
Registered: June 2005
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Senior Member |
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Paul,
I don't think you can get Paris to automatically stop or start on marker
points.
Could you split the project out across several submixes? You could break it
into thirty minute chunks -one chunk for each submix. If you moved each
"chunk" ahead to its proper place on the original time line, you could then
use render to disk to get a seamless two track mix when you're done.
Take care, MR
"Paul Braun" <cygnus_nospam@ctgonline.org> wrote in message
news:dgc4531klks56jm2l74h1tbv247o2psrmi@4ax.com...
> FIrst, I'm running v2 on a Mac right now.
>
> I just tracked the last concert at the theatre - more or less 16
> tracks for two hours.
>
> I want the finished product to be continuous with track markers.
>
> I know I can just split it into two halves, mix those, drop 'em into a
> mastering program and lay in track markers.
>
> However, as you can imagine, keeping your focus for an hour at a time
> watching up to 16 channels can be damn tough. I've ruined several
> takes because my brain wandered when I was supposed to bring something
> up or down.
>
> What I really want to know is if there's a way to tell Paris to stop
> exactly on a marker. I can drop in markers for where I want each
> track to start and stop, mix those chunks, and then drop the chunks
> into Toast with zero gappage.
>
> Can this be done? I want this thing done, but having to keep full
> attention for an hour at a time is getting to be a problem.
>
> Thanks!
>
> pab
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| Re: OK, I need help with logistics on a long recording [message #84965 is a reply to message #84961] |
Mon, 21 May 2007 19:51 |
michael bliss
Messages: 61
Registered: September 2005
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Member |
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just find where you want to split the tracks and select all and cut on marker
line. Then, move all the first section into a new project. Name it something
else, since it's a new song, or first half... etc!
That's what Aaron was talking about.
mb
Paul Braun <cygnus_nospam@ctgonline.org> wrote:
>On Mon, 21 May 2007 20:00:56 -0500, "Aaron Allen"
><know-spam@not_here.dude> wrote:
>
>>Cut your tracks, all of them, on markers.
>>Render selections, name/folder them as you see fit.
>>Mix each in it's own PPJ.
>>
>>AA
>
>Problem with that is I'm running Paris 2 - so I can't just render 'em
>out. I"m stuck with realtime rendering.
>
>I can split and mix each as it's own ppj, but then I have to import
>each track into a wave editor and cut each one exactly at the start
>and end so they play back seamlessly.....
>
>Or am I missing something here?
>
>pab
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| Re: OK, I need help with logistics on a long recording [message #84975 is a reply to message #84965] |
Mon, 21 May 2007 20:21 |
Paul Braun
Messages: 391
Registered: September 2005
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Senior Member |
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On 22 May 2007 12:51:00 +1000, "michael bliss" <mbliss1@austin.rr.com>
wrote:
>
>just find where you want to split the tracks and select all and cut on marker
>line. Then, move all the first section into a new project. Name it something
>else, since it's a new song, or first half... etc!
>That's what Aaron was talking about.
>
I'll probably just find more convenient break points - like mentioned
before, say somewhere around 30min each. It should be easy enough to
find a spot that will allow me to split without creating an obvious
edit point in the finished tracks.
If I would just spend the $300 to get v.3, I could render segments.
But I can't justify that, especially considering the current state of
support. If I'm dropping $300 on a piece of software, there better be
soemone there to support it.
pab
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