| PARIS rig items still available. Incl. (6) 8-In [message #53214] |
Sun, 18 September 2005 10:34  |
Jay Belton
Messages: 24
Registered: September 2005
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Junior Member |
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LD
>
> Other goodies: (All have original boxes and manuals)
> (0) Yamaha TX-81Z $60 - $SOLD
> (1) Sonnet Crescendo $250
> (G4 PCI CPU/800 mHz)
> (1) MOTU MTP AV (Serial) $75 - 8 MIDI ports
> (0) Alesis Wedges $75 - Waiting on payment.
> (1) Electrix MoFX $150
> (1) Electrix Filter Queen $125
> (1) Behringer PX-200 $25 - this is an unbalanced patch bay.
>
> Ask Morgan from East Coast if you need a reference. :)
>
> PayPal is cool with me and actually preferred.
>
> Please take into account any shipping costs. I will ship via UPS ground
unless
> you specify otherwise.
>
> Replace diespam with jaybelton to reply.
>
> If you want to peruse my web site then you can stick music DOT before my
> domain name and DOT com after it.
>
> Take care,
> Jay Belton
>I'll give you $20 for the burnt EDS card.
"Jay Belton" <PARIS@diespam.com> wrote:
>
>Hey there PARIS peeps,
>
>If there's no more interest in these items I going to go ahead and put them
>on eBay this Wednesday like I mentioned earlier. I'm NOT 100% firm on these
>prices. I am willing to consider any reasonable offers. I will delay eBay
>again if I get more inquiries. (I don't really like eBay, it's much easier
>to do this here! :)
>
>(2) Black Face MECs $250
> (Original boxes)
> (1 missing two face plates
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| Re: PARIS rig items still available. Incl. (6) 8-In [message #53215 is a reply to message #53214] |
Sun, 18 September 2005 23:52  |
Dimitrios
Messages: 1056
Registered: August 2005
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Senior Member |
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& a funky-ish original box)
>(0) EDS 1000 (Original box) $250 $SOLD.
>(1) EDS 1000 (Original box) BO
> (Has two melted components, Seems to work still - AS-IS, obviously).
>(1) C-16 (Original box) $125
>(6) 8 Ins (Original boxes) $325
>(0) 8 outs (Original boxes) $325 BOTH $SOLD
>
>Other goodies: (All have original boxes and manuals)
> (0) Yamaha TX-81Z $60 - $SOLD
> (1) Sonnet Crescendo $250
> (G4 PCI CPU/800 mHz)
> (1) MOTU MTP AV (Serial) $75 - 8 MIDI ports
> (0) Alesis Wedges $75 - Waiting on payment.
> (1) Electrix MoFX $150
> (1) Electrix Filter Queen $125
> (1) Behringer PX-200 $25 - this is an unbalanced patch bay.
>
>Ask Morgan from East Coast if you need a reference. :)
>
>PayPal is cool with me and actually preferred.
>
>Please take into account any shipping costs. I will ship via UPS ground
unless
>you specify otherwise.
>
>Replace diespam with jaybelton to reply.
>
>If you want to peruse my web site then you can stick music DOT before my
>domain name and DOT com after it.
>
>Take care,
>Jay Belton
>Search "Ensoniq Paris" on ebay, one there.
"Perry" <puigar@yahoo.com> wrote in message news:432ce40d$1@linux...
>
> Anyone to sell their copy?Hi,
I have a Mackie UAD1 which comes with LA2 and 1176LN as standard so it is
closer to Studio pack than to Project pack.
I also have a 442 Paris interface, a nice Oktava MC012 (upgraded with Toshiba
transistor and better caps) with LOMO head !~for that Neumann mic sound,
comes with -10 pad.
I also have a U-control UC-16 USB/midi controller.
I trade all these or part of it with Paris stuff like Mec (this only from
Europe due to expense and tax) EDS card, in/out cards.
Just make me an offer.
Regards,
DimitriosThanks
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| Re: PARIS rig items still available. Incl. (6) 8-In [message #53226 is a reply to message #53214] |
Fri, 23 September 2005 14:26 |
michael bliss
Messages: 61
Registered: September 2005
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Member |
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/>
conventional mics. Distorted guitar is one of the best examples. Quite
often one tends to EQ the heck out of the track causing untold Phase
damage rendering it unable to sit well in any mix. Using a Ribbon is
perfect in this situation , the mic captures the sound naturally -
thus allowing the guitar to sit perfectly well in the mix without any
nastiness or brittle high end trash that one usually expects.
A brief overview of Ribbons - RCA was known for developing some of the
most popular Ribbon Mics the RCA 77DX and RCA 74B.
The vintage ribbon mics are Dynamic and use a 6 micron membrane, and
there are a number of low end mics that also use 6 micron. Developments
in the last 10 years have allowed thinner diaphragms to be practical to
produce and the newer more expensive ribbon mice have diaphragms ranging
from 3 microns to 1.8 (about the current limit). The thinner diaphragms
offer better impedance matching and superior high frequency response.
The inexpensive Ribbon mics often to have a higher impedance which this
does tends to make them low in output , a significant drop off in High
Frequency,a bit noisy and quite sensitive to cable
length and load from a preamp. Finding an optimal combination can be a
challenge.
The most popular Ribbon mic presently has been the Royer 2.5 Micron
membrane Model R-121.
We have measured the impedance to be @ 470 ohms (as opposed to the
published 300 Ohms)
These mics sell for Approx $1200 each
http://www.royerlabs.com/r_121.html
SE has used Royer among many others as a benchmark. In doing so, They
started out with a
6 micron Membrane Dynamic with the Clear goal of doing everything
Better than the rest.
Better High Frequency response, Higher output, Lower noise and Lower
impedance - 200 Ohms to be precise.
I Have Wave files recorded of the 6 micron prototype and 2 micron final
production model that I can email and or post.
SE managed to completely knock the Ball out of the park with this. And
in doing so , they have perfected
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