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Re: PARIS recorded project released [message #105701 is a reply to message #105690] |
Sun, 10 October 2010 21:01 |
lance
Messages: 47 Registered: December 2008 Location: Hamilton / Trenton / Prin...
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Thanks so much for the feedback guys.
The band I recorded is called "Mouth of Wilson".
The vocalist is Chris Arland. We're all in the Mercer County / Princeton area of NJ.
This is their third or fourth album and they we're very prepared.
That made a big difference in the outcome and for the drums in particular.
The project was mastered by a friend of the band in Wavelab using EQ, C4, L1 / Ultra., and that's about it.
Dimitrios;
There's very little if any compression in my recordings.
Only as an occasional limiter etc. I just keep telling clients "It's all in the fingers, let's make it work." Even with the vocalist, although I did a lot of word by word gain re-writes on some lead vocal tracks.
For transparency; I have Paris Eq high band pass on nearly every channel including the kick drum. I raise the gain on the Paris Eq about to +5 on the kick drum channels (2) Shure beta 52 and Shure beta 91.
Once the mixes are done, I insert no limit on the master bus to simulate ultramaximiser and hear how the reverbs will translate later on in mastering. Then it gets turned off.
On occasion, I insert "Freak Q" on the master bus to add gain. Thing is, over the past few years I've become much better at getting the gain right at the pre's. I don't cut anything "hot" anymore - I push the mixer faders.
The pre's are all Prosonus - 1 M80 8ch, and 1 digimax 8ch using the Paris converters 24 x 48.
I can't thank you guys enough for the help over the years. I've been using PARIS since 1999 and I've needed help from the forum community since the day I installed it..
Thanks again! and rock on,
Lance Reichert
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