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Re: Ribbon Mics [message #56823 is a reply to message #56776] |
Thu, 11 August 2005 10:51 |
volthause
Messages: 30 Registered: August 2005
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Member |
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dio where she gives vocal lessons -
she wants to have a CD containing various vocal exercises,
rather than burning one at a time containing different
exercises for her students at various intervals in their
progress (which is what she's doing now). Can I get some quotes
from any of you who can do this?
Let's say a quantity of 100, shrink-wrapped, with nice & clean,
professional-looking artwork (but nothing too outrageous in
terms of graphics) on the cover, printing on the cd (no
paper labels), no mastering would be needed for something like
this, so no need to include that in the pricing. This is for
regular audio CD's that can be played back on a standard CD
player , and please specify if it's duplicated or replicated in
your price quote. Give me an idea of variances between B&W &
4-color artwork if you can handle either or both.
We'd also need a UPC code since she may decide to make them
available for sale online at a later date, as well; so please
include that in your pricing.
Send your pricing to me at:
neil DOT henderson AT sbcglobal DOT net
Thanks!
NeilI got a bunch of Quad a while back from some some friends
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Re: Ribbon Mics [message #56824 is a reply to message #56823] |
Thu, 11 August 2005 13:55 |
John Macy
Messages: 242 Registered: April 2006
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Senior Member |
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in the biz for a
great deal. I'd have to say it is kind of a pain to put cables together with
it. So I would have to agree that unless you have an RF problem you might
want to go with something else. Quality cable though.
rod
"Kris" . wrote:
>
>The theory goes that you can get the hot and colds effectively wound tighter
>with the quad cable which helps ensure that noise induced on the cable is
>common mode, and cancelled out by the preamps input circuitry (or transformer).
>
>BUT...doubling the connectors adds capacitance to the cable, which can be
>a factor for longer runs. Basically, I wouldn't run quad cable except if
>RF interference was a problem. It's generally not worth the added hassle/expense.
>
>Actually, boutique mic cables are not worth it either....we're talking about
>a 150-200 ohm impedance at most mics outputs. Cable effects are going to
>be minimal here....not like guitars where you're dealing with 100kohm impedances
>and every foot makes a difference (in both resitance and capacitance).
>
>Buy a cable that does what you need it to do....get a quad if there's RF,
>get one designed for high flexibility and low handling noise for live use,
>get one that has a good shield and is easy to work with for permanent non-flexed
>installs. In most cases, how well the cable was soldered, and the connector
>quality is going to make the big difference. There's only a few companies
>in the world that actually manufacture cable....
>
>Cheers,
>
>Kris
>
>
>
>
>DImitrios <musurgio@otenet.gr> wrote:
>>Thanks,
>>And why four is needed ?
>>As a two channel multi-pair ?
>>
>>Dimitrios
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