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When good IF-2's go bad [message #58224] Thu, 15 September 2005 12:25 Go to next message
Deej [1] is currently offline  Deej [1]   UNITED STATES
Messages: 2149
Registered: January 2006
Senior Member
terally caused our ears to hurt. At first we though it was the
> outboard equipment so we did a loopback and the problem persisted.
> Replaced it with another IF/2 and the problem went away. The old IF/2
> is in a Goodwill somewhere
>
> :o
Re: When good IF-2's go bad [message #58227 is a reply to message #58224] Thu, 15 September 2005 13:43 Go to previous messageGo to next message
JeffH is currently offline  JeffH   UNITED STATES
Messages: 307
Registered: October 2007
Location: Wamic, OR
Senior Member
asional snare with a brush on it over in the
corner.(nice sounding room)... How did the white coat lads approach
this in ye olden days? Preferred mics, placement, signal path, all
that good stuff. Music is sparse jazzy piano vocal -- need that thing
to be capital G gorgeous...

Any and all suggestions gratefully accepted -- Chas."Eugene B." <martinlancer@hotmail.com> wrote:
>
>What are your favourite mastering plugins.
>I have the waves gold and uad studio pak
>and all the plugs in logic most of the paris plugs.

Izotpe Ozone is very good, IMO
<
Re: When good IF-2's go bad [message #58228 is a reply to message #58227] Thu, 15 September 2005 13:55 Go to previous message
Deej [1] is currently offline  Deej [1]   UNITED STATES
Messages: 2149
Registered: January 2006
Senior Member
br /> NeilThat's piano 101?

Here I was expecting "Where's middle C"? ;o)Well, i dont know what the white-coated dudes did, but I always
liked a c-414 over the low wires and another over the highs.
As for vox mic... whatever works with the singers' voice... how
much more simple could it be? Brushed-only snare? Stick a nice
condensor into a clean mic pre a foot or so away & see what you
get... adjust distance as necessary.

Neil



Chas. Duncan <duncan5199@SPAMLESSsbcglobal.net> wrote:
>Okay group, your thoughts please: Grand piano, with vocal... Best
>ideas for the killer sound... Nobody else in the room 'cept maybe a
>little stand up bass, occasional snare with a brush on it over in the
>corner.(nice sounding room)... How did the white coat lads approach
>this in ye olden days? Preferred mics, placement, signal path, all
>that good stuff. Music is sparse jazzy piano vocal -- need that thing
>to be capital G gorgeous...
>
>Any and all suggestions gratefully accepted -- Chas.
>
>Take the lid off. KM84's spaced stereo pair, about 18-24 inches
apart, right over the hammers. Good, short cables. preamp right
there on the floor. Use
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