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Is Paris DSP architecture based on analog modelling? [message #66330]

Fri, 07 April 2006 20:28

Deej [1]

Messages: 2149
Registered: January 2006

Senior Member

I'm experimenting (some more) with using SX as a standalone host for UAD-1
plugins. One wall I'm hitting here that isn't problematic when hosting the
audio tracks in Cubase SX and then streaming the tracks from SXx into Paris
with the UAD-1 plugs on SX tracks is that when sending a *hot* Paris track
directly over ADAT to a channel in SX and routing it through a UAD-1 plugin
on an SX insert and returning it over ADAT to Paris is that it's clipping
the UAD-1 plugin. Lowering the fader on the SX mono input channel or
reducing the level of the audiio being sent from Paris to the SX channel
(pretty much the same thing, but somethow a bit different sounding
sonically) mitigates the clipping (this makes sense-it's clipping the UAD-1
input). Well.....this is OK, makeup gain is available at the comp or at the
Cubase output channel.

Almost too many options to deal with here.

What never ceases to amaze is how, once this Paris signal is into the SX
architecture and past the clipping stage, how much processing and makeup
gain can be applied and how well Paris handles the super hot signal being
returned to the Paris channed via the insert..

As we all know by now.....this is the secret sauce. It just doesn't make any
sense. I wonder if we've got the first and only *modelling DAW*. I recall
seeing a picture of SSC sitting in front of a heavily modified Midas console
in his personal studio.

Is this what we're hearing?

Thanks

Deej

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[Message index]

		Is Paris DSP architecture based on analog modelling? By: Deej [1] on Fri, 07 April 2006 20:28
		Re: Is Paris DSP architecture based on analog modelling? By: Cujjo on Sun, 09 April 2006 05:35
		Re: Is Paris DSP architecture based on analog modelling? By: Kim on Sun, 09 April 2006 16:54

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