Home » The PARIS Forums » PARIS: Main » Hey Mike, Can you squeeze a couple more seconds out of the Paris delays?
| Hey Mike, Can you squeeze a couple more seconds out of the Paris delays? [message #99425] |
Fri, 04 July 2008 10:17  |
no
Messages: 40
Registered: January 2008
|
Member |
|
|
...Even a maximum of two seconds would be really cool.
Only too often I find that 1 second is just not quite enough.
Probably a limitation of the ESP's, dare I say it.
I know... I can always use native, but it gets tiring splicing
dead air onto the end of objects, just to allow the delays to
decay naturally.
I'd pay for the luxury.
Kim
|
|
|
|
|
|
| Re: Hey Mike, Can you squeeze a couple more seconds out of the Paris delays? [message #99430 is a reply to message #99429] |
Fri, 04 July 2008 21:28  |
Rod Lincoln
Messages: 883
Registered: September 2005
|
Senior Member |
|
|
I know you've probably thought of this, but you can put 2 delays in series.
Make the first one a straight delay with no feedback, and add as much as
you need to the second delay which will probably be maxed out time wise and
have some feedback.
Or...copy the track to another track, delay that track the amount you need
to make the delay work with the existilng Paris delay (if you want a 2 second
delay, delay the first track 1 second, then add the delay plug on an aux.)
mute that track and set it to sent pre fade. Yes it would be cool to have
a 2 second delay, but I've done this a few times and it's not a big deal.
Rod
"Tom Bruhl" <arpegio@comcast.net> wrote:
>> I'd pay for the luxury.
>
>Ya me too.
>
>A little shnazzy filtering and/or distortion in the
>feedback loop would be cool too.
>
>Tom
>
>
>"Kim W." <no@freakin'.way> wrote in message news:486e5b1c$1@linux...
>>
>> ..Even a maximum of two seconds would be really cool.
>> Only too often I find that 1 second is just not quite enough.
>> Probably a limitation of the ESP's, dare I say it.
>> I know... I can always use native, but it gets tiring splicing
>> dead air onto the end of objects, just to allow the delays to
>> decay naturally.
>> I'd pay for the luxury.
>> Kim
>
>
|
|
|
|
| Re: Hey Mike, Can you squeeze a couple more seconds out of the Paris delays? [message #99431 is a reply to message #99430] |
Fri, 04 July 2008 22:30 |
Tom Bruhl
Messages: 1368
Registered: June 2007
|
Senior Member |
|
|
Ya Rod, and add an amp emulator, eq or any plug-in at that stage for color
is nice.
I've been there too.
It's amazing how easy we all want everything to be these days? ! I used to
have to
route through the patchbay for all this good stuff. I was happy that it was
there
and even possible.
I'm betting Mike never expected to be designing effects for us when he
started out.
I am just so appreciative of his effort to this point I feel silly asking
for more than he's
already given.
So, in my silly sort of tone, Mike can you do it?
Tom
"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message
news:486ef859$1@linux...
>
> I know you've probably thought of this, but you can put 2 delays in
> series.
> Make the first one a straight delay with no feedback, and add as much as
> you need to the second delay which will probably be maxed out time wise
> and
> have some feedback.
> Or...copy the track to another track, delay that track the amount you need
> to make the delay work with the existilng Paris delay (if you want a 2
> second
> delay, delay the first track 1 second, then add the delay plug on an aux.)
> mute that track and set it to sent pre fade. Yes it would be cool to have
> a 2 second delay, but I've done this a few times and it's not a big deal.
> Rod
> "Tom Bruhl" <arpegio@comcast.net> wrote:
>>> I'd pay for the luxury.
>>
>>Ya me too.
>>
>>A little shnazzy filtering and/or distortion in the
>>feedback loop would be cool too.
>>
>>Tom
>>
>>
>>"Kim W." <no@freakin'.way> wrote in message news:486e5b1c$1@linux...
>>>
>>> ..Even a maximum of two seconds would be really cool.
>>> Only too often I find that 1 second is just not quite enough.
>>> Probably a limitation of the ESP's, dare I say it.
>>> I know... I can always use native, but it gets tiring splicing
>>> dead air onto the end of objects, just to allow the delays to
>>> decay naturally.
>>> I'd pay for the luxury.
>>> Kim
>>
>>
>
|
|
|
|
| Re: Hey Mike, Can you squeeze a couple more seconds out of the Paris delays? [message #99433 is a reply to message #99431] |
Sat, 05 July 2008 07:12 |
Mike Audet
Messages: 294
Registered: December 2008
|
Senior Member |
|
|
Hi Guys,
I promise I will do a rockin' delay. Right now, I'm just spending all of
my time trying to get NoLimit to compile on the Mac. I feel like I'm close,
but I still haven't got a finished library to test.
I hope you are enjoying the compressor. It's basically a slightly modified
sexual chocolate, which is cool to finally get out to people.
Cheers!
Mike
"Tom Bruhl" <arpegio@comcast.net> wrote:
>Ya Rod, and add an amp emulator, eq or any plug-in at that stage for color
>is nice.
>I've been there too.
>
>It's amazing how easy we all want everything to be these days? ! I used
to
>have to
>route through the patchbay for all this good stuff. I was happy that it
was
>there
>and even possible.
>
>I'm betting Mike never expected to be designing effects for us when he
>started out.
>I am just so appreciative of his effort to this point I feel silly asking
>for more than he's
>already given.
>
>So, in my silly sort of tone, Mike can you do it?
>
>Tom
>
>
>
>
>
>
>"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message
>news:486ef859$1@linux...
>>
>> I know you've probably thought of this, but you can put 2 delays in
>> series.
>> Make the first one a straight delay with no feedback, and add as much
as
>> you need to the second delay which will probably be maxed out time wise
>> and
>> have some feedback.
>> Or...copy the track to another track, delay that track the amount you
need
>> to make the delay work with the existilng Paris delay (if you want a 2
>> second
>> delay, delay the first track 1 second, then add the delay plug on an aux.)
>> mute that track and set it to sent pre fade. Yes it would be cool to have
>> a 2 second delay, but I've done this a few times and it's not a big deal.
>> Rod
>> "Tom Bruhl" <arpegio@comcast.net> wrote:
>>>> I'd pay for the luxury.
>>>
>>>Ya me too.
>>>
>>>A little shnazzy filtering and/or distortion in the
>>>feedback loop would be cool too.
>>>
>>>Tom
>>>
>>>
>>>"Kim W." <no@freakin'.way> wrote in message news:486e5b1c$1@linux...
>>>>
>>>> ..Even a maximum of two seconds would be really cool.
>>>> Only too often I find that 1 second is just not quite enough.
>>>> Probably a limitation of the ESP's, dare I say it.
>>>> I know... I can always use native, but it gets tiring splicing
>>>> dead air onto the end of objects, just to allow the delays to
>>>> decay naturally.
>>>> I'd pay for the luxury.
>>>> Kim
>>>
>>>
>>
>
>
|
|
|
|
| Re: Hey Mike, Can you squeeze a couple more seconds out of the Paris delays? [message #99434 is a reply to message #99433] |
Sat, 05 July 2008 08:40 |
Tom Bruhl
Messages: 1368
Registered: June 2007
|
Senior Member |
|
|
Hi Mike,
Well I haven't tried it yet but I might have had you named it
Sexual Chocolate II ! It's all in the marketing huh?
I'll chime in after I get it going.
Tom
"Mike Audet" <mike@...> wrote in message news:486f8148$1@linux...
>
> Hi Guys,
>
> I promise I will do a rockin' delay. Right now, I'm just spending all of
> my time trying to get NoLimit to compile on the Mac. I feel like I'm
> close,
> but I still haven't got a finished library to test.
>
> I hope you are enjoying the compressor. It's basically a slightly
> modified
> sexual chocolate, which is cool to finally get out to people.
>
> Cheers!
>
> Mike
>
>
> "Tom Bruhl" <arpegio@comcast.net> wrote:
>>Ya Rod, and add an amp emulator, eq or any plug-in at that stage for color
>
>>is nice.
>>I've been there too.
>>
>>It's amazing how easy we all want everything to be these days? ! I used
> to
>>have to
>>route through the patchbay for all this good stuff. I was happy that it
> was
>>there
>>and even possible.
>>
>>I'm betting Mike never expected to be designing effects for us when he
>>started out.
>>I am just so appreciative of his effort to this point I feel silly asking
>
>>for more than he's
>>already given.
>>
>>So, in my silly sort of tone, Mike can you do it?
>>
>>Tom
>>
>>
>>
>>
>>
>>
>>"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message
>>news:486ef859$1@linux...
>>>
>>> I know you've probably thought of this, but you can put 2 delays in
>>> series.
>>> Make the first one a straight delay with no feedback, and add as much
> as
>>> you need to the second delay which will probably be maxed out time wise
>
>>> and
>>> have some feedback.
>>> Or...copy the track to another track, delay that track the amount you
> need
>>> to make the delay work with the existilng Paris delay (if you want a 2
>
>>> second
>>> delay, delay the first track 1 second, then add the delay plug on an
>>> aux.)
>>> mute that track and set it to sent pre fade. Yes it would be cool to
>>> have
>>> a 2 second delay, but I've done this a few times and it's not a big
>>> deal.
>>> Rod
>>> "Tom Bruhl" <arpegio@comcast.net> wrote:
>>>>> I'd pay for the luxury.
>>>>
>>>>Ya me too.
>>>>
>>>>A little shnazzy filtering and/or distortion in the
>>>>feedback loop would be cool too.
>>>>
>>>>Tom
>>>>
>>>>
>>>>"Kim W." <no@freakin'.way> wrote in message news:486e5b1c$1@linux...
>>>>>
>>>>> ..Even a maximum of two seconds would be really cool.
>>>>> Only too often I find that 1 second is just not quite enough.
>>>>> Probably a limitation of the ESP's, dare I say it.
>>>>> I know... I can always use native, but it gets tiring splicing
>>>>> dead air onto the end of objects, just to allow the delays to
>>>>> decay naturally.
>>>>> I'd pay for the luxury.
>>>>> Kim
>>>>
>>>>
>>>
>>
>>
>
|
|
|
|
| Re: Hey Mike, Can you squeeze a couple more seconds out of the Paris delays? [message #99438 is a reply to message #99434] |
Sat, 05 July 2008 11:15 |
Mike Audet
Messages: 294
Registered: December 2008
|
Senior Member |
|
|
Hi Tom,
I considered that, but I used to record a lot of kids with their parents
sitting on a couch behind me. Having "Sexual Chocolate" on the screen would
have been awkward.
You can always change it yourself, though. Just go into the ini file and
look for "variable Knee Compressor" and change it to whatever you like. :)
All the best,
Mike
"Tom Bruhl" <arpegio@comcast.net> wrote:
>Hi Mike,
>
>Well I haven't tried it yet but I might have had you named it
>Sexual Chocolate II ! It's all in the marketing huh?
>
>I'll chime in after I get it going.
>
>Tom
>
>"Mike Audet" <mike@...> wrote in message news:486f8148$1@linux...
>>
>> Hi Guys,
>>
>> I promise I will do a rockin' delay. Right now, I'm just spending all
of
>> my time trying to get NoLimit to compile on the Mac. I feel like I'm
>> close,
>> but I still haven't got a finished library to test.
>>
>> I hope you are enjoying the compressor. It's basically a slightly
>> modified
>> sexual chocolate, which is cool to finally get out to people.
>>
>> Cheers!
>>
>> Mike
>>
>>
>> "Tom Bruhl" <arpegio@comcast.net> wrote:
>>>Ya Rod, and add an amp emulator, eq or any plug-in at that stage for color
>>
>>>is nice.
>>>I've been there too.
>>>
>>>It's amazing how easy we all want everything to be these days? ! I used
>> to
>>>have to
>>>route through the patchbay for all this good stuff. I was happy that
it
>> was
>>>there
>>>and even possible.
>>>
>>>I'm betting Mike never expected to be designing effects for us when he
>>>started out.
>>>I am just so appreciative of his effort to this point I feel silly asking
>>
>>>for more than he's
>>>already given.
>>>
>>>So, in my silly sort of tone, Mike can you do it?
>>>
>>>Tom
>>>
>>>
>>>
>>>
>>>
>>>
>>>"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message
>>>news:486ef859$1@linux...
>>>>
>>>> I know you've probably thought of this, but you can put 2 delays in
>>>> series.
>>>> Make the first one a straight delay with no feedback, and add as much
>> as
>>>> you need to the second delay which will probably be maxed out time wise
>>
>>>> and
>>>> have some feedback.
>>>> Or...copy the track to another track, delay that track the amount you
>> need
>>>> to make the delay work with the existilng Paris delay (if you want a
2
>>
>>>> second
>>>> delay, delay the first track 1 second, then add the delay plug on an
>>>> aux.)
>>>> mute that track and set it to sent pre fade. Yes it would be cool to
>>>> have
>>>> a 2 second delay, but I've done this a few times and it's not a big
>>>> deal.
>>>> Rod
>>>> "Tom Bruhl" <arpegio@comcast.net> wrote:
>>>>>> I'd pay for the luxury.
>>>>>
>>>>>Ya me too.
>>>>>
>>>>>A little shnazzy filtering and/or distortion in the
>>>>>feedback loop would be cool too.
>>>>>
>>>>>Tom
>>>>>
>>>>>
>>>>>"Kim W." <no@freakin'.way> wrote in message news:486e5b1c$1@linux...
>>>>>>
>>>>>> ..Even a maximum of two seconds would be really cool.
>>>>>> Only too often I find that 1 second is just not quite enough.
>>>>>> Probably a limitation of the ESP's, dare I say it.
>>>>>> I know... I can always use native, but it gets tiring splicing
>>>>>> dead air onto the end of objects, just to allow the delays to
>>>>>> decay naturally.
>>>>>> I'd pay for the luxury.
>>>>>> Kim
>>>>>
>>>>>
>>>>
>>>
>>>
>>
>
>
|
|
|
|
| Re: Hey Mike, Can you squeeze a couple more seconds out of the Paris delays? [message #99439 is a reply to message #99438] |
Sat, 05 July 2008 11:19 |
Tom Bruhl
Messages: 1368
Registered: June 2007
|
Senior Member |
|
|
You did the right thing for both of us.
"Mike Audet" <mike@...> wrote in message news:486fba3f$1@linux...
>
> Hi Tom,
>
> I considered that, but I used to record a lot of kids with their parents
> sitting on a couch behind me. Having "Sexual Chocolate" on the screen
> would
> have been awkward.
>
> You can always change it yourself, though. Just go into the ini file and
> look for "variable Knee Compressor" and change it to whatever you like. :)
>
> All the best,
>
> Mike
>
> "Tom Bruhl" <arpegio@comcast.net> wrote:
>>Hi Mike,
>>
>>Well I haven't tried it yet but I might have had you named it
>>Sexual Chocolate II ! It's all in the marketing huh?
>>
>>I'll chime in after I get it going.
>>
>>Tom
>>
>>"Mike Audet" <mike@...> wrote in message news:486f8148$1@linux...
>>>
>>> Hi Guys,
>>>
>>> I promise I will do a rockin' delay. Right now, I'm just spending all
> of
>>> my time trying to get NoLimit to compile on the Mac. I feel like I'm
>>> close,
>>> but I still haven't got a finished library to test.
>>>
>>> I hope you are enjoying the compressor. It's basically a slightly
>>> modified
>>> sexual chocolate, which is cool to finally get out to people.
>>>
>>> Cheers!
>>>
>>> Mike
>>>
>>>
>>> "Tom Bruhl" <arpegio@comcast.net> wrote:
>>>>Ya Rod, and add an amp emulator, eq or any plug-in at that stage for
>>>>color
>>>
>>>>is nice.
>>>>I've been there too.
>>>>
>>>>It's amazing how easy we all want everything to be these days? ! I used
>>> to
>>>>have to
>>>>route through the patchbay for all this good stuff. I was happy that
> it
>>> was
>>>>there
>>>>and even possible.
>>>>
>>>>I'm betting Mike never expected to be designing effects for us when he
>>>>started out.
>>>>I am just so appreciative of his effort to this point I feel silly
>>>>asking
>>>
>>>>for more than he's
>>>>already given.
>>>>
>>>>So, in my silly sort of tone, Mike can you do it?
>>>>
>>>>Tom
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>
>>>>"Rod Lincoln" <rlincoln@nospam.kc.rr.com> wrote in message
>>>>news:486ef859$1@linux...
>>>>>
>>>>> I know you've probably thought of this, but you can put 2 delays in
>>>>> series.
>>>>> Make the first one a straight delay with no feedback, and add as much
>>> as
>>>>> you need to the second delay which will probably be maxed out time
>>>>> wise
>>>
>>>>> and
>>>>> have some feedback.
>>>>> Or...copy the track to another track, delay that track the amount you
>>> need
>>>>> to make the delay work with the existilng Paris delay (if you want a
> 2
>>>
>>>>> second
>>>>> delay, delay the first track 1 second, then add the delay plug on an
>
>>>>> aux.)
>>>>> mute that track and set it to sent pre fade. Yes it would be cool to
>
>>>>> have
>>>>> a 2 second delay, but I've done this a few times and it's not a big
>
>>>>> deal.
>>>>> Rod
>>>>> "Tom Bruhl" <arpegio@comcast.net> wrote:
>>>>>>> I'd pay for the luxury.
>>>>>>
>>>>>>Ya me too.
>>>>>>
>>>>>>A little shnazzy filtering and/or distortion in the
>>>>>>feedback loop would be cool too.
>>>>>>
>>>>>>Tom
>>>>>>
>>>>>>
>>>>>>"Kim W." <no@freakin'.way> wrote in message news:486e5b1c$1@linux...
>>>>>>>
>>>>>>> ..Even a maximum of two seconds would be really cool.
>>>>>>> Only too often I find that 1 second is just not quite enough.
>>>>>>> Probably a limitation of the ESP's, dare I say it.
>>>>>>> I know... I can always use native, but it gets tiring splicing
>>>>>>> dead air onto the end of objects, just to allow the delays to
>>>>>>> decay naturally.
>>>>>>> I'd pay for the luxury.
>>>>>>> Kim
>>>>>>
>>>>>>
>>>>>
>>>>
>>>>
>>>
>>
>>
>
|
|
|
|
|
|
|
|
|
|
Goto Forum:
Current Time: Fri Nov 22 12:36:20 PST 2024
Total time taken to generate the page: 0.02259 seconds
|
The PARIS Forums
Search
Help
Members
Register
Login
Home
