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| Re: NoLimit lookahead latency [message #58225 is a reply to message #58217] |
Thu, 15 September 2005 13:26  |
Rod Lincoln
Messages: 883
Registered: September 2005
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Senior Member |
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)
>
> JH
>
> DJ wrote:
> > It's ugly. Started having *lots* of clocking problems. Traced it to an
IF-2
> > that had started going south, it seems. If you start having unexplained
> > wierdness and have IF-2's hooked up to you MEC, try unplugging them and
see
> > if that fixes the problem.
> >
> > Deej
> >
> >I've been using AKG K240 (600 ohm Gold series) for years.I primarily use
them just for double checking relative levels of tracks and reverb sends.
Since I seldom use them and don't recall ever having used them when mixing
bluegrass projects, something wierd has come to my attention.
I've noticed a huge discrepancy between these and what I'm hearing on my
reference monitors as far as levels go when mixing dobro and mandolin. It's
really strange that it would be just the frequencies in these two
instruments. The dobro sounds *much louder* in the cans than it does in the
speaker and the mandolin sounds *much softer*.
I'm wondering if it's a wierd anomalie in my room and I should be trusting
more in the cans as far as relative levels are concerned.
I'm also wondering if there is a set of cans out there that is recommended
or better regarded than the K240's for this kind of job.
DeejBill Hubauer <bill@tenpointten.com> wrote:
>
>Hi all,
>
>I used to hang out here all the time, but its probably been a few years
>now. I just stopped by to see if there was still activity.
>
>I don't use PARIS much any more except for basic tracks, then I move
>everything into Logic Pro for overdubs and mixing.
>
>I've been seduced by the plug-ins and automation available in Logic.
>And yes, I can hear a difference on the mix buss... It still wrenches
>my gut sometimes, but I can't help myself. ;-)
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