The PARIS Forums


Home » The PARIS Forums » PARIS: Main » The Loudness War
The Loudness War [message #88554] Wed, 25 July 2007 23:54 Go to next message
excelav is currently offline  excelav   
Messages: 2130
Registered: July 2005
Location: Metro Detroit
Senior Member
Your thoughts?

http://www.youtube.com/watch?v=3Gmex_4hreQ
Re: The Loudness War [message #88558 is a reply to message #88554] Thu, 26 July 2007 01:38 Go to previous messageGo to next message
rick is currently offline  rick   UNITED STATES
Messages: 1976
Registered: February 2006
Senior Member
i was told "having thoughts" wasn't a good thing so i've stopped
having them...i think...yup, not a one here.

On 26 Jul 2007 16:54:11 +1000, "James McCloskey"
<excelsm@hotmail.com> wrote:

>
>Your thoughts?
>
>http://www.youtube.com/watch?v=3Gmex_4hreQ
Re: The Loudness War [message #88560 is a reply to message #88554] Thu, 26 July 2007 04:28 Go to previous messageGo to next message
John [1] is currently offline  John [1]
Messages: 2229
Registered: September 2005
Senior Member
It's obvious stuff. You either want dynamics or not. I send everyone back
to Thriller school to listen to what dynamics are.

You start to freeze as horror looks you right between the eyes,
Youre paralyzed
Chorus
cause this is thriller, thriller night
And no ones gonna save you from the beast about strike
You know its thriller, thriller night
Youre fighting for your life inside a killer, thriller tonight
Re: The Loudness War [message #88561 is a reply to message #88554] Thu, 26 July 2007 06:21 Go to previous messageGo to next message
DJ is currently offline  DJ   UNITED STATES
Messages: 1124
Registered: July 2005
Senior Member
"James McCloskey" <excelsm@hotmail.com> wrote in message
news:46a84513$1@linux...
>
> Your thoughts?
>
> http://www.youtube.com/watch?v=3Gmex_4hreQ

.............there's a volume knob?
Re: The Loudness War [message #88564 is a reply to message #88554] Thu, 26 July 2007 10:56 Go to previous messageGo to next message
LaMont is currently offline  LaMont
Messages: 828
Registered: October 2005
Senior Member
Interesting.. To be honet, I'm forgeting what dynamics sounds like these day..

"James McCloskey" <excelsm@hotmail.com> wrote:
>
>Your thoughts?
>
>http://www.youtube.com/watch?v=3Gmex_4hreQ
Re: The Loudness War [message #88565 is a reply to message #88564] Thu, 26 July 2007 11:52 Go to previous messageGo to next message
rick is currently offline  rick   UNITED STATES
Messages: 1976
Registered: February 2006
Senior Member
sad...

On 27 Jul 2007 03:56:35 +1000, "LaMont" <jjdpro@ameritech.net> wrote:

>
>Interesting.. To be honet, I'm forgeting what dynamics sounds like these day..
>
>"James McCloskey" <excelsm@hotmail.com> wrote:
>>
>>Your thoughts?
>>
>>http://www.youtube.com/watch?v=3Gmex_4hreQ
Re: The Loudness War [message #88566 is a reply to message #88554] Thu, 26 July 2007 12:40 Go to previous messageGo to next message
excelav is currently offline  excelav   
Messages: 2130
Registered: July 2005
Location: Metro Detroit
Senior Member
Just something to think about when mixing and mastering.


"James McCloskey" <excelsm@hotmail.com> wrote:
>
>Your thoughts?
>
>http://www.youtube.com/watch?v=3Gmex_4hreQ
Re: The Loudness War [message #88593 is a reply to message #88564] Fri, 27 July 2007 22:34 Go to previous messageGo to next message
Chris Latham is currently offline  Chris Latham   UNITED STATES
Messages: 109
Registered: June 2005
Senior Member
DYNAMICS... we're playing as loud as we can!!!


"LaMont" <jjdpro@ameritech.net> wrote in message news:46a8e053$1@linux...
>
> Interesting.. To be honet, I'm forgeting what dynamics sounds like these
> day..
>
> "James McCloskey" <excelsm@hotmail.com> wrote:
>>
>>Your thoughts?
>>
>>http://www.youtube.com/watch?v=3Gmex_4hreQ
>
Re: The Loudness War [message #88594 is a reply to message #88593] Fri, 27 July 2007 22:58 Go to previous messageGo to next message
Tom Bruhl is currently offline  Tom Bruhl   UNITED STATES
Messages: 1368
Registered: June 2007
Senior Member
This is a multi-part message in MIME format.

------=_NextPart_000_01AB_01C7D0BA.CD1294F0
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

When mixing I like the concept of make everything louder than everything =
else . . .
"Chris Latham" <latham_c@bellsouth.net> wrote in message =
news:46aac8fc$1@linux...
DYNAMICS... we're playing as loud as we can!!!


"LaMont" <jjdpro@ameritech.net> wrote in message =
news:46a8e053$1@linux...
>
> Interesting.. To be honet, I'm forgeting what dynamics sounds like =
these=20
> day..
>
> "James McCloskey" <excelsm@hotmail.com> wrote:
>>
>>Your thoughts?
>>
>>http://www.youtube.com/watch?v=3D3Gmex_4hreQ
>=20




I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
------=_NextPart_000_01AB_01C7D0BA.CD1294F0
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>When mixing I like the concept of make =
everything=20
louder than everything else . . .</FONT></DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Chris Latham" &lt;<A=20
href=3D"mailto:latham_c@bellsouth.net">latham_c@bellsouth.net</A>&gt; =
wrote in=20
message <A=20
=
href=3D"news:46aac8fc$1@linux">news:46aac8fc$1@linux</A>...</DIV>DYNAMICS=
....=20
we're playing as loud as we can!!!<BR><BR><BR>"LaMont" &lt;<A=20
href=3D"mailto:jjdpro@ameritech.net">jjdpro@ameritech.net</A>&gt; =
wrote in=20
message <A=20
=
href=3D"news:46a8e053$1@linux">news:46a8e053$1@linux</A>...<BR>&gt;<BR>&g=
t;=20
Interesting.. To be honet, I'm forgeting what dynamics sounds like =
these=20
<BR>&gt; day..<BR>&gt;<BR>&gt; "James&nbsp; McCloskey" &lt;<A=20
href=3D"mailto:excelsm@hotmail.com">excelsm@hotmail.com</A>&gt;=20
wrote:<BR>&gt;&gt;<BR>&gt;&gt;Your=20
=
thoughts?<BR>&gt;&gt;<BR>&gt;&gt;http://www.youtube.com/watch?v=3D3Gmex_4=
hreQ<BR>&gt;=20
<BR><BR></BLOCKQUOTE>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
and=20
you?<BR><A=20
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A>&nbsp;&nbsp;&nbsp;</FONT></DIV></BODY ></HTML>

------=_NextPart_000_01AB_01C7D0BA.CD1294F0--
Re: The Loudness War [message #88596 is a reply to message #88594] Sat, 28 July 2007 08:19 Go to previous messageGo to next message
Chris Latham is currently offline  Chris Latham   UNITED STATES
Messages: 109
Registered: June 2005
Senior Member
It is funny... the number of times you hear, "can you turn up the (blank)",
as opposed to the few times you hear somebody ask "can up turn down the
(blank)?"


"Tom Bruhl" <arpegio@comcast.net> wrote in message news:46aadc15$1@linux...
When mixing I like the concept of make everything louder than everything
else . . .
Re: The Loudness War [message #88622 is a reply to message #88596] Sun, 29 July 2007 19:35 Go to previous message
Tom Bruhl is currently offline  Tom Bruhl   UNITED STATES
Messages: 1368
Registered: June 2007
Senior Member
This is a multi-part message in MIME format.

------=_NextPart_000_0025_01C7D230.CA6F3F60
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

Hey Chris,
I don't mix with others in the room anymore. I couldn't stand the =
learning curve
that invariably took a complete 10 or more tracks for the band to learn =
the method.

I spend time understanding the bands concept of their production, I give =
my input, we agree=20
and then I mix. Once a mix is very very close to complete I email them =
a copy to get their=20
input again. Usually we're good, if not, it's one more time or have one =
or two members visit for
final tweaks. This is much less stressful for me and more fun/creative =
in general. I am usually
easy on the hourly rate just for the freedom it provides me. Everyone =
wins this way and
no silly comments in the control room at the most inopportune times.
T.

"Chris Latham" <latham_c@bellsouth.net> wrote in message =
news:46ab5213$1@linux...
It is funny... the number of times you hear, "can you turn up the =
(blank)",=20
as opposed to the few times you hear somebody ask "can up turn down =
the=20
(blank)?"


"Tom Bruhl" <arpegio@comcast.net> wrote in message =
news:46aadc15$1@linux...
When mixing I like the concept of make everything louder than =
everything=20
else . . .=20




I choose Polesoft Lockspam to fight spam, and you?
http://www.polesoft.com/refer.html
------=_NextPart_000_0025_01C7D230.CA6F3F60
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable

<!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
<HTML><HEAD>
<META http-equiv=3DContent-Type content=3D"text/html; =
charset=3Diso-8859-1">
<META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
<STYLE></STYLE>
</HEAD>
<BODY bgColor=3D#ffffff>
<DIV><FONT face=3DArial size=3D2>Hey Chris,</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>I don't mix with others in the room =
anymore.&nbsp;=20
I couldn't stand the learning curve</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>that invariably took a complete 10 or =
more tracks=20
for the band to learn the method.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>I spend time understanding the bands =
concept of=20
their production, I give my input, we agree&nbsp;</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>and then I mix.&nbsp; </FONT><FONT =
face=3DArial=20
size=3D2>Once a mix is very very close to complete I email them a copy =
to get=20
their </FONT></DIV>
<DIV><FONT face=3DArial size=3D2>input again.&nbsp; </FONT><FONT =
face=3DArial=20
size=3D2>Usually we're good, if not, it's one more time or have one or =
two members=20
visit for</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>final tweaks.&nbsp; This is much less =
stressful for=20
me and more fun/creative in general.&nbsp; I am usually</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>easy on the hourly rate just for the =
freedom it=20
provides me.&nbsp; Everyone wins this way and</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>no silly comments in the control room =
at the most=20
inopportune times.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2>T.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<BLOCKQUOTE=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Chris Latham" &lt;<A=20
href=3D"mailto:latham_c@bellsouth.net">latham_c@bellsouth.net</A>&gt; =
wrote in=20
message <A =
href=3D"news:46ab5213$1@linux">news:46ab5213$1@linux</A>...</DIV>It=20
is funny... the number of times you hear, "can you turn up the =
(blank)",=20
<BR>as opposed to the few times you hear somebody ask "can up turn =
down the=20
<BR>(blank)?"<BR><BR><BR>"Tom Bruhl" &lt;<A=20
href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>&gt; wrote =
in message=20
<A href=3D"news:46aadc15$1@linux">news:46aadc15$1@linux</A>...<BR>When =
mixing I=20
like the concept of make everything louder than everything <BR>else . =
.. .=20
<BR><BR></BLOCKQUOTE>
<DIV><FONT size=3D2><BR><BR>I choose Polesoft Lockspam to fight spam, =
and=20
you?<BR><A=20
href=3D"http://www.polesoft.com/refer.html">http://www.polesoft.com/refer=
..html</A>&nbsp;&nbsp;&nbsp;</FONT></DIV></BODY ></HTML>

------=_NextPart_000_0025_01C7D230.CA6F3F60--
Previous Topic: here's one for you guitar players
Next Topic: Paris pics - Rented Donkey etc
Goto Forum:
  


Current Time: Mon Dec 16 00:33:41 PST 2024

Total time taken to generate the page: 0.03392 seconds