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| Re: Current value audio gear [message #56966 is a reply to message #56960] |
Tue, 16 August 2005 16:46  |
Mike ClMike Claytor
Messages: 52
Registered: July 2005
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Member |
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r />
>>>
>>>>TIA for the enlightenment.
>>>>
>>>>;o)
>>>>
>>>>Deej
>>>>
>>>>Deej
>>>>
>>>>
>>>i am looking into musicpro insurance http://www.musicproinsurance.com
"cujo" <chris@applemanstudio.com> wrote in message news:430275a0$1@linux...
>
> brandon, I had this problem as well.
> There is aguy who sends me a flyer all the time. he advertises in Mix Mag.
> His rates are not too bad, but there is some sort of 1000.00 dollar
> deductable.
> So if one say in channele Great river neve got ripped and that is all,
> you;d
> still be screwed. One good thing is that there is liablitly coverage, so
> if someone got hurt in your studio, you'd be covered in case of a law
> suit.
> I miss trust insurance companies so much though., it always seems that
> when
> you need to be covered, they find away around it. I'll get you his name if
> I can fi
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| Re: Current value audio gear [message #56971 is a reply to message #56960] |
Tue, 16 August 2005 18:24 |
justcron
Messages: 330
Registered: May 2006
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Senior Member |
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> > Cheers,
> >
> > TC
> >
> >
> > Martin Harrington wrote:
> >> Pentium processors, probably give more hassal free service than the
> >> equivalent AMD version with Paris.
> >> AMD work but there seems to be more tweeking involved to get a stable
> >> system.
>
>I have way too many things to tweak already. Thank God for convolution
reverbs. I have the GigaStudio on an adjacent computer and use the
GigaPulse reverb as an external unit to put live tracks in a space (mostly
brass, strings, chorale & percussion) and it really does put them into a
soundstage that can't be acheived by sending a signal down an effect bus and
mixing it back in. The tracks need to be bounced back to Paris (stereo) and
time compensated, but with my set up it's fairly routine.
RZ
"gene lennon" <glennon@NOSPmyrealbox.com> wrote in message
news:43017d6c$1@linux...
>
> "DJ" <Report message to a moderator
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| Re: Current value audio gear [message #56972 is a reply to message #56966] |
Tue, 16 August 2005 18:27 |
justcron
Messages: 330
Registered: May 2006
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Senior Member |
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#64;animas.net" target="_blank">animix_spam-this-ahole_@animas.net> wrote:
> >I'm needing to get pretty anal retentive with this stuff these days...
> >Deej
> >
>
> Well.
> I have worked with many producers and mix engineers over the years that do
> sweat the details, including sound stage.
> M/S.
> Binaural.
> X/Y.
> These exist because people consider the stereo imaging and sound stage
important.
> Obviously this is not the most critical issue in typical, modern, radio
driven
> productions, but that does not equate to being meaningless.
> I love recording in true stereo (primarily M/S) whenever it seems
appropriate.
>
> Trying to control the sound stage "after the fact" is a completely
different
> animal but again, the details do add up.
> I have been playing around a little with GigaPulse, the convolution reverb
> that comes with Giga3, and now available separately. With multiple
instances,
> you can create a very controlled and convincing 3D soundstages that you
actually
> can adjust during mixdown. This reminds me a little of using the Calrec
Soundfield
> (the ultimate mic for post recording control of sound stage.)
>
> The new generation of hardware and software phase correction systems also
> opens up new possibilities. As an example: If you record a small acoustic
> ensemble with M/S, you should be able to add spot mics and "correct" the
> phase relationship after the fact. I have not had a chance to try this
yet,
> but I hope to soon.
> (PhaseTone from Tritone is out now and free.)
> Report message to a moderator
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