Home » The PARIS Forums » PARIS: Main » OH &%$#&^*#$%&!!!!!!!!
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Re: OH &%$#&^*#$%&!!!!!!!! [message #79041 is a reply to message #79040] |
Fri, 26 January 2007 13:46 |
Deej [4]
Messages: 1292 Registered: January 2007
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Senior Member |
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I was gonna' say..........;o)
Hey John, if you have a chance, would you give me a call?
970-769-0488
thanks,
Deej
"John" <no@no.com> wrote in message news:45ba7518@linux...
> what a dumbass! hahaha
>
> DJ wrote:
>> Well I was sorta' hoping this wouldn't happen but it did and now I may be
>> doomed. What I have always objected to with the native mix bus is the
>> *crowded* feeling that happens when summing. this is also the reason I
>> have jumped through so many hoops to keep Paris viable. There's this
>> feeling of space at the ass end of a mix. I know this can be very much
>> changed by gain staging tracks and busses.
>>
>> Well, I just got the Neve 5042 happening across the mix bus of Cubase 4
>> (the reason I was hearing phasing was because, like a dumbass, I was
>> monitoring the mix channel in Totalmix...but anyway) and I am playing
>> back a 30 track mix with no subbussing, no gainstaging, etc. Switching
>> the 65042 in to the bus results in a lot of the same spaciousness on the
>> top end that I hear in Paris.
>>
>> You know, of course, what this means.............
>>
>> ;o)
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Re: OH &%$#&^*#$%&!!!!!!!! Neve 8816!!! Another Level!! [message #79100 is a reply to message #79032] |
Sun, 28 January 2007 00:00 |
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Dj, And others do a search on my post about analog summing. I told you ..
DJ, I recommended to you (2 months ) ago to get the
Neve 8816 http://www.vintageking.com/New-Brands/Neve-AMS/Neve-8816-Sum ming-Mixer
In-which you kindly ignorged me (Lol!!) .. But, hey, I tried. Now you know
what I've been experiencing all yead (2006) when I started using a Soundcraft
Ghost to summ.. MAN!!! What a difference. You make better choices and my
mixes translate very well to other studios or to car. What ever I hear in
the studio, is the way it sounds everywhere else. But, the sound!! Man, mixes
just opens ups ..Punchier, tighter..
Aperson would have to drop a $$$ coins to get that sound (ITB).. By adding
(Apogees or Lyxn0 Converters with a Lucid or Big Ben Clock..This is close,
but still missing some third order harmonic..
Like at our Church's studio, PTHD3 sound way amazing due to that SSL 4000
G/Plus with E series EQs and Lucid 96 clock on the 192s..Way tighter than
the Big Ben.. That config, makes my Paris (same Song) mixes sound like drab.
No kidding. It's emabarresing..(Lol!!)..
But, when I drag paris into the Studio sum out to the SSL, BooM!! new Mix!!
..out to the Rosetta..into the Alesis MAsterlink.. Tight focused, ballanced..
And what I cannot recommend to all Cubase/Neundo users to go analog summing..
Put the(Paris) back into you mixes.
Mont...
"DJ" <www.aarrrrggghhh!!!.com> wrote:
>Well I was sorta' hoping this wouldn't happen but it did and now I may be
>doomed. What I have always objected to with the native mix bus is the
>*crowded* feeling that happens when summing. this is also the reason I have
>jumped through so many hoops to keep Paris viable. There's this feeling
of
>space at the ass end of a mix. I know this can be very much changed by gain
>staging tracks and busses.
>
>Well, I just got the Neve 5042 happening across the mix bus of Cubase 4
(the
>reason I was hearing phasing was because, like a dumbass, I was monitoring
>the mix channel in Totalmix...but anyway) and I am playing back a 30 track
>mix with no subbussing, no gainstaging, etc. Switching the 65042 in to the
>bus results in a lot of the same spaciousness on the top end that I hear
in
>Paris.
>
>You know, of course, what this means.............
>
>;o)
>
>
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