| Re: NS10's....is it just me? [message #72328 is a reply to message #72326] |
Wed, 13 September 2006 11:18  |
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brandon[2]
Messages: 380
Registered: June 2006
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Senior Member |
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Dont forget to put the little piece of toilet paper over the tweeters for
the
authentic NS10 experience!!!
--
Brandon Goodwin
Process Engineering
Pentech Assembly
"Gantt Kushner" <ganttmann@comcast.net> wrote in message
news:4508439a$1@linux...
>
> The thing that's cool about my JVC boombox is that the "Hyperbass" and
the
> peizo tweeters exacerbate any problems I may have in the highs and lows.
> If everything sits right at high AND low volumes - and I'm talking about
> low enough to talk over without straining - then it'll probably translate
> to most any other system.
>
> Gantt
>
> "Lance Reichert" <lance.rocks@nospam.verizon.net> wrote:
> >Hey Grant, I've used my JVC kaboom for mixing a few times as well. The
basss
> >is unreal, but
> >man, the mids are great for checking guitar and voice.
> >
> >Lance
> >
> >
> >"Gantt Kushner" <ganttmann@comcast.net> wrote in message
> >news:4504c8b2$1@linux...
> >>
> >> Oops. I suppose it'd be good to actuallt type in a response!
> >>
> >> I drive my NS-10M's w/ a Bryston 4B (250 watts/side). I seldom use
them,
> >> preferring my old Tannoy SGM 10B's, but I have to admit that the
NS-10M's
> >> are great for checking the stereo image. Where the Tannoys sometimes
> seem
> >> a little hazy in the center the NS-10's are rock solid. They're good
> for
> >> checking relationships in the mix (especially vocals), but I still
love
> >> my Tannoys. My real secret weapon, however, is my JVC PC-V2 Boombox w/
> >Hyper
> >> Bass. No mix leaves without passing the boombox test at high, low and
> >very
> >> low volumes. I have another in case this one dies, but if they both
kick
> >> the bucket I may have to retire!
> >>
> >> Gantt
> >>
> >> "Gantt Kushner" <ganttmann@comcast.net> wrote:
> >> >
> >> >"DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >> >>These things seem to have some qualities relating to stereo imaging
> that
> >> >are
> >> >>very obvious. I don't think I've ever used a pair of monitors where
> the
> >> >>stereo image would seem to shift so drastically when moving even a
> >little
> >> >>bit outside the sweet spot. At the same time, when monitoring in the
> >sweet
> >> >>spot, it's very obvious where t6he various instruments lie in the
> >> >>soundstage.
> >> >>
> >> >>Combining these with a subwoofer is absolutely necessary in my room
> as
> >> they
> >> >>are 5' from the back wall of the CR and there is no standing wave
action
> >> >>happening in the CR to reinforce any of the LF at all.
> >> >>
> >> >>I'm enjoying learning these monitors. It's becoming more and more
> >obvious
> >> >to
> >> >>me why these have been a staple in studios for a long
> >> >>time.............plus........like 90% of everything else here,
including
> >> >>me......they're obsolete!!!!!!
> >> >>
> >> >>
> >> >
> >>
> >
> >
>
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