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OK guys..here's my take on it [message #75506]

Mon, 06 November 2006 18:23

Messages: 1124
Registered: July 2005

Senior Member

I'm playing back a project that I'm so familiar with that it almost sickens
me to listen to it .........that's how many times I've heard it. I can tell
you every sonic nuance in this song ad nauseum for the entire (almost) 4
minutes that it plays.

I've got a totally dry mix of it up in Cubase right now.

I have created 30 stereo ASIO busses in the Creamware control panel and I'm
bussing twenty mono tracks to 20 of these stereo busses (the others will be
reserved for other things later).

When playing this project back, I'm getting something that is close enough
to what I hear with Paris that I think it's going to satisfy me. Not sure
yet. The Paris soundstage may be a little broader, but the jury is still out
on this because I don't have any ambience or delays and ambience and delays
were all over the original mix. Since this mix in it's *dry* state is giving
me something that I find to be sonically similar to what I got in Paris,
that's a promising situation.

I think the pan law in SX may be different than Paris, but I keep hearing on
the Pulsar NG that I should be mixing in the Pulsar mixer rather than the
Cubase mixer so I think the pan law in the Creamware mixer may be a bit
different still. That's a bit of a different animal and I haven't tried it
yet, but as a summing bus, it's giving me a little headroom and the center
of the mix is not collapsing or sounding harsh and muddy.

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Re: OK guys..here's my take on it [message #75527 is a reply to message #75506]

Tue, 07 November 2006 04:15

John [1]

Messages: 2229
Registered: September 2005

Senior Member

It doesn't have to satisfy you. It has to satisfy your wife!

DJ wrote:
> I'm playing back a project that I'm so familiar with that it almost sickens
> me to listen to it .........that's how many times I've heard it. I can tell
> you every sonic nuance in this song ad nauseum for the entire (almost) 4
> minutes that it plays.
>
> I've got a totally dry mix of it up in Cubase right now.
>
> I have created 30 stereo ASIO busses in the Creamware control panel and I'm
> bussing twenty mono tracks to 20 of these stereo busses (the others will be
> reserved for other things later).
>
> When playing this project back, I'm getting something that is close enough
> to what I hear with Paris that I think it's going to satisfy me. Not sure
> yet. The Paris soundstage may be a little broader, but the jury is still out
> on this because I don't have any ambience or delays and ambience and delays
> were all over the original mix. Since this mix in it's *dry* state is giving
> me something that I find to be sonically similar to what I got in Paris,
> that's a promising situation.
>
> I think the pan law in SX may be different than Paris, but I keep hearing on
> the Pulsar NG that I should be mixing in the Pulsar mixer rather than the
> Cubase mixer so I think the pan law in the Creamware mixer may be a bit
> different still. That's a bit of a different animal and I haven't tried it
> yet, but as a summing bus, it's giving me a little headroom and the center
> of the mix is not collapsing or sounding harsh and muddy.
>
>
>
>

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Re: OK guys..here's my take on it [message #75546 is a reply to message #75527]

Tue, 07 November 2006 11:03

rick

Messages: 1976
Registered: February 2006

Senior Member

ooooooooooooooooooooooooooooooh...i'd stay out of texarado ifin i was
you pardner.

On Tue, 07 Nov 2006 07:15:18 -0500, John <no@no.com> wrote:

>It doesn't have to satisfy you. It has to satisfy your wife!
>
>DJ wrote:
>> I'm playing back a project that I'm so familiar with that it almost sickens
>> me to listen to it .........that's how many times I've heard it. I can tell
>> you every sonic nuance in this song ad nauseum for the entire (almost) 4
>> minutes that it plays.
>>
>> I've got a totally dry mix of it up in Cubase right now.
>>
>> I have created 30 stereo ASIO busses in the Creamware control panel and I'm
>> bussing twenty mono tracks to 20 of these stereo busses (the others will be
>> reserved for other things later).
>>
>> When playing this project back, I'm getting something that is close enough
>> to what I hear with Paris that I think it's going to satisfy me. Not sure
>> yet. The Paris soundstage may be a little broader, but the jury is still out
>> on this because I don't have any ambience or delays and ambience and delays
>> were all over the original mix. Since this mix in it's *dry* state is giving
>> me something that I find to be sonically similar to what I got in Paris,
>> that's a promising situation.
>>
>> I think the pan law in SX may be different than Paris, but I keep hearing on
>> the Pulsar NG that I should be mixing in the Pulsar mixer rather than the
>> Cubase mixer so I think the pan law in the Creamware mixer may be a bit
>> different still. That's a bit of a different animal and I haven't tried it
>> yet, but as a summing bus, it's giving me a little headroom and the center
>> of the mix is not collapsing or sounding harsh and muddy.
>>
>>
>>
>>

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