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Re: Power Outage... [message #60267 is a reply to message #60258] |
Tue, 15 November 2005 08:05 |
Deej [1]
Messages: 2149 Registered: January 2006
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Senior Member |
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r />
href=3D"news:4379ff64$1@linux">news:4379ff64$1@linux</A>...</DIV>I was =
using a=20
danish B&O ribbon mic live in the early sixties on my voice. =
<BR>We had 2=20
of them in my first orchestra "The Peace Pipes". Fantastic sounding =
<BR>mics=20
with only one problem, we had to learn how to eliminate the=20
popups.<BR><BR>Erling<BR><BR>"Chris Lang" <<A=20
href=3D"mailto:yo@yo.yo">yo@yo.yo</A>> skrev i melding <A=20
=
href=3D"news:437994c1$1@linux">news:437994c1$1@linux</A>...<BR>><BR>&g=
t; I=20
just had to chime in on the ribbon mic issue.<BR>> Thanks to =
someone's=20
recommendation here (I can't remember who),<BR>> I thought I would =
give a=20
46L a try, considering the glowing<BR>> reviews and the great =
prices at=20
Shiny Box.<BR>><BR>> I used the 46L on my soprano sax. =
Now, one of=20
the reasons I<BR>> started getting involved in recording in the =
first place=20
was the<BR>> frustraton I experienced whenever I played soprano in=20
the<BR>> studio. It always sounded thin- and then I learned =
about=20
mic<BR>> technique, and could get the occasional engineer to mic =
from=20
the<BR>> side as well as on the bell. That was better, but =
until=20
I<BR>> shelled out 700 bucks for an SD System set-up, it wasn't=20
great.<BR>> Until now, I would use the SD double-side-mic system, =
plus=20
put<BR>> a Rode Classic mic on the bell. That's 3 mics,=20
$2000.<BR>><BR>> I used the 46L about a foot of
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