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Re: Current value audio gear [message #56972 is a reply to message #56966] |
Tue, 16 August 2005 18:27 |
justcron
Messages: 330 Registered: May 2006
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Senior Member |
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#64;animas.net" target="_blank">animix_spam-this-ahole_@animas.net> wrote:
> >I'm needing to get pretty anal retentive with this stuff these days...
> >Deej
> >
>
> Well.
> I have worked with many producers and mix engineers over the years that do
> sweat the details, including sound stage.
> M/S.
> Binaural.
> X/Y.
> These exist because people consider the stereo imaging and sound stage
important.
> Obviously this is not the most critical issue in typical, modern, radio
driven
> productions, but that does not equate to being meaningless.
> I love recording in true stereo (primarily M/S) whenever it seems
appropriate.
>
> Trying to control the sound stage "after the fact" is a completely
different
> animal but again, the details do add up.
> I have been playing around a little with GigaPulse, the convolution reverb
> that comes with Giga3, and now available separately. With multiple
instances,
> you can create a very controlled and convincing 3D soundstages that you
actually
> can adjust during mixdown. This reminds me a little of using the Calrec
Soundfield
> (the ultimate mic for post recording control of sound stage.)
>
> The new generation of hardware and software phase correction systems also
> opens up new possibilities. As an example: If you record a small acoustic
> ensemble with M/S, you should be able to add spot mics and "correct" the
> phase relationship after the fact. I have not had a chance to try this
yet,
> but I hope to soon.
> (PhaseTone from Tritone is out now and free.)
> Report message to a moderator
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