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Re: Mastering in PARIS [message #103900 is a reply to message #103899] |
Thu, 30 July 2009 11:59 |
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Welcome to the forums, Jeremy! It was indeed mastering engineer Sakis Anastopoulos who contributed enormously to the body of knowledge on mastering in Paris. I'm going to try to drop him an email today to ask if he'd have any objection to the Wiki serving the dithering tutorials he made.
I did start the forums/wiki, and you're very welcome - I just saw a lot of resources succumbing to "net rot" and disappearing, so it just kinda had to be done. But the reason they've got over 50,000 posts in them is because of Kim's cooperation, both in startup and in the working out of kinks in syncing the two.
The spec was to always run them in sync - sort of a "NG community" venue and a "platform development" effort, naturally with extensive overlap between the two. That went on for several months before the NG's disappearance (we still have no idea what's happened).
I also owe a great deal to Chuck for starting the whole ball rolling many years ago and to PARIS' de facto archivists, Steve "artguy" Della Maggiora (whose name I solemnly commit to spelling correctly henceforth ), John Bercik, Doug Wellington, AA and many others. It's they who effectively preserved the platform's history.
"... being bitter is like swallowing poison and waiting for the other guy to die..." - anon
[Updated on: Thu, 30 July 2009 13:05] Report message to a moderator
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