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Neve Portico 5042 tape emulator and TC M2000 [message #54695] Sun, 14 December 2008 22:25 Go to next message
Deej [5] is currently offline  Deej [5]
Messages: 373
Registered: March 2008
Senior Member
duncan.com" target="_blank">graham@graham
Re: Neve Portico 5042 tape emulator and TC M2000 [message #54700 is a reply to message #54695] Mon, 22 December 2008 21:24 Go to previous messageGo to next message
Graham Duncan is currently offline  Graham Duncan   UNITED STATES
Messages: 147
Registered: December 2008
Senior Member

>
> http://billrobertsaudio.com/mastering.html
> He's got stuff (and ears) that I
Re: Neve Portico 5042 tape emulator and TC M2000 [message #54701 is a reply to message #54700] Tue, 23 December 2008 13:25 Go to previous messageGo to next message
Deej [5] is currently offline  Deej [5]
Messages: 373
Registered: March 2008
Senior Member
can only dream of and so I'm getting my
> mixes right and ftp'ing them to him with peak levels running around -3dB
> on the mix bus. He takes it from there.
>
>
>Excellent condition, works great with Paris.

SPECS/PERFORMANCE:

· Input impedance: AES: 110 ohm, Clock: 75 ohm

· Output impedance: AES: 110 ohm

· External sync range: 32 kHz to 96 kHz

· Internal sample rates: 44.1 kHz, 48 kHz

CONNECTORS:

· AES input: Balanced XLR-3

· Word/Super Clock input: BNC

· Word/Super clock outputs: 6 x BNC

· Power supply: External AC (Lucid PS-3, PS-3E or PS-3J) using 7-pin DIN
connector

$200.00 Email if interested.

Tha
Re: Neve Portico 5042 tape emulator and TC M2000 [message #54705 is a reply to message #54701] Wed, 31 December 2008 14:35 Go to previous message
Graham Duncan is currently offline  Graham Duncan   UNITED STATES
Messages: 147
Registered: December 2008
Senior Member
>
>Hey Kim, are you getting out? What's going on with you bro? I hope all
is
>well.

James,

Paris wise, I was planning to sell it, however it looks as if nobody wants
to buy it anyhow. I decided it isn't the best way for me to work, however
I'm starting to rethink that. In many ways I work better by just using my
GNX-4, however it probably depends what my goal is. If songwriting output
is my priority the GNX-4 is certainly best, however if quality of performance
and recording is my priority Paris works better for me. My current living
arrangements don't really allow me to use Paris anywhere close to it's full
extent however, and I think I'm probably better to focus on songwriting and
composition than on production, nailing a final performance and getting the
perfect mix of it, which is where Paris comes in.

I'm not sure how to answer the "What's going on..." bit at the moment. It's
a bit complicated.

Cheers,
Kim.



Well, that depends how you look at it I guess.I have decided to sell my b
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