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Your best gear purchase [message #58950] Mon, 10 October 2005 17:50 Go to next message
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HO3qeydH4fk9Osin/9k=

---=_linux434b0c3b-->"The existence of this so called chaos cloud is only a theory. Americans
shouldn't panic until all the facts are in."<

It is my constitutional right to panic any ****'in time I want to.

"Kim" <hiddensounds@hotmail.com> wrote in message news:434afcfc$1@linux...
>
> http://tv.yahoo.com/news/wwn/20050912/112653720001.html
>
> PLANET-DISSOLVING DUST CLOUD IS HEADED TOWARD EARTH! ;oP
> Monday September 12, 2005
>
>
>
> By MIKE FOSTER
>
> CAMBRIDGE, Mass. -- Scared-stiff astronomers have detected a mysterious
mass
> they've dubbed a "chaos cloud" that dissolves everything in its path,
including
> comets, asteroids, planets and entire stars -- and it's headed directly
toward
> Earth!
>
> Discovered April 6 by NASA's Chandra X-ray Observatory, the swirling, 10
> million-mile- wide cosmic dust cloud has been likened to an "acid nebula"
> and is hurtling toward us at close to the speed of light -- making its
estimated
> time of arrival 9:15 a.m. EDT on June 1, 2014.
>
> "The good news is that this finding confirms several cutting- edge ideas
> in theoretical physics," announced Dr. Albert Sherwinski, a Cambridge
based
> astrophysicist with close ties to NASA.
>
> "The bad news is that the total annihilation of our solar system is
imminent."
>
> Experts believe the chaos cloud is composed of particles spawned near the
> event horizon of a black hole (a form of what's called Hawking Radiation)
> that have been distorted by mangled information spewed from the hole.
>
> "A super-massive black hole lies about 28,000 light-years from Earth at
the
> center of our galaxy," explained Dr. Sherwinski.
>
> "Last year the eminent physicist Stephen Hawking revised his theory of
black
> holes -- which previously held that nothing could escape the hole's
powerful
> gravitational field. He demonstrated that information about objects that
> have been sucked in can be emitted in mangled form.
>
> "It now appears that mangled information can distort matter.
>
> "Just imagine our galaxy the Milky Way as a beautiful, handwritten letter.
>
> "Now imagine pouring a glass of water on the paper and watching the words
> dissolve as the stain spreads. That's what the chaos cloud does to every
> star or planet it encounters."
>
> To avoid widespread panic, NASA has declined to make the alarming
discovery
> public. But Dr. Sherwinski's contacts at the agency's Chandra X-ray
Observatory
> leaked to him striking images of the newly discovered chaos cloud
obliterating
> a large asteroid.
>
> "It's like watching a helpless hog being dissolved in a vat of acid," one
> NASA scientist told Dr. Sherwinski.
>
> Ordinarily, Hawkings Radiation is harmless.
>
> "It's produced when an electron- positron pair are at the event horizon of
> a black hole," Dr. Sherwinski explained. "The intense curvature of
space-time
> of the hole can cause the positron to fall in, while the electron
escapes."
>
> But when "infected" by mangled information from the black hole, the
particles
> become a chaos cloud, which in turn mangles everything it touches.
>
> "If it continues unchecked, the chaos cloud will eventually reduce our
galaxy
> to the state of absolute chaos that existed before the birth of the
universe,"
> the astrophysicist warned.
>
> Some scientists say mankind's best hope would be to build a "space ark"
and
> hightail it to the Andromeda Galaxy, 2.1 million light-years away.
>
> "We wouldn't be able to save the entire human population, but perhaps the
> best and the brightest," observed British rocket scientist Dr. David Hall,
> when asked about the feasibility of such a project.
>
> But even if such a craft could be built in time, evacuating Earth might
prove
> fruitless if theories about the origin of the chaos cloud are correct.
>
> "A black hole at the center of Andromeda is about 15 times the size of the
> one in our own galaxy," Dr. Sherwinski noted. "It might be like jumping
out
> of the frying pan into the fire."
>
> Speaking under the condition of anonymity, a senior White House official
> said the president's top science advisors are taking the findings in
stride.
>
> "This is a lot like global warming, where the jury is still out on whether
> it's real or not," said the official.
>
> "The existence of this so called chaos cloud is only a theory. Americans
> shouldn't panic until all the facts are in."Dude!!!!!!!!........Thanks for the visual. .I guess I asked for it, eh?

;oP



"James McCloskey" <excelsm@hotmail.com> wrote in message
news:434acb40$1@linux...
>
> "Dimitrios" <musurgio@otenet.gr> wrote:
> >Yes a fucking wooden quality of sound...:)
> >Regards,
> >Dimitrios
>
>
> It makes a different sound if she spreads her legs at the right moment.
> And if she screams, you know she's faking it. After all, women suck air
> in when they get off, not out.
>
> James
>
> >"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> >news:434aa59b$1@linux...
> >> ........which brings to mind the question, if Paris Hilton is screwing
> >> someone in the woods and a tree falls on them, does it actually make a
> >> sound?
> >>
> >>
> >>
> >> "Miguel Vigil" <nospam@nospam.com> wrote in message
news:434a5b2b@linux...
> >> > A thread about *nothing*
> >> >
> >> > Who will watch it?
> >> >
> >> >
> >> > El Miguel
> >> >
> >> >
> >> >
> >> > "Chas. Duncan" <duncan5199ATsbcglobalDOTnet@> wrote in message
> >> > news:r7tjk1p7kdkt3m9m1go78iba4gue9h0gsn@4ax.com...
> >> > > On Sun, 9 Oct 2005 17:26:28 -0600, "DJ"
> >> > > <animix_spam-this-ahole_@animas.net> wrote:
> >> > >
> >> > > >In order for this to be really effective, you need to record
nothing,
> >> > copy
> >> > > >this to an adjacent track, invert the phase and then do a bounce.
> >> > > >
> >> > > >;oP
> >> > > >
> >> > > Now, that be some well-crafted nothing!
> >> > >
> >> > > yeah-- Chas
> >> >
> >> >
> >>
> >>
> >
> >
>*Hit this with anything over, say -15 or so and it would clip like a
transistor radio at a Staten Island park on Sunday.*

You sure Avid didn't make this for those seeking the ProTools bus vibe?

AA


"DC" <dc@spamthechaoscloud.org> wrote in message news:434b0880$1@linux...
>
> Here's another POS.
>
> As good an outfit as Crown is, boy did they blow it with this turkey.
>
> Hit this with anything over, say -15 or so and it would clip like a
> transistor radio at a Staten Island park on Sunday.
>
> Just a miserable turd of a crossover. Crank the amps wide open
> and you could almost get signal through it. Almost.
>
> Unbelievably bad. Avoid it like it was from Chernobyl.
>
> DC
>This is a multi-part message in MIME format.

---=_linux434b1e42
Content-Type: text/plain
Content-Transfer-Encoding: 7bit


"Kim" <hiddensounds@hotmail.com> wrote:
>
>http://tv.yahoo.com/news/wwn/20050912/112653720001.html
>
>PLANET-DISSOLVING DUST CLOUD IS HEADED TOWARD EARTH! ;oP
>Monday September 12, 2005


These people will have an entirely new business opportunity.
http://www.countdownclocks.com/
G

---=
Re: Your best gear purchase [message #58959 is a reply to message #58950] Mon, 10 October 2005 20:25 Go to previous messageGo to next message
Kim is currently offline  Kim
Messages: 1246
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c7//AMhf+RBUea6/A6U8u56P1IuUUUVTmFFFFAFFFFAFFFFAFFFFAFFFFAFF
FFAFFFFAFFFFAFFFFAFFFFAFFFFAU+p/9sn/AJG2/wCfFVyqfU/+2T/yNt/z
4quVPmfRHR/ar6791QoooqnMKKKKAKKKKAKKKKAKKKKAKKKKAKSlooBpRDmo
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oAooooCDZQNttnBt2IZoY0jJGRKKFv7KnooqKIUGr6tdtXm1OevEKKKKpkKK
KKAKKKKAKKKKAKKKKAKKKKAKYkaIzsosZG1OebABL+pRRRQqnGPaPooooQKK
KKAKKKKAKKKKAKKKKAKKKKAKKKKAKKKKAKKKKAKKKKAKKKKAKKKKAq9QjeSB
FQFiJoGIHJZo2Y+gCrVFFTi+iNufp15ardyCiiiqYCiiigCiiigCiiigCiii
gCiiigCiiigCiiigCiiigCiiigCiiigCiiigCiiigCiiigP/2Q==

---=_linux434b30c5--No worries... the great flying spaghetti monster will surely avert the cloud
with one of his noodly appendages.

SG


"DC" <dc@spamthecloud.com> wrote in message news:434b04e0$1@linux...
>
> HAH HAH HAH!!
>
> Good one...
>
>I used to be on the road with a guy who regularly emmitted
"planet-dissolving dust clouds."

We're all still here!

Dubya

> http://tv.yahoo.com/news/wwn/20050912/112653720001.html
>
> PLANET-DISSOLVING DUST CLOUD IS HEADED TOWARD EARTH!Don't remember about Kontakt2, but they had Ivory running at the show.

- Paul

On 11 Oct 2005 09:02:03 +1000, "Phil Aiken" <paiken@partners.org>
wrote:

>
>
>>My oogle piece of gear is the Muse Receptor. It was being hyped at the
>>last AES/NY show, but last time I checked was still in its early
>>growth stages. However, it seems that many software houses are working
>>with Muse and there is a ton of stuff to work with it. Sadly Waves and
>>UAD are not on the list, but Native Instruments is, and thats what I
>>want. Look for a posting on the forsale group soon as I sell my
>>hardware synths off to pay for one of these Receptors.
>>
>
>I've had one for a while and it is a cornerstone of my current live rig.
>They do indeed seem to be moving forward very steadily with updates, and
>with more plugin developers getting involved.
>Very pleased with the purchase - dying for Kontakt 2 to be installable later
>this month, as well as Ivory."Chris Latham" <latham_c@bellsouth.net> wrote:
>No worries... the great flying spaghetti monster will surely avert the cloud
>with one of his noodly appendages.

LOL!! Nice. ;o)"Kim" <hiddensounds@hotmail.com> wrote:
>
>http://tv.yahoo.com/news/wwn/20050912/112653720001.html
>
>PLANET-DISSOLVING DUST CLOUD IS HEADED TOWARD EARTH! ;oP
>Monday September 12, 2005
>
>
>
>By MIKE FOSTER
>
>CAMBRIDGE, Mass. -- Scared-stiff astronomers have detected a mysterious
mass
>they've dubbed a "chaos cloud" that dissolves everything in its path, including
>comets, asteroids, planets and entire stars -- and it's headed directly
toward
>Earth!
>
>Discovered April 6 by NASA's Chandra X-ray Observatory, the swirling, 10
>million-mile- wide cosmic dust cloud has been likened to an "acid nebula"
>and is hurtling toward us at close to the speed of light -- making its estimated
>time of arrival 9:15 a.m. EDT on June 1, 2014.
>
>"The good news is that this finding confirms several cutting- edge ideas
>in theoretical physics," announced Dr. Albert Sherwinski, a Cambridge based
>astrophysicist with close ties to NASA.
>
>"The bad news is that the total annihilation of our solar system is imminent."
>
>Experts believe the chaos cloud is composed of particles spawned near the
>event horizon of a black hole (a form of what's called Hawking Radiation)
>that have been distorted by mangled information spewed from the hole.
>
>"A super-massive black hole lies about 28,000 light-years from Earth at
the
>center of our galaxy," explained Dr. Sherwinski.
>
>"Last year the eminent physicist Stephen Hawking revised his theory of black
>holes -- which previously held that nothing could escape the hole's powerful
>gravitational field. He demonstrated that information about objects that
>have been sucked in can be emitted in mangled form.
>
>"It now appears that mangled information can distort matter.
>
>"Just imagine our galaxy the Milky Way as a beautiful, handwritten letter.
>
>"Now imagine pouring a glass of water on the paper and watching the words
>dissolve as the stain spreads. That's what the chaos cloud does to every
>star or planet it encounters."
>
>To avoid widespread panic, NASA has declined to make the alarming discovery
>public. But Dr. Sherwinski's contacts at the agency's Chandra X-ray Observatory
>leaked to him striking images of the newly discovered chaos cloud obliterating
>a large asteroid.
>
>"It's like watching a helpless hog being dissolved in a vat of acid," one
>NASA scientist told Dr. Sherwinski.
>
>Ordinarily, Hawkings Radiation is harmless.
>
>"It's produced when an electron- positron pair are at the event horizon
of
>a black hole," Dr. Sherwinski explained. "The intense curvature of space-time
>of the hole can cause the positron to fall in, while the electron escapes."
>
>But when "infected" by mangled information from the black hole, the particles
>become a chaos cloud, which in turn mangles everything it touches.
>
>"If it continues unchecked, the chaos cloud will eventually reduce our galaxy
>to the state of absolute chaos that existed before the birth of the universe,"
>the astrophysicist warned.
>
>Some scientists say mankind's best hope would be to build a "space ark"
and
>hightail it to the Andromeda Galaxy, 2.1 million light-years away.
>
>"We wouldn't be able to save the entire human population, but perhaps the
>best and the brightest," observed British rocket scientist Dr. David Hall,
>when asked about the feasibility of such a project.
>
>But even if such a craft could be built in time, evacuating Earth might
prove
>fruitless if theories about the origin of the chaos cloud are correct.
>
>"A black hole at the center of Andromeda is about 15 times the size of the
>one in our own galaxy," Dr. Sherwinski noted. "It might be like jumping
out
>of the frying pan into the fire."
>
>Speaking under the condition of anonymity, a senior White House official
>said the president's top science advisors are taking the findings in stride.
>
>"This is a lot like global warming, where the jury is still out on whether
>it's real or not," said the official.
>
>"The existence of this so called chaos cloud is only a theory. Americans
>shouldn't panic until all the facts are in.""DJ" <animix_spam-this-ahole_@animas.net> wrote:
>Dude!!!!!!!!........Thanks for the visual. .I guess I asked for it, eh?
>
>;oP

Well, she's always bragging about how much lumber she can handle; ) She's
in to the meat thing, I hear she's good with her burger too!

Oh, sorry wrong Paris!


>
>
>
>"James McCloskey" <excelsm@hotmail.com> wrote in message
>news:434acb40$1@linux...
>>
>> "Dimitrios" <musurgio@otenet.gr> wrote:
>> >Yes a fucking wooden quality of sound...:)
>> >Regards,
>> >Dimitrios
>>
>>
>> It makes a different sound if she spreads her legs at the right moment.
>> And if she screams, you know she's faking it. After all, women suck air
>> in when they get off, not out.
>>
>> James
>>
>> >"DJ" <animix_spam-this-ahole_@animas.net> wrote in message
>> >news:434aa59b$1@linux...
>> >> ........which brings to mind the question, if Paris Hilton is screwing
>> >> someone in the woods and a tree falls on them, does it actually make
a
>> >> sound?
>> >>
>> >>
>> >>
>> >> "Miguel Vigil" <nospam@nospam.com> wrote in message
>news:434a5b2b@linux...
>> >> > A thread about *nothing*
>> >> >
>> >> > Who will watch it?
>> >> >
>> >> >
>> >> > El Miguel
>> >> >
>> >> >
>> >> >
>> >> > "Chas. Duncan" <duncan5199ATsbcglobalDOTnet@> wrote in message
>> >> > news:r7tjk1p7kdkt3m9m1go78iba4gue9h0gsn@4ax.com...
>> >> > > On Sun, 9 Oct 2005 17:26:28 -0600, "DJ"
>> >> > > <animix_spam-this-ahole_@animas.net> wrote:
>> >> >
Re: Your best gear purchase [message #58970 is a reply to message #58950] Tue, 11 October 2005 02:06 Go to previous messageGo to next message
rick is currently offline  rick   UNITED STATES
Messages: 1976
Registered: February 2006
Senior Member
Also some may think that certain DX or VST reverbs sound equal or even
better

So,
We put EDSTransfer=8,16 on top of Paris.cfg
We use Spinaudiolite FREE (see previous psot for link) to wrap senderella.
We put senderella configured as send (default anyway) we put around 50% of
volume (that is to prevent buffer clipping inside senderella) and we
REDIRECT the sound on bottom of senderella.
We put senderella as a send on each of the tracks we want to use reverb.
Say we have a lead vocal and background voices plus a solo gtr.
So on all that tracks we put senderella as above.
NOW
On tracks 15 and 16 you load your EMPTY 16 bit paf file of a lenght equal or
bigger than your actual song.
On first Native slot you put FFX-4 (free too) as a stereo instance ontrack
15
There inside it you open senderella configured now as a return again with
around 50% (as a start) volume.
NOW you open inside FFX-4 on second slot a stereo reverb like Waves trueverb
(if you have it) or DSPFX Studioverb or the FREE and nice sounding Galceverb
!, FreeverbToo, Classicverb and others ( I will gladly email all free and
nice reverbs if asked to)
NOW you should be hearing your reverb return on tracks 15 and 16 and you can
check the NO LATENVY with just having a dry signal on reverb's return and
flip the polarity.
So we man
Re: Your best gear purchase [message #58972 is a reply to message #58950] Tue, 11 October 2005 03:16 Go to previous messageGo to next message
Gantt Kushner is currently offline  Gantt Kushner   UNITED STATES
Messages: 545
Registered: June 2006
Location: Silver Spring, Maryland, ...
Senior Member

ella2 it goes to the right.
Balancing the volume sends you can localize the signal to the reverb send
stereo image.

I hope all the above make sende.
Regards,
Dimitrios



"Dimitrios" <musurgio@otenet.gr> wrote in message news:434bb593@linux...
> Now we all not have UAD or Powercore cards.
> Maybe some of us who have don't think that they sound exceptional
> Also some may think that certain DX or VST reverbs sound equal or even
> better
>
> So,
> We put EDSTransfer=8,16 on top of Paris.cfg
> We use Spinaudiolite FREE (see previous psot for link) to wrap senderella.
> We put senderella configured as send (default anyway) we put around 50% of
> volume (that is to prevent buffer clipping inside senderella) and we
> REDIRECT the sound on bottom of senderella.
> We put senderella as a send on each of the tracks we want to use reverb.
> Say we have a lead vocal and background voices plus a solo gtr.
> So on all that tracks we put senderella as above.
> NOW
> On tracks 15 and 16 you load your EMPTY 16 bit paf file of a lenght equal
or
> bigger than your actual song.
> On first Native slot you put FFX-4 (free too) as a stereo instance ontrack
> 15
> There inside it you open senderella configured now as a return again


Gantt Kushner
Gizmo Recording Company
Silver Spring, MD
www.gizmorecording.com
Re: Your best gear purchase [message #58983 is a reply to message #58972] Tue, 11 October 2005 09:07 Go to previous messageGo to next message
Tyrone Corbett is currently offline  Tyrone Corbett   
Messages: 253
Registered: August 2006
Senior Member
=3D2>PS Don't eat too much roasted =
>garlic at=20
>
Re: Your best gear purchase [message #58987 is a reply to message #58983] Tue, 11 October 2005 10:56 Go to previous messageGo to next message
Rod Lincoln is currently offline  Rod Lincoln
Messages: 883
Registered: September 2005
Senior Member
was the amp used =
with the=20
rhodes, thus<BR>also sounds good on the Wurli. Also, try the Vox AC30 =
on the=20
Wurli.<BR><BR>As far as B3's go, as Neil said, go with the Bassman or =
some=20
<BR>big ol' bass cabinet such as the ampeg. <BR>Let us know what you =
end up=20
Re: Your best gear purchase [message #59007 is a reply to message #58983] Tue, 11 October 2005 19:20 Go to previous messageGo to next message
emarenot is currently offline  emarenot
Messages: 345
Registered: June 2005
Senior Member
>>then save=3D3D3D20
> > > >> them as wave files.</FONT></DIV>
> > > >> <DIV><FONT face=3D3D3D3DArial size=3D3D3D3D2>It is =
that =3D3D
> > >simple.</FONT></DIV>
> > >
Re: Your best gear purchase [message #59012 is a reply to message #58983] Tue, 11 October 2005 21:15 Go to previous messageGo to next message
Paul Artola is currently offline  Paul Artola   UNITED STATES
Messages: 161
Registered: November 2005
Senior Member
>>or other characteristics of the speakers and amps themselves =
evident.
>>
>>I'm assuming I'm going to get a better emulation of sounds like =
this by
>actually
>>turning on some of the amp and speaker emulation in my GNX4. The =
GNX has
>>what I think is a fairly nice rotary speaker emulation, as well =
as a nice
>>tremelo effect, but seperate to this (yes I realise that a =
Leslie was a
>speaker
>>hence it should kinda be part of the speaker selection, but =
seperate) is
>>the amp and the speaker cabinet emulation. Unfortunately the =
GNX4 is pretty
>>much dedicated to emulating only guitar and bass amps, but I =
figure there
>>must be some in there that are more likely to sound like a =
classic keyboard
>>amp than others, and I'm sure over the years the odd person =
probably used
>>a guitar amp with a keyboard anyhow. Problem is a lot of the =
amps in this
>>list mean nothing to me other than a bunch of characters, =
whereas I'm sure
>>quite a few of you will be familiar with many of them, and I'm =
als
Re: Your best gear purchase [message #59015 is a reply to message #58950] Tue, 11 October 2005 21:50 Go to previous messageGo to next message
Deej [1] is currently offline  Deej [1]   UNITED STATES
Messages: 2149
Registered: January 2006
Senior Member
<FONT face=3DArial size=3D2>Right Toe.</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20
style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV>"Aaron Allen" &lt;<A=20
href=3D"mailto:nospam@not_here.dude">nospam@not_here.dude</A>&gt; =
wrote in=20
message <A =
href=3D"news:434c8b3e@linux">news:434c8b3e@linux</A>...</DIV>
<DIV><FONT face=3DArial size=3D2>*Boogie gets a great clean sound =
almost=20
<DIV><FONT face=3DArial size=3D2>like a Fender but=20
rounder.*</FONT></DIV></FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>IIRC, Boogie started out it's life as =
a hot=20
rodded fender.</FONT></DIV>
<DIV><FONT face=3DArial size=3D2></FONT>&nbsp;</DIV>
<DIV><FONT face=3DArial size=3D2>AA</FONT></DIV>
<BLOCKQUOTE dir=3Dltr=20<
Re: Your best gear purchase [message #59019 is a reply to message #59012] Wed, 12 October 2005 01:26 Go to previous messageGo to next message
Jamie K is currently offline  Jamie K   UNITED STATES
Messages: 1115
Registered: July 2006
Senior Member
enburg@sbclgobal.net" target="_blank">ruthenburg@sbclgobal.net> wrote:
>>>>
>>>> So anybody used anything that actually works for repairing cd
>>>>scratches?Any DIY fixes that work?
>>>> Could you rip stuff off a commercial CD then burn a new one
>>>>maybe?Haven't tried that yet.
>>>>
>>>>Pete
>>
>
>Aaron, just wondering, so how then does TheSonic guy repair the cards? Maybe
he has the schematics?

Rich

Man count thy days,
and if perchance they fly too fast,
for thy dull thoughts to count,
count every day thy last.

Henton Londini - Anno Dom 1605

"Aaron Allen" <nospam@not_here.dude> wrote in message news:434a1e5c@linux...
> D,
> Long story short is that when Ensoniq was bought out by Emu and Creative,
> lots of heads rolled. A good deal of hostility ensued. Papers vanished,
> mysteriously, and *no one seems to know where they went*.. the why is
> obvious when you think about it from a creators standpoint. If there are
> indeed roadmaps on the EDS cards I would be most definitely interested
> should you come across them.. but I hold little hope at this late stage in
> the public release of those documents.
>
> AA
>
>
> "Dimitrios" <musurgio@otenet.gr> wrote in message news:434a13c0$1@linux...
> >I have a couple of non working EDS cards (and no I did not burn them with
> > EDSTransfer string)
> > These have been bought as is for spare parts.
> > Because I am located in Greece it is cost prohibited to send cards
aboard
> > f
Re: Your best gear purchase [message #59026 is a reply to message #59015] Wed, 12 October 2005 06:25 Go to previous messageGo to next message
Neil is currently offline  Neil
Messages: 1645
Registered: April 2006
Senior Member
e in
> >the $1,200 dollar range. I also met Tony ?? from Telefunken...they have a
> >couple of "economy" mic's that were pretty nice. Although Mojave was not
> >represented, I was able to check out the SE Gemini and indeed it sounded
> >nice.... particularly so at the price point that Morgan has offered. I
think
> >I was equally impressed with the girth and weight (Deej, you weren't
kidding
> >about the support issue).
> >
> >The highlight for me was meeting Rupert Neve...affable guy. I purchased
his
> >new pre "Portico"...seems pretty impressive (thanks for the heads up
Gene)
> >and he said he would grace the box with his signature.
> >
> >It would have been nice too hook up with my fellow Parisites, but hey,
there's
> >always next time.
> >
> >Tyrone
>> the $1,200 dollar range. I also met Tony ?? from Telefunken...they have a
> couple of "economy" mic's that were pretty nice.


I think the above mics are rebadged chinese models with a *tele* nametag
which you pay over double for...


el miguel (it must be so, i read it on the net)



"Tyrone Corbett" <tyronecorbett@comcast.net> wrote in message
news:434a7179$1@linux...
>
> Unfortunately, I was out of town and missed the AES/Paris meet and greet,
> but I did have a couple of hours yesterday to go to the show and mill
about
> for a bit. I was impressed with the number of high-end desks with small
footprints
> by the "big guns". I even ran across the "Star Trek&qu
Re: Your best gear purchase [message #59027 is a reply to message #59012] Wed, 12 October 2005 07:11 Go to previous messageGo to next message
Rich[3] is currently offline  Rich[3]
Messages: 132
Registered: January 2006
Senior Member
ot; desk that Gene posted
> a picture of a while back (can't recall the manufacturer).
>
> I had an opportunity to check out a number of mic's (though extremely
difficult
> to discern much with all the ambient noise). Despite this circumstance, I
> heard a couple that were interesting. There was a Braumer mic that was
suggested
> by a respected colleague...can't recall the model, but was pretty nice in
> the $1,200 dollar range. I also met Tony ?? from Telefunken...they have a
> couple of "economy" mic's that were pretty nice. Although Mojave was not
> represented, I was able to check out the SE Gemini and indeed it sounded
> nice.... particularly so at the price point that Morgan has offered. I
think
> I was equally impressed with the girth and weight (Deej, you weren't
kidding
> about the support issue).
>
> The highlight for me was meeting Rupert Neve...affable guy. I purchased
his
> new pre "Portico"...seems pretty impressive (thanks for the heads up Gene)
> and he said he would grace the box with his signature.
>
> It would have been nice too hook up with my fellow Parisites, but hey,
there's
> always next time.
>
> Tyrone
>>I think the above mics are rebadged chinese models with a >*tele* nametag
which you pay over double for...
>
>el miguel (it must be so, i read it on the net)

You are correct Miguel. Tony said that they were manufactured that way as
to provide lower pricing. He did share with me that thye did use authentic
Telefunken tubes. If I recall correctly, the primary difference was that
the housing was made in China.

Tyrone

TyroneThat would
Re: Your best gear purchase [message #59034 is a reply to message #58983] Wed, 12 October 2005 09:19 Go to previous messageGo to next message
Deadmeat is currently offline  Deadmeat
Messages: 32
Registered: September 2005
Member
well
>=
>>as a nice
>> >>tremelo effect, but seperate to this (yes I realise that a =
>>Leslie was a
>> >speaker
>> >>hence it should kinda be part of the speaker selection, but =
>>seperate) is
>
Re: Your best gear purchase [message #59039 is a reply to message #59034] Wed, 12 October 2005 13:29 Go to previous messageGo to next message
dc[4] is currently offline  dc[4]
Messages: 62
Registered: September 2005
Member
>
> http://www.rolandus.com/products/subcategory.asp?CatID=1& ;SubCatID=4
>
>The FS-1 and FS-5L or FS-5U (I own a 5U for my Harmonizer) could do the
trick.
>
>Best of luck!
>
>Mark
>
>"Kim" <hiddensounds@hotmail.com> wrote:
>>
>>
>>
>>
&g
Re: Your best gear purchase [message #59040 is a reply to message #59015] Wed, 12 October 2005 13:35 Go to previous messageGo to next message
DC is currently offline  DC
Messages: 722
Registered: July 2005
Senior Member
t;>I want to build my own footswitch for my keyboards for sustain. My idea
>was
>>to have one momentary footswitch which acts like a normal sustain pedal,
>>and one locking switch for each keyboard, so that if I was to have a big
>>bass not or key pad whic
Re: Your best gear purchase [message #59041 is a reply to message #59040] Wed, 12 October 2005 14:06 Go to previous messageGo to next message
Tom Bruhl is currently offline  Tom Bruhl   UNITED STATES
Messages: 1368
Registered: June 2007
Senior Member
h sustains while I add atmospheric bits over the
>>top, I don't have to hold my foot down... and then hopefully wire it so
>>that the momentary switch also momentarily releases the locking switch...
>> so if I want to change bass notes I just press the momentary momentarily
>>;o) and play the new bass note and it will still be locked on sustain,
if
>>that makes sense.
>>
>>Problem is I thought it would be easy to build, but I can't find momentary
>>footswitches. All I need is some momentary switches like the one pictured
>>and it will all be easy! I've been googling high and low... I'm ready
to
>>import them if I have to.
>>
>>Anyone got any clues where I might get such a thing?
>>
>>Cheers,
>>Kim.
>"Tom Bruhl" <arpegio@comcast.net> wrote:

>DC,
>Are you still head over heels about that guitar compressor
>pedal? Tone Press? Tell me what it does for your sound
>besides the obvious.
>Tom


Oh yeah. And I generally hate pedals.

We always wrestle with compressors for guitar live. It's hard to get
the compression we want without the life all going out of the music.

I have a pair of DBX 160 VU's that come close to the sound I
want if I keep the ratio really low. Close, but not perfect.

What I have always wanted to hear is the trick we do in the studio
where we mult the return (on tape) or copy the track (in a DAW) and
squeeze one track and don't squeeze the other. Play with the
relative levels a bit, and maybe some EQ and you can get some
sterling tones. (btw, this is not panned left and right, this is a mono
effect I am speaking of) I used to use my Carl Martin compressor
this way by using the 4 inputs on a Matchless DC-30. Run the
guitar into the high gain input, then run a shorty from the low-gain
input on the same channel to the compressor, then run the comp
out to the other channel in. This got the signal to both channels,
one side compressed and one not compressed. I got some great
tones, but it was pretty cumbersome to setup and adjusting the
volume got pretty involved...

The Barber Tone Press, does it all in one box. You get volume,
blend, and compression. What I do is run the blend up to full
compressor and then adjust the compressor knob until I am hearing
quite a bit of squeeze going on, and then pull the blend back until
I get just the right amount of uncompressed tone going through.

Sounds flippin' amazing. I generally leave it on all the time.

BTW, this thing really helps heavy music, it's are not just for
country like a lot of people think compressors are for live.
With the Tone Press you can make even metal sounds much more
massive and studly.

Works equally well on all my guitars and all my amps. Even the
Hiwatt, and that thing hates pedals.

Oh, and it's 139.00... Get one. You won't believe it.

http://www.barberelectronics.
Re: Your best gear purchase [message #59046 is a reply to message #59041] Wed, 12 October 2005 16:56 Go to previous messageGo to next message
DC is currently offline  DC
Messages: 722
Registered: July 2005
Senior Member
>> >>with either=20
>> >> Paris, strip wav or</FONT></DIV>
>> >> <DIV><FONT face=3DArial size=3D2>Wavelab 3.0?</FONT></DIV>
>> >> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
>> >> <DIV><FONT face=3DArial size=3D2>He </FONT><FONT face=3DArial =
>> >>size=3D2>can send me=20
>> >> </FONT><FONT face=3DArial size=3D2>the individual wavs and I can =
>> >>convert those=20
>> >> but we're </FONT></DIV>
>> >> <DIV><FONT face=3DArial size=3D2>trying </FONT><FONT face=3DArial =
>> >>size=3D2>to save a=20
>> >> step for him I guess...</FONT></DIV>
>> >> <DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
>> >> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
>> >> <DIV><FONT face=3DArial size=3D2>PS Don't eat too much roasted =
>> >>garlic at=20
>> >> one sitting.</FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML >
>> >>
>> >>
>> >
>>
>>
>
>Ditto!

Rich

Man count thy days,
and if perchance they fly too fast,
for thy dull thoughts to count,
count every day thy last.

Henton Londini - Anno Dom 1605

"Phil Aiken" <paiken@partners.org> wrote in message news:434d7ba5$1@linux...
>
> Her album with Cannoball Adderly is one of my all time faves.
>
>
> "Miguel Vigil" <nospam@nospam.com> wrote:
> >She is amazing!
> >
> >
> >
> >El Miguel
> >
> >
> >
> >"Tyrone Corbett" <tyronecorbett@comcast.net> wrote in message
> >news:434a7686$1@linux...
> >>
> >> I did a gig in Atlanta a couple of ni
Re: Your best gear purchase [message #59051 is a reply to message #59046] Wed, 12 October 2005 19:41 Go to previous messageGo to next message
Tom Bruhl is currently offline  Tom Bruhl   UNITED STATES
Messages: 1368
Registered: June 2007
Senior Member
y transparent, with a bit of sweetness when
ridden hard. Nice EQ as well. It's one of those magic boxes that just makes
a signal sound better passing through the circuitry.



ma.com> wrote in message news:434d7394$1@linux...
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote:
> >Forssell CS-1.
>
>
> Hey, I haven't used one of these. Tell me how you like it?
>
> What does it do well?
>
> DC
>Ahhhhh yeah. I guess it tries to optomize .paf headers too.
I guess Paris can't open *broadcast* .paf's.

Silly me.

;o)

"Martin Harrington" <lendan@bigpond.net.au> wrote in message
news:434db278@linux...
> You've got to do the header thing, Deej.
> --
> Martin Harrington
> www.lendanear-sound.com
>
> "DJ" <animix_spam-this-ahole_@animas.net> wrote in message
> news:434d30fd@linux...
> > Martin,
> >
> > For some reason, I have never been able to get a .paf to work in Paris
> > that
> > was created in Wavelab. WL can open them just fine, just not recreate
them
> > for some reason, at least on my rig.
> >
> > Deej
> >
> > "Martin Harrington" <lendan@bigpond.net.au> wrote in message
> > news:434cd7c5@linux...
> >> You could load them into Wavelab and convert them into 2 mono PAF
files.
> >> --
> >> Martin Harrington
> >> www.lendanear-sound.com
> >>
> >> "Rod Lincoln" <rlincoln@kc.rr.com> wrote in message
> > news:434bfb33$1@linux...
> >> >
> >> > Tom, you could install a program such as CDex (I think it's
shareware,
> > but
> >> > I'm not sure)it converts mp3's to waves and vice versa. That's what I
> >> > usually
> >> > use.
> >> > Rod
> >> > "Tom Bruhl" <arpegio@comcast.net> wrote:
> >> >>
> >> >>
> >> >>Alright, now I have to reinstall Wavelab...
> >> >>
> >> >> "Dimitrios" <musurgio@otenet.gr> wrote in message =
> >> >>news:434bd54b@linux...
> >> >> Dear Tom,
> >> >> If you load mp3's on wavelab you can then save them as wave files.
> >> >> It is that simple.
> >> >> Regards,
> >> >> Dimitrios
> >> >> "Tom Bruhl" <arpegio@comcast.net> wrote in message =
> >> >>news:434bd28b@linux...
> >> >> The files are Winamp Media Files which are mp3s. =20
> >> >> I want to lay guitar tracks over Steely Dan covers for him. =20
> >> >> Can I make them individual wavs with either Paris, strip wav or
> >> >> Wavelab 3.0?
> >> >>
> >> >> He can send me the individual wavs and I can convert those but
> >> >> we're
> >> > =
> >> >>
> >> >> trying to save a step for him I guess...
> >> >> Tom
> >> >>
> >> >> PS Don't eat too much roasted garlic at one sitting.
> >> >>
> >> >><!DOCTYPE HTML PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN">
> >> >><HTML><HEAD>
> >> >><META http-equiv=3DContent-Type content=3D"text/html; =
> >> >>charset=3Diso-8859-1">
> >> >><META content=3D"MSHTML 6.00.2800.1400" name=3DGENERATOR>
> >> >><STYLE></STYLE>
> >> >></HEAD>
> >> >><BODY bgColor=3D#ffffff>
> >> >><DIV><FONT face=3DArial size=3D2>Alright, now I have to reinstall=20
> >> >>Wavelab...</FONT></DIV>
> >> >><DIV> </DIV>
> >> >><BLOCKQUOTE dir=3Dltr=20
> >> >>style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
> >> >>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> >> >> <DIV>"Dimitrios" <<A=20
> >> >> href=3D"mailto:musurgio@otenet.gr">musurgio@otenet.gr</A>> wrote in
=
> >> >>message=20
> >> >> <A href=3D"news:434bd54b@linux">news:434bd54b@linux</A>...</DIV>
> >> >> <DIV><FONT face=3DArial size=3D2>Dear Tom,</FONT></DIV>
> >> >> <DIV><FONT face=3DArial size=3D2>If you load mp3's on wavelab you
can
> >> > =
> >> >>then save=20
> >> >> them as wave files.</FONT></DIV>
> >> >> <DIV><FONT face=3DArial size=3D2>It is that simple.</FONT></DIV>
> >> >> <DIV><FONT face=3DArial size=3D2>Regards,</FONT></DIV>
> >> >> <DIV><FONT face=3DArial size=3D2>Dimitrios</FONT></DIV>
> >> >> <BLOCKQUOTE dir=3Dltr=20
> >> >> style=3D"PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; =
> >> >>BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
> >> >> <DIV>"Tom Bruhl" <<A=20
> >> >> href=3D"mailto:arpegio@comcast.net">arpegio@comcast.net</A>> =
> >> >>wrote in=20
> >> >> message <A =
> >> >>href=3D"news:434bd28b@linux">news:434bd28b@linux</A>...</DIV>
> >> >> <DIV><FONT face=3DArial size=3D2>The files are Winamp Media =
> >> >>Files which are=20
> >> >> mp3s. </FONT></DIV>
> >> >> <DIV><FONT face=3DArial size=3D2>I want to lay guitar
</FONT><FONT
> >> >> =
> >> >>face=3DArial=20
> >> >> size=3D2>tracks over Steely Dan covers for him. </FONT></DIV>
> >> >> <DIV><FONT face=3DArial size=3D2>Can I make them individual wavs
=
> >> >>with either=20
> >> >> Paris, strip wav or</FONT></DIV>
> >> >> <DIV><FONT face=3DArial size=3D2>Wavelab 3.0?</FONT></DIV>
> >> >> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> >> >> <DIV><FONT face=3DArial size=3D2>He </FONT><FONT face=3DArial =
> >> >>size=3D2>can send me=20
> >> >> </FONT><FONT face=3DArial size=3D2>the individual wavs and I can
=
> >> >>convert those=20
> >> >> but we're </FONT></DIV>
> >> >> <DIV><FONT face=3DArial size=3D2>trying </FONT><FONT face=3DArial
=
> >> >>size=3D2>to save a=20
> >> >> step for him I guess...</FONT></DIV>
> >> >> <DIV><FONT face=3DArial size=3D2>Tom</FONT></DIV>
> >> >> <DIV><FONT face=3DArial size=3D2></FONT> </DIV>
> >> >> <DIV><FONT face=3DArial size=3D2>PS Don't eat too much roasted =
> >> >>garlic at=20
> >> >> one sitting.</FONT></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML >
> >> >>
> >> >>
> >> >
> >>
> >>
> >
> >
>
>www.partsexpress.com might have something
www.mcmelectronics.com might have something as well
www.markertek.com usua
Re: Your best gear purchase [message #59052 is a reply to message #59040] Wed, 12 October 2005 20:06 Go to previous messageGo to next message
Deej [1] is currently offline  Deej [1]   UNITED STATES
Messages: 2149
Registered: January 2006
Senior Member
lly has it or can get it

AA


"Kim" <hiddensounds@hotmail.com> wrote in message news:434d9842$1@linux...
>
>
> Yehy, can't seem to see anything there either. This seems to be one of
> those
> items that you'd think you could get easily, but when you go looking they
> seem near impossible to find.
>
> Thanks for the suggestions... actually I haven't checked out the Roland
> products yet so I'll do that now, but I really wanted to build my own so
> I could do several keyboards on a single unit...
>
> Cheers,
Re: Your best gear purchase [message #59056 is a reply to message #59051] Wed, 12 October 2005 23:21 Go to previous message
dc[4] is currently offline  dc[4]
Messages: 62
Registered: September 2005
Member
; commercial relationship to this product....</BLOCKQUOTE></BODY></HTML>
>
>"Aaron Allen" <nospam@not_here.dude> wrote:
>www.partsexpress.com might have something
>www.mcmelectronics.com might have something as well
>www.markertek.com usually has it or can get it

A fantastic list of stores which are going straight in my favourites for
future reference, however I still can't find what I'm looking for.

I'm wondering if I should look into the option of removing the latching mechanism
from the latching switches to make my own non latching variety...

Cheers,
Kim.this may sound completely ridiculous, but have you contacted Peavey online?
I've had several of their old 70's amps that may have the big chrome switch
I think you are looking for dude.
Ampeg would be another viable source for this. Ask for replacement parts.
Ampeg is owned by St Louis Music now, fyi.

AA


"Kim" <hiddensounds@hotmail.com> wrote in message news:434e00fb$1@linux...
>
> "Aaron Allen" <nospam@not_here.dude> wrote:
>>www.partsexpress.com might have something
>>www.mcmelectronics.com might have something as well
>>www.markertek.com usually has it or can get it
>
> A fantastic list of stores which are going straight in my favourites for
> future reference, however I still can't find what I'm looking for.
>
> I'm wondering if I should look into the option of removing the latching
> mechanism
> from the latching switches to make my own non latching variety...
>
> Cheers,
> Kim.Clap your hands, listen to the echo, crank up some bass, listen to the
standing waves if any, add tube traps to the corners and ceiling edges
if necessary, add diffusers if it's all slappy echo, add / take a way
thick carpet/tapestries if it's too live dead. I prefer a medium sound.
I have carpet on the floor and bare walls. My room is 30x35 with 20ft
cathedral ceiling so it's a large enough space to get rid of a lot of
early reflection problems. Below are tips I got from the awesom Dave
Moulton. Enjoy


Making Your Home Control Room The Best That It Can Be:
Some Basic Principles
by Dave Moulton
Most of the articles we read on control room and studio acoustic design
seem to center around materials we might use to treat wall surfaces, and
some tips about using those materials for fun and profit. In this
article, I’d like to take a different approach, and present what I
believe are some basic principles of control room design. You’ll find
that these are actually pretty straightforward, and you can apply them
almost anywhere, including your own home studio. And where you can’t
apply them successfully, you’ll hopefully come to understand a little
better what sort of problem you have, and how to cope with it more
effectively.
I first came up with this list of principles while preparing for
participation on a panel on “Small Room Acoustics” for AES. It
occurred to me that we don’t usually think about what it is that we
want to get out of our control rooms, even though that is what is really
important. For those of you who are interested, the whole presentation
is available on my website at
http://moultonlabs.com/slides/smallrooms/index.htm
Anyway, I’ve got seven principles that need to be addressed in the
construction of ANY control room, including your bedroom, basement,
minivan or closet. If you systematically work through these, and do
your best to optimize your particular setup with the resources you have
at hand, you can actually get surprising decent monitoring quality,
often for very little cost. You’ll see.
The seven issues you need to deal with are: noise floor, room symmetry,
early reflections, decay time in the room, standing waves, loudspeaker
placement and loudspeaker behavior. We’ll deal with each of these,
briefly.
Noise Floor
Noise floor can be defined here as the level of noise in the control
room when it is “at idle,” which is to say nobody is talking, no
music is playing, all the equipment and air conditioning is turned on,
etc. This is a pretty important issue, because it pretty much defines
the audible dynamic range of music that you can hear in your particular
control room. Naturally, you’ll want to make your noise floor as low
as possible, so you can hear as wide a dynamic range as possible. Right?
There are two parts to dealing with reducing such a noise floor.
First, you’ve got to shut out noises from elsewhere in the building or
outside. Then you’ve got to reduce noise from machinery in the room.
Room isolation (shutting out the noise) can be difficult and expensive.
However, in your bedroom control room, you can usually make big
initial improvements for very low cost simply by “weatherproofing”
all of the doors and windows, as it is through these passages that the
bulk of the sound leakage occurs. Certainly, that’s where to start,
and see how far you can get.
A big problem here has to do with air conditioners. Aside from the
noise that window air conditioners make when they’re running, they
also allow sound to fairly freely pass through them, severely
compromising isolation. Solutions to this vary widely,
including using a “split” unit (that isolates the compressor
outdoors in a separate unit and puts a separate heat exchanger on the
inside wall), the construction of baffles around the air conditioning
unit to reduce the noise of both the unit and from outside, and
installing central AC with oversize ducts and baffles, etc.
You are gonna have to suss out what works for you in your particular
case. Just keep in mind that it can be really hard to get it really
quiet while keeping it really cool for really cheap! Also, keep in mind
that the very simple option of going without AC is usually a pretty
unpleasant way to go. You can try it, of course, but be prepared to
change your mind after your first 12-hour session.
Meanwhile, machine noise is insidious. Manufacturers are generally
indifferent to the noise their equipment makes. The only solutions
(aside from not buying equipment that makes noise – a radical thought,
eh?) are to isolate the machinery in remote “machine rooms” (a
closet?) or to put them in “iso” boxes (containers that hold in the
noise). Iso boxes can be homemade, and you can get away with cheesy and
cheap (how do you spell “cardboard?”), although you may have to make
some provision for cooling air flow. Remote machine rooms seem very
elegant (and at their best, they really are), but they can bring on
infuriating computer problems (when you have to trundle from
keyboard/monitor to CPU, 20 feet back and forth and down on your knees
in the back of the closet, ten times in quick succession!). In the case
of air conditioner fan noise, time sharing may be the best solution –
you run the AC at all times EXCEPT when mixing. That’s what I do –
with a handy remote control I got.
So what’s a reasonable noise floor? I say you’ve got to get below
40 dBA SPL with all the machinery on. That’s not easy to do to
do, but it’s worth trying for. Assuming you can hear audio down to 10
dB below the noise floor, that 40 dBA noise floor gives you a
signal-to-noise ratio of something like 60 dB from the standard
calibrated mix level used by the film industry (85 dBC from one speaker,
as heard at the mix position). This spec will also yield an overall
acoustical dynamic range of approximately 75 dB. Doesn’t sound like
much, I know, but you’ll be surprised by how good it actually is, when
you get there!
Symmetry
Room symmetry is hardly ever mentioned, yet it turns out to be
critically important for the reliable monitoring of stereo images.
Without getting into “why” this should be so, I suggest to you that
it is usually the single most effective thing you can do to make your
control room start sounding really good and turning out decent mixes.
What you want here is “lateral” symmetry, which is to say that both
sides of the control room are identical in shape and materials, that
there is a “median plane” down the middle of the room, and that the
two sides of the room constitute “mirror images” of each other.
Needless to say, the loudspeakers need to also use this median plane
(see below).
Unfortunately, such symmetry by necessity includes furnishings, windows,
etc. The good news is that most rooms are rectangular and rectangular
rooms start out life being symmetrical by definition, at least until you
start adding doors, windows, closets and fireplaces. I generally
recommend that you set up the median plane along the long axis of a
rectangular room. You’ll have to fiddle with furnishings, etc., and
it can be a pain to deal with doors and windows, but you can usually
obtain decent symmetry with a little effort in any rectangular room.
Again, the solutions here are common-sense ones, and you simply are
going to have to both figure out and then negotiate how to get your
layout symmetrical (as in “The bed goes where? Hey listen up, Billy
Bob Rock Star, if the bed goes there guess where I go!? I don’t care
what Dave said!!”)
Early Reflec
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